The first collection of its kind, Eric A. Stanley and Nat Smith bring together current and former prisoners, activists, and academics to offer new ways for understanding how race, gender, ability, and sexuality are lived under the crushing weight of captivity. Through a politic of gender self-determination, this collection argues that trans/queer liberation and prison abolition must be grown together. From rioting against police violence and critiquing hate crimes legislation to prisoners demanding access to HIV medications, and far beyond, Captive Genders is a challenge for us all to join the struggle."An exciting assemblage of writings—analyses, manifestos, stories, interviews—that traverse the complicated entanglements of surveillance, policing, imprisonment, and the production of gender normativity.... [T]he contributors to this volume create new frameworks and new vocabularies that surely will have a transformative impact on the theories and practices of twenty-first century abolition."—Angela Y. Davis, professor emerita, University of California, Santa Cruz"The purpose of prison abolition is to discover and promote the countless ways freedom and difference are mutually dependent. The contributors to Captive Genders brilliantly shatter the assumption that the antidote to danger is human sacrifice."—Ruth Wilson Gilmore, author of Golden Gulag: Prisons, Surplus, Crisis, and Opposition in Globalizing California"Captive Genders is at once a scathing and necessary analysis of the prison industrial complex and a history of queer resistance to state tyranny. By queering a prison abolition analysis, Captive Genders moves us to imagine the impossible dream of liberation."—Mattilda Bernstein Sycamore, author of So Many Ways to Sleep BadlyEric A. Stanley is a radical queer activist, outlaw academic, and experimental filmmaker.Nat Smith is a member of Trans/gender Variant in Prison Committee and is an organizer with Critical Resistance.

    This approach assumes that the state and its legal, policing, and social services apparatus—even its policies and documents of belonging and non-belonging—are neutral and benevolent. While we all have to comply with the gender binaries set forth by regulatory bodies of law and administration, many trans people, especially the most marginalized, are even more at risk for poverty, violence, and premature death by virtue of those same "neutral" legal structures.Normal Life: Administrative Violence, Critical Trans Politics, and the Limits of Law raises revelatory critiques of the current strategies pivoting solely on a "legal rights framework," but also points to examples of an organized grassroots trans movement that is demanding the most essential of legal reforms in addition to making more comprehensive interventions into dangerous systems of repression—and the administrative violence that ultimately determines our life chances. Setting forth a politic that goes beyond the quest for mere legal inclusion, Normal Life is an urgent call for justice and trans liberation, and the radical transformations it will require.An attorney, educator, and trans activist, Dean Spade has taught classes on sexual orientation, gender identity, poverty and law at the City University of New York (CUNY), Seattle University, Columbia University, and Harvard. In 2002 he founded the Sylvia Rivera Law Project, a collective that provides free legal services and works to build trans resistance rooted in racial and economic justice.

    We wanted to hear about folks’ experiences confronting abusers, both with cops and courts and with methods outside the criminal justice system."—The Revolution Starts at Home collectiveLong demanded and urgently needed, The Revolution Starts at Home: Confronting Intimate Violence Within Activist Communities finally breaks the dangerous silence surrounding the “secret” of intimate violence within social justice circles. This watershed collection of stories and strategies tackles the multiple forms of violence encountered right where we live, love, and work for social change—and delves into the nitty-gritty on how we might create safety from abuse without relying on the state. Drawing on over a decade of community accountability work, along with its many hard lessons and unanswered questions, The Revolution Starts at Home offers potentially life-saving alternatives for creating survivor safety while building a movement where no one is left behind. Ching-In Chen is the author of The Heart's Traffic. Kundiman Fellow Jai Dulani is an interdisciplinary storyteller and activist/educator. Leah Lakshmi Piepzna-Samarasinha is the author of Consensual Genocide. Andrea Smith is the author of Conquest: Sexual Violence and American Indian Genocide.

