Exposing the hysteria and manipulation behind the worst failure of public policy since World War I, this clear-eyed journalist has been a critical source of reason and truth. The product of relentless investigation and research, Pandemia explains how an illness that many people will even never know they had became the occasion for economically ruinous lockdowns and the suppression of personal freedom on a previously unimaginable scale. Dispassionate, factual, and untainted by any agenda other than telling the truth, this is the account that pandemic-weary Americans desperately need.

    From the antebellum practice of shaving the head in an attempt to pass as a "free" person to the 1998 uproar over a White third-grade teacher's reading of the book Nappy Hair, the issues surrounding Black hair linger as we enter the twenty-first century.Tying the personal to the political and the popular, Hair Story takes a chronological look at the culture behind the ever-changing state of Black hair-from fifteenth century Africa to the present-day United States. Hair Story is the book that Black Americans can use as a benchmark for tracing a unique aspect of their history and that people of all races will celebrate as the reference guide for understanding Black hair.

    In these twenty-nine interviews, Said addresses everything from Palestine to Pavarotti, from his nomadic upbringing under colonial rule to his politically active and often controversial life in America, and reflects on Austen, Beckett, Conrad, Naipaul, Mahfouz and Rushdie as well as fellow critics Bloom, Derrida and Foucault. Said speaks here with his usual candour, acuity and eloquence - confirming that he was in his lifetime among the truly most important intellects of our century.

    Now the editors of LIFE have assembled a moving, brilliantly illustrated account of tragedy and triumph. This is about firemen going in amidst the rubble, but it is also about a Frenchman in Paris holding up a sign that says, We are all Americans. This is about our leaders taking charge, but it is also about schoolchildren in Iowa hanging an American flag on a tree in their backyard. Beginning with the history of lower Manhattan, the book explains what happened on September 11, profiles many of the heroes, victims and rescuers (fireman, police, doctors, and rescue dogs among them), and paints an inspiring portrait if a nation and world coming together in sadness, pride and resolve.The book is more than photographs. Explanatory text runs throughout, and the book also includes a selection of original essays about America and September 11, written by such notables as Maya Angelou, Thomas Keneally (Schindlers List), Stephen Ambrose, Melissa Fay Greene (The Temple Bombing), AndreiCodrescu, Gordon Parks, Doug Stanton (In Harms Way), Bob Greene (Duty), James Bradley (Flags of Our Fathers), and others. All profits from the sales of this book will be donated to American Red Cross, September 11th Fund, International Association of Fire Fighters, New York Fraternal Order of Police WTC Fund, The National Organization for Victim Assistance, and The Twin Towers Fund. When Americans think of photographic journalism at its finest, they think of LIFE magazine. This book will draw upon the best photographers employed by TIME, LIFE, PEOPLE and other magazines. Many of the photographers have had their own collections published in book form.

    Only recently have historians begun to recognize the central role women played in the battle for racial equality.In Sisters in the Struggle, we hear about the unsung heroes of the civil rights movements such as Ella Baker, who helped found the Student Non-Violent Coordinating Committee, Fannie Lou Hamer, a sharecropper who took on segregation in the Democratic party (and won), and Septima Clark, who created a network of "Citizenship Schools" to teach poor Black men and women to read and write and help them to register to vote. We learn of Black women's activism in the Black Panther Party where they fought the police, as well as the entrenched male leadership, and the Southern Christian Leadership Conference, where the behind-the-scenes work of women kept the organization afloat when it was under siege. It also includes first-person testimonials from the women who made headlines with their courageous resistance to segregation--Rosa Parks, Charlayne Hunter-Gault, and Dorothy Height.This collection represents the coming of age of African-American women's history and presents new stories that point the way to future study.Contributors: Bettye Collier-Thomas, Vicki Crawford, Cynthia Griggs Fleming, V. P. Franklin, Charlayne Hunter-Gault, Farah Jasmine Griffin, Duchess Harris, Sharon Harley, Dorothy I. Height, Chana Kai Lee, Tracye Matthews, Genna Rae McNeil, Rosa Parks, Barbara Ransby, Jacqueline A. Rouse, Elaine Moore Smith, and Linda Faye Williams.

