"The best book on the dope decade." -- "NY Times Book Review"

    Its graphic depictions of sex, violence, and drug abuse in the youth culture of Oklahoma were acclaimed by critics for stripping bare the myth that Middle America had been immune to the social convulsions that rocked America in the 1960s. The raw, haunting images taken in 1963, 1968, and 1971 document a youth culture progressively overwhelmed by self-destruction -- and are as moving and disturbing today as when they first appeared. Originally published in a limited paperback version and republished in 1983 as a limited hardcover edition commissioned by the author, rare-book dealers sell copies of this book for more than a thousand dollars. Now in both hardcover and paperback editions from Grove Press, this seminal work of photographic art and social history is once again available to the general public.

    Daley, politician and self-promoter extraordinaire, from his inauspicious youth on Chicago's South Side through his rapid climb to the seat of power as mayor and boss of the Democratic Party machine. A bare-all account of Daley's cardinal sins as well as his milestone achievements, this scathing work by Chicago journalist Mike Royko brings to life the most powerful political figure of his time: his laissez-faire policy toward corruption, his unique brand of public relations, and the widespread influence that earned him the epithet of "king maker." The politician, the machine, the city--Royko reveals all with witty insight and unwavering honesty, in this incredible portrait of the last of the backroom Caesars.New edition includes an Introduction in which the author reflects on Daley's death and the future of Chicago.

    It is also the tale of a long weekend road trip that has gone down in the annals of American pop culture as one of the strangest journeys ever undertaken.

    Vance. He hadbeen her captain for ninety-nine days. The dispute over what happened aboard the Vance during those three months grew into one of the major controversies in the United States Navy in over a decade -- "The Arnheiter Affair." This is the engrossing story.

    The series has explored all the major aspects of photography: the technology of equipment; the techniques of taking pictures; developing film and making prints; photographic history; and the esthetics of photography as an art form.

    For several hours, the U.S. embassy in Saigon itself came under siege by Viet Cong soldiers. Militarily, the offensive was a failure, as the North Vietnamese Army and its guerrilla allies in the south suffered devastating losses. Politically, however, it proved to be a crucial turning point in America's involvement in Southeast Asia and public opinion of the war. In this classic work of military history and war reportage—long considered the definitive history of Tet and its aftermath—Don Oberdorfer moves back and forth between the war and the home front to document the lasting importance of this military action. Based on his own observations as a correspondent for the Washington Post and interviews with hundreds of people who were caught up in the struggle, Tet! remains an essential contribution to our understanding of the Vietnam War.

    Selections

    A new introductory chapter offering an overall view of the history of economics and a bibliographic survey of the economic literature of the 1980s and early 1990s have been added. Maintaining the link between economics and the humanities, Spiegel’s text will continue to introduce students to a wide range of topics in the history of economic thought.From reviews of previous editions:“The history of economic thought to end all histories of economic thought.”—Robert D. Patton, Journal of Economic Literature“The book is in the grand tradition of the history of doctrines. It is a history of economic thought broadly conceived—and superbly written to boot. It is not to much to say that Spiegel’s book will become and remain a leading text in the field.”—Warren J. Samuels, Social ScienceThe author conveys the essence of an idea simply and clearly, yet in a graceful style.”—William F. Kennedy, Journal of Economic Literature

    

    Wry humor, deadpan delivery, and ironic insight reflect both the shattered innocence and conflicted patriotism of a generation and the definitive tone that has come to represent the 1960s in contemporary culture. Journalistic detail and narrative development of each week's events challenge traditional patriotic images and speak to the current debates of political and military authoritarianism.