    The authors unpack queer criminal archetypes--like "gleeful gay killers," "lethal lesbians," "disease spreaders," and "deceptive gender benders"--to illustrate the punishment of queer expression, regardless of whether a crime was ever committed. Tracing stories from the streets to the bench to behind prison bars, the authors prove that the policing of sex and gender both bolsters and reinforces racial and gender inequalities. A groundbreaking work that turns a "queer eye" on the criminal legal system, Queer (In)Justice illuminates and challenges the many ways in which queer lives are criminalized, policed, and punished.

    But Junia's tragedy is not hers alone. She's joined by fellow women in the Bible whose stories of bold leadership have been overlooked. She's in the company of visionary women of God throughout the centuries whose names we've forgotten, whose stories go untold, and whose witness we neglect to celebrate.But Junia is also joined by women today--women who are no longer silent and who are experiencing a re-voicing as they respond to God's call to lead us into all truth. (Patheos Press)

    This book is not so much a manifesto as it is a dialogue—a “writing in conversation”—among a luminous group of scholar-activists revisiting the history of gay and lesbian studies in Indigenous communities while forging a path for Indigenouscentered theories and methodologies. The bold opening to Queer Indigenous Studies invites new dialogues in Native American and Indigenous studies about the directions and implications of queer Indigenous studies. The collection notably engages Indigenous GLBTQ2 movements as alliances that also call for allies beyond their bounds, which the co-editors and contributors model by crossing their varied identities, including Native, trans, straight, non-Native, feminist, Two-Spirit, mixed blood, and queer, to name just a few. Rooted in the Indigenous Americas and the Pacific, and drawing on disciplines ranging from literature to anthropology, contributors to Queer Indigenous Studies call Indigenous GLBTQ2 movements and allies to center an analysis that critiques the relationship between colonialism and heteropatriarchy. By answering critical turns in Indigenous scholarship that center Indigenous epistemologies and methodologies, contributors join in reshaping Native studies, queer studies, transgender studies, and Indigenous feminisms. Based on the reality that queer Indigenous people “experience multilayered oppression that profoundly impacts our safety, health, and survival,” this book is at once an imagining and an invitation to the reader to join in the discussion of decolonizing queer Indigenous research and theory and, by doing so, to partake in allied resistance working toward positive change.

    Its declarative sentences—seductive, abject, caustic, moving, informative, and utterly inventive—herald a new world, one in which we are blessedly 'here with outfits like strings of light and no future.' I hail its weirdness, its 'armpit frankess,' its indelible portrait of occulted relation, and above all, its impeccable music."—Maggie NelsonConstruction becomes quiet, the saw buzz and the bang little white wisps that stop at my edges. We'll get used to most anything, at least enough to keep going. The will of the wisp. I want to poke a hole in my words so that people notice you are not here. Comfortable divots you could fill some day, if you wanted to. My mother sighs, my friends sigh. "You're so sad," they say. I'm not, I'm really not. I'm just trying to breathe fully. The shadow of the mountain turns with the day, encroaching. When it settles on me I put the hammer down and walk to where it is still warm.In Syzygy, Beauty, T Fleischmann builds an essay of prose blocks, weaving together observations on art, the narrator's construction of a house, and a direct address to a lover. Playing with scale and repetition, we are kept off-center, and therefore always looking, as the speaker leads us through an intimate relationship that is complicated and deepened by multiple partners, gender transitions, and itinerancy.

