In the foothills of the French Alps the narrator meets a shepherd who has quietly taken on the task of planting one hundred acorns a day in an effort to reforest his desolate region. Not even two world wars can keep the shepherd from continuing his solitary work. Gradually, this gentle, persistent man's work comes to fruition: the region is transformed; life and hope return; the world is renewed.

    The story follows the exploits of a Greek: Captain Michalis and his blood brother, Nurey Bey, a Turk, through war, love , friendship, hatred and a backdrop of the island of Crete with all its beauty, drama, joy and sadness. This book was unanimously praised by critics worldwide as the work of a master with characters that come to life and destined to live forever.

    Cross Damon is a man at odds with society and with himself, a man who hungers for peace but who brings terror and destruction wherever he goes.As Maryemma Graham writes in her Introduction to this edition, with its restored text established by the Library of America, "The Outsider is Richard Wright's second installment in a story of epic proportions, a complex master narrative designed to show American racism in raw and ugly terms ... The stories of Bigger Thomas ... and Cross Damon bear an uncanny resemblance to many contemporary cases of street crime and violence. There is also a prophetic note in Wright's construction of the criminal mind as intelligent, introspective, and transformative."In addition to the Introduction by Maryemma Graham, this edition includes a notes section by Arnold Rampersad."

    Apparently 'a fairly ordinary tale about the destruction of a happy marriage' (Nina Bawden) yet 'it makes compulsive reading' in its description of an ordinary family struck by disaster when the husband, in a moment of weak, mid-life vanity, runs off with a French girl. Dorothy Whipple is a superb stylist, with a calm intelligence in the tradition of Elizabeth Gaskell.

    Through pithy and poetic chapter-moments - "spring landscape: detail," "death of grandmother," "first beau," "low yellow," "everybody will be surprised" - Maud Martha grows up, gets married, and gives birth to a daughter. Maud Martha, a gentle woman with "scraps of baffled hate in her, hate with no eyes, no smile..." who knows "while people did live they would be grand, would be glorious and brave, would have nimble hearts that would beat and beat," is portrayed with exquisitely imaginative and tender detail by Gwendolyn Brooks, the first African-American to win a Pulitzer Prize

    The one book Black Lizard never published, it's the dream-like tale of a man after a jailbreak, who meets up with the woman of his dreams... and his nightmares. Phenomenal work of the period, ranking with the best efforts of Thompson, Woolrich, Goodis et al.

    This best-selling novel, first published in 1953 to wide acclaim by author Grubb, (who like Powers lived in Clarksburg, West Virginia), served as the basis for Charles Laughton's noir classic . Renamed "Harry Powell," the lead character in this book, with LOVE and HATE tattooed on his fingers, is remembered as one of the creepiest men in book and cinema history.

    With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves.

    Merciless in its suspense, flawless in its grasp of the ways in which ordinary people hurtle over the edge, The Hot Spot is a superb example of fifties roman noir.

    Hartley's finest novel, encounters a world of unimagined luxury. But when his friend's beautiful older sister enlists him as the unwitting messenger in her illicit love affair, the aftershocks will be felt for years. The inspiration for the brilliant Joseph Losey/Harold Pinter film starring Julie Christie and Alan Bates, The Go-Between is a masterpiece—a richly layered, spellbinding story about past and present, naiveté and knowledge, and the mysteries of the human heart. This volume includes, for the first time ever in North America, Hartley's own introduction to the novel.

    There's Janie, who moves things without touching them, and there are the teleporting twins, who can travel ten feet or ten miles. There's Baby, who invented an antigravity engine while still in the cradle, and Gerry, who has everything it takes to run the world except for a conscience. Separately, they are talented freaks. Together, they compose a single organism that may represent the next step in evolution, and the final chapter in the history of the human race.In this genre-bending novel - among the first to have launched scifi into the arena of literature - one of the great imaginers of the twentieth century tells a story as mind-blowing as any controlled substance and as affecting as a glimpse into a stranger's soul. For as the protagonists of More Than Human struggle to find who they are and whether they are meant to help humanity or destroy it. Theodore Sturgeon explores questions of power and morality, individuality and belonging, with suspense, pathos, and a lyricism rarely seen in science fiction.

