Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    Cathcart wrote a long piece about the murder and all its ramifications for Granta magazine (59), and this is the basis for his book: an account of the crime, the investigation and the criminal culture of South-East London that gave rise to the murderers.

    But as the daughter of Edek Rothwax, an Auschwitz survivor with a somewhat idiosyncratic approach to the English language, Ruth can find no words to understand the loss of her family experienced during World War II.Ruth is obsessed with the idea of returning to Poland with her father, but she doesn't quite understand why she feels this so intensely. To make sense of her family's past, yes. To visit the places where her beloved mother and father lived and almost died, certainly. But she knows there's more to this trip. By facing Poland, and the past, she can finally confront her own future.

    M. Forster. With an introduction by Louis Auchincloss, these three classic novels are accompanied here by The Longest Journey and the short stories from his admired first collection, The Celestial Omnibus.

    In newspapers, on television, and during orchestrated spectacles Asad is praised as the "father," the "gallant knight," even the country's "premier pharmacist." Yet most Syrians, including those who create the official rhetoric, do not believe its claims. Why would a regime spend scarce resources on a cult whose content is patently spurious?Wedeen concludes that Asad's cult acts as a disciplinary device, generating a politics of public dissimulation in which citizens act as if they revered their leader. By inundating daily life with tired symbolism, the regime exercises a subtle, yet effective form of power. The cult works to enforce obedience, induce complicity, isolate Syrians from one another, and set guidelines for public speech and behavior. Wedeen's ethnographic research demonstrates how Syrians recognize the disciplinary aspects of the cult and seek to undermine them. Provocative and original, Ambiguities of Domination is a significant contribution to comparative politics, political theory, and cultural studies.

    Fictional experts recruited by world leaders to discuss the future of global capitalism provide their assessment of the dire state of the current economy and put forward new ideas for ensuring the survival of the system. But at what cost? Susan George provides a brilliant and chilling vision of the way the winners in the globalisation game profit from poverty and reveals, with relentless logic, the dark future that lies ahead under capitalism. This new edition features a new introduction from the author.

    While living in that cottage, she finds the fascinating wartime journals of her aunt...The journals form a story within the story linking the two lives together.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    These clients include four-year-old Giorgios, who is terminally ill; Wendy, a passionate, battered child who has been rejected by her mother; Olive, suffering from senile dementia; Martha, whose successful life is in crisis; and Steve, who is living with HIV/AIDS. Through music therapy the clients - and therapists - discover their creativity, and, in the process, come to terms with suffering. The stories reveal the passion and integrity of nine music therapists who themselves undergo profound changes as a result of their work.Music Therapy - Intimate Notes is a practical and inspiring introduction to music therapy, showing its range of possibilities in various settings. The book provides a lively and informal theoretical foundation, and connects music to our intimate lives.

    He used the movement to express his criticism of traditional art, which was characterised by its opposition to change and the refusal to countenance a certain vision of Modernism. Klimt took his inspiration from the slow but unstoppable decline of the Austro-Hungarian Empire and the multitude of cultures from which it was composed.Klimt was an artist of great eroticism and sensuality and together with Kokoschka and Schiele, he is one of the great masters of Expressionism. This book brings together Klimt’s finest paintings, along with a text that demonstrates the extraordinary eclecticism of this great artist.

    In Mexico, Malinche’s name is synonymous with “traitor,” yet folklore and legend still celebrate her mystique. The author traverses Mexico and delves into the country’s extraordinary past to excavate the mythologies of this exceptional woman’s life. Malinche—abandoned to strangers as a slave when just a girl—was taken by Cortés to become interpreter, concubine, witness to his campaigns, mother to his son, yet married to another. She survived unimaginably precarious times relying on her intelligence, courage, and gift for language. Though Malinche’s words changed history, her own story remained untold, until now.

    Not only is the story great fun, it also takes into account recent research on the most effective ways of teaching reading.Stephen Cartwright's delightful illustrations complement the text and are designed to stimulate further interest.Fold out pages add to the enjoyment.