    As the idea of childhood innocence took hold, it became racialized: popular culture constructed white children as innocent and vulnerable while excluding black youth from these qualities. Actors, writers, and visual artists then began pairing white children with African American adults and children, thus transferring the quality of innocence to a variety of racial-political projects—a dynamic that Robin Bernstein calls “racial innocence.” This phenomenon informed racial formation from the mid-19th century through the early 20th century.Racial Innocence takes up a rich archive including books, toys, theatrical props, and domestic knickknacks which Bernstein analyzes as “scriptive things” that invite or prompt historically located practices while allowing for resistance and social improvisation. Integrating performance studies with literary and visual analysis, Bernstein offers singular readings of theatrical productions, from blackface minstrelsy to Uncle Tom’s Cabin to The Wonderful Wizard of Oz; literary works by Joel Chandler Harris, Harriet Wilson, and Frances Hodgson Burnett; material culture including Topsy pincushions, Uncle Tom and Little Eva handkerchiefs, and Raggedy Ann dolls; and visual texts ranging from fine portraiture to advertisements for lard substitute. Throughout, Bernstein shows how “innocence” gradually became the exclusive province of white children—until the Civil Rights Movement succeeded not only in legally desegregating public spaces, but in culturally desegregating the concept of childhood itself.Writing in Children’s Literature, Philip Nel notes that Racial Innocence is “one of those rare books that shifts the paradigm—a book that, in years to come, will be recognized as a landmark in children’s literature and childhood studies.” In the journal Cultural Studies, reviewer Aaron C. Thomas says that Bernstein’s “theory of the scriptive thing asks us to see children as active participants in culture, and, in fact, as expert agents of the culture of childhood into which they have been interpellated. In this way, Bernstein is able not only to describe the effects of 19th-century radicalization on 21st century US culture, but also to illuminate the radicalized residues of our own childhoods in our everyday adult lives.” Racial Innocence was awarded the 2012 Outstanding Book Award from the Association for Theatre in Higher Education, and the award committee noted that the book “is a historiographic tour de force that traces a genealogy of the invention of the innocent (white) child and its racialized roots in 19th and 20th century U.S. popular culture.”

    Rubin, a pioneering theorist and activist in feminist, lesbian and gay, queer, and sexuality studies since the 1970s. Rubin first rose to prominence in 1975 with the publication of “The Traffic in Women,” an essay that had a galvanizing effect on feminist thinking and theory. In another landmark piece, “Thinking Sex,” she examined how certain sexual behaviors are constructed as moral or natural, and others as unnatural. That essay became one of queer theory’s foundational texts. Along with such canonical work, Deviations features less well-known but equally insightful writing on subjects such as lesbian history, the feminist sex wars, the politics of sadomasochism, crusades against prostitution and pornography, and the historical development of sexual knowledge. In the introduction, Rubin traces her intellectual trajectory and discusses the development and reception of some of her most influential essays. Like the book it opens, the introduction highlights the major lines of inquiry pursued for nearly forty years by a singularly important theorist of sex, gender, and culture.

    Judith Halberstam proposes “low theory” as a mode of thinking and writing that operates at many different levels at once. Low theory is derived from eccentric archives. It runs the risk of not being taken seriously. It entails a willingness to fail and to lose one’s way, to pursue difficult questions about complicity, and to find counterintuitive forms of resistance. Tacking back and forth between high theory and low theory, high culture and low culture, Halberstam looks for the unexpected and subversive in popular culture, avant-garde performance, and queer art. She pays particular attention to animated children’s films, revealing narratives filled with unexpected encounters between the childish, the transformative, and the queer. Failure sometimes offers more creative, cooperative, and surprising ways of being in the world, even as it forces us to face the dark side of life, love, and libido.

    So we set out to make our own.the GENDER book is a fun, colorful, community-based resource, which illustrates the beautiful diversity of gender - a gender 101 for anyone and everyone.

    The queer anarchist project embodied by Bash Back! is first and foremost a refusal of victimhood and a reclamation of the violence taken from us by progressive ideology and used against us by queerbashers and the State. It was a crucial shift for Bash Back! to break with those who refused to recognize the importance of this reclamation. It served to cohere and solidify the insurrectional queer tendency around the question of violence…

    Designed to demonstrate the artists' abilities and to promote racial equality, the exhibition also revealed the art world's anxieties about the participation of African Americans in the exclusive venue of art museums—places where blacks had historically been barred from visiting let alone exhibiting. Since then, America's major art museums have served as crucial locations for African Americans to protest against their exclusion and attest to their contributions in the visual arts.In Exhibiting Blackness, art historian Bridget R. Cooks analyzes the curatorial strategies, challenges, and critical receptions of the most significant museum exhibitions of African American art. Tracing two dominant methodologies used to exhibit art by African Americans—an ethnographic approach that focuses more on artists than their art, and a recovery narrative aimed at correcting past omissions—Cooks exposes the issues involved in exhibiting cultural difference that continue to challenge art history, historiography, and American museum exhibition practices. By further examining the unequal and often contested relationship between African American artists, curators, and visitors, she provides insight into the complex role of art museums and their accountability to the cultures they represent.

