They have to find ways to bring in new customers, especial after Perk Up, a big chain coffee and pastry shop, opens across the street. To make a bad matter worse, Dane, the cute new boy at school is the son of Perk Up’s CEO. She should hate him...but he’s really sort of sweet. How’s a girl supposed to deal? Ali begins to create incredible cake pops using her deceased mom’s cookbook.

    Poems take on the voices of Evers's widow, Myrlie; his brother, Charles; his assassin, Byron De La Beckwith; and each of De La Beckwith's two wives. Except for the book's title,"Turn me loose," which were his final words, Evers remains in this collection silent. Yet the poems accumulate facets of the love and hate with which others saw this man, unghosting him in a way that only imagination makes possible.

    An “attractional” model will seek to attract people to a local church. Younger leaders may advocate a more “missional” approach, in which believers live and work among unchurched people and intentionally seek to serve like Christ. While each of these approaches have merit, something is still missing, something even more fundamental to the mission of the church: discipleship. Making disciples—helping people to trust and follow Jesus—is the church’s God-given mandate. Devoted disciples attract people outside the church because of the change others see in their Christ-like lives. And discipleship empowers Christians to be more like Christ as they intentionally develop relationship with non-believers. DiscipleShift walks you through five key “shifts” that churches must make to refocus on the biblical mission of discipleship. These intentional changes will attract the world and empower your church members to be salt and light in their communities.

    But have you ever woken up stuck to the bed? Masha Sweet has. And there’s only one possible reason: her little sister Sunny. Masha is used to Sunny’s evil genius ways, but the glue Sunny used to secure a bouquet of plastic daisies to Masha’s head is not coming out! The girls have to stay home from school and through a bizarre turn of events, they wind up at the hospital. It’s the perfect place to fix Masha’s head…but first they will (almost) contract a (not so) killer virus, steal a cast, and lead the nurses on a wild goose chase. When this is all over, Sunny Sweet is going to be so sorry!

    Whether you’re tinkering with your first one hundred pages or trying to wrestle a complete draft into shape, Horwitz helps you look at your writing with the fresh perspective you need to reach the finish line.Blueprint Your Bestseller introduces the Book Architecture Method, a tested sequence of steps for organizing and revising any manuscript. By breaking a manuscript into manageable scenes, you can determine what is going on in your writing at the structural level—and uncover the underlying flaws and strengths of your narrative.For more than a decade this proven approach to revision has helped authors of both fiction and nonfiction, as well as writers across all media from theater to film to TV.

    Procedures are described for testing hypotheses about the mechanisms by which causal effects operate, the conditions under which they occur, and the moderation of mechanisms. Relying on the principles of ordinary least squares regression, Andrew Hayes carefully explains the estimation and interpretation of direct and indirect effects, probing and visualization of interactions, and testing of questions about moderated mediation. Examples using data from published studies illustrate how to conduct and report the analyses described in the book. Of special value, the book introduces and documents PROCESS, a macro for SPSS and SAS that does all the computations described in the book. The companion website (www.afhayes.com) offers free downloads of PROCESS plus data files for the book's examples. Unique features include: *Compelling examples (presumed media influence, sex discrimination in the workplace, and more) with real data; boxes with SAS, SPSS, and PROCESS code; and loads of tips, including how to report mediation, moderation and conditional process analyses. *Appendix that presents documentation on use and features of PROCESS.  *Online supplement providing data, code, and syntax for the book's examples.

    In 9.5 Theses on Art and Class and Other Writings Ben Davis takes on a broad array of contemporary art’s most persistent debates: How does creative labor fit into the economy? Is art merging with fashion and entertainment? What can we expect from political art? Davis argues that returning class to the center of discussion can play a vital role in tackling the challenges that visual art faces today, including the biggest challenge of all—how to maintain faith in art itself in a dysfunctional world.

