Torn between infatuation, lust, denial and playing wifey, the only thing Mo knows for sure is that she's been through hell, survived nine years, three miscarriages, numerous flings, heated arguments and a few knock-down drag-out fights only to realize she is further deep in love and more confused than ever. Come join national best-selling author Keisha Ervin as she spins a classic tale about loving someone so much you lose yourself, only to find in the end that what you thought was real love was just a game.

    Shantaram is narrated by Lin, an escaped convict with a false passport who flees maximum security prison in Australia for the teeming streets of a city where he can disappear.Accompanied by his guide and faithful friend, Prabaker, the two enter Bombay's hidden society of beggars and gangsters, prostitutes and holy men, soldiers and actors, and Indians and exiles from other countries, who seek in this remarkable place what they cannot find elsewhere.As a hunted man without a home, family, or identity, Lin searches for love and meaning while running a clinic in one of the city's poorest slums, and serving his apprenticeship in the dark arts of the Bombay mafia. The search leads him to war, prison torture, murder, and a series of enigmatic and bloody betrayals. The keys to unlock the mysteries and intrigues that bind Lin are held by two people. The first is Khader Khan: mafia godfather, criminal-philosopher-saint, and mentor to Lin in the underworld of the Golden City. The second is Karla: elusive, dangerous, and beautiful, whose passions are driven by secrets that torment her and yet give her a terrible power.Burning slums and five-star hotels, romantic love and prison agonies, criminal wars and Bollywood films, spiritual gurus and mujaheddin guerrillas—this huge novel has the world of human experience in its reach, and a passionate love for India at its heart. Based on the life of the author, it is by any measure the debut of an extraordinary voice in literature.

     In many ways the autobiography he never got to write, Tupac: Resurrection features the artist in his own words, letters, and poems. They are showcased here, along with dozens of never-before-seen photographs, lyrics, screenplay ideas, and other personal effects. Capturing as never before the unrivaled passion and intense candor that made him one of America's bestselling solo recording artists of all time, Tupac: Resurrection stands as an indelible testament to Tupac's astonishing cultural legacy.

    But danger threatens Keara as she starts the search for her lost sisters.

    They live in a beautiful house, with a caring family, and attend an exclusive missionary school. They're completely shielded from the troubles of the world. Yet, as Kambili reveals in her tender-voiced account, things are less perfect than they appear. Although her Papa is generous and well respected, he is fanatically religious and tyrannical at home—a home that is silent and suffocating. As the country begins to fall apart under a military coup, Kambili and Jaja are sent to their aunt, a university professor outside the city, where they discover a life beyond the confines of their father’s authority. Books cram the shelves, curry and nutmeg permeate the air, and their cousins’ laughter rings throughout the house. When they return home, tensions within the family escalate, and Kambili must find the strength to keep her loved ones together.Purple Hibiscus is an exquisite novel about the emotional turmoil of adolescence, the powerful bonds of family, and the bright promise of freedom.

    The book also explores the near-religious fervour that the film inspires in a huge number of devoted fans.

    Nestled in his lavishing home in Chesterfield, Missouri, he captures women with his wealth, charm, nine-plus inches of goodness and amazingly good looks. Although his bed is never empty, his heart is. He feels nothing for the women who love him dearly and continues his search for the perfect one. When Scorpio Valentino, an attractive, seductive and charming woman saunters into his view, she offers Jaylin a life of altering changes. Her intention is to make his life a living hell, however, Jaylin is not about to take the fall. Surprisingly, soon, love presents itself. Not for the women in Jaylin's life, but he experiences love through becoming a father to Scorpio's five-year-old daughter, Mackenzie. She's his guardian angel and is there for Jaylin through the tough times he's bound to face.

    But her father tells her that she must learn to write it in English. In English, all the lines and circles stand alone, which is just how Yoon feels in the United States. Yoon isn't sure that she wants to be YOON. At her new school, she tries out different names – maybe CAT or BIRD. Maybe CUPCAKE!Helen Recorvits's spare and inspiring story about a little girl finding her place in a new country is given luminous pictures filled with surprising vistas and dreamscapes by Gabi Swiatkowska.My Name Is Yoon is a 2008 Bank Street - Best Children's Book of the Year.

    A gift from her obachan, it holds special memories of her grandmother's visit last summer. And Suki is going to wear it on her first day back to school --- no matter what anyone says.When it's Suki's turn to share with her classmates what she did during the summer, she tells them about the street festival she attended with her obachan and the circle dance that they took part in. In fact, she gets so carried away reminiscing that she's soon humming the music and dancing away, much to the delight of her entire class!Filled with gentle enthusiasm and a touch of whimsy, Suki's Kimono is the joyful story of a little girl whose spirit leads her to march --- and dance --- to her own drumbeat.