    MacDonald, the mastermind behind Cape Fear and the Travis McGee novels. On the coast of Florida, a working stiff is wrongfully accused of murdering his boss—and must outwit one of MacDonald’s signature villains to save his life.Introduction by Dean KoontzA college graduate and amateur fisherman, Andy McClintock is stuck toiling in the office of a construction company. But when Andy tries to quit, his boss offers him a promotion and a raise—and then promptly kills himself with a harpoon gun. At least, that’s what it looks like, until the police rule it homicide—with the murder weapon belonging to Andy.The harpoon gun had been stolen out of Andy’s garage, and the boss’s wife makes the outrageous claim that she and Andy were having an affair. He’s been set up. To clear his name, he’ll have to find the real killer. But Andy soon discovers that he’s up against more than a two-bit thief—he’s been targeted by absolute evil, a monster with no compassion for his fellow man.Praise for John D. MacDonald and Dead Low Tide“John D. MacDonald was the great entertainer of our age, and a mesmerizing storyteller.”—Stephen King“The writing is marked by sharp observation, vivid dialogue, and a sense of sweet warm horror.” —The New York Times “To diggers a thousand years from now, the works of John D. MacDonald would be a treasure on the order of the tomb of Tutankhamen.”—Kurt VonnegutFrom the Trade Paperback edition.

    Set in the 1950s, this unforgettable classic deftly evokes a tragic love affair and offers a window onto the powerful ways in which class, race, and love intersected in midcentury America.

    He is graphic, at times brilliantly so, but never brutal or bitter. He is, too, a first rate storyteller' - Washington PostConvicted of deserting the German army, Sven Hassel is sent to a penal regiment on the Russian Front. He and his comrades are regarded as expendable, cannon fodder in the battle against the implacable Red Army. Outnumbered and outgunned, they fight their way across the frozen steppe...This iconic anti-war novel is a testament to the atrocities suffered by the lone soldier in the fight for survival.Sven Hassel's unflinching narrative is based on his own experiences in the German Army. He began writing his first novel, Legion of the Damned in a prisoner of war camp at the end of World War Two.

    Heartsnatcher is Boris Vian's most playful and most serious work. The main character is Clementine, a mother who punishes her husband for causing her the excruciating pain of giving birth to three babies. As they age, she becomes increasingly obsessed with protecting them, going so far as to build an invisible wall around their property.

    Set in the years leading up to World War II, it is the fictionalized account of the time spent in Mallorca by the author and his wife, who experience the most unpredictable and surreal adventures, pursued all the while by Nazis and Francoists. And just as the chaos comes to seem manageable, the Spanish Civil War erupts. Drawing comparisons to Don Quixote and The Man Without Qualities, The Island of Second Sight is a novel of astonishing and singular richness of language and purpose. At once ironic and humanistic, hilarious and profoundly serious, philosophical and grotesque, The Island of Second Sight is a literary tour de force.Praise for The Island of Second Sight"A masterpiece...Fabulous in all senses of the word." —Iain Bamforth, Times Literary Supplement"A genuine work of art." —Paul Celan"[The Island of Second Sight] is comparable in profundity as well as in complexity to Mann's own Magic Mountain. It is in a class with two other massive German masterpieces...: Hermann Broch's The Death of Virgil and Robert Musil's The Man Without Qualities." —Allen Guttmann, Amherst Magazine"There is a widely held misconception that Germans have no sense of humor. Here is evidence to the contrary as Thelen, belatedly, through his translator, gets a chance to show the English speaking world." —Anthea Bell, Literary Review

    The Lost Steps describes his search, his adventures, and the remarkable decision he makes in a village that appears to be truly outside history.

    His family happens to be a gang of burglars. Now Nat has met a woman so hypnotically seductive that he will leave his partners and his trade to possess her. But you don't get away from family that easily.The Burglar has the hallmarks that made David Goodis one of the great practitioners of the hard-boiled crime novel: a haunting identification with life's losers, and a hero who finds out who he is only by betraying everything he believes in.

    WATT was the beginning of Samuel Becket's post-war literary career, the fruition of the years in hiding in the Vaucluse mountains from the Gestapo, which also largely inspired WAITING FOR GODOT. But it remains, unlike the work that followed it, extremely Irish, a philosophical novel full of the grim humour that was already his trade-mark in such earlier fictions as MORE PRICKS THAN KICKS and MURPHY. The perambulations of WATT, especially in the home of the eccentric Mr. Knott, and the sketching of logic to elicit meaning, must be among the most comic inventions of modern literature. First published by the libertine Olympia Press in 1953, it has established itself as one of the most quoted and best-loved of Becket's novels. The typographical oddities and omissions are as Beckett left the text.

