Ruder, one of the great twentieth-century typographers was a pioneer who abandoned the conventional rules of his discipline and replaced them with new rules that satisfied the requirements of his new typography. Now in its sixth printing, this book has a hallowed place on the bookshelves of both students and accomplished designers. Dimension: 83/4 x 11 inches, over 500 examples, English, German & French text.

    These images are awesome not just for their beauty alone, but because they suggest an order underlying their growth, a harmony existing in nature. What does it mean that such an order exists; how far does it extend? The Power of Limits was inspired by those simple discoveries of harmony. The author went on to investigate and measure hundreds of patterns—ancient and modern, minute and vast. His discovery, vividly illustrated here, is that certain proportions occur over and over again in all these forms. Patterns are also repeated in how things grow and are made—by the dynamic union of opposites—as demonstrated by the spirals that move in opposite directions in the growth of a plant. The joining of unity and diversity in the discipline of proportional limitations creates forms that are beautiful to us because they embody the principles of the cosmic order of which we are a part; conversely, the limitlessness of that order is revealed by the strictness of its forms. The author shows how we, as humans, are included in the universal harmony of form, and suggests that the union of complementary opposites may be a way to extend that harmony to the psychological and social realms as well.

    

    This classic study shows how humans express thought through graphic means and why certain shapes and configurations of dot and line are perceived and remembered more easily than others.

    

    This handbook takes a different approach by revealing the structural anatomy of patterns, showing how they are generated and how their parts interrelate. It demonstrates how designers and artists, whether students or professionals, can play limitless variations upon a few fundamental patterns and structural arrangements.The book explores these configurations step by step, starting with simple symmetries of mirror reflections, rotations, translations, and glide-reflections, building to point groups and the seven distinct band or linear arrays, and culminating in the seventeen full-fledged wallpaper patterns. A concluding chapter presents a visual synopsis of the basic patterns.

    The third and fourth books in this series offer additional activities in a charming new package to foster creativity in young children.

    Spector covers major designs including: single group designs; pre-test/post-test designs; factorial designs, hierarchical designs; multivariate designs; the Solomon four group design; panel designs; and designs with concomitant variables.

    This revised second edition of The Art of Kantha Embroidery includes all the information contained in the first edition but also brings it up to date by including the rapid changes that have taken place n the kantha since its revival n the eighties. With the help of line drawings, black and white and colored photographs, the book documents kantha stitches, motifs, border patterns, articles and styles. It provides a detailed analysis of the technique of kantha embroidery as well as a glimpse into the lives of the women of rural Bangladesh.

    

    Its extensive vocabulary of design motifs is based on four timeless principles: spirit, rhythm, life, and movement. True Chinese design is never meaningless ornamentation. Its exquisitely beautiful combinations of blossoms and sprays, birds, animals, inscribed medallions, and symmetrical designs are artistic puzzles in which words and syllables are represented by pictures or symbols. When sounded in sequence, they become auspicious phrases and afford the solution to the puzzle.Yet, aside from their inherent wisdom or sly humor, these designs of unusual zest and elegance demonstrate the aesthetic capabilities of one of the world's richest artistic traditions. They are remarkable for their subtlety, finesse, spontaneity, and skill; but most importantly, for their enduring beauty. Modern-day artists and designers will find in these immortal designs fresh insight into today's graphic and design challenges.In this volume, noted artist Joseph D'Addetta offers his own careful and sensitive pen renderings of motifs taken from first-rate examples of Chinese objets d'art in leading museums and private collections. Included are motifs from ceramics, textiles, jade, lacquer, bronzes, and furniture beginning in approximately 1300 B.C. and continuing through the Qing dynasty, which lasted until the early twentieth century.These 284 outstanding and royalty-free motifs are divided into eight categories: Flowers and Plants; Wave and Cloud Forms; Medallions; Horizontal Bands; Animal Life; Symbols; Allover Patterns; and Ceramic Objects. Dates of the dynasties and periods are provided, with names in both pin yin and Wade transcriptions.

    Recent 100th anniversary of manned flight has heightened interest in the basics of flight. Author Grosser covers the history of human-powered flight including the various unsuccessful efforts in Europe (Italy, Germany, and France) following World War I as well as programs in England and Japan following World War II. The development and flight of the first successful human-powered aircraft, the Gossamer Condor, is covered in great detail. Grosser, who was a member of both of the Gassamer teams, provides an expert account that is fully accessible to the layperson and demonstrates how the channel crossing was an incredibly challenging undertaking despite the earlier success of the Condor. The Gossamer Albatross's human-powered flight from England to France across the Channel was a trumph of both man and machine.About the AuthorMorton Grosser is a graduate of the Massachusetts Institute of Technology (B.S. and M.S.) and Stanford Universtiy (Ph.D.). Author of seven books and numerous technical papers, his writing has also been published in The New Yorker, Harper's, and The Atlantic. Dr. Grosser is a management and technology consultant based in Menlo Park, California.

    

    Like its predecessors, the Tenth Edition features solid instruction, hundreds of examples, and clear interpretation of design guidelines that generations of readers have come to expect. But this new edition of the classic decorating book also reflects today's approach to decorating—mixing styles for personal expression with an awareness of budget. Organized in two parts, the first section is filled with room-by-room decorating guides and home tours to cover broad sweeps of decorating topics. The second section is organized by integral design topic: color, furniture arrangement, flooring, lighting, etc. Plus, inviting photography is complemented by workbook-style illustrations to help novice decorators understand the application of design concepts to specific rooms. Advice for making smart color choices What you need to know about mixing colors and patterns How to select and hang window treatments Ways to make smart use of wall art The essentials on color theory Trade secrets and tips from real designers Whether you're a new homeowner, an apartment dweller, or looking to spruce up any tired space, Better Homes and Gardens New Decorating Book shows you how to give a real home high-impact style—without breaking the bank.