    Rarely has a book about lust been full of so much love, conflict, and intelligence. If you think you already know what's in these stories, or you think you don't need to know, you're wrong."—Patrick Califa, author of Sex Changes: The Politics of TransgenderismExploring the crossroads of gender and sexuality, Trans/Love: Radical Sex, Love & Relationships Beyond the Gender Binary offers unusually engaging narratives that create a raw and honest depiction of dating, sex, love, and relationships among members of the gender variant community. FTM, MTF, thirdgender, genderqueer, and other non-traditional identities beyond the gender binary of traditional male and female are included in this often heartwarming, occasionally heartbreaking, always heartfelt groundbreaking anthology. From monogamous love and marriage to anonymous sex and one-night hook-ups (and everything in between), these stories offer readers insight into the precarious emotional and practical mechanics of intimacy among gender-variant experiences.Features contributions from award-winning authors including Julia Serano, Sassafras Lowery, and Max Valerio, alongside outstanding new writing by Tribe 8 guitarist and acclaimed film director Silas Howard, activist Joelle Ruby Ryan, filmmaker Ashley Altadonna, SisterSpit alum Cooper Lee Bombardier, and many other unique and talented voices.

    Sure to fuel debate for years to come, The Vintage Book of American Women Writers offers an epic overview of the canon in one readable, entertaining, and provocative volume.

    Throughout, McCumber's concern is to elucidate the primary texts for readers coming to these thinkers for the first time, while revealing the philosophical rigour that underpins and connects the history of continental thought.

    In this travel diary, Mari illustrates the highs and lows of life on the road with a group of strangers.

    Bishop, a philosopher, ethicist, and physician, argues that something has gone sadly amiss in the care of the dying by contemporary medicine and in our social and political views of death, as shaped by our scientific successes and ongoing debates about euthanasia and the "right to die"--or to live.  The Anticipatory Corpse: Medicine, Power, and the Care of the Dying , informed by Foucault's genealogy of medicine and power as well as by a thorough grasp of current medical practices and medical ethics, argues that a view of people as machines in motion--people as, in effect, temporarily animated corpses with interchangeable parts--has become epistemologically normative for medicine. The dead body is subtly anticipated in our practices of exercising control over the suffering person, whether through technological mastery in the intensive care unit or through the impersonal, quasi-scientific assessments of psychological and spiritual "medicine."The result is a kind of nihilistic attitude toward the dying, and troubling contradictions and absurdities in our practices. Wide-ranging in its examples, from organ donation rules in the United States, to ICU medicine, to "spiritual surveys," to presidential bioethics commissions attempting to define death, and to high-profile cases such as Terri Schiavo's, The Anticipatory Corpse explores the historical, political, and philosophical underpinnings of our care of the dying and, finally, the possibilities of change. A ground-breaking work in bioethics, this book will provoke thought and argument for all those engaged in medicine, philosophy, theology, and health policy."With extraordinary philosophical sophistication as well as knowledge of modern medicine, Bishop argues that the body that shapes the work of modern medicine is a dead body. He defends this claim decisively with with urgency. I know of no book that is at once more challenging and informative as The Anticipatory Corpse. To say this book is the most important one written in the philosophy of medicine in the last twenty-five years would not do it justice. This book is destined to change the way we think and, hopefully, practice medicine." --Stanley Hauerwas, Duke Divinity School "Jeffrey Bishop carefully builds a detailed, scholarly case that medicine is shaped by its attitudes toward death. Clinicians, ethicists, medical educators, policy makers, and administrators need to understand the fraught relationship between clinical practices and death, and The Anticipatory Corpse is an essential text. Bishop's use of the writings of Michel Foucault is especially provocative and significant. This book is the closest we have to a genealogy of death." --Arthur W. Frank, University of Calgary "Jeffrey Bishop has produced a masterful study of how the living body has been placed within medicine's metaphysics of efficient causality and within its commitment to a totalizing control of life and death, which control has only been strengthened by medicine's taking on the mantle of a bio-psycho-socio-spiritual model. This volume's treatment of medicine's care of the dying will surely be recognized as a cardinal text in the philosophy of medicine." --H. Tristram Engelhardt, Jr., Rice University, Baylor College of Medicine