    He has since become the star and cocreator of Fox’s hit sitcom The Bernie Mac Show; a stand-up legend; and a hit movie star in Head of State and Charlie’s Angels: Full Throttle. Now this amazing comedian delves deep down inside to retell the poignant and hilarious story of his childhood and the people who helped shape him into the comedian—and the strong and self-reliant man—he is today.When young Bernie Mac lost his beloved mother to breast cancer, and faced an astounding number of other hardships, he remembered the “Mac-isms” she taught him: You have to meet all of the challenges, big and small. Because how you start is how you finish. If you want a helping hand, look at the end of your arm. These tough-love lessons gave him an inner strength that led him to choose hope over despair, and to follow his dreams. Maybe You Never Cry Again is a powerful testament to how a mother’s love made everything possible for Bernie Mac by teaching him to believe in himself.

    They eat together, sleep together, and even pick cotton together. So, on the night Lindy and her mama run away in search of freedom, Sally goes too. This young girl's rag doll vividly narrates her enslaved family's courageous escape through the Underground Railroad. At once heart-wrenching and uplifting, this story about friendship and the strength of the human spirit will touch the lives of all readers long after the journey has ended.

    The first three books in Alexander MCCall Smith's beloved bestselling series, featuring Mma Precious Ramotswe, the traditionally built, eminently sensible, cunning proprietor of the only ladies' detective agency in Botswana, are now available in a beautifully designed boxed set.

    365 Days of Walking the Red Road captures this priceless ancient knowledge and shows you how you can live your life to the fullest through integrity, compassion, and brotherhood. By reading the daily messages in this compelling work, you will discover yourself inside and out and move positively down your personal road without fear or doubt. This superb collection of Native American philosophy and culture helps you on your path along the Red Road in your quest for truth, light, and love.

    In her village, as in so many others, sex before marriage was considered a grave dishonour to one's family and was punishable by death. This was her crime. Her brother-in-law was given the task of arranging her punishment. One morning while Souad was washing the family's clothes, he crept up on her, poured petrol over her and set her alight.In the eyes of their community he was a hero. An execution for a 'crime of honour' was a respectable duty unlikely to bring about condemnation from others. It certainly would not have provoked calls for his prosecution. More than five thousand cases of such honour killings are reported around the world each year and many more take place that we hear nothing about.Miraculously, Souad survived rescued by the women of her village, who put out the flames and took her to a local hospital. Horrifically burned, and abandoned by her family and community, it was only the intervention of a European aid worker that enabled Souad to receive the care and sanctuary she so desperately needed and to start her life again. She has now decided to tell her story and uncover the barbarity of honour killings, a practice which continues to this day.Burned Alive is a shocking testimony, a true story of almost unbelievable cruelty. It speaks of amazing courage and fortitude and of one woman's determination to survive. It is also a call to break the taboo of silence that surrounds this most brutal of practices and which ignores the plight of so many other women who are also victims of traditional violence.

    Almost no visual documentation of the period exists and that which does is biased due to government control over media, arts and cultural institutions.Red-Color News Soldier is a controversial visual record of an infamous, misunderstood period of modern history that has been largely hidden from the public eye, both within China and abroad. Li Zhensheng (b.1940) - a photo journalist living in the northern Chinese province of Heilongjiang - managed, at great personal risk, to hide and preserve for decades over 20,000 stills. As a party-approved photographer for The Heilongjiang Daily , he had been granted unusual access to capture events during the Cultural Revolution. This account has remained unseen until now, except for some eight photographs that were released for publication in 1987.Red-Color News Soldier includes over 400 photographs and a running diary of Li's experience. The images are powerful representations of the turbulent period, including photographs of unruly Red Guard rallies and relentless public denunciations and Mao's rural re-education centres, as well as portraits prominent participants in the Cultural Revolution.Jonathan Spence, Yale Professor and pre-eminient historian of modern China, presents a rigorous introduction. In it, he states: 'Li was tracking human tragedies and personal foibles with a precision that was to create an enduring legacy not only for his contemporaries but for the generations of his countrymen then unborn. As Westerners confront the multiplicity of his images, they too can come to understand something of the agonizing paradoxes that lay at the centre of this protracted human disaster.'This book excels as a volume of both compelling photography and riveting historical record. It is truly unique - in terms of both its artefactual value and its deconstruction - and indispensable for anyone interested in modern Chinese history or the powerful cultural role of photojournalism.