    Vonnegut’s absolute familiarity with science fiction tropes and his mocking contempt for them are well displayed in a story which shifts between tragic cartoon and straightforward projection. His highly evolved humans in an indeterminate future have become body-transcending spirits and Vonnegut handles this vaporous situation with deadpan comedy suspended over unspeakable loss, a characteristic technique. In its fluidity--the story is parody masked as extrapolation; no, it is a horror story in the form of a parody. This kind of cross-category narrative attack was often used by Vonnegut and makes him difficult to label; he is too serious to be funny, too absurd (as in jailbreak or as in the concept of Billy Pilgrim’s alien Tralmalfadorians) to be taken as realism. Vonnegut when he wrote this story at 30 was still trying to find his voice, identify his material; as a laboratory of his enveloping subject matter and technique UNREADY TO WEAR is particularly interesting and disturbing, demonstrating that Vonnegut could have gone in any number of directions and perhaps by deliberately failing to make a decision, found his voice through indeterminacy. It is as a poet of indeterminacy then that Vonnegut went on to write his most famous novel, SLAUGHTERHOUSE-FIVE.ABOUT THE AUTHORKurt Vonnegut (1922-2007) is one of the most beloved American writers of the twentieth century. Vonnegut's audience increased steadily since his first five pieces in the 1950s and grew from there. His 1968 novel Slaughterhouse-Five has become a canonic war novel with Joseph Heller's Catch-22 to form the truest and darkest of what came from World War II.Vonnegut began his career as a science fiction writer, and his early novels--Player Piano and The Sirens of Titan--were categorized as such even as they appealed to an audience far beyond the reach of the category. In the 1960s, Vonnegut became closely associated with the Baby Boomer generation, a writer on that side, so to speak.Now that Vonnegut's work has been studied as a large body of work, it has been more deeply understood and unified. There is a consistency to his satirical insight, humor and anger which makes his work so synergistic. It seems clear that the more of Vonnegut's work you read, the more it resonates and the more you wish to read. Scholars believe that Vonnegut's reputation (like Mark Twain's) will grow steadily through the decades as his work continues to increase in relevance and new connections are formed, new insights made.ABOUT THE SERIESHorace Gold led GALAXY magazine from its first issue dated October 1950 to science fiction’s most admired, widely circulated and influential magazine throughout its initial decade. Its legendary importance came from publication of full length novels, novellas and novelettes. GALAXY published nearly every giant in the science fiction field.The Galaxy Project is a selection of the best of GALAXY with new forewords by some of today’s best science fiction writers. The initial selections in alphabetical order include work by Ray Bradbury, Frederic Brown, Lester del Rey, Robert A. Heinlein, Damon Knight, C. M. Kornbluth, Walter M. Miller, Jr., Frederik Pohl, Robert Scheckley, Robert Silverberg, William Tenn (Phillip Klass) and Kurt Vonnegut with new Forewords by Paul di Filippo, David Drake, John Lutz, Barry Malzberg and Robert Silverberg. The Galaxy Project is committed to publishing new work in the spirit GALAXY magazine and its founding editor Horace Gold.

    A dystopian novel set in a perversely benevolent future in which an attempt is made to remould the identity of a so-called heretic, Professor Burden, who had, up until then, regarded himself as a loyal citizen of the State.

    Lefthander Henry Wiggen, six feet three, a hundred ninety-five pounds, and the greatest pitcher going, grows to manhood in a right-handed world. From his small-town beginnings to the top of the game, Henry finds out how hard it is to please his coach, his girl, and the sports page—and himself, too—all at once. Written in Henry’s own words, this exuberant, funny novel follows his eccentric course from bush league to the World Series. Although Mark Harris loves and writes tellingly about the pleasures of baseball, his primary subject has always been the human condition and the shifts of mortal men and women as they try to understand and survive what life has dealt them. This new Bison Books edition celebrates the fiftieth anniversary of the publication of The Southpaw. In his introduction to this edition, Mark Harris discusses the genesis of the novel in his own life experience. Also available in Bison Books editions are The Southpaw, It Looked Like For Ever, and A Ticket for a Seamstitch, the other three volumes in the Henry Wiggen series.

    . . It was only cheap glass, a fraud, a come-on for the suckers who paid Doc Magus to gaze into its depths and tell them tomorrow would be better. And Doc--a decent man, a smart man--pitied them. Yet tonight, even Doc had to believe the Madball. There was nothing left to lead him to the money--enough money to spring him free of the raucous, sordid world of the pitchmen and the pickled punks, the cotton candy and the kewpie dolls--and the belly dancers who needed him for all-night alibis.Doc was shrewd, but not quite shrewd enough. Someone else knew about the $42,000--a specialist in death, who was only yards away. . .MADBALL is a novel of one traveling show, and of the lives of its carneys, who live to close to the edge of frenzy.