    Five years later, one is earning a good salary at a prestigious accounting firm. With no loans to repay, she lives in a fashionable apartment with her fiance. The other woman, saddled with burdensome debt and a low GPA, is still struggling to finish her degree in tourism. In an era of skyrocketing tuition and mounting concern over whether college is "worth it," Paying for the Party is an indispensable contribution to the dialogue assessing the state of American higher education. A powerful expose of unmet obligations and misplaced priorities, it explains in vivid detail why so many leave college with so little to show for it.Drawing on findings from a five-year interview study, Elizabeth Armstrong and Laura Hamilton bring us to the campus of "MU," a flagship Midwestern public university, where we follow a group of women drawn into a culture of status seeking and sororities. Mapping different pathways available to MU students, the authors demonstrate that the most well-resourced and seductive route is a "party pathway" anchored in the Greek system and facilitated by the administration. This pathway exerts influence over the academic and social experiences of all students, and while it benefits the affluent and well-connected, Armstrong and Hamilton make clear how it seriously disadvantages the majority. Eye-opening and provocative, Paying for the Party reveals how outcomes can differ so dramatically for those whom universities enroll.

    In 2006, Routledge's The Transgender Studies Reader brought together the first definitive collection of the field. Since its publication, the field has seen an explosion of new work that has expanded the boundaries of inquiry in many directions. The Transgender Studies Reader 2 gathers these disparate strands of scholarship, and collects them into a format that makes sense for teaching and research.Complementing the first volume, rather than competing with it, The Transgender Studies Reader 2 consists of fifty articles, with a general introduction by the editors, explanatory head notes for each essay, and bibliographical suggestions for further research. Unlike the first volume, which was historically based, tracing the lineage of the field, this volume focuses on recent work and emerging trends. To keep pace with this rapidly changing area, the second reader has a companion website, with images, links to blogs, video, and other material to help supplement the book.For more information, visit the companion website at www.routledge.com/cw/stryker

    She encourages readers to examine the ways in which works of art challenge how we experience not only the artist's feelings, but our own. Discussing performance art, painting, and photography, Doyle provides new perspectives on artists including Ron Athey, Aliza Shvarts, Thomas Eakins, James Luna, Carrie Mae Weems, and David Wojnarowicz. Confronting the challenge of writing about difficult works of art, she shows how these artists work with feelings as a means to question our assumptions about identity, intimacy, and expression. They deploy the complexity of emotion to measure the weight of history, and to deepen our sense of where and how politics happens in contemporary art. Doyle explores ideologies of emotion and how emotion circulates in and around art. Throughout, she gives readers welcoming points of entry into artworks that they may at first find off-putting or confrontational. Doyle offers new insight into how the discourse of controversy serves to shut down discussion about this side of contemporary art practice, and counters with a critical language that allows the reader to accept emotional intensity in order to learn from it.

    As Losurdo argues, class struggle is often misunderstood as exclusively the struggle of the poor against the rich, of the humble against the powerful. It is an interpretation that is dear to populism, one that supposes a binary logic that closes its eyes to complexity and inclines towards the celebration of poverty as a place of moral excellence. This book, however, shows the theory of class struggle is a general theory of social conflict. Each time, the most adverse social conflicts are intertwined in different ways. A historical situation always emerges with specific and unique characteristics that necessitate serious examination, free of schematic and biased analysis. Only if it breaks away from populism can Marxism develop the ability to interpret and change the world.

    Stewardesses appeared on magazine covers, on lecture circuits, and in ad campaigns for everything from milk to cigarettes. Airlines enlisted them to pose for publicity shots, mingle with international dignitaries, and even serve (in sequined minidresses) as the official hostesses at Richard Nixon's inaugural ball. Embodying mainstream America's perfect woman, the stewardess was an ambassador of femininity and the American way both at home and abroad. Young, beautiful, unmarried, intelligent, charming, and nurturing, she inspired young girls everywhere to set their sights on the sky.In The Jet Sex, Victoria Vantoch explores in rich detail how multiple forces--business strategy, advertising, race, sexuality, and Cold War politics--cultivated an image of the stewardess that reflected America's vision of itself, from the wholesome girl-next-door of the 1940s to the cosmopolitan glamour girl of the Jet Age to the sexy playmate of the 1960s. Though airlines marketed her as the consummate hostess--an expert at pampering her mostly male passengers, while mixing martinis and allaying their fears of flying--she bridged the gap between the idealized 1950s housewife and the emerging "working woman." On the international stage, this select cadre of women served as ambassadors of their nation in the propaganda clashes of the Cold War. The stylish Pucci-clad American stewardess represented the United States as middle class and consumer oriented--hallmarks of capitalism's success and a stark contrast to her counterpart at Aeroflot, the Soviet national airline. As the apotheosis of feminine charm and American careerism, the stewardess subtly bucked traditional gender roles and paved the way for the women's movement. Drawing on industry archives and hundreds of interviews, this vibrant cultural history offers a fresh perspective on the sweeping changes in twentieth-century American life.