    Her stories are one of the very few debut works -- and only a handful of collections -- to have won the Pulitzer Prize for fiction. Among the many other awards and honors it received were the New Yorker Debut of the Year award, the PEN/Hemingway Award, and the highest critical praise for its grace, acuity, and compassion in detailing lives transported from India to America.In The Namesake, Lahiri enriches the themes that made her collection an international bestseller: the immigrant experience, the clash of cultures, the conflicts of assimilation, and, most poignantly, the tangled ties between generations. Here again Lahiri displays her deft touch for the perfect detail — the fleeting moment, the turn of phrase — that opens whole worlds of emotion.The Namesake takes the Ganguli family from their tradition-bound life in Calcutta through their fraught transformation into Americans. On the heels of their arranged wedding, Ashoke and Ashima Ganguli settle together in Cambridge, Massachusetts. An engineer by training, Ashoke adapts far less warily than his wife, who resists all things American and pines for her family. When their son is born, the task of naming him betrays the vexed results of bringing old ways to the new world. Named for a Russian writer by his Indian parents in memory of a catastrophe years before, Gogol Ganguli knows only that he suffers the burden of his heritage as well as his odd, antic name. Lahiri brings great empathy to Gogol as he stumbles along the first-generation path, strewn with conflicting loyalties, comic detours, and wrenching love affairs. With penetrating insight, she reveals not only the defining power of the names and expectations bestowed upon us by our parents, but also the means by which we slowly, sometimes painfully, come to define ourselves.

    In 1972, after her work was banned under a repressive military regime, she left her country, moving to Spain.This collection of poems, written during her journey and the first period of her self-exile, was so personal that it remained unpublished for almost thirty years. It is accompanied here by two brilliant essays on exile, one by Peri Rossi and the other by translator Marilyn Buck, who is an American political prisoner, exiled in her own land.Cristina Peri Rossi is the author of thirty-seven works, including The Ship of Fools.

    It gives special emphasis to the 1980s and 1990s when Japan's economy experienced vast swings in activity. According to the author, the most recent upheaval in the Japanese economy is the result of the policies of a central bank less concerned with stimulating the economy that with its own turf battles and its ideological agenda to change Japan's economic structure. The book combines new historical research with an in-depth behind-the-scenes account of the bureaucratic competition between Japan's most important institutions: the Ministry of Finance and the Bank of Japan. Drawing on new economic data and first-hand eyewitness accounts, it reveals little known monetary policy tools at the core of Japan's business cycle, identifies the key figures behind Japan's economy, and discusses their agenda. The book also highlights the implications for the rest of the world, and raises important questions about the concentration of power within central banks.

    Basbanes continues the lively, richly anecdotal exploration of book people, places, and culture he began in 1995 with A Gentle Madness (a finalist that year for the National Book Critics Circle Award) and expanded in 2001 with Patience & Fortitude, a companion work that prompted the two-time Pulitzer Prize-winning historian and biographer David McCullough to proclaim him "the leading authority of books about books." In this beautifully packaged edition, Basbanes brings to a close his wonderful trilogy on the remarkable world of books and bibliophiles.

    A homeless man recognizing in a pawn shop window the fancy-dance regalia that was stolen fifty years earlier from his late grandmother.

    Even though the police had full knowledge of the rapist’s modus operandi, they made a conscious decision not to issue a warning to women in her neighbourhood. Jane Doe quickly realized that women were being used by the police as bait. The rapist was captured as a result of a tip received after she and a group of women distributed 2,000 posters alerting the community. During the criminal proceedings, Jane Doe became the first raped woman in Ontario to secure her own legal representation -- allowing her to sit in on the hearings instead of out in the hall where victim-witnesses are usually cloistered. As a result, Jane heard details of the police investigation normally withheld from women in her position, which revealed a shocking degree of police negligence and gender discrimination. When the rapist was convicted, the comfort was cold. In 1987, Jane Doe sued the Metropolitan Police Force for negligence and charter violation. It took eleven long years before her civil case finally came to trial -- the rest is history.This extraordinary book asks the diffcult question: Who benefits from rape? Popular ideas about rape still inform the way police and society behave around raped women. Despite decades of trying to rewrite the myths, the myths still exist, and they tell us that women lie about rape, that women enjoy it, that women file false rape reports to seek revenge and money. They tell us rape can be non-violent. They tell us that women can make good or bad rape victims or that women cannot be raped at all. They tell us nonsense -- and Jane Doe gives us a unique view on why.This is a book about rape that is not about being a “victim.” It’s about a woman who wanted to ensure that she, the person most involved, directed her case and the course of her life. It’s about external elements colliding to provide a small window of redress for women who experience crimes of violence. Jane Doe was a test case -- the right woman in the wrong place at the right time -- and she made legal history.In The Story of Jane Doe, she asks us to challenge our own assumptions about rape and, in the process, surprises us with a story that is by turns sweet, tragic, and fantastical. But most of all, this book celebrates what is most common in human nature -- our ability to overcome.“Rape stories are not new stories. They are as old as war, as old as man. Many bookstores have sections devoted to them, and I read them. I read them “before,” too. I have found most rape stories to be either chronicles of fear and horror, victim tales that make me want to run screaming from the page (although I do not). Or they are dry, academic or legal treatises on why rape is bad, written in language I must work to understand. Both are valid. But both somehow limit me from reaching a broader understanding . . . No book has ever reflected my lived experience of the crime.” -- Jane DoeFrom the Hardcover edition.

