An overview of the life and work of artist Mark Rothko, this volume exhibits his mythological content, simple flat shapes, and imagery inspired by primitive art.

    Three-hundred sixty-five photographs provide an evocative new image every day--each accompanied by a choice Buddhist quote.

    Curtis argues that Britain is an 'outlaw state', often a violator of international law and ally of many repressive regimes. He reasons not only that Britain's foreign policies are generally unethical but that they are also making the world more dangerous and unequal. The Web of Deceit describes the staggering gulf that has arisen between New Labour's professed commitment to upholding ethical values and the reality of current policies. It outlines the new phase in global intervention, the immorality of British policy in Afghanistan, Kosovo, Iraq and Indonesia and support for repressive governments in Israel, Russia, Turkey and Saudi Arabia. Curtis also reveals Britain's acquiescence in the Rwanda genocide and economic policies in the World Trade Organisation that are increasing poverty and inequality around the world. Drawing on formerly secret government files, the book also shows British complicity in the slaughter of a million people in Indonesia in 1965; the depopulation of the island of Diego Garcia; the overthrow of governments in Iran and British Guiana; repressive colonial policies in Kenya, Malaya and Oman; and much more.

    His trenchant writings on photography and photographers have been collected for this volume from a broad range of magazines, including "Aperture," "Artforum" and "The Nation." In "Between the Eyes: Essays on Photography and Politics," Strauss tackles subjects as diverse as "Photography and Propaganda," the imagery of dreams, Sebastiao Salgado's epic social documents and the deeply personal photographic revelations of Francesca Woodman. The timely issue of photographic legitimacy is addressed in the essay "Photography and Belief," and in "The Highest Degree of Illusion," Strauss discusses the media frenzy surrounding the events of September 11. As our world is shaped more and more by images and their slipperiness, what he calls a media "pandemonium" in its root meaning of "the place of all howling demons," we need a mind and voice like Levi Strauss' to bring clarity to our vision.

    In this anthology–the first devoted exclusively to blues poems–a wide array of poets pay tribute to the form and offer testimony to its lasting power.The blues have left an indelible mark on the work of a diverse range of poets: from “The Weary Blues” by Langston Hughes and “Funeral Blues” by W. H. Auden, to “Blues on Yellow” by Marilyn Chin and “Reservation Blues” by Sherman Alexie. Here are blues-influenced and blues-inflected poems from, among others, Gwendolyn Brooks, Allen Ginsberg, June Jordan, Richard Wright, Nikki Giovanni, Charles Wright, Yusef Komunyakaa, and Cornelius Eady. And here, too, are classic song lyrics–poems in their own right–from Bessie Smith, Robert Johnson, Ma Rainey, and Muddy Waters.The rich emotional palette of the blues is fully represented here in verse that pays tribute to the heart and humor of the music, and in poems that swing with its history and hard-bitten hope.

    Through its win-win approach, Healing Our World illustrates how the rules of social interaction which we learned as children hold the secret to universal harmony and abundance.

    She considers what a homeland would be for a divided nation and a divided self: what it means to enter language, the body, the family, the community; to be a daughter, sister, lover, citizen, or exile.In settings from New York to San Francisco, from Scotland to Seoul, her poems question "what threads hold / our lives together" in cities and gardens, battlefields and small towns. Across the no-man's-land between every "you" and "I," her speakers encounter, quarrel with, or honor others, traveling between the living and the dead, between horror over the disastrous events of the past and hope for the future. Drawing upon a wide range of voices, styles, and perspectives, Notes from the Divided Country bears witness to the vanishing world.

    It is the most troubled region on earth. At its heart is the conflict between Palestinians and Israelis - and the legacy of six days of war in 1967.After the state of Israel emerged from war in 1948, both sides knew more battles were coming. In June 1967, years of slow-burning tension exploded. In six extraordinary days, Israel destroyed the armed forces of Egypt, Jordan, and Syria. But far from bringing peace, as many Israelis hoped, their stunning victory turned into a curse.From the initial battle order issued to the Israeli air force on Monday June 5, 1967 to the final ceasefire on the evening of Saturday the 10th, the Six-Day War was a riveting human drama. Building on his first-hand experience of the region after his five years as the BBC's Middle East Correspondent, as well as extensive original research, Jeremy Bowen presents a compelling new history of the conflict. Six Days recreates day by day, hour by hour, the bullying and brinckmanship that led four nations to war, interweaving testimonies of combatants from all sides in a seamless narrative.A rigorous and original piece of modern history is as vivid as fiction, Six Days not only sheds new light on one of the key conflicts of the twentieth century, it explains much about the Middle East and the problems the region still faces today.