    The book shattered journalistic and literary conventions. Critic Lionel Trilling called it the “most realistic and most important moral effort of our American generation.” The origins of Agee and Evan's famous collaboration date back to an assignment for Fortune magazine, which sent them to Alabama in the summer of 1936 to report a story that was never published. Some have assumed that Fortune's editors shelved the story because of the unconventional style that marked Let Us Now Praise Famous Men, and for years the original report was lost.But fifty years after Agee’s death, a trove of his manuscripts turned out to include a typescript labeled “Cotton Tenants.” Once examined, the pages made it clear that Agee had in fact written a masterly, 30,000-word report for Fortune.Published here for the first time, and accompanied by thirty of Walker Evans’s historic photos, Cotton Tenants is an eloquent report of three families struggling through desperate times. Indeed, Agee’s dispatch remains relevant as one of the most honest explorations of poverty in America ever attempted and as a foundational document of long-form reporting. As the novelist Adam Haslett writes in an introduction, it is “a poet’s brief for the prosecution of economic and social injustice.”Co-Published with The Baffler magazine

    Participants are affiliated with a house, an alternative family structure typically named after haute couture designers and providing support to this diverse community. Marlon M. Bailey’s rich first-person performance ethnography of the Ballroom scene in Detroit examines Ballroom as a queer cultural formation that upsets dominant notions of gender, sexuality, kinship, and community.

    Because of his work as a propagandist for the Soviet regime, and because of his posthumous enshrinement by Stalin as “the best and most talented poet of our Soviet epoch,” Mayakovsky has most often been interpreted—and translated—within a political context. McGavran’s translations reveal a more nuanced poet who possessed a passion for word creation and lin­guistic manipulation. Mayakovsky’s bombastic metaphors and formal élan shine through in these translations, and McGavran’s commentary provides vital information on Mayakovsky, illuminating the poet’s many references to the Russian literary canon, his contemporaries in art and culture, and Soviet figures and policies.

    Using the concrete struggles of women, the Marxist feminist Andrea D'Atri traces the history of the women's and workers' movement from the French Revolution to Queer Theory. She analyzes the divergent paths feminists have woven for their liberation from oppression and uncovers where they have hit dead ends. With the global working class made up of a disproportionate number of women, women are central in leading the charge for the next revolution and laying down blueprints for an alternative future. D’Atri makes a fiery plea for dismantling capitalist patriarchy.

    This first published collection of his accumulated works showcases his sharp and profound understanding of the current historical moment, with clear proposals for how to move forward embracing new political concepts and practices. Informed by Shoatz’s experience as a leader in the Black Liberation Movement in Philadelphia, the pieces in this book put forth his fresh and self-critical retelling of the black liberation struggle in the United States and provide cutting-edge analysis of the prison-industrial complex. Innovative and revolutionary on multiple levels, the essays also discuss such varied topics as eco-socialism, matriarchy and eco-feminism, food security, prefiguration and the Occupy Wall Street movement. Including new essays written expressly for this volume, Shoatz’s unique perspective offers many practical and theoretical insights for today’s movements for social change.

    Decades of unprecedented prosperity followed, memorably punctuated by riots, strikes, burning rivers, and oil embargoes. A vibrant, quintessentially American character bloomed in the region's cities, suburbs, and backwaters.But the innovation and industry that defined the Rust Belt also helped to hasten its demise. An air conditioner invented in Upstate New York transformed the South from a sweaty backwoods to a non-unionized industrial competitor. Japan and Germany recovered from their defeat to build fuel-efficient cars in the stagnant 1970s. The tentpole factories that paid workers so well also filled the air with soot, and poisoned waters and soil. The jobs drifted elsewhere, and many of the people soon followed suit.Nothin' but Blue Skies tells the story of how the country's industrial heartland grew, boomed, bottomed, and hopes to be reborn. Through a propulsive blend of storytelling and reportage, celebrated writer Edward McClelland delivers the rise, fall, and revival of the Rust Belt and its people.

