Accompanying an 8-part BBC series and written by the three presenters who spend a year living on a reconstructed farm from the era, Wartime Farm sets these changes within a historical context and looks at the day-to-day life of that time. Exploring a fascinating chapter in Britain's recent history, we see how our predecessors lived and thrived in difficult conditions with extreme frugality and ingenuity. From growing your own vegetables and keeping chickens in the back yard, to having to 'make do and mend', many of the challenges faced by wartime Britons have resonance today. Fascinating historical detail and atmospheric story-telling make this a truly compelling read.

    The look and feel of Shakespeare's London, the streets, shops, and churches the poet would have visited; the bookstalls where he found source material; the objects that appeared on his stages or sparked his imagination--what were they like? Shakespeare: Staging the World presents an extraordinary collection of objects that evoke London in 1612, bringing to life not only Shakespeare the man, but also the characters, places, and events--real and imagined--featured in his plays. Jonathan Bate and Dora Thornton give readers a visual tour of Renaissance London, letting us glimpse the time and place through a series of objects that speak volumes about Shakespeare's day. Simon Forman's diary of 1611 provides a vivid account of attending a contemporary performance of A Winter's Tale; a dagger fished from the Thames gives new resonance to the gang violence of Romeo and Juliet; Henry V's saddle, helm, and shield--medieval relics that would have been a familiar sight in Westminster Abbey to Shakespeare's fellow Londoners--recall the history plays and their examination of the nature and conduct of war; and Guy Fawkes's lantern illustrates the Catholic counterculture revealed through the failed Gunpowder Plot, which later provided the inspiration for Macbeth. Authoritative, evocative, and filled with surprises, Shakespeare: Staging the World offers a completely new approach to one of the most creative imaginations in history and opens a window onto a fascinating moment in London's past.

    This exotic wood, imported from the West Indies and Central America, quickly displaced local furniture woods as the height of fashion. Over the next century, consumer demand for mahogany set in motion elaborate schemes to secure the trees and transform their rough-hewn logs into exquisite objects. But beneath the polished gleam of this furniture lies a darker, hidden story of human and environmental exploitation."Mahogany" traces the path of this wood through many hands, from source to sale: from the enslaved African woodcutters, including skilled "huntsmen" who located the elusive trees amidst dense rainforest, to the ship captains, merchants, and timber dealers who scrambled after the best logs, to the skilled cabinetmakers who crafted the wood, and with it the tastes and aspirations of their diverse clientele. As the trees became scarce, however, the search for new sources led to expanded slave labor, vicious competition, and intense international conflicts over this diminishing natural resource. When nineteenth-century American furniture makers turned to other materials, surviving mahogany objects were revalued as antiques evocative of the nation's past.Jennifer Anderson offers a dynamic portrait of the many players, locales, and motivations that drove the voracious quest for mahogany to adorn American parlors and dining rooms. This complex story reveals the cultural, economic, and environmental costs of America's growing self-confidence and prosperity, and how desire shaped not just people's lives but the natural world.

    an elegant summary of complex theory, and synthesis of an impressive body of material. It will be eagerly read by current and future generations of archaeologists, and will demonstrate the significance of historical archaeology to a much wider scholarly audience.- Dr Kate Giles, University of York. The aim of this book is to explore how medieval life was actually lived - how people were born and grew old, how they dressed, how they inhabited their homes, the rituals that gave meaning to their lives and how they prepared for death and the afterlife. Its fresh and original approach uses archaeological evidence to reconstruct the material practices of medieval life, death and the afterlife. Previous historical studies of the medieval -lifecycle- begin with birth and end with death. Here, in contrast, the concept of life course theory is developed for the first time in a detailed archaeological case study. The author argues that medieval Christian understanding of the -life course- commenced with conception and extended through the entirety of life, to include death and the afterlife. Five thematic case studies present the archaeology of medieval England (c.1050-1540 CE) in terms of the body, the household, the parish church and cemetery, and the relationship between the lives of people and objects. A wide range of sources is critically employed: osteology, costume, material culture, iconography and evidence excavated from houses, churches and cemeteries in the medieval English town and countryside. Medieval Life reveals the intimate and everyday relations between age groups, between the living and the dead, and between people and things. Roberta Gilchrist is Professor of Archaeology at the University of Reading.

    The unexpected circumnavigation of the ordinary unerringly gets to the heart of the matter. Bringing a diverse range of material into play, from fifteenth-century Japanese Zen Buddhism to how we look at paintings, and from the nature of a briefcase to the ancient nest-sites of gyrfalcons, Chris Arthur reveals the extraordinary dimensions woven invisibly into the ordinary things around us.  Compared to Loren Eiseley, George Eliot, Seamus Heaney, Aldo Leopold, V. S. Naipaul, W. G. Sebald, W. B. Yeats, and other literary luminaries, he is a master essayist whose work has quietly been gathering an impressive cargo of critical acclaim. Arthur speaks with an Irish accent, rooting the book in his own unique vision of the world, but he addresses elemental issues of life and death, love and loss, that circle the world and entwine us all.

    However, as the groundbreaking essays in Knowing Nature demonstrate, the examination of nature stimulated not only forms of artistic production traditionally associated with scientific practice of the day, but processes of making not ordinarily linked to science. The often surprisingly intimate connections between and among these creative activities and the objects they engendered are explored through the essays in this book, challenging the hierarchy that is generally assumed to have been at play in the study of nature, from the natural sciences through the fine and decorative arts, and, ultimately, popular and material culture. Indeed, the many ways in which the means of knowing nature were reversed—in which artistic and artisanal culture informed scientific interpretations of the natural world—forms a central theme of this pioneering publication.

    More than one million people visit Mount Vernon each year—drawn to the stature and beauty of Washington’s family estate.Art historian Joseph Manca systematically examines Mount Vernon—its stylistic, moral, and historical dimensions—offering a complete picture of this national treasure and the man behind its enduring design. Manca brings to light a Washington deeply influenced by his wide travels in colonial America, with a broader architectural knowledge than previously suspected, and with a philosophy that informed his aesthetic sensibility. Washington believed that design choices and personal character mesh to form an ethic of virtue and fulfillment and that art is inextricably linked with moral and social concerns. Manca examines how these ideas shaped the material culture of Mount Vernon.Based on careful study of Washington’s personal diaries and correspondence and on the lively accounts of visitors to his estate, this richly illustrated book introduces a George Washington unfamiliar to many readers—an avid art collector, amateur architect, and leading landscape designer of his time.

    This collection illustrates how ideas of the popular and the feminine were assumed to be equally naturally intertwined in the eighteenth century, and the ways in which that association facilitates the ongoing trivialization of both.Top scholars in eighteenth-century studies examine the significance of the parallel devaluations of women's culture and popular culture by looking at theatres and actresses; novels, magazines, and cookbooks; and populist politics, dress, and portraiture. They also assess how eighteenth-century women have been re-imagined in contemporary historical fiction, films, and television, from the works of award-winner Beryl Bainbridge to Darcymania and Pride and Prejudice and Zombies. By reconsidering the cultural and social practices of eighteenth-century women, this fascinating volume reclaims the ostensibly trivial as a substantive cultural contribution.