    If the experience of most black Americans says otherwise, an explanation has been sorely lacking—or obscured by the passions the issue provokes. At long last offering a cool, clear, and informed perspective on the subject, this book brings together a team of highly respected sociologists, political scientists, economists, criminologists, and legal scholars to scrutinize the logic and evidence behind the widely held belief in a color-blind society—and to provide an alternative explanation for continued racial inequality in the United States. While not denying the economic advances of black Americans since the 1960s, Whitewashing Race draws on new and compelling research to demonstrate the persistence of racism and the effects of organized racial advantage across many institutions in American society—including the labor market, the welfare state, the criminal justice system, and schools and universities. Looking beyond the stalled debate over current antidiscrimination policies, the authors also put forth a fresh vision for achieving genuine racial equality of opportunity in a post-affirmative action world.

    It examines how, for example, people reach political decisions on topics such as voting, party identification, and political attitudes as well as how leaders mediate political conflicts and make foreign policy decisions.The Oxford Handbook of Political Psychology gathers together a distinguished group of scholars from around the world to shed light on such questions as: how does personality affect leadership style? What are the origins of racial prejudice? How does violent communal conflict originate?Focusing first on political psychology at the individual level (attitudes, values, decision-making, ideology, personality) and then moving to the collective (group identity, mass mobilization, political violence), this fully interdisciplinary volume covers models of the mass public and political elites and addresses both domestic issues and foreign policy.Providing an up-to-date account of cutting-edge research within both psychology and political science, this is an essential reference for scholars and students interested in the intersection of the two fields.

    In the mid-1770s the country was intoxicated by a great surge of political energy. Re-discovering England's wildernesses, the intellectuals of the "Romantic generation" also discovered the plight of the common man, turning Nature into a revolutionary force. This power of the cult of nature enabled two things - to make man see and explore Britain in a way unimaginable a generation before, and to pit democrat cosmopolitans against patriots. From the politics of wildness, "A History of Britain" moves to the Victorian era and its question of how to create a better world in the face of upheaval. As the Victorian era began, the massive advance of technology and industrialisation was rapidly reshaping both the landscape and the social structure of the whole country. To a much greater extent than ever before women would take a centre stage role in shaping society.

    Here we learn that many of our country's greatest battles -- labor laws, women's rights, racial equality -- were carried out at the grassroots level, against steel-willed resistance. This edition of A People's History of the United States features insightful analysis of some of the most important events in this country in the past one hundred years.Featuring a preface and afterword read by the author himself, this audio continues Howard Zinn's important contribution to a complete and balanced understanding of American history.

    His essays from Report from a Parisian Paradise evoke a world of suppleness, beauty and promise. So prophetic were Roth's perceptions of a world where the girls became increasingly more lost and innocent that he increasingly resorted to drink to douse his vision of a conflagration that could not be averted. the erotic hill country around Avignon Roth's, and from the socialist workers and cattlemen with whom Roth ate breakfast to prostitutes and Sunday bullfighters, Roth's book is a swan song to a European order that could no longer hold.

    This dazzling collection of original essays from some of the country's leading thinkers asks the rather intriguing question - Are Italians White? Each piece carefully explores how, when and why whiteness became important to Italian Americans, and the significance of gender, class and nation to racial identity.

    Its top exploded in a scream, and flames ripped upward to the sky. A massive cloud of silver ash rose to the heavens, twisting and bubbling in every direction until everything was in total darkness."Tranio, like most Roman boys, likes to watch whatever is going on: tradesmen selling their goods, ships unloading their exotic cargoes, politicians making speeches in the forum. But one hot August day a very different scene unfolds. The ground begins to shake, the sky to darken. People run gasping for air. Heading for the harbor, Tranio and his friend Livia hide on a boat and witness one of the most terrifying moments in recorded history-the eruption of Mount Vesuvius and the destruction of their beloved city, Pompeii.Christina Balit's fictional tale is based on the latest research. With her dramatic illustrations and a historical note, this story makes an exciting introduction to a fascinating subject.

    Compiled specifically with students and newcomers in mind, this book explores the multiple ways in which humanity shapes and affects technologies and is, in turn, shaped and affected by them. Readers will learn to understand, evaluate, appreciate, and criticize the ways that technology both reflects and changes human life-individually, socially, and culturally. Readings in the Philosophy of Technology is an ideal core text for undergraduate courses in Philosophy of Technology, Science, Technology, and Society, and Ethics and Technology.