    In the United States, ethnicity is often positioned as a counterweight to race, and we celebrate our various hyphenated-American identities. But Vilna Bashi Treitler argues that we do so at a high cost: ethnic thinking simply perpetuates an underlying racism.In The Ethnic Project, Bashi Treitler considers the ethnic history of the United States from the arrival of the English in North America through to the present day. Tracing the histories of immigrant and indigenous groups—Irish, Chinese, Italians, Jews, Native Americans, Mexicans, Afro-Caribbeans, and African Americans—she shows how each negotiates America's racial hierarchy, aiming to distance themselves from the bottom and align with the groups already at the top. But in pursuing these "ethnic projects" these groups implicitly accept and perpetuate a racial hierarchy, shoring up rather than dismantling race and racism. Ultimately, The Ethnic Project shows how dangerous ethnic thinking can be in a society that has not let go of racial thinking.

    Throughout the years of collectivization, industrialization, and World War II, women played major roles in the evolution of the Russian village. But how do they see themselves? What do their stories, songs, and customs reveal about their values, desires, and motivations?    Based upon nearly three decades of fieldwork, from 1983 to 2010, The Worlds of Russian Rural Women follows three generations of Russian women and shows how they alternately preserve, discard, and rework the cultural traditions of their forebears to suit changing needs and self-conceptions. In a major contribution to the study of folklore, Laura J. Olson and Svetlana Adonyeva document the ways that women’s tales of traditional practices associated with marriage, childbirth, and death reflect both upholding and transgression of social norms. Their romance songs, satirical ditties, and healing and harmful magic reveal the complexity of power relations in the Russian villages.

    Based on the New Cambridge Shakespeare edition of the text, The Bedford Shakespeare gathers the 25 most frequently taught plays and augments them with the rich historical and contextual materials you expect from Bedford/St. Martin’s. Thoughtful, provocative analysis by eminent scholars Russ McDonald and Lena Cowen Orlin offers students concrete entry points into the plays and creates opportunities for lively classroom discussion. A lavish collection of images throughout the book features production shots, paintings, film stills, Renaissance woodcuts, maps, and more, to help students visualize what they are reading.

    Their shared love of literature and a dream of a better life bring them together and a romance blossoms between them in a secret place of their own in the steamy North Carolina woods. When Jamie is involved in the accidental death of a white girl, he’s terrified of his abusive father. Corrine takes the blame to protect Jaime, with dire consequences for herself and her dreams of the future. Her life in danger, Corrine’s left wondering if Jamie ever cared about her at all.

    Particularly in an era of historically high wage and income inequality, many in the workforce depend on full employment labor markets, and the bargaining power it provides, to secure a fair share of the economy's growth. For the bottom third or even half of the wage distribution, high levels of employment are a necessary condition for improving wages, higher incomes, and better working conditions.This book is a follow-up to a book written a decade ago by the authors, The Benefits of Full Employment (Economic Policy Institute, 2003). It builds on the evidence presented in that book, showing that real wage growth for workers in the bottom half of the income scale is highly dependent on the overall rate of unemployment. In the late 1990s, when the United States saw its first sustained period of low unemployment in more than a quarter century, workers at the middle and bottom of the wage distribution were able to secure substantial gains in real wages. When unemployment rose in the 2001 recession, and again following the collapse of the housing bubble, most workers no longer had the bargaining power to share in the benefits of growth. The book also documents another critical yet often overlooked side effect of full employment: improved fiscal conditions (without mindless budget policies like the current sequestration). Finally, in this volume, unlike the earlier one, the authors present a broad set of policies designed to boost growth and get the unemployment rate down to a level where far more workers have a fighting chance of getting ahead.

    In Remembering the Civil War, Caroline E. Janney examines how the war generation--men and women, black and white, Unionists and Confederates--crafted and protected their memories of the nation's greatest conflict. Janney maintains that the participants never fully embraced the reconciliation so famously represented in handshakes across stone walls. Instead, both Union and Confederate veterans, and most especially their respective women's organizations, clung tenaciously to their own causes well into the twentieth century. Janney explores the subtle yet important differences between reunion and reconciliation and argues that the Unionist and Emancipationist memories of the war never completely gave way to the story Confederates told. She challenges the idea that white northerners and southerners salved their war wounds through shared ideas about race and shows that debates about slavery often proved to be among the most powerful obstacles to reconciliation.