    From the television hit Xena, to the Oscar-winning box-office smash Gladiator and to Broadway's Medea, the sagas of antiquity continue to attract avid audiences. Now the lore and legend of Ancient Greece have been distilled into one spectacularly illustrated resource. The Genealogy of Greek Mythology brings to life the complete cast of characters, mortal and mythic alike. Accompanied by more than 125 captivating full-color photographs of art and artifacts, the narratives and bloodlines mapped out in The Genealogy of Greek Mythology are wonderfully user friendly. Beginning with Chaos-the period before the Earth was born-Vanessa James traces the succession of gods and titans through to the first generations of historically verifiable people of the ancient Aegean. Packed with over 3,000 entries, this incredibly detailed resource also features a star chart, regional map, and who's who guide to the Olympian gods. Each side of the book's unique accordion-paged design can be perused section-by-section or fanned out to reveal the entire genealogy in more than seventeen elegant feet.

    When Grandpa explains to Benny that God, not him, should be thanked for the wonderful bagels, Benny sets out to do just that. He decides to leave God a bagful of bagels in the synagogue at the end of each week. And each week God eats the bagels --- or so Benny thinks ... Lovingly told, Bagels from Benny explores the values of caring and sharing, building a strong sense of community and finding joy in giving thanks.

    Young men are taught to view women as slaves to their self-centered desires. More than ever, men need to know that they can rise above this sad mediocrity. They desperately need someone to recognize their potential for blending courage and kindness, strength and spiritual sensitivity. With its riveting vision of Christ-centered manhood, God's Gift to Women shows young men how to become the heroic, selfless knight that every woman dreams about.Buried Inside Every Young Man Is the Potential to Change the World Deep within the rugged soul of every young man, there is a warrior in search of his sword and a poet in search of his pen. But heroic, prince-like masculinity is something most women only dream of in today's perverse and self-serving world.With contagious passion and boldness, Eric Ludy challenges you to forsake modern male mediocrity for Christ-built, warrior-poet manhood--manhood that will capture the heart of a woman and change the course of history.

    Her poems are sculptures pieced together from bits of memory and a montage of American detritus. This cinematic and wildly original collection asks the big questions as it documents our private selves, playing out our lives in public.Before becoming a poet, Brenda Coultas was a farmer, a carny, a taffy maker, a park ranger, a waitress in a disco ballroom, and the second woman welder in Firestone Steel’s history. Her poetry has appeared in numerous publications, including Conjunctions, Epoch, Fence, and Open City. She lives one block from the Bowery in New York City.

    A gritty, deeply moving story that shows how the human spirit can triumph in the harshest of worlds.

    Four see-through vellum sections, of four layers each, begin with a "naked" geisha; they show, stage by stage, how her distinctive costume and make-up are assembled. You'll view the subtle changes of appearance through the round of seasonal events, and the elaborate array of equipment in the geisha's wardrobe, as well as everything she needs to do her demanding jobs. Equally revealing is the incredibly detailed information about the women's training, lives, and history.

