Best of
British-Literature

1850

David Copperfield


Charles Dickens - 1850
    Among the gloriously vivid cast of characters he encounters are his tyrannical stepfather, Mr Murdstone; his brilliant, but ultimately unworthy school-friend James Steerforth; his formidable aunt, Betsey Trotwood; the eternally humble, yet treacherous Uriah Heep; frivolous, enchanting Dora Spenlow; and the magnificently impecunious Wilkins Micawber, one of literature's great comic creations. In David Copperfield - the novel he described as his 'favourite child' - Dickens drew revealingly on his own experiences to create one of the most exuberant and enduringly popular works, filled with tragedy and comedy in equal measure. This edition uses the text of the first volume publication of 1850, and includes updated suggestions for further reading, original illustrations by 'Phiz', a revised chronology and expanded notes. In his new introduction, Jeremy Tambling discusses the novel's autobiographical elements, and its central themes of memory and identity.

In Memoriam


Alfred Tennyson - 1850
    It is perhaps because of this that the poem is still popular with and of interest to modern readers. Owing to its length and its arguable breadth of focus, the poem might not be thought an elegy or a dirge in the strictest formal sense.The poem is not arranged exactly in the order in which it was written. The prologue, for example, is thought to have been one of the last things written. Critics believe, however, that the poem as a whole is meant to be chronological in terms of the progression of Tennyson's grief. The passage of time is marked by the three descriptions of Christmas at different points in the poem, and the poem ends with a description of the marriage of Tennyson's sister."In Memoriam" is written in four-line ABBA stanzas of iambic tetrameter, and such stanzas are now called In Memoriam Stanzas. Though not metrically unusual, given the length of the work, the meter creates a tonal effect which often divides readers - is it the natural sound of mourning and grief, or merely monotonous? The poem is divided into 133 cantos (including the prologue and epilogue), and in contrast to its constant and regulated metrical form, encompasses many different subjects: profound spiritual experiences, nostalgic reminiscence, philosophical speculation, Romantic fantasizing and even occasional verse. The death of Hallam, and Tennyson's attempts to cope with this, remain the strand that ties all these together.Excerpt: Strong Son of God, immortal Love,Whom we, that have not seen thy face,By faith, and faith alone, embrace,Believing where we cannot prove ;Thine are these orbs of light and shade ;Thou madest Life in man and brute ;[...]

David Copperfield, Volume I of II


Charles Dickens - 1850
    It is a story of a young man who, born into confusion, eventually makes order of his own life -- usually despite, rather than because of, his family heritage. Perhaps the greatest of Dickens' orphans, David Copperfield is a happy child, living with his kind and gentle mother and nurse Peggotty, until his mother remarries. Unfortunately for David, his stepfather is the hard, cruel Mr. Murdstone, who brings his dark, life-crushing eminence into David's home, along with his equally cold and unyielding sister, Miss Murdstone. David's mother is powerless to stop their cruelties toward her young son -- and after one of literature's most-satisfying bites, David is sent away. After an idyllic visit with Peggotty's family at their upside-down boat house beside the sea, where David befriends dear little Em'ly, one of Dickens' most beloved characters, David is sent away to school. At school, he meets the formative friends of his life -- the ambiguous and handsome Steerforth, and the unlikely future hero, Tommy Traddles. After his frail mother's death, David once again returns home, where he makes the acquaintance of another of Dickens' great characters -- the improvident Mr. Micawber, he of many children -- loosely based on Dickens' own financially-incompetent father. After experiencing the chaos of the Micawber house, David then finds his outspoken aunt, Betsy Trotwood, and through her, meets Agnes Wickfield -- the young woman who eventually becomes his "bright star, ever pointing upward." At this point, returning to school, David encounters the oily, hand-wringing, cringing Uriah Heep -- and no one's life will be the same again.

David Copperfield, Volume II of II by Charles Dickens, Fiction, Classics, Historical


Charles Dickens - 1850
    Barkis. Along with David comes his handsome school friend Steerforth and he learns that he is no longer in Steerforth's shadow, but has become a young man of his own. Returning to London, David meets Dora Spenlow, a beautiful, but shallow young woman with whom he falls desperately in love. A sudden tragedy -- the death of Peggotty's husband Barkis -- brings David back to the seashore, where he finds his childhood friend little Em'ly about to marry the honest, loving Ham. But Em'ly falls prey to the charms of Steerforth and abandons Ham at the altar, thinking that Steerforth will -make her a lady.- But Steerforth, of course, does nothing of the sort. He abandons Em'ly, who becomes a -ruined woman.- David eventually marries Dora -- who proves to be ill-suited to the married life. Meanwhile, the treacherous Uriah Heep has been weaving his web, destroying the Strongs, Aunt Betsy, and the Micawbers through his fraud and deceit. All is put right in the end, in part from the unlikely heroism of a grown-up Tommy Traddles. Dora tragically dies. Little Em'ly is rescued and reunited with Mr. Peggotty. Ham dies tragically during a terrible storm while trying to rescue the wicked Steerforth (who, for his own part, does not end well), and after David overcomes his grief, he realizes that, all along, he has loved Agnes Wickfield best, and she, him -- and they marry -- she becomes his -bright star, ever pointing upward.- At first it may seem that Dickens' characters are too -black and white, - too obviously either good or evil, and his stories long, complex, and perhaps not immediately clear as to their plot and meaning.

The Maroon


Thomas Mayne Reid - 1850
    A novel.]Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Reid, Mayne; 1862. 3 vol.; 8 . 12635.i.10.

The Riches of Bunyan


John Bunyan - 1850
    This title contains nuggets of wisdom from Bunyan's various works on topics such as God, Man, Conversion, Prayer, and Heaven, among many others. These timeless writings have been updated into today's language.

Merkland: or Self Sacrifice


Mrs. Oliphant - 1850
    The Oran water swept by the side of its small port, just before it joined its jocund dark-brown waters to the sea, and various coasting vessels carried its name and its traffic out (a little way) into the world. The parish in which Merkland stood, boasted at least its three Lairds’ houses - there was Strathoran, the lordliest of all, with its wide acres extending over three or four adjacent parishes. There was the Tower, with its compact and richly-cultivated lands, the well-ordered property of Mrs. Catherine Douglas; and, lastly, there was Merkland - the home of a race of vigorous Rosses, renowned in former generations for its hosts of sons and daughters, and connected by the spreading of those strong and healthful off-shoots, with half of the families of like degree in Scotland.The children of the last Ross of Merkland had not been vigorous - one by one, in childhood, and in youth, they had dropped into the family grave, and when the infant Anne was born, her worn-out mother died, leaving besides the newborn child, only one son. His mother’s brother long before had made this Norman, his heir. At the same time, in consideration of his independent inheritance, and his changed name, he had been excluded from the succession to his father’s lands. So Mr. Ross of Merkland, in terror lest his estate should have no worthier proprietor than the sickly little girl whose birth had cost her mother’s life, married hastily again. When Lewis and Anne were still only infants, Norman Rutherford left his father’s house to take possession of his own - and then some terrible blight had fallen upon him, spoken of in fearful whispers at the time, but almost wholly forgotten now.A stranger in the district at the time our history begins would only have learned, after much inquiry, that Norman, escaping from his native country with the stain of blood upon his hands, proved a second Jonah to the ship in which he had embarked, and so was lost, and that grief for his crime had brought his father’s grey hairs in sorrow to the grave. But