    In his frequently bloody portrayals of life, death, crisis, and fortitude in the time of AIDS, Athey calls into question the limits of artistic practice. These limits enable Athey to explore in his work key themes including gender, sexuality, S&M and radical sex, queer activism, post-punk and industrial culture, tattooing and body modification, ritual, and religion. Now in a second edition, Pleading in the Blood foregrounds the prescience of Athey’s work, exploring how his visceral practice foresaw and precipitated the central place afforded sexuality, identity, and the body in art and critical theory in the late twentieth century.   “Pleading in the Blood offers a remarkable and enduring contribution to literatures on performance and contemporary art. . . . The potency of myth in Ron Athey’s work is the problem tackled by this formidable new book.” —Contemporary Theatre Review

    This richly designed resource for kids features more than 800 photos, maps, lists and time lines, and is sure to keep young readers engaged, entertained and learning-all at once.With more than 3.5 million subscribers, TIME For Kids is the No. 1 trusted source for up-to-date kid-friendly news. The 2014 Almanac is a must-have for all 8- to 12-year-olds, pairing important news and indispensable info from the award-winning magazine with fascinating facts, puzzles, quizzes, and interactive sidebars. Whether they want to learn about global warming or Grammy winners, curious kids will find exactly what they need within the colorful pages of the TIME For Kids Almanac 2014.

    Too frequently these debates devolve to simple judgments—good or bad, life-saving medicine or bioethical nightmare, symbol of human ingenuity or our fall from grace—ignoring the people affected. With this book, Ruha Benjamin moves the terms of debate to focus on the shifting relationship between science and society, on the people who benefit—or don't—from regenerative medicine and what this says about our democratic commitments to an equitable society.People's Science uncovers the tension between scientific innovation and social equality, taking the reader inside California's 2004 stem cell initiative, the first of many state referenda on scientific research, to consider the lives it has affected. Benjamin reveals the promise and peril of public participation in science, illuminating issues of race, disability, gender, and socio-economic class that serve to define certain groups as more or less deserving in their political aims and biomedical hopes. Under the shadow of the free market and in a nation still at odds with universal healthcare, the socially marginalized are often eagerly embraced as test-subjects, yet often are unable to afford new medicines and treatment regimes as patients.Ultimately, Ruha Benjamin argues that without more deliberate consideration about how scientific initiatives can and should reflect a wider array of social concerns, stem cell research— from African Americans' struggle with sickle cell treatment to the recruitment of women as tissue donors—still risks excluding many. Even as regenerative medicine is described as a participatory science for the people, Benjamin asks us to consider if "the people" ultimately reflects our democratic ideals.

    Once he had grand expectations-graduating law school, donning drag to express his feminine aspects, and the love of a devoted boyfriend-but fate became cruel. HIV-positive cruel. And a growing involvement with an Oakland Santeria priestess who promised a cure in return for devotion and a lot of cash. His lover died. His faith and spirit almost followed. Now Archer works a crappy job as a university night watchmen and volunteers at a free clinic. The walls he's built in the years since his loss are about to come crumbling down when a former member of the Santeria family he belonged to comes seeking legal help. And then the police discover the body of the priestess. Archer's grudge makes him a prime suspect. In How To Greet Strangers, the Bay Area welcomes a new detective: he's black, he's spiritual, he's stunning. And he's in great danger.

    

    Roosevelt signed Executive Order 9066, authorizing U.S. Armed Forces to remove citizens and noncitizens from “military areas.” The result was the abrupt dislocation and imprisonment of 120,000 Japanese and Japanese American citizens in the western United States.In Minidoka: An American Concentration Camp, Teresa Tamura documents one of ten such camps, the Minidoka War Relocation Center in Jerome County, Idaho. Her documentation includes artifacts made in the camp as well as the story of its survivors, uprooted from their homes in Alaska, Washington, Oregon, and California. The essays are supplemented by 180 black-and-white photographs and interviews that fuse present and past.Tamura began her project after President Bill Clinton designated part of the Minidoka site as the 385th unit of the National Park Service. Her work furthers the tradition of socially inspired documentary photojournalism, illuminating the cultural, sociological, and political significance of Minidoka. Ultimately, her book reminds us of what happens when fear, hysteria, and racial prejudice subvert human rights and shatter human lives.

    They emphasize the particulate nature of matter throughout the book in the text, art, and problems, while placing the chemistry in a biological, environmental, or geological context. The authors use a consistent problem-solving model and provide students with ample opportunities to practice. Please note that this version of the ebook does not include access to any media or print supplements that are sold packaged with the printed book.