    The nineteenth century saw the creation of some of the world's most incredible feats of engineering. Deborah Cadbury explores the history behind the epic monuments that spanned the industrial revolution from Brunel's extraordinary Great Eastern, the Titanic of its day that joined the two ends of the empire, to the Panama Canal, that linked the Atlantic and Pacific oceans half a century later.Seven Wonders of the Industrial World recreates the stories of the most brilliant pioneers of the industrial age, their burning ambitions and extravagant dreams, their passions and rivalries as great minds clashed. These were men such as Arthur Powell-Davis, the engineer behind the Hoover Dam, who dreamed of creating the largest dam in the world by diverting the entire Colorado river, one of the worlds most dangerous and unpredictable, or John Roebling, who lost his life creating the Brooklyn Bridge, the longest suspension bridge ever built. These are also the stories of countless unsung heroes – the craftsmen and workers without whose perseverance nothing would have been achieved, not to mention the financiers and shareholders hanging on for the ride as fortunes – and reputations – were lost and won.Cadbury leads us on an amazing journey from the freezing snows of the Alps to the mosquito-ridden wilds of the Central American jungle as we see uncontrollable rivers tamed, continents conquered and vast oceans joined.

    Demonstrates the historical, biblical, and theological consistency of Reformed theology, the richness of the African-American Christian experience, and the merit of bringing the two together.

    Its top exploded in a scream, and flames ripped upward to the sky. A massive cloud of silver ash rose to the heavens, twisting and bubbling in every direction until everything was in total darkness."Tranio, like most Roman boys, likes to watch whatever is going on: tradesmen selling their goods, ships unloading their exotic cargoes, politicians making speeches in the forum. But one hot August day a very different scene unfolds. The ground begins to shake, the sky to darken. People run gasping for air. Heading for the harbor, Tranio and his friend Livia hide on a boat and witness one of the most terrifying moments in recorded history-the eruption of Mount Vesuvius and the destruction of their beloved city, Pompeii.Christina Balit's fictional tale is based on the latest research. With her dramatic illustrations and a historical note, this story makes an exciting introduction to a fascinating subject.

    Now he and his wife, Dark Rain, have created a magnificent portrait of an astonishing woman–one who led her people in war when she could not persuade them to make peace.Her name was Nonhelema. Literate, lovely, imposing at over six feet tall, she was the Women’s Peace Chief of the Shawnee Nation–and already a legend when the most decisive decade of her life began in 1774. That fall, with more than three thousand Virginians poised to march into the Shawnees’ home, Nonhelema’s plea for peace was denied. So she loyally became a fighter, riding into battle covered in war paint. When the Indians ran low on ammunition, Nonhelema’s role changed back to peacemaker, this time tragically.Negotiating an armistice with military leaders of the American Revolution like Daniel Boone and George Rogers Clark, she found herself estranged from her own people–and betrayed by her white adversaries, who would murder her loved ones and eventually maim Nonhelema herself.Throughout her inspiring life, she had many deep and complex relationships, including with her daughter, Fani, who was an adopted white captive . . . a pious and judgmental missionary, Zeisberger . . . a series of passionate lovers . . . and, in a stunning creation of the Thoms, Justin Case–a cowardly soldier transformed by the courage he saw in the female Indian leader.Filled with the uncanny period detail and richly rendered drama that are Thom trademarks, Warrior Woman is a memorable novel of a remarkable person–one willing to fight to avoid war, by turns tough and tender, whose heart was too big for the world she wished to tame.From the Hardcover edition.

    Yet too often, he warns, African American women are the victims of negative stereotypes that dominate the larger culture and even many quarters of black America. It's time to stop viewing black women as scolding sapphires, welfare queens, professional prima donnas-and carping competitors with white women -and to start giving them the respect and the love they deserve. Why I Love Black Women is an act of cultural restoration that rescues black women from vicious rhetoric and irresponsible generalizations. It is a catalogue of virtues, an unapologetically cheerful view of black women that rescues their strengths and beauties from callous denial or cruel indifference. Deeply personal and socially provocative, Dyson singles out the defining virtues of African American women. More than a colored knock-off of "vanilla" virtues, these qualities evoke praise and conjure awe in the face of black women's struggles. In an era marred by bigoted and baleful beliefs about black women-from hip-hop to the pulpit, from the streets to scholarly focus-Dyson offers a welcome reprieve from cultural madness. Why I Love Black Women explodes taboos while it celebrates the perseverance and the pride, the sensuality and the sophistication, of African American women everywhere.

    Its art teachers included Josef Albers, Ilya Bolotowsky, Willem de Kooning, Buckminster Fuller, Franz Kline, and Robert Motherwell, and among their students were John Chamberlain, Kenneth Noland, Robert Rauschenberg, Dorothea Rockburne, and Cy Twombly. The performing arts teachers included John Cage, Merce Cunningham, Lou Harrison, Roger Sessions, David Tudor, and Stefan Wolpe, and among the literature teachers and students were Robert Creeley, Fielding Dawson, Ed Dorn, Robert Duncan, Francine du Plessix Gray, Charles Olson, M. C. Richards, and John Wieners.