    What have I sprinkled on my backyard? Is somebody using my home, my food, to recycle toxic waste? It seems unbelievable, outlandish -- but what if it's true? A riveting exposé, Fateful Harvest tells the story of Patty Martin -- the mayor of a small Washington town called Quincy -- who discovers American industries are dumping toxic waste into farmers' fields and home gardens by labeling it "fertilizer." She becomes outraged at the failed crops, sick horses, and rare diseases in her town, as well as the threats to her children's health. Yet, when she blows the whistle on a nationwide problem, Patty Martin is nearly run out of town.Duff Wilson, whose Seattle Times series on this story was a finalist for the Pulitzer Prize, provides the definitive account of a new and alarming environmental scandal. Fateful Harvest is a gripping study of corruption and courage, of recklessness and reckoning. It is a story that speaks to the greatest fears -- and ultimate hope -- in us all.

    Not so with Daphne Gottlieb. In Why Things Burn, Gottlieb tackles sexuality, lesbian issues, rape, urban life, and a host of other topics with the same power of her live performances.

    The plaintiff was an abused runaway named Shirley Wilder who had suffered from the system’s inequities. Wilder, as the case came to be known, was waged for two and a half decades, becoming a battleground for the conflicts of race, religion, and politics that shape America’s child-welfare system.The Lost Children of Wilder gives us the galvanizing history of this landmark case and the personal story at its core. Nina Bernstein takes us behind the scenes of far-reaching legal and legislative battles, but she also traces the life of Shirley Wilder and her son, Lamont, born when Shirley was only fourteen and relinquished to the very system being challenged in her name. Bernstein’s account of Shirley and Lamont’s struggles captures the heartbreaking consequences of the child welfare system’s best intentions and deepest flaws. In the tradition of There Are No Children Here, this is a major achievement of investigative journalism and a tour de force of social observation, a gripping book that will haunt every reader who cares about the needs of children.

    The immensity of these creatures is overwhelming. Fully grown they reach at least thirty-five feet in length and weigh more than thirty tons -- ten times the size of a large elephant. The mother dwarfs our little boat. The calf is nearly one-third her size. With a mere flick of the tail, either whale could overturn us. Eye of the Whale focuses on one great whale in particular -- the coastal-traveling California gray whale. Gray whales make the longest migration of any mammal -- from the lagoons of Baja California to the feeding grounds of the Bering Strait between Alaska and Siberia (nearly 6,000 miles). That the gray whale exists today is nothing short of miraculous. Whaling fleets twice massacred the species to near extinction -- first during the nineteenth century and again during the early part of the twentieth century. As they moved in for the kill, whalers claimed their prey by naming it: "Hard-Head"; "Devil-fish"; "sea-serpent crossed with an alligator." These ominous tags suggest a fearsome creature, yet today the grays are most commonly known as the friendly whale, the species that inspired the whale-watching industry. Eye of the Whale shows the life-changing effect the gray whale has had upon people past and present -- whalers, hunters, marine scientists, whale watchers, and even businessmen -- who have looked into the eye of a whale and have come away transformed. Over the course of this astonishing book, the gray whale emerges as a millennial metaphor, mirroring a host of ecological, political, and social issues concerning our relationship to nature. The book also traces the remarkable story of Charles Melville Scammon, the whaling captain responsible for bringing gray whales to the brink of extinction after discovering the Baja lagoons in the 1850s to 1860s. Paradoxically, he went on to become one of the most renowned naturalist writers of his time, and in 1874 authored and illustrated a still-definitive work, The Marine Mammals of the North-Western Coast of North America. More than a hundred years later, author Dick Russell sets out to track the migration of the gray whale and to retrace Scammon's own path. This epic journey stretches from Mexico to California, Oregon, Washington, Vancouver Island, Alaska, and into Siberia and even remote Sakhalin Island in the Russian Far East. In these exotic locales seethe the current controversies surrounding the gray whale: an effort by Mitsubishi and the Mexican government to build a massive new salt factory within its pristine nursery area; the Makah tribe's renewed hunting of gray whales after a hiatus of seventy years; Japan's recruitment of the Makah and other indigenous peoples in their quest to resurrect commercial whaling. Eye of the Whale is a stunning work of scientific reporting and travel writing that greatly advances our understanding not only of the gray whale but of the natural world. While it may be impossible to know for certain the fate of this majestic creature, with Russell's sage guidance we may glimpse it -- in the eye of the whale.

