They can survive in the harshest of conditions like nobody else. The noble inmouchar Gacel Sayah, is the master of a large extension of the desert. One day, two fugitives arrive from the north and Gacel, following his ancient and sacred hospitality laws, gives them shelter. However, Gacel doesn't realise that his act of kindness will lead him towards a deadly adventure.

    Patterned after the look of Ripley's popular Believe It or Not the multiple vignettes in each episode recount short items from Rogers's research. The feature began in the Pittsburgh Courier in November 1934 and ran through the 1960s.

    But only one man could bring her the happiness she longed for.SHAMAN'S DAUGHTER--Supaya watched her children abandon their sacred heritage. But she survived, returning to the old ways...seeking the one who could inherit her priceless gift of knowledge.

    Among graphic artists and commercial designers, Mucha is praised for the innovative style books that pioneered the use of Art Nouveau in commercial packaging, design, and ornament.The most important of these style books was Documents Décoratifs, published in 1901 at the height of Mucha's fame as the high priest of the Art Nouveau movement. While the artist's fame rests largely on his posters, it is in the smaller works of the style books, or design portfolios, that the refinement of his technique can best be appreciated. The present volume, carefully reproduced from an extremely rare and valuable set of originals, contains all 72 plates of the Documents Décoratifs portfolio. Included are designs for jewelry, wallpaper, stained glass, furniture, and tableware; figure and botanical studies; and a selection of Mucha's famous panneaux décoratifs. Eighteen of the plates are in full color, while the remaining 54 are reproduced in two or more color tones.In addition to numerous innovative designs for practical and decorative objects, the elegant draftsmanship and meticulous execution that characterized all of Mucha's work is evident in studies of langorous nudes, portrait sketches, delicately rendered plant and animal motifs, exquisite modeling of drapery and cloth, and the flowing, fantastic forms created as experiments in pure design. In the Foreword by Gabriel Mourey, specially translated for this edition, Mucha's own philosophy of art, and the relation of the Documents to the rest of his work, receive an appreciative and informative discussion.Hitherto available only in scattered sources, or in the libraries of wealthy collectors, the complete Documents Décoratifs is now available in this inexpensive one-volume edition. Lovers of Mucha's work, admirers of Art Nouveau, and the application of that style to the decorative arts, will want to own this fine royalty-free collection by one of the greatest masters of the technique."[Documents Décoratifs is] . . . an encyclopedic source for Mucha's style in every branch of decorative and applied art and one of the few books on design where even individual plates are sought after by collectors." — Marina Henderson, The Graphic Style of Alphonse Mucha

    The book is structured around five major dimensions: power distance; uncertainty avoidance; individualism versus collectivism; masculinity versus femininity; and long term versus short-term orientation.

    But the wicked emperor wants to capture the boy when he hears the news. The story will excite readers as the ruler gets his just reward when the boy creates a masterpiece that spells his doom.

    Huston shows a master screenwriter's skill in setting a scene and delineating a character with a few words."--New York Times Book ReviewIn An Open Book, this veteran of five marriages, innumerable friendships, practical jokes, horses, love affairs, and intellectual obsessions tells his own story in his own way. It is direct, unadorned, complete-and wonderful reading. Here is Huston on stage for the first time at age three, dressed in an Uncle Sam suit; in the ring at eighteen, boxing for small purses; selling his first short story to H.L. Mencken; down and out in London; acting in Greenwich Village; going to Hollywood to work for Jack Warner as a writer; directing his first picture, The Maltese Falcon; filming dangerous combat scenes in the Aleutians and in Italy; and making over forty years worth of movies, from Key Largo to The Man Who Would Be King. And the stories behind those movies are often as exciting as the movies themselves, featuring such notables as Hemingway, Selznick, Sartre, Hepburn, Monroe, Flynn, Welles, Gable, Bogart, Clift, and Brando. An Open Book is alive with John Huston's presence: his boldness and daring, his candor and style, and the spontaneity with which he followed his dreams to their ultimate destination, the well-deserved acclaim of a world enchanted by his work.