    She has no interest in heeding her father's wishes by wedding a cavalry officer from Fort Harris, but knows she has little choice. Until she meets a courageous Indian warrior who ignites her soul, inspiring her to defy not only her father but the prejudices of their people ...Night Wolf is the chief of the Wolf band of the Cree, and his first responsibility is to them. By marrying a Chippewa maiden, he will ensure the future survival of his people through an alliance between the tribes. But Night Wolf cannot deny the fiery passion he feels for Marissa --- a forbidden desire that threatens to overwhelm his sense of duty ...

    Living between the two worlds of being Latino and American can generate great uncertainty. And the strange mixture of ethnic pride and racial prejudice creates another sort of confusion.Who are you as a Latino? Who are you as an American? What has Christ to say about your dilemma? How can you accept who you are in Christ with joy and confidence? Orlando Crespo has taken his own journey from Puerto Rico to an immigrant neighborhood in Springfield, Massachusetts, and back again to his Latino roots. In this books he helps you to reflect on your own voyage of self-understanding and on what it means to have a mixed heritage from the days of the original Spanish Conquest to the present. His straightforward approach also takes him to what the Bible says about ethnic identity--about a people who were often oppressed by more powerful cultures. He helps you to see how Jesus' own humanity unfolded in the context of a people who were considered to be inferior. Thus Crespo finds both realism and hope in the good news of Jesus. There is more, however, than merely coming to terms with who you are. Crespo also shows how Latinos are called to step out positively in ministry to the world. You can make a positive impact in on the world in racial reconciliation, in bicultural ministry and more because of who God has uniquely made you to be. Here is a book for all Latinos who want to live confidently in Christ.

    Instead, this Muslim zealot found the true faith in Christ, who changed him, "He did what the God of Mohammed was unable to do." Raised to hate Christians, never imagining that they could be right, Mozafar discovered something that shook his whole being. After years of intense research, he had no choice but to overcome his fears and face the truth-whatever the cost. After years of railing against God, Khalil was caught by a love that wouldn't let him go. He cried out to God to know the truth: Who is this person anticipated by all nations by Jews, Christians and Muslims? Unable to bear the struggle any longer, he gave his heart to the One who filled his inner being with joy. Read the compelling stories of eight Muslims in Egypt - the intellectual capital of Islam - as they persevered until they discovered the truth.

    While critics have lauded Wagner's Tristan and Isolde for the originality and subtlety of the music, they have denounced the drama as a mere trifle--a rendering of Wagner's forbidden love for Matilde Wesendonck, the wife of a banker who supported him during his exile in Switzerland.Death-Devoted Heart explodes this established interpretation, proving the drama to be more than just a sublimation of the composer's love for Wesendonck or a wistful romantic dream. Scruton boldly attests that Tristan and Isolde has profound religious meaning and remains as relevant today as it was to Wagner's contemporaries. He also offers keen insight into the nature of erotic love, the sacred qualities of human passion, and the peculiar place of the erotic in our culture. His argument touches on the nature of tragedy, the significance of ritual sacrifice, and the meaning of redemption, providing a fresh interpretation of Wagner's masterpiece. Roger Scruton has written an original and provocative account of Wagner's music drama, which blends philosophy, criticism, and musicology in order to show the work's importance in the twenty-first century.

    From feet to buttocks, hair, skin, face and beyond to soul and spirit, the author explores the endeavors, ordeals and triumphs of this body with some of the major dancers and choreographers of our time--Fernando Bujones, Brenda Bufalino, Trisha Brown, Garth Fagan, Rennie Harris, Bill T. Jones, Ralph Lemon, Susanne Linke, Meredith Monk and a cadre of their esteemed colleagues. Since race and color are usually taboo subjects in the dance world, what the author finds out is sure to cause controversy and turn heads. Written by one of the foremost American dance critics of our day, The Black Dancing Body is a key to the ineffable rhythms and movement of dance in America.

    Irene Smalls and Colin Bootman team up in this heart-warming story of friendship, integration, opportunity, and hard choices.

    Set in modern-day Islambad, Pakistan, the book depicts an extraordinary child who enables her mother, Sajida, and her grandfather, Ali, to confront the pasts they have chosen to suppress. Through Noor's artwork, her family members are transported through their haunted memories of the 1970 cyclone that claimed the lives of a million people and the violent atrocities of the 1971 conflict between East and West Pakistan that eventually created the independent country of Bangladesh. As Noor's drawings bring to life sights, sounds, smells, and sensations from the past, her family is forced to admit of the betrayals and disillusionments that they thought had been buried with time. Moving, heartbreaking, and unsettling by turns, Noor is a novel about the horrors of war, the power of forgiveness, and, most important, the strength of the human spirit.