    Paul is seething with righteous indignation over the events at Galatia even as he conveys his hope that the Galatians might be coaxed back to the true Gospel.The Galatians' young faith was grappling with issues that would prove to be a watershed. Do gentile Christians need to adopt Moses’ Law and be circumcised as Jews in order to worship the God of the Jewish Savior? Or does Baptism incorporate every manner of person—without distinction—into Christ? Does faith alone suffice for salvation? Across the divide of two thousand years of time and cultural space, the letter to the Galatians is an authoritative witness to the catholic Gospel of salvation by grace alone, for all people alike.

    He's charted more than a hundred country hits, including thirty-eight number ones. He's released dozens of studio albums and another half dozen or more live ones, performed upwards of ten thousand concerts, been inducted into the Country Music Hall of Fame, and seen his songs performed by artists as diverse as Lynryd Skynyrd, Elvis Costello, Tammy Wynette, Willie Nelson, the Grateful Dead, and Bob Dylan. In 2011 he was feted as a Kennedy Center Honoree. But until now, no one has taken an in-depth look at his career and body of work.In Merle Haggard: The Running Kind, David Cantwell takes us on a revelatory journey through Haggard's music and the life and times out of which it came. Covering the entire breadth of his career, Cantwell focuses especially on the 1960s and 1970s, when Haggard created some of his best-known and most influential music, which helped invent the America we live in today. Listening closely to a masterpiece-crowded catalogue (including songs such as "Okie from Muskogee," "Sing Me Back Home," "Mama Tried," "Working Man Blues," "Kern River," "White Line Fever," "Today I Started Loving You Again," and "If We Make It through December," among many more), Cantwell explores the fascinating contradictions--most of all, the desire for freedom in the face of limits set by the world or self-imposed--that define not only Haggard's music and public persona but the very heart of American culture.

    At one extreme, Earth has been glaciated to the equator for periods that may have lasted millions of years. At another, temperatures were once so warm that the Canadian Arctic was heavily forested and large dinosaurs lived on Antarctica. Paleoclimatology is the study of such changes and their causes. Studying Earth's long-term climate history gives scientists vital clues about anthropogenic global warming and how climate is affected by human endeavor.In this book, Michael Bender, an internationally recognized authority on paleoclimate, provides a concise, comprehensive, and sophisticated introduction to the subject. After briefly describing the major periods in Earth history to provide geologic context, he discusses controls on climate and how the record of past climate is determined. The heart of the book then proceeds chronologically, introducing the history of climate changes over millions of years--its patterns and major transitions, and why average global temperature has varied so much. The book ends with a discussion of the Holocene (the past 10,000 years) and by putting manmade climate change in the context of paleoclimate.The most up-to-date overview on the subject, "Paleoclimate" provides an ideal introduction to undergraduates, nonspecialist scientists, and general readers with a scientific background.

    Chicago was roiling with political and economic conflict, much of it rooted in class tensions, and the city's lawmakers and business elite fostered the growth of a professional municipal police force to protect capitalism, its assets, and their own positions in society. Together with city policymakers, the business elite united behind an ideology of order that would simultaneously justify the police force's existence and dictate its functions. Tracing the Chicago police department's growth through events such as the 1855 Lager Beer riot, the Civil War, the May Day strikes, the 1877 railroad workers strike and riot, and the Haymarket violence in 1886, Mitrani demonstrates that this ideology of order both succeeded and failed in its aims. Recasting late nineteenth-century Chicago in terms of the struggle over order, this insightful history uncovers the modern police department's role in reconciling democracy with industrial capitalism.

    Should the punishment be death?Growing up on Guam in 1972, fifteen-year-old Kiko is beset by worries: He’s never kissed a girl, and he thinks it’s possible he never will. The popular guys get all the attention, but the worst part is that Kiko has serious problems at home. His older brother is missing in Vietnam; his grandfather is losing it to dementia; he just learned that his mother was raped in World War II by a Japanese soldier. It all comes together when he discovers an old man, a Japanese soldier, hiding in the jungle behind his house. It’s not the same man who raped his mother, but, in his rage, Kiko cares only about protecting his family and avenging his mom – no matter what it takes. And so, a shy, peaceable boy begins to plan a murder. But how far will Kiko go to prove to himself that he’s a man ? Based on a historical incident, No Surrender Soldier is the story of a boy grappling with ancient questions of courage and manhood before he can move on.