    I cannot promise the reader that at any point he will shake his sides with laughter, but I can promise him a wry pleasure to be derived from the skilful dissection of folly.” Bertrand Russell Professor Mmaa’s Lecture, given to a packed auditorium, deals with the habits, mentality and culture of Homo sapiens. But both the professor and his entire audience are termites; the whole story is set inside a termite mound.Naturally, Themerson’s attempt to comprehend humankind by examining how they would have been understood by insects is very funny. Termites have no sight, just a sense of smell, and can only explain their surroundings and lives through their insects’ angle on the world. The closing scene of the novel reveals what the termites have been researching and what has happened to their mound, giving the whole story an ironic twist.But this novel has much more to offer. Themerson’s heightened expertise and instinct for parodying the language and methods of scholarship, and the morals and manners of the academic world, produces a merciless and comical survey of philosophical views and attitudes. He pillories religion, language, reason and scholarship, as insect thinkers with suspiciously familiar names scuttle through the pages of the novel. A great many cases of dogmatic thinking and narrow-mindedness are exposed to ridicule. The only path that seems to earn the author’s approval is pluralism of ideas. You can see just why Bertrand Russell calls this novel a useful gospel for sceptics.Professor Mmaa’s Lecture is in the tradition of philosophical satire, whose most famous proponents are Voltaire and Swift, and is a rare incidence of light yet deep prose that can be read with great pleasure on several levels.

    Wodehouse has long stood in the forefront of contemporary writers. His name and characters have become part of the English language. Yet there are few modern authors about whom less is known or more is speculated. A gentle, unassuming man, he has sidestepped personal publicity where he could, preferring to retire to quiet backwaters where he could devote himself to his two life interests- reading and writing. And much of his writing at such moments took the form of personal letters to friends- gay, self revealing documents that disclosed better than the pen of any biographer the true nature of the man. Bill Townend- a friend of his boyhood days- was among the most regular of his correspondents, and this volume comprises a selection of the letters Wodehouse wrote to him over a period of more than thirty years. Beginning in the days when he was still struggling for recognition, the letters bridge the years to the present day. Shrewd and often deliciously funny, they tell of the people he meets, the books he is reading, and reveal the infinite care which goes into writing, rewriting and polishing of each new work that comes from his pen. The war years, life inside a German prison camp, his release from internment and the repercussions to the broadcasts he made from Germany to America form an important side of the book. Then come the post war years which show him working as prodigiously as ever, in his seventieth year.

    But this is not a Mormon story.It is the story of Dorney Leaf, who comes to Salt Lake City as a girl of fourteen to live with her much older sister Madge and Madge's spoiled and selfish daughter. Through the magic of her warm and loving nature Dorney transforms the drudgery of her daily existence into a dream world where anything might happen. She lives for the day the famous outlaw, Butch Cassidy, will come and carry her off on his black horse. To Dorney, all things are possible, so it is wonderful but hardly surprising that she should find herself working for the Queen of Salt Lake City, that the handsome young professor from New York should constitute himself as her friend and benefactor, or even her hero, the great Butch Cassidy, should come to Madge's house to find her.This is a romantic fantasy played against a background that is rich and warm and down-to-earth. Dorney is more than a Cinderella, she is an eager, appealing and very human girl and no one can read about her without loving her.

    He is a drunk, and she is purposefully wasting away - but between them there is an intimacy of desperation.

    Translation of: Aus dem Leben eines Fauns.

    The choices made by each generation parallel one another, distinctly marked by the passage of time--though the patriarch remains in New York, the second David becomes a missionary in India himself, while his own son, Ted, goes even further, opting to live in a remote village--and these choices come with unforeseen sacrifices. Nor does their religious journey necessarily mean any growing harmony with their surroundings--something that is powerfully brought home when Ted refuses to let his daughter marry across racial lines.