    Irwin Krieger is a clinical social worker with many years of experience helping transgender teens. This book brings you the insights gained from his work with these teenagers and their families. According to the author, "Today's teens have access to a wealth of information on the internet. Teenagers who are wondering about gender identity soon find out what it means to be transgender or transsexual. Parents, on the other hand, know little about this topic. When a teenager declares he or she is transgender, parents fear that their child is confused and is choosing a life fraught with danger. I wrote this book to help parents of transgender teens gain an understanding of this complex subject." "Helping Your Transgender Teen" begins with the basic information you and your family need. The central chapters of the book address the fears and concerns most parents of transgender teens share. The final chapters guide you through the steps you can take to discover what is best for your child. Although written for parents, this book is also useful for pediatricians, therapists, educators and others who work with teenagers and young adults. "Helping Your Transgender Teen" provides answers to many of your questions about adolescent gender identity.

    White children rested at the core of the system of segregation between 1890 and 1939 because their participation was crucial to ensuring the future of white supremacy. Their socialization in the segregated South offers an examination of white supremacy from the inside, showcasing the culture's efforts to preserve itself by teaching its beliefs to the next generation.In Raising Racists: The Socialization of White Children in the Jim Crow South, author Kristina DuRocher reveals how white adults in the late nineteenth and early twentieth centuries continually reinforced race and gender roles to maintain white supremacy. DuRocher examines the practices, mores, and traditions that trained white children to fear, dehumanize, and disdain their black neighbors. Raising Racists combines an analysis of the remembered experiences of a racist society, how that society influenced children, and, most important, how racial violence and brutality shaped growing up in the early-twentieth-century South.

    As Madame deSade, however, she was Canada's most famous dominatrix, a well-known public figure. These are her long-awaited memoirs.Terri-Jean was born into abject poverty and put into a foster home at age six, where she suffered abuse. She was later moved into facilities for children and lived there until she was sixteen, when she left to make it on her own. She survived by working numerous unskilled jobs, until she entered the world of prostitution. Her talents and interests helped her move into the elite world of the professional dominatrix, and her life would never be the same. Located just outside of Toronto, her elaborate Bondage Bungalow became the target of a spectacular raid. Six highly publicized years of trials and appeals later, she was convicted under bawdy-house laws and paid a small fine. In 1999, she opened a similar facility in downtown Toronto, one that closed without police interference in 2002. She remains a vocal advocate for civil rights and the disenfranchised. She has been a plaintiff in a major constitutional challenge, and, as a result, Canada's prostitution laws were struck down in 2010.Because of Terri-Jean's failing health, Madame deSade hung up her whips and is now happily retired. Today, Terri-Jean leads a quieter life, enjoying the company of her daughter and grandson. Hers is a story of survival, trial, and triumph.