    It offers a personalized account of some of the central theoretical movements in literary studies and in the humanities over the past thirty years, together with an equally personal view of a possible future. Based on this assessment of the past and the future of literary studies and the humanities, the book develops the provocative thesis that, through their exclusive dedication to interpretation, i.e. to the reconstruction and attribution of meaning, the humanities have become incapable of addressing a dimension in all cultural phenomena that is as important as the dimension of meaning. Interpretation alone cannot do justice to the dimension of "presence," a dimension in which cultural phenomena and cultural events become tangible and have an impact on our senses and our bodies. Production of Presence is a passionate plea for a rethinking and a reshaping of the intellectual practice within the humanities.

    Through exclusive interview material and previously unpublished photographs, David Katz brings to life over one hundred of reggae's most important artists, including Toots and The Maytals, The Melodians, the Skatalites, and the Wailers Band, Augustus Pablo, Culture, Sugar Minott, Cocoa Tea, and Frankie Paul, who speak for the first time about their roles in the music's progression. From the pre-ska years of the late 1950s to the dawning of the digital age in the mid-1980s, Solid Foundation charts the evolution of ska, rock steady, traditional and untraditional reggae styles, and the sub-genres of dub, deejay, and dancehall. The book is largely drawn from conversations Katz conducted with the architects of Jamaica's popular music, and with perceptive and detailed commentary, he celebrates the creativity and individuality that have made reggae music one of the most popular contemporary styles throughout the world.

    We recommend that you do not rely solely on the information presented and that you always read labels, warnings, and directions before using or consuming a product. Please see our full disclaimer below.

    In such acclaimed works as Jaguar, The Lion Hunters, and Cocorico, Monsieur Poulet, Rouch has explored racism, colonialism, African modernity, religious ritual, and music. He pioneered numerous film techniques and technologies, and in the process inspired generations of filmmakers, from New Wave directors, who emulated his cinema verité style, to today’s documentarians.Ciné-Ethnography is a long-overdue English-language resource that collects Rouch's key writings, interviews, and other materials that distill his thinking on filmmaking, ethnography, and his own career. Editor Steven Feld opens with a concise overview of Rouch’s career, highlighting the themes found throughout his work. In the four essays that follow, Rouch discusses the ethnographic film as a genre, the history of African cinema, his experiences of filmmaking among the Songhay, and the intertwined histories of French colonialism, anthropology, and cinema. And in four interviews, Rouch thoughtfully reflects on each of his films, as well as his artistic, intellectual, and political concerns. Ciné-Ethnography also contains an annotated transcript of Chronicle of a Summer—one of Rouch's most important works—along with commentary by the filmmakers, and concludes with a complete, annotated filmography and a bibliography.The most thorough resource on Rouch available in any language, Ciné-Ethnography makes clear this remarkable and still vital filmmaker's major role in the history of documentary cinema.Jean Rouch was born in Paris in 1917. He studied civil engineering before turning to film and anthropology in response to his experiences in West Africa during World War II. Rouch is the recipient of numerous awards, including the International Critics Award at Cannes for the film Chronicle of a Summer in 1961. Steven Feld is professor of music and anthropology at Columbia University.

    This collection of foundational essays restores the poignancy that has been lost - or even emphatically rejected - in the debate about postmodernism by focusing on central formative texts and the predominant thinkers we have come to associate with postmodernist theory.Michael Drolet's authoritative introductory essay and his careful selection of texts provide a solid basis for the study of postmodernism by uncovering the philosophical origins of present theories and focusing on their major aspects; guiding the reader through the maze of knowledge that we call postmodernism.Arranged into three parts, the essays cover the origins of the term postmodernism, its evolution and its political ramifications. Included are writings by Foucault, Derrida, Deleuze, Baudrillard, Lyotard, Bauman, Jameson, Berman and Irigaray.

    Marc Allen has carefully chosen the passages most relevant to today, producing a readable work of six chapters covering the basics of posture, breathing, and training, and presenting various pieces of Zen literature and meditation pictures. The result is a complete course in Zen from a modern master — as one would receive in a traditional Zen center — simply and beautifully written.

