The difference, though, between young Master Mole and his peers is that this British lad keeps a diary - an earnest chronicle of longing and disaster that has charmed more than five million readers since its two-volume initial publication. From teen-aged Adrian's anguished adoration of a lovely, mercurial schoolmate to his view of his parents' constantly creaking relationship to his heartfelt but hilarious attempts at cathartic verse, here is an outrageous triumph of deadpan - and deadly accurate - satire. ABBA, Princess Di's wedding, street punks, Monty Python, the Falklands campaign . . . all the cultural pageantry of a keenly observed era marches past the unique perspective of Sue Townsend's brilliant comic creation: A . Mole, the unforgettable lad whose self-absorption only gets funnier as his life becomes more desperate.

    In Company, a voice comes to "one on his back in the dark" and speaks to him. Ill Seen Ill Said focuses attention on an old woman in a cabin who is part of the objects, landscape, rhythms, and movements of an incomprehensible universe. And in Worstward Ho, Beckett explores a tentative, uncertain existence in a world devoid of rational meaning and purpose. Here is language pared down to its most expressive, confirming Beckett's position as one of the great writers of our time.

    Laura never feels as if she fits in with her husband's side of the family. When she stays with them in Cornwall to recuperate after an operation, the unseen presence of his first wife and daughter are ever present to destroy her tranquility.

    Title and author’s name are printed in bold roman type. Next to the author’s name is the image of an “improved duck” (a device invented by Vague McMenamy, protagonist of the story “The Crank that Made the Revolution”, to enhance duck mobility). Arranged around the lettering is a grid of black and white squares. In each one, a winged foetus nestles within the cross-section of a skull. A horizontal strip across the bottom shows a recumbent child attached to a kite, floating over a Chinese city in flames – an image echoed in the story “Five Letters from an Eastern Empire”. On the spine, a naked woman is the object of amorous attention from the legendary beast in the tale “The Comedy of the White Dog”.

    Creggan begins to lose his sense of freedom, as the cage curls around himself, cutting off access to the sky. An older female eagle who's been trapped in the cages for a long time gives Creggan the strength to survive, and the hope of one day escaping this man-made construct.

    Munro (his pseudonym is from FitzGerald's Rubaiyat of Omar Khayyam) satirized the social conventions, cruelty and foolishness of the Edwardian era with a highly readable blend of flippant humor and outrageous inventiveness, often overlaid with a mood of horror.

    In the spring of 1940, the spectre of war turned into grim reality.And on the English home front, men, women and children found themselves swept into a maelstrom of fear and uncertainty while events abroad led inexorably from the debacles of Norway and Dunkirk to the horror and glory of the Battle of Britain.For the Lovatt family - James, seconded on a hush-hush assignment to work with Churchill, and his brother Harry, a naval officer - for Bess Spofford, Joanne Schorner, Graham Smit and all the inhabitants of the history villages of the New Forest, it was the beginning of the most bizarre, funny and tragic episode of their lives.

    It includes character studies, analysis of the plot with critical and historical notes, as well as an introduction to the life and work of Emily Bronte.

    (Shakespeare, Authorship, Oxford Theory, Dramatist, English, Early Modern 1500-1700). Ogburn was a proponent of the notion that Shakepeare was not the author of those plays attributed to him. Ogburn proposes the Earl of Oxford in this large volume. 892 pages.

    With her brother, Edwin, her sister, Lillian, Sophie listened to the seductive strains of the wild Russian violin tune Mr. Barshinskey played and watched spellbound as the ragtag Barshinskey family-Ivan, sullen and dirty; Mrs. Barshinskey, pale and withdrawn; and Galina, sensual, wanton, beautiful-made their way across Tyler's meadow and into the Willoughby's world. The delighted Willoughby children could not know that this day and the Barshinskeys' arrival would change their lives forever-much as a breathless Europe could not anticipate that in a few short years, winds of revolution and war would whip across continents, sweeping away the old familiar way of life. It is at this enchanted moment that The Summer of the Barshinskeys begins. A beautifully told, compelling story that moves from the small village of Kent to teeming London, from war-torn and revolution rocked Moscow to St. Petersburg, this is the unforgettable saga of two families whose destinies are fated to entwine in endless combinations.

    Here, in the dizzying heat of August 1939, five cousins have gathered at their aunt's house for their annual ritual of a holiday. For most of them it is the last summer of their youth, with the heady exhilarations and freedoms of lost innocence, as well as the fears of the coming war.The Camomile Lawn moves from Cornwall to London and back again, over the years, telling the stories of the cousins, their family and their friends, united by shared losses and lovers, by family ties and the absurd conditions imposed by war as their paths cross and recross over the years. Mary Wesley presents an extraordinarily vivid and lively picture of wartime London: the rationing, imaginatively circumvented; the fallen houses; the parties, the new-found comforts of sex, the desperate humour of survival - all of it evoked with warmth, clarity and stunning wit. And through it all, the cousins and their friends try to hold on to the part of themselves that laughed and played dangerous games on that camomile lawn.

    Isaac Roseberg was brought up in the poor Jewish community of the East End and died in action at the end of World War I.

    And when she saved a handsome young man with a Puritan price on his head, she knew if they were caught, both would die. But neither war nor tyranny would take away the man she loved--or the house she so proudly possessed!

    Despite his political and religious conservatism, Eliot was among the most innovative of the literary modernists, a figure to be reckoned with by admirers and critics alike. In his Whitbread Prize-winning biography, Peter Ackroyd delves into the work and mind of a man who redefined the very terms of modern poetry.From his early days in America to his later life as a British citizen, Eliot fought successfully for his work and his privacy. But with careful research and splendid insight into the poet's character, Mr. Ackroyd has tracked Eliot to ground and brought this remarkable figure to light in an authoritative and fascinating study."The fullest and most plausible portrait yet achieved." (Frank Kermode, Oxford scholar and literary critic)

    Behold the Man / Constant Fire / Breakfast in the Ruins

    An enormously influential and original thinker, Jung was for some time Freud's principal disciple, but he became more and more critical of the Freudian emphasis on repressed sexual tendencies and after the publication of Symbols of Transformation in 1912, Jung broke away from Freud to develop his own technique of 'analytical psychology'.

    

    Since her husband's death, the increasingly frail Mrs. Blunt has had only her trips to his grave to look forward to. Her raucous housekeeper's conversation, and cooking, are best forgotten. Nadine, her daughter, is an infrequent, uneasy visitor. Then one day a charming, wheelchair-bound Irishman shows up at Mrs. Blunt's door in search of charitable contributions. Corrigan is an arch manipulator, Mrs. Blunt is his mark, and before long we realize that they are made for each other. As the two grow ever more entrenched, Nadine fears for her mother's safety (or is it for her own inheritance?). With Corrigan Caroline Blackwood takes a long, hard look at our dearly beloved notions of saints and sinners, victims and villains, patrimony and present pleasure—and winks.

    In 1854 she met Arthur Munby, 'man of two worlds,' upper-class author and poet, with a lifelong obsession for lower-class women. And so began their strange and secret romance of eighteen years and marriage of thirty-six, lived largely apart. Hannah's diaries, written on Munby's suggestion, offer an absorbing account of life 'below stairs' in Victorian England. But they reveal, too, a woman of extraordinary independence of will, whose chosen life of drudgery gave her the freedom not to 'play the Lady,' as Munby demanded. Rescued from obscurity, these diaries are a remarkable historical and personal document.