    Bleiler as 'excellent', 'The Doll Maker' is the story of Clare Lydgate, a young woman studying at boarding school for her Oxford scholarship examinations. In the evenings, she escapes the school grounds by climbing over the wall of Brackenbine Hall. It is here that she encounters the charismatic and mysterious Niall Sterne, the 'Doll Maker' of the title. This is a subtle, intelligent and compelling tale of horror. The Penguin Encyclopedia of Horror and the Supernatural describes Sarban’s stories as 'nicely written, with solid characterizations, convincingly detailed backgrounds . . . and a fine sense of pacing and atmosphere.' It notes that 'The Doll Maker' is Sarban’s most intriguing work, and that Niall Sterne 'offers no ordinary seduction, and there is a delicate horror in his beautiful, sterile doll-world, the antithesis of life itself.'First published in 1953, ‘The Doll Maker’ appears with ‘The Trespassers’, and ‘A House of Call’.

    The latest generation of titles in this series also feature glossaries and visual elements that complement the classic, familiar format.In "CliffsNotes on The Prince, " you explore the Italian Renaissance in Florence in the late 1400s and early 1500s, during which Machiavelli was a statesman who took a special interest in observing the distinct intelligence that made certain rulers successful. In a nutshell, "The Prince" is an analysis of how to acquire and maintain political power. It remains one of the definitive statements of power and control and is based on what Machiavelli saw, not what he felt or imagined.This study guide carefully walks you through "The Prince" by providing summaries and critical analyses of each chapter of the book. You'll also explore the life and background of the author. Other features that help you study includeA list of people the book exploresGlossaries in each chapter to define new termsCritical essays about topics like the vilification of Machiavelli and free willA review section that tests your knowledgeA Resource Center with books, magazine articles, and Web sites for more studyClassic literature or modern modern-day treasure -- you'll understand it all with expert information and insight from CliffsNotes study guides.

    But is it good for us, and can it teach us anything?These questions may seem odd, but they have beguiled and engaged eminent critics for millennia.Plato believed that poems were lies, and there was no place for poets in Plato's Republic. To him, poets were unreliable, substituting dreamlike visions for the true essences of the world that a responsible philosopher should seek. If the only authentic beauty is the truth found in nature, he asked, then what use is man-made beauty, fabrications loaded down with fantasies and lies?Ever since Plato laid down this challenge, critical theorists have striven to prove that poetry is more than pretty phrases, that it has the power to instruct and improve its reader.In this course, you'll follow the strands of this "conversation" between philosophy and the literary arts down the millennia, profiting from in-depth analyses of works by Plato, Aristotle, Horace, Sir Philip Sidney, Dryden, Pope, Wordsworth, Shelley, Coleridge, Matthew Arnold, T. S. Eliot, Northrop Frye, Foucault, Derrida, and more.

    The object of his desire is Gabriella, the Italian-Irish girl next door. Then one day Gabriella disappearsabandoning Sam. Bitter and resentful, Sam moves on with his life: into the shady side of Brisbane. Over the next two decades, Sam and Gabriella will find their lives inextricably, painfully, and passionately linked.

    My East End starts with the earliest times--the East of London has always been where dirty industry congregated, downstream from the Court and Parliament, and it has always been where incomers started, from Flemings in the Middle Ages to Bengalis today. The greater part of this excellent book, though, is not a competent academic run through of the sources, but an invaluable collection of oral history, in which pensioners talk about the classic East End of late Victorian times and the inter-war period, a time when grinding poverty could just about be survived with luck, when people were forced to live in each other's pockets and children played around the open door of their homes until all hours: "There was always a jigsaw on the go and everyone that called had a go at putting some pieces in. Nanny usually came round on Friday nights and always brought a bag of sweets--winter warmers--and, as she was going home, she would call out 'Goodnight, kidlets'. I said that when I grew up I would go out singing in the streets and buy her a pair of blue bloomers." O'Neill is fascinating about both the positive and negative sides of a way of life that went forever when families were moved out to housing estates on the fringes of London and about the parts of it that have survived into a new multi-cultural East End; My East End is a good book because it has an unsnobbish respect for the voices it draws on. --Roz Kaveney

    The pictures give clues to the words and fold out flaps on some pages give children the chance to guess what will happen next.'