    A rider on a magnificent animal comes to him and says: "This animal is called the Sacred Dog. He can do many things your dogs can do and also more...He is as the wind: gentle but sometimes frightening." The clouds close and suddenly one by one countless Sacred Dogs course down from the sky. And so the courage of one determined boy is rewarded by the Great Spirit: The horse, or Sacred Dog, is given to his tribe.

    For him and for his son, Hellmut Wilhelm, the Book of Changes represented not just a mysterious book of oracles or a notable source of the Taoist and Confucian philosophies. In their hands, it emerges, as it did for C. G. Jung, as a vital key to humanity's age-old collective unconscious. Here the observations of the Wilhelms are combined in a volume that will reward specialists and aficionados with its treatment of historical context--and that will serve also as an introduction to the I Ching and the meaning of its famous hexagrams.

    This book presents the story of mummification as a practice worldwide. Mummies have been found on every continent, some deliberately preserved by use of a variety of complex techniques (as with the ancient Egyptians), others accidentally by dry baking heat, intense cold and ice, or by tanning in peat bogs. By examining these preserved humans, we can get profound insights into the lives, health, culture and deaths of individuals and populations long gone. The first edition of this book was acclaimed as a classic. This readable new edition builds on these foundations, investigating the fantastic new findings in South America, Europe and the Far East. It will be a must-have volume for anyone working in paleopathology and a fascinating read for all those interested in anthropology, archaeology, and the history of medicine.

    The book received the Gold Medal of the Commonwealth Club of California for outstanding literary achievement by a California author and was selected by the American Library Association as one of the "fifty best books of the year."

    Full-color pictures throughout.

    Born into a Polish family of gifted artists, Misia was a pianist of talent who, as a child, delighted Liszt and, later, her teacher, Fauré. Her greatest talent, however, was the gift of inspiring and bringing together others. She was painted and adored by Renoir, Vuillard, Bonnard, and Toulouse-Lautrec. She was a friend of Mallarmé and Valéry, and later, Cocteau, Colette and Claudel. It was she who brought Diaghilev and Stravinsky together, inspired two characters in Proust's masterpiece Remembrance of Things Past, and 'discovered' Coco Chanel.

    Yukichi Fukuzawa's life covered the 66 years between 1835 and 1901, a period which comprised greater and more extraordinary changes than any other in the history of Japan. In his country's swift transformation from an isolated feudal state to a full-fledged member of the modern world, Fukuzawa played a leading role: he was the educator of the new Japan, the man who above all others explained to his countrymen the ideas behind the dazzling material evidence of Western civilization. Dictated by Fukuzawa in 1897, this book vividly relates his story, from his childhood as a member of the lower samurai class in a small, caste-bound village. His escape from the hopeless destiny decreed by his social position, his adventures as a student of Dutch (the language of the only Westerners allowed in Japan), his travels aboard the first Japanese ship to sail to America -- all prepared Fukuzawa to write Seiyo Jijo (Things Western), the book which made him famous. His special perspective on Japan's tempestuous 19th century gives Fukuzawa's life story added fascination.

    Language rather than plot motivates the story--the novel is often compared to James Joyce's "Finnegans Wake"--and time, characters, and death all prove unstable. The one constant is the Russian landscape, where the Volga is a more-crossable River Styx, especially when it freezes in winter. Sokolov's fiction has hugely influenced contemporary Russian writers. Now, thanks to Alexander Boguslawski's bold and superb translation, English readers can access what many consider to be his best work.

    Her family's survival was always precarious, as her father did his best to scrape out a subsistence for his family and her mother's faith in God bound them together even when her children did not appreciate it. As a young black woman, Mary experience hatred, intolerance and injustice that turned her bitter and angry. She was the first in her family to graduate from high school, the first to receive a full scholarship to a university, and she continued to reach out for everything life had to offer. A chance encounter with Mormon missionaries seemed to her an opportunity to vent her hatred for white people in general and these men in particular, who represented the epitome of racist propaganda. Instead, Mary's well-crafted defenses were chipped away through the young men's faith and persistence, and she learned to reach out with love to those who despised her as she slowly became converted to their faith.