Earbrass begins writing his new novel. Weeks ago he chose its title at random from a list of them he keeps in a little green note-book. It being tea-time of the 17th, he is alarmed not to have thought of a plot to which The Unstrung Harp might apply, but his mind will keep reverting to the last biscuit on the plate. So begins what the Times Literary Supplement called "a small masterpiece." TUH is a look at the literary life and its "attendant woes: isolation, writer's block, professional jealousy, and plain boredom." But, as with all of Edward Gorey's books, TUH is also about life in general, with its anguish, turnips, conjunctions, illness, defeat, string, parties, no parties, urns, desuetude, disaffection, claws, loss, trebizond, napkins, shame, stones, distance, fever, antipodes, mush, glaciers, incoherence, labels, miasma, amputation, tides, deceit, mourning, elsewards. You get the point. Finally, TUH is about Edward Gorey the writer, about Edward Gorey writing The Unstrung Harp. It's a cracked mirror of a book, and it's dedicated to RDP or Real Dear Person.

    By the late 40's Kelly had transformed Pogo into a newspaper strip. The first of 45 books, simply titled Pogo, was released in 1951. This was quickly followed by I Go Pogo, Uncle Pogo's So-So Stories, The Pogo Papers, and The Pogo Stepmother Goose.

    It is the chronicle of a six months collecting trip to the West African colony of British Cameroon - now Cameroon - (Dec 1947 - Aug 1948) - that Durrell made with the highly regarded aviculturist and ornithologist John Yealland.Their reasons for going on the trip were twofold: "to collect and bring back alive some of the fascinating animals, birds, and reptiles that inhabit the region," and secondly, for both men to realise a long cherished dream to see Africa.Its combination of comic exaggeration and environmental accuracy, portrayed in Durrell's light, clever prose, made it a great success. It launched Durrell's career as a writer of both non-fiction and fiction, which in turn financed his work as a zookeeper and conservationist.The Bafut Beagles and A Zoo in My Luggage are sequels of sorts, telling of his later returns to the region.

    Beethoven is here, along with Liszt, Mahler, Schumann, Strauss, Tchaikovsky, and Wagner -- all of whom were skewered by the critics at some point in their careers. No classical music lover (or hater!) will want to live without it.

    It is the custom to pay one dollar per copy and it is hoped the trend will continue. If you find yourself in need, however, and must resort to that vanishing but basic flower of human ingenuity, the Clean Getaway, we forgive you and trust you to mail in the money at some late date when the dice have rolled in the right direction.

    Lorimer's quiet content. ... Both wrote; each admired the other's work. Lucy possessed what Gray knew she herself would never have, a quality which for want of a better name she called "saleability."In what is surely Molly Clavering's most autobiographical novel, two middle-aged women writers, close friends and neighbours, offer one another advice and support while navigating life in a lively Border village. Lucy Lorimer, the more successful author, with her four children, in-laws, and grandchildren gathered for a summer reunion, must try to avert disaster in one daughter's marriage, help a daughter-in-law restless with mundane married life after flying planes in the war, and deal with the awkward reappearance of an old flame. Unmarried Grace ('Gray') Douglas, meanwhile, has struggles of her own, but is drawn delightfully into her friend's difficulties.In real life, Molly Clavering was herself for many years a neighbour and close friend of bestselling author D.E. Stevenson. First published in 1953, Mrs. Lorimer's Quiet Summer is not only an irresistible family story, but undoubtedly provides some indication of the inspiring friendship between these two brilliantly talented women. This new edition includes an introduction by Elizabeth Crawford.

    Will take 25-35 days

    Featuring a new Introduction written by Lillian Ross, a friend and colleague of Thurber's from The New Yorker, this volume gathers together 26 humorous pieces on themes varying from relationships between men and women to Thurber's correspondence with his publishers.

    But the writer possessed another side, one which is delightfully exposed in this hilariously charming memoir of her family's life in rural Vermont. Fans of Please Don't Eat the Daisies, Cheaper by the Dozen, and anything Erma Bombeck ever wrote will find much to recognize in Shirley Jackson's home and neighborhood: children who won't behave, cars that won't start, furnaces that break down, a pugnacious corner bully, household help that never stays, and a patient, capable husband who remains lovingly oblivious to the many thousands of things mothers and wives accomplish every single day."Our house," writes Jackson, "is old, noisy, and full. When we moved into it we had two children and about five thousand books; I expect that when we finally overflow and move out again we will have perhaps twenty children and easily half a million books." Jackson's literary talents are in evidence everywhere, as is her trenchant, unsentimental wit. Yet there is no mistaking the happiness and love in these pages, which are crowded with the raucous voices of an extraordinary family living a wonderfully ordinary life.

    

    

    Rich tells about being a widowed mother of two children, from the time they lived in the wilderness of the North Woods, through their days in a small town where they moved when the kids were of school age, up to their move back home to Bridgewater, Mass.

    Treatise on practical joking based on contributions received by author mostly from Americans.

    Susan's friendship with Larry, the glamorous wife of a local farmer, is one of the things that keeps her going during tough times.