    Paris at the turn of the 20th century was obsessed with the interrelations of the arts. It was a time when artists and writers spoke of poetry as music, sounds as colors, and paintings as symphonies. The music of Claude Debussy, with its unique textures and dazzling colors, was the perfect counterpart to the bold new styles of painting in France. Paul Roberts probes the sources of Debussy's artistic inspiration, relating the "impressionist" titles to the artistic and literary ferment of the time. He also draws on his own performing experience to touch on all the principal technical problems for a performer of Debussy's piano music. His many suggestions about interpreting the music will be particularly valuable to performers as well as listeners.

    Goldstein challenges much of what we think we know about the "culture of poverty." Drawing on more than a decade of experience in Brazil, Goldstein provides an intimate portrait of everyday life among the women of the favelas, or urban shantytowns. These women have created absurdist and black-humor storytelling practices in the face of trauma and tragedy. Goldstein helps us to understand that such joking and laughter is part of an emotional aesthetic that defines the sense of frustration and anomie endemic to the political and economic desperation of the shantytown.

    For centuries Indian children have grown up hearing Ganesh's story--how his mother, Parvati (an incarnation of the great mother goddess), created a small boy from sandalwood soap and commanded that he guard the palace against all intruders while she took her bath. How her husband, Shiva (the fearsome god of destruction), didn't take kindly to being barred from his own home. How Shiva beheaded the boy during the cosmic war that followed, but then, when he realized that the balance of the entire universe was at stake, brought the boy back to life by grafting an elephant's head onto his body and made him the people's intercessor against the powers of destruction. Ganesh's timeless story teaches children about the steadfast power of dedication to duty, the awe-inspiring power of a mother's love for her child, and the gentle power of compassion, which holds the world together. Accompanied by rich, color illustrations prepared according to the traditional Hindu canon, How Ganesh Got His Elephant Head will transport children to a magical world filled with ancient wisdom.

     Drawing on a lifetime's experience of studying, teaching, editing, and writing about Shakespeare, Stanley Wells combines scholarly authority with authorial flair in a book that will appeal equally to the specialist and the untutored enthusiast. Chapters on Shakespeare's life in Stratford and in London offer a fresh view of the development of the writer's career and personality. At the core of the book lies a magisterial study of the writings themselves--how Shakespeare set about writing a play, his relationships with the company of actors with whom he worked, his developing mastery of the literary and rhetorical skills that he learned at the Stratford grammar school, the essentially theatrical quality of the structure and language of his plays. Subsequent chapters trace the fluctuating fortunes of his reputation and influence. Here are accounts of adaptations, productions, and individual performances in England and, increasingly, overseas; of great occasions such as the Garrick Jubilee and the tercentenary celebrations of 1864; of the spread of Shakespeare's reputation in France and Germany, Russia and America, and, more recently, the Far East; of Shakespearian discoveries and forgeries; of critical reactions, favorable and otherwise, and of scholarly activity; of paintings, music, films and other works of art inspired by the plays; of the plays' use in education and the political arena, and of the pleasure and intellectual stimulus that they have given to an increasingly international public. Shakespeare, said Ben Jonson, was not of an age but for all time. This is a book about him for our time.

    Only the stones will remain." ....In northwest Alabama, there is a stone wall dedicated to my great-great-grandmother's journey about which this book is written, and to all Native American women. The wall is my way of honoring my ancestors. It has become a special place to many who visit it, for reasons that relate to their own lives. After walking the length of the wall, Charlie Two Moons, a spiritual person, explained it this way: "The wall does not belong to you, Brother Tom, it belongs to all people. You are just the keeper. I will tell you that it is wichahpi, which means 'like the stars.' When they come, some will ask, 'Why does it bend and why is it higher and wider in some places than in others?' Tell them it is like your great-great-grandmother's journey, and their journey through life—it is never straight." If the Legends Fade is the story of Te-lah-nay's journey. The story, like the wall, belongs to all people.

