In the dry language of development reports and economic projections, the true misery of the 312 million who live below the poverty line, or the 26 million displaced by various projects, or the 13 million who suffer from tuberculosis gets overlooked. In this thoroughly researched study of the poorest of the poor, we get to see how they manage, what sustains them, and the efforts, often ludicrous, to do something for them. The people who figure in this book typify the lives and aspirations of a large section of Indian society, and their stories present us with the true face of development.

    Defying simplistic conservative and liberal arguments about why the black underclass persists, Dash puts a human face on their struggle to survive despite both disastrous personal choices and almost insurmountable circumstances.The book spans a half-century of hardship, from Rosa Lee Cunningham's bleak early life in the Jim Crow South to her death from AIDS at age fifty-nine. Rosa Lee gave birth to her first child at fourteen, was married at sixteen, and ultimately bore eight children whom she had no legitimate means of supporting. When her welfare checks proved insufficient to feed her family, she turned to prostitution and selling stolen clothes and drugs. Yet Rosa Lee maintained a flickering desire to do what was right. Two of her sons did escape the ghetto to enter mainstream life, and after Dash's series of articles ran in The Washington Post, she made public speeches, hoping to encourage other people to avoid her destructive choices.Rosa Lee is the worthy successor to such works as Jonathan Kozol's Death at an Early Age. It offers no easy answers, but is instead challenging, thought-provoking, and utterly unforgettable.

    Told with 96 pictures by Peter Collington, the master of the wordless story, this is a Christmas treasure the entire family can enjoy."Without a doubt the most original Christmas book of the year not the least because of its surprising yet, in context, fitting combination of the devout and the surreal." -The Horn Book, starred review"The story is sweet, simple and wordless. The illustrations are intricate enough to warrant reading this one over and over." - American Bookseller"an upbeat story to treasure for this and many Christmases to come." - School Library Journal

     Alice O'Connor's poor family lives in the heart of Liverpool's toughest slum. Her bullying father drinks away what little he earns, whilst Nelly, her careworn mother, works when she can and begs when she can't. Since she was five young Alice has also begged in the streets around the docks but she has managed to hold on to the hope of something better, a stubborn optimism that keeps her head held high even in her lowest moments. For Alice knows she has a gift that allows her to rise above the fate that made her life so bitterly hard. Alice O'Connor can sing like an angel... It's a gift that will take her far though it is to Liverpool she will always return. But is it enough to bring her the success she needs - and the love and happiness she so desperately craves?

    In 16 indelible portraits, Urrea illuminates the horrors and the simple joys of people trapped between the two worlds of Mexico and the United States--and ignored by both. The result is a startling and memorable work of first-person reportage.

    As it moves from one labor camp to the next, the little family of four grows into ten. Impermanence and poverty define their lives. But with faith, hope, and back-breaking work, the family endures.

    Pope John Paul II speaks to the need for a fresh enthusiasm for a renewed and revitalized consecrated life.

    This work contains selected important works from every phase of Lange's career and reproduces famous photographs as well as less-familiar images.

    She takes care of the geese who live on the shore of Lake Merritt, and when Fondo shows up there one day, she lets him help. But now the geese are preparing to fly south for the winter, and Fondo says that they've invited him to join them. Is hope enough to accomplish a miracle? Patricia Polacco masterfully intertwines themes of friendship, homelessness, and faith to create a beautiful modern myth.

    Here Adele Lindenmeyr explores how this thinking--and opposition to it--shaped the development of private charity and public welfare in Russia from the eighteenth century to World War I. In recovering a long-forgotten aspect of Russian history, Lindenmeyr offers new insights into major issues debated by historians today: the development of a viable civil society in an autocratic state, the efficacy of central and local government, and Russians' complex reaction to Western ideas. Her book also provides fascinating background to the new flourishing of private charity in post-communist Russia.The first challenges to the ethos of personal charity came from Peter the Great. Influenced by the Western notion that poverty was a vice, he attempted a systematic approach to its eradication. Lindenmeyr traces the course of poor relief from the establishment of the first state welfare institutions to the post-emancipation devolution of responsibility for the needy to local authorities. At the same time, however, almsgiving still thrived, especially among the peasant estate, where personal acts of charity were preferred to a poor tax. Finally, the author shows how hundreds of privately founded charitable societies and institutions also emerged, reflecting educated society's increasing awareness of poverty as a social problem and contributing significantly to the public sphere.

    If you re considering full-time urban ministry, you will want to read this before setting out; if you re already engaged in mission, this is a helpful reminder of the price you pay and the reward you receive.

    In 1991, photographer Nancy McGirr decided to start a project in which the youngsters would photograph their own world with the profits used to allow the children to attend school. For these children, photography has become a door to the future.