    Friends beg her to go back to the security of Camberley. But the aunt who knows her best says, "Sophie will do as she likes. She always does." What she likes, in this case, is to stay in India --- and not the Westernized India either, but in a tiny villa in the beautiful Vale of Kashmir. Sophie is determined to make a home in this Eden, and to live with the Indians and like it. Pundit Pramatha Kaul, her wise landlord, shakes his head. Profit David, her merchant friend, warns her. But Sophie remains unruffled.Then matters quietly begin to go wrong...~ synopsis from dustjacket (abridged)

    Midge stayed on. While the war lasted Mrs. Custance had accepted her as part of the war-effort; it was only in the past year or two that Mrs. Midge had been transferred to the category which Mrs. Custance described as "people we could manage without."Elizabeth Fair’s rollicking second novel takes place in Little Mallin, where village life is largely dominated by preparations for the August Festival. Out of such ordinary material Fair weaves a tale of conflict, scheming, misunderstanding — and of course romance.Among the villagers are a vicar dreaming of ancient Greece; his wife, largely concerned with getting their daughter married off; the melancholic Colonel Ashford; the eccentric Eustace Templer and his nephew; not to mention Mrs. Midge and her delicate son. The author said the novel was meant for people who "prefer not to take life too seriously." Compton Mackenzie said it was "in the best tradition of English humour."Furrowed Middlebrow is delighted to make available, for the first time in over half a century, all six of Elizabeth Fair’s irresistible comedies of domestic life. These new editions all feature an introduction by Elizabeth Crawford.

    At night he hears only the sound of death in the distant rumble from the mountain. The relationships which have previously defined his life - with his son, his wife, and his attractive daughter-in-law - are dissolving, and Shingo is caught between love and destruction. Lyrical and precise, The Sound of the Mountain explores in immaculately crafted prose the changing roles of love and the truth we face in ageing.

    As Helen comes of age, so does her awareness grow of the African life around her. Her involvement, as a bohemian student, with young blacks leads her into complex relationships of emotion and action in a culture of dissension. About the Author: Nadine Gordimer Nadine Gordimer was born in Springs, in South Africa in 1923. She was educated at a convent school and spent a year at Witwaterstrand University. Since then, her life has been devoted to her writing. Her first novel, The Lying Days (1953), was based largely on her own life and set in her home town. In 1974, her novel The Conservationist, was joint winner of the Booker Prize for Fiction. Nadine Gordimer has been awarded fifteen honorary degrees from universities in USA, Belgium, South Africa, and from York, Oxford and Cambridge Universities. She was made a Commandeur de l'Ordre des Arts et des Lettres, and was judge of the Man Booker International Prize in 2007. She was also a founder of the Congress of South African Writers. In 1991 she was awarded the Nobel Prize for Literature, and in 2007, the Chevalier de la Legion d'Honneur.

    ForewordFrom: In our time: Big Two-Hearted River The torrents of springThe sun also rises From: A farewell to arms: The retreat from Caporetto; StresaStories: A way you'll never be; Fifty grand; A clean well-lighted place; The light of the world; After the stormFrom: Death in the afternoon: The bullfight; The last chapterFrom: Green hills of Africa: Chapter 1From: To have & have not: One trip across From: For whom the bell tolls: Sordo's standStories: The short happy life of Francis Macomber; The capital of the world; The snows of Kilimanjaro; Old man at the bridge; The fable of the good lionFrom: Across the river & into the trees: Venice & the VenetoFrom: The old man and the sea: The fight with the sharks

    Susan's friendship with Larry, the glamorous wife of a local farmer, is one of the things that keeps her going during tough times.

    Once there, she was responsible for the destruction of two Italian cruisers and played a pivotal part in Operation Pedestal, the convoy that saved Malta from surrender. Alastair Mars writes simply and without pretension, and his words evoke the claustrophobic yet heroic world of the submariner.

    After seven of prison, of not being a stoolie. But now his old gang has caught up to him. And they're not taking any chances. Riker, the gang's leader, stole Ken's gorgeous wife and now he wants to take his life. But Ken's chance upon a woman—a scarred, damaged woman. A woman with an opium addiction. A woman who may be the only hope that Ken Rockland has.

    Inscribed by Bill Manchester to Annie Dillard when they both taught creative writing and the author has also drawn a creative little figure for Annie.

    And John Wilson was a cinematic genius sent dangerously out of control by the madness of Africa itself. The human cost would be awesome, reflecting the tragic legacy for Africa of the white man's ignorance, arrogance...and passion.

    He was an executive in a small manufacturing company and had attended college. His family was one of the oldest in town. He lived in a handsome new house with his good-looking wife and fine son and went regularly to the best country club. His son's lack of interest in becoming a businessman was perhaps his only worry. What drove him, then to a cold-blooded, carefully concealed act of violence? What was it in his life or the life around him, that compelled him to retreat from the twentieth century?