    They lived life to the fullest, loved unashamedly, listened to their heart’s desires, and created one of the most advanced, culturally sophisticated societies ever known. Is all that now dead and buried? Or only for the professors to mull over?One classics scholar, Dr. Stephen Bertman, answers this resoundingly in The Eight Pillars of Greek Wisdom. He shows how to bring passion and excellence to the center of your daily life, as the ancient Greeks intended them to be. The lessons they learned—that life is brief and fragile and time is too precious to waste; that we do not know who we are until we discover who we can be; that we cannot undertake our voyage through life alone; that there will be obstacles along the way, but the greatest obstacle is within—led them to develop what Bertman describes as eight guiding principles of wisdom: Humanism The Pursuit of Excellence The Practice of Moderation Self-Knowledge Rationalism Restless Curiosity The Love of Freedom Individualism These eight pillars are explored in the book. Each is illuminated through vivid examples drawn from the rich heritage of classical history and mythology, including tales of gods and goddess, heroes and heroines, adventure and exploration, and self-discovery and personal triumph.

    The book, written by a renowned practitioner of the Alexander Technique, outlines an educational system that makes the process of learning a performance or athletic skill more conscious, and therefore more successful. Its principles include breaking down a skill into manageable parts, setting realistic goals, observing mind/body processes, overcoming blocks, controlling habits, and achieving heightened awareness and self-mastery. Included are inspiring examples of people who have benefited from the method.

    Written by one of the world's leading Byzantine scholars, this classic book studies in detail the imperial union of two powers, temporal and spiritual, against the broad background of the relationship between church and state and religious and political spheres.

    The most ridiculous question a black person can ask a cop is, ‘why did you shoot me?’ How does one account for the gratuitous? The cop is at a disadvantage: ‘I shot you because you are black; you are black because I shot you.’ Here is the tautology at the heart of the colonial experience.

    The book is heavily illustrated and includes a number drawings, portraits and cartoons by Daumier, one of the greatest political caricaturists of the nineteenth century.

    LUCIFER HIMSELF IS THE STAR OF THIS BOOK, WHICH CONTAINS IMAGES OF HIM THROUGHOUT THE HISTORY OF ART. ETCHINGS, WOODCUTS, PAINTINGS, ILLUSTRATIONS, DRAWINGS, PHOTOGRAPHS, AND ADVERTISEMENTS FEATURING OF THE DEVIL, BY THE LIKES OF DA VINCI, BOSCH, PIERRE ET GILLES, GIGER, AND MANY MORE, POPULATE THE PAGES OF THIS SUPREMELY "EVIL" BOOK.

    The arguments for the belief are analyzed in the first six chapters and include ontological arguments from Anselm through Godel; the cosmological arguments of Aquinas and Leibniz; and arguments from evidence for design and miracles. The next two chapters consider arguments against belief. The last chapter examines Pascalian arguments for and against belief in God. This book is a valuable resource for philosophers of religion and theologians and interests logicians and mathematicians as well.

    The Ecology of Power examines these indigenous people from the Upper Xingu region, a group who even today are one of the strongest examples of long-term cultural continuity. Drawing upon written and oral history, ethnography, and archaeology, Heckenberger addresses the difficult issues facing anthropologists today as they uncover the muted voices of indigenous peoples and provides a fascinating portrait of a unique community of people who have in a way become living cultural artifacts.

    Following this logic, postmodern scholars have urged postcolonial societies to develop their own “alternative sciences” as a step towards “mental decolonization”. These ideas have found a warm welcome among Hindu nationalists who came to power in India in the early 1990s. In this passionate and highly original study, Indian-born author Meera Nanda reveals how these well-meaning but ultimately misguided ideas are enabling Hindu ideologues to propagate religious myths in the guise of science and secularism.At the heart of Hindu supremacist ideology, Nanda argues, lies a postmodernist assumption: that each society has its own norms of reasonableness, logic, rules of evidence, and conception of truth, and that there is no non-arbitrary, culture-independent way to choose among these alternatives. What is being celebrated as “difference” by postmodernists, however, has more often than not been the source of mental bondage and authoritarianism in non-Western cultures. The “Vedic sciences” currently endorsed in Indian schools, colleges, and the mass media promotes the same elements of orthodox Hinduism that have for centuries deprived the vast majority of Indian people of their full humanity.By denouncing science and secularization, the left was unwittingly contributing to what Nanda calls “reactionary modernism.” In contrast, Nanda points to the Dalit, or untouchable, movement as a true example of an “alternative science” that has embraced reason and modern science to challenge traditional notions of hierarchy.