    Book by book, reader by reader, When I Loved Myself Enough was passed along from friend to friend, shared by parents with their children, and given as a gift at special occasions. As word spread, it's heartfelt honesty and universal truths won it a growing following. It brings to life simple, profound, and undeniable truths: our time on earth is limited, we are never alone, and loving others always begins with loving ourselves. The best way to experience the peace and quiet joy of When I Loved Myself Enough is to:*Read the book in order from page to page*Read to the very endYou will see the simple, illuminating power of this special book.

    This is our mouth on paper, our hearts on our sleeves, our refusal to shut up and swallow our silence. These poems are tough, honest, astute, perceptive, lyrical, blunt, sad, funny, heartbreaking, and true. They shout, they curse, they whisper, and sing. But most of all, they tell it like it is.” –Tony Medina, from the Introduction

    But after Roe v. Wade, their determination to develop a respectable, nonconfrontational movement encouraged many of them to use the word choice--an easier concept for people weary of various rights movements. At first the distinction in language didn't seem to make much difference-the law seemed to guarantee both. But in the years since, the change has become enormously important.In Beggars and Choosers, Solinger shows how historical distinctions between women of color and white women, between poor and middle-class women, were used in new ways during the era of "choice." Politicians and policy makers began to exclude certain women from the class of "deserving mothers" by using the language of choice to create new public policies concerning everything from Medicaid funding for abortions to family tax credits, infertility treatments, international adoption, teen pregnancy, and welfare. Solinger argues that the class-and-race-inflected guarantee of "choice" is a shaky foundation on which to build our notions of reproductive freedom. Her impassioned argument is for reproductive rights as human rights--as a basis for full citizenship status for women.

    Now this classic history is being reissued, with a new foreword byacclaimed biographer Arnold Rampersad.As Rampersad notes, Harlem Renaissance remains an indispensable guide to the facts and features, the puzzles and mysteries, of one of the most provocative episodes in African-American and American history. Indeed, Huggins offers a brilliant account of the creative explosion in Harlem during thesepivotal years. Blending the fields of history, literature, music, psychology, and folklore, he illuminates the thought and writing of such key figures as Alain Locke, James Weldon Johnson, and W.E.B. DuBois and provides sharp-eyed analyses of the poetry of Claude McKay, Countee Cullen, and LangstonHughes. But the main objective for Huggins, throughout the book, is always to achieve a better understanding of America as a whole. As Huggins himself noted, he didn't want Harlem in the 1920s to be the focus of the book so much as a lens through which readers might see how this one moment in timesheds light on the American character and culture, not just in Harlem but across the nation. He strives throughout to link the work of poets and novelists not only to artists working in other genres and media but also to economic, historical, and cultural forces in the culture at large.This superb reissue of Harlem Renaissance brings to a new generation of readers one of the great works in African-American history and indeed a landmark work in the field of American Studies.

    

    Substantially updated, this revised bestseller now contains more recent information on global problems, more effective actions, and many new resources.

    As a student in Atlanta, Vernon Jordan had a summer job driving a white banker around town. During the man's afternoon naps, Jordan passed the time reading books, a fact that astounded his boss. "Vernon can read!" the man exclaimed to his relatives. Nearly fifty years later, Vernon Jordan, long-time civil rights leader, adviser and close friend to presidents and business leaders, remembers the sweeping struggles, changes, and dangers of black life during the civil rights revolution.After attending a predominantly white college in the Midwest and graduating from Howard University Law School, Jordan dedicated himself to the civil rights movement. He led the drive to register black voters in the South and was president of the National Urban League, one of the great civil rights organizations of the era, where he was instrumental in integrating American businesses and providing economic and social support to the expanding black middle class. He survived a white racist's assassination attempt and later became a pillar of America's legal, corporate, and political worlds.But Jordan's life was shaped in his early years, and this book is also a moving testament to the family whose support and courage provided the framework for his achievements. Vernon Can Read! chronicles a life of courage, pride, sacrifice, style, and accomplishment.

    Presents lore relating to the 'latter days' and the Antichrist from various religious traditions. Drawing on the writings of the leading perennialist thinkers Rene Guenon and Frithjof Schuon, sketches the particular quality of spirituality proper to apocalyptic times-both its dangers and the opportunities open to it.