    The burial grounds of Christ Church hold the remains of Benjamin Franklin and six other signers of the Declaration of Independence. Philadelphia pioneered the development of the rural cemetery with the establishment of Laurel Hill, eternal home to Gettysburg hero George Gordon Meade and thirty-nine other Civil War-era generals. In Philadelphia's Jewish, Catholic, and African American burial grounds rest such notable figures as Rebecca Gratz, model for the Jewish heroine of Walter Scott's Ivanhoe; John Barry, Catholic father of the U.S. Navy; and Octavius Catto, an African American civil-rights leader of the nineteenth century. Finally, there are the vanished cemeteries, such as Monument, Lafayette, and Franklin. Transformed into playgrounds and parking lots, these cemeteries were obliterated with sometimes horrific callousness. Philadelphia Graveyards and Cemeteries tells the intriguing history of these burial grounds, whether revered or long forgotten.

    Nature's rocky sculptures — an art that can't remain." From H is for Handcarts to Z is for Zion National Park, A is for Arches presents the history, landscape, and people of the great state of Utah.

    The book covers a key period from the Israelites’ settlement in Canaan in 1200 B.C.E. to their return from exile in Babylonia in 538 B.C.E. This part of the Middle East—no larger than modern-day Michigan—was the birthplace of Judaism, Christianity, and Islam. More than 35 projects include stomping grapes into juice, building a model Phoenician trading ship, making a Philistine headdress, and writing on a broken clay pot. Israelites', Phoenicians', and Philistines' writing and languages, the way they built their homes, the food they ate, the clothes they wore, and the work they did, and of course, their many interesting stories, are all explored.

    Their nature-based way of life makes no distinction between the sacred and the secular, and they express their reverence for the powers of the earth by regarding all elements in nature as family. The Journey of Tunuri and the Blue Deer is a modern adaptation of a traditional Huichol story depicting a young child finding his (or her) personal task in life by connecting with the powers of nature. The story is told through the experiences of young Tunuri, who becomes lost in the woods. He meets the magical Blue Deer--a messenger between the worlds of mortals and deities--who introduces Tunuri to Father Sun, Mother Earth, and others in the natural world, while leading him back to his human family. Through this lovely tale and the vivid illustrations done in the medium of traditional Huichol yarn drawings, children can learn about their place in the sacred web of life.

    Twelve powerful works of fiction, including Pushkin's "The Queen of Spades," Gogol's "The Overcoat," Turgenev's "The District Doctor," Dostoyevsky's "White Nights," Tolstoy's "How Much Land Does a Man Need?," plus "The Clothes Mender" by Leskov, "The Lady with the Toy Dog" by Chekhov, "Twenty-Six Men and a Girl" by Gorky, "Lazarus" by Andreyev, and more.

     Illustrated by Benrei Huang.

    In 1960, she made history when she attended an all-white school. Follow her story and learn why we still celebrate her courage today.

    Moving inland to the mountains, she raises her son on an animal refuge where he becomes devoted to a young stag. But the lure of the sea is too strong and Dannie's mother must learn to release him.

    Hillbilly signifies both rugged individualism and stubborn backwardness, strong family and kin networks but also inbreeding andbloody feuds. Spanning film, literature, and the entire expanse of American popular culture, from D. W. Griffith to hillbilly music to the Internet, Harkins illustrates how the image of the hillbilly has consistently served as both a marker of social derision and regional pride. He traces thecorresponding changes in representations of the hillbilly from late-nineteenth century America, through the great Depression, the mass migrations of Southern Appalachians in the 1940s and 1950s, the War on Poverty in the mid 1960s, and to the present day. Harkins also argues that images ofhillbillies have played a critical role in the construction of whiteness and modernity in twentieth century America. Richly illustrated with dozens of photographs, drawings, and film and television stills, this unique book stands as a testament to the enduring place of the hillbilly in the Americanimagination.Hillbilly received an Honorable Mention, John G. Cawelti Book Award of the American Culture Association.

    Less obviously, perhaps, they also staked their own claims on the American polity, claims that would in fact transform the very entitlements of American citizenship.In this eye-opening work of American history, Todd DePastino tells the epic story of hobohemia's rise and fall, and crafts a stunning new interpretation of the "American century" in the process. Drawing on sources ranging from diaries, letters, and police reports to movies and memoirs, Citizen Hobo breathes life into the largely forgotten world of the road, but it also, crucially, shows how the hobo army so haunted the American body politic that it prompted the creation of an entirely new social order and political economy. DePastino shows how hoboes—with their reputation as dangers to civilization, sexual savages, and professional idlers—became a cultural and political force, influencing the creation of welfare state measures, the promotion of mass consumption, and the suburbanization of America. Citizen Hobo's sweeping retelling of American nationhood in light of enduring struggles over "home" does more than chart the change from "homelessness" to "houselessness." In its breadth and scope, the book offers nothing less than an essential new context for thinking about Americans' struggles against inequality and alienation.