    She decided instead to acquire an education and to participate in the liberation of Egypt from the British occupation. Huda became famous overnight when she led a peaceful walk of veiled women across Cairo in 1919 to free the leaders of the Egyptian resistance who were detained by the British forces. She was then invited by the members of the Bureau of the IAWS (International Alliance for Women's Suffrage) to participate in the international conference in Rome in 1923. Huda became the lifelong friend of Western and other feminist leaders at that conference. It was after this conference in Cairo when she and her two traveling companions removed their face veil upon leaving the train at the railway station and were spontaneously imitated by all the other women in what became a landmark gesture in Egyptian history. In 1923, Huda founded the Egyptian Feminist Union affiliated to the IAWS, and began publishing a French magazine, L'Egyptienne, to circulate information about Egypt's plight and achievements under the occupation, and to promote peace between Eastern and Western countries. She soon became - and remained for many years - one of the Vice-Presidents of the International Organization of Women. Huda Shaarawi alternated political advocacy with social and cultural projects. She spoke on behalf of the Arab and African peoples in International Fora, founding two magazines in Arabic to circulate information in her area of the world. Huda founded schools, supported artists, medical dispensaries, and cottage industries, and participated in funding the establishment of the first entirely Egyptian Bank and its many affiliated projects. A promoter of progress, Huda stubbornly and tirelessly advocated peace, justice, and equality in an increasingly violent world.

    But one crucial element was missing in the life of the butch Chicana lesbian—the sperm. This candid and humorous memoir follows Karleen’s challenges, adventures, successes, failures, humiliations, and triumphs while attempting to fulfill her dream of becoming a mother. Though at times lighthearted, such as when Karleen considers all of the potential options for ferilization—some anonymous, some not—it is a weighty topic, and one that will change her life forever. The book is her confession of desire, humility, and a search for perfection.

    The result is Persistence: All Ways Butch and Femme. The stories in these pages resist simple definitions. The people in these stories defy reductive stereotypes and inflexible categories. The pages in this book describe the lives of an incredible diversity of people whose hearts also pounded for some reason the first time they read or heard the words "butch" or "femme."Contributors such as Jewelle Gomez (The Gilda Stories), Thea Hillman (Intersex), S. Bear Bergman (Butch is a Noun), Chandra Mayor (All the Pretty Girls), Amber Dawn (Sub Rosa), Anna Camilleri (Brazen Femme), Debra Anderson (Code White), Anne Fleming (Anomaly), Michael V. Smith (Cumberland), and Zoe Whittall (Bottle Rocket Hearts) explore the parameters, history, and power of a multitude of butch and femme realities. It's a raucous, insightful, sexy, and sometimes dangerous look at what the words butch and femme can mean in today’s ever-shifting gender landscape, with one eye on the past and the other on what is to come.Includes a foreword by Joan Nestle, renowned femme author and editor of The Persistent Desire: A Femme-Butch Reader, a landmark anthology originally published in 1992.Ivan E. Coyote is the author of seven books (including the novel Bow Grip, an American Library Association Stonewall Honor Book) and a long-time muser on the trappings of the two-party gender system.Zena Sharman is the assistant director of Canada's national Institute of Gender and Health.

    This book takes its title from the first essay, a startlingly original interpretation of Proust. By way of Neoplatonism, Buddhism, and the work of Melanie Klein, Sedgwick establishes the sense of refreshment and surprise that the author of the Recherche affords his readers. Proust also figures in pieces on the poetry of C. P. Cavafy, object relations, affect theory, and Sedgwick’s textile art practices. More explicitly connected to her role as a pioneering queer theorist are an exuberant attack against reactionary refusals of the work of Guy Hocquenghem and talks in which she lays out her central ideas about sexuality and her concerns about the direction of US queer theory. Sedgwick lived for more than a dozen years with a diagnosis of terminal cancer; its implications informed her later writing and thinking, as well as her spiritual and artistic practices. In the book’s final and most personal essay, she reflects on the realization of her impending death. Featuring thirty-seven color images of her art, The Weather in Proust offers a comprehensive view of Sedgwick’s later work, underscoring its diversity and coherence.

    She is also among the most wide ranging, with books on Zionism, feminism, Sylvia Plath, children’s fiction, and psychoanalysis. During the past decade, through talks and pieces that Rose has contributed to the London Review of Books, the Guardian, and other publications, she has played a vital role in public debate about the policies and human-rights record of Israel in its relation to the Palestinians. Representing the entire spectrum of her writing, The Jacqueline Rose Reader brings together essays, reviews, and book excerpts, as well as an extract from her novel. In the introduction, the editors provide a profound overview of her intellectual trajectory, highlighting themes that unify her diverse work, particularly her commitment to psychoanalytic theory as a uniquely productive way of analyzing literature, culture, politics, and society. Including extensive critical commentary, and a candid interview with Rose, this anthology is an indispensable introduction for those unfamiliar with Jacqueline Rose’s remarkably original work, and an invaluable resource for those well acquainted with her critical acumen.

    Writing the Love of Boys looks at the response to this mindset during the critical era of cultural ferment between the two world wars as a number of Japanese writers challenged the idea of love and desire between men as pathological.Jeffrey Angles focuses on key writers, examining how they experimented with new language, genres, and ideas to find fresh ways to represent love and desire between men. He traces the personal and literary relationships between contemporaries such as the poet Murayama Kaita, the mystery writers Edogawa Ranpo and Hamao Shiro, the anthropologist Iwata Jun’ichi, and the avant-garde innovator Inagaki Taruho.Writing the Love of Boys shows how these authors interjected the subject of male–male desire into discussions of modern art, aesthetics, and perversity. It also explores the impact of their efforts on contemporary Japanese culture, including the development of the tropes of male homoeroticism that recur so often in Japanese girls’ manga about bishonen love.

    Our own time is obsessed by it. One would think that a society obsessed by sex would understand it very well. But the truth is that obsession drives out understanding. We no longer understand even the common sense of sexuality, the things that were common knowledge in supposedly less enlightened times.Acclaimed philosopher J. Budziszewski remedies this problem. His wise, gracefully written book about the nature, meaning, and mysteries of sexuality restores lost wisdom, raising and answering such questions as:•Does sex have to mean anything at all? •What is the meaning of the sexual powers, of sexual differences, of sexual love, of sexual beauty, of sexual purity? •Is sexuality “all about sex”? •why does sexuality stir up such transcendent longings for something more than sex? On the Meaning of Sex corrects the most prevalent errors about sex, particularly the errors of the sexual revolution, which by mistaking pleasure for a good in itself has caused untold pain and suffering. In restoring the meaning and purpose of sex, the author reclaims what Dante calls “the intelligence of love.”“Looking out over the sexual landscape of our time,” Budziszewski writes, “I see a terrain of unutterable sweetness, despoiled by unmentionable pain. Yet who knows? Perhaps it is not too late to redeem the unutterable sweetness. Shall we try to find out?”

    This collection ventures beyond the conventional focus on the "disciplined body" and instead, examines conformity from the perspective of resisters. By balancing accessibly written original ethnographic research with personal narratives, Embodied Resistance provides a window into the everyday lives of those who defy or violate socially constructed body rules and conventions.

    In addition to examining the lives of these and other formerly incarcerated girls, Girl Time shares the stories of educators who dare to teach children who have been "thrown away" by their schools and society. The girls, primarily African American teens, write their own plays, learn ensemble-building techniques, explore societal themes, and engage in self analysis as they prepare for a final performance. The book describes some of the girls and their experiences in the program, examines the implications of the school-to-prison pipeline, and offers ways for young girls to avoid incarceration. Readers will learn how the lived experiences of incarcerated girls can inform their teaching in public school classrooms and the teaching of literacy as a civil and human right.

    It is a labor of love, a celebration of possibility, an offering to the ancestors.

    You will not want to stop before the end." -- Marie Augusta Neal, SND de Namur, Professor of Sociology, Emerita, Emmanuel College, Boston "An important and necessary history that will find great interest for a long time." --Bernard Haring, Moral Theologian "Facts buried in archives come alive in the living voices of these women who now share the 'dangerous memory' of their presence at Vatican II. Carmel McEnroy tells this story with keen insight into women's oppression in the Church, an eye for the humorous detail, and great narrative flair. Thank goodness she rescued this piece of history before it disappeared over the horizon like so much else." --Elizabeth A. Johnson, CSJ, Professor of Theology, Fordham University "This interesting historical investigation of the exclusion and participation of women at the Vatican Council reveals the dynamics of communication within the Church, including its systematic distortions and the forgiving fidelity of dedicated women. I am glad that this book has been written." --Gregory Baum, Professor of Theology, McGill University Author Biography: Carmel McEnroy, a Sister of Mercy and distinguished professor of theology, was fired in 1995 from St. Meinard Seminary for her public dissent from church teaching on women's ordination. Her name had appeared with hundreds of others in an advertisement questioning the issue in the National Catholic Reporter.

    Yet, as Michel Beaulieu shows, the circumstances and actions of Lakehead labour, especially those related to ideology, ethnicity, and personality were complex; they simultaneously empowered and fettered workers in their struggles against the shackles of capitalism. Cultural ties helped bring left-wing ideas to Canada but, as each group developed a distinctive vocabulary of socialism, Anglo-Celtic workers defended their privileges against Finns, Ukrainians, and Italians. At the Lakehead, ethnic difference often outweighed class solidarity - at the cost of a stronger labour movement for Canada.

    A newly updated account of the struggle for disability rights in the U.S.

    The Cleveland Street Scandal erupted and Victorian Britain faced the possibility that the Post Office-a bureaucratic backbone of nation and empire-was inspiring andservicing subversive sexual behavior. However, the unlikely alliance between sex and the postal service was not exactly the news the sensational press made it out to be. Postal Pleasures explores the relationship between illicit sex and the Royal Mail from reforms initiated in 1840 up to theimperial end of the nineteenth century. With a combination of historical details and literary analyses, Kate Thomas illustrates how the postal network, its uniformed employees, and its material trappings-envelopes, postmarks, stamps-were used to signal and circulate sexual intrigue. For many, theidea of an envelope promiscuously jostling its neighbors in a post boy's bag, or the notion that secrets passed through the eyes and fingers of telegraph girls, was more stimulating than the actual contents of correspondence. Writers like Anthony Trollope, Eliza Lynn Lynton, Henry James, OscarWilde, Arthur Conan Doyle, and others, invoked the postal system as both an instrument and a metaphor for sexual relations that crossed and double-crossed lines of class, marriage, and heterosexuality. Postal Pleasures adds a new dimension to studies of the era as it uncovers the unlikely linkagebetween the Victorian Post Office and the queer networks it inspired.

    Others have opted for early modern Europe, which saw the triumph of Copernicanism and the birth of experimental science, while yet another view is that the appearance of science was postponed until the nineteenth century.Rather than posit a modern definition of science and search for evidence of it in the past, the contributors to Wrestling with Nature examine how students of nature themselves, in various cultures and periods of history, have understood and represented their work. The aim of each chapter is to explain the content, goals, methods, practices, and institutions associated with the investigation of nature and to articulate the strengths, limitations, and boundaries of these efforts from the perspective of the researchers themselves. With contributions from experts representing different historical periods and different disciplinary specializations, this volume offers a fresh perspective on the history of science and on what it meant, in other times and places, to wrestle with nature.

    And much of that research interprets sorcery as merely a remnant of premodern traditions. Boldly challenging these views, Sorcery in the Black Atlantic takes a longer historical and broader geographical perspective, contending that sorcery is best understood as an Atlantic phenomenon that has significant connections to modernity and globalization.A distinguished group of contributors here examine sorcery in Brazil, Cuba, South Africa, Cameroon, and Angola. Their insightful essays reveal the way practices and accusations of witchcraft spread throughout the Atlantic world from the age of discovery up to the present, creating an indelible link between sorcery and the rise of global capitalism. Shedding new light on a topic of perennial interest, Sorcery in the Black Atlantic will be provocative, compelling reading for historians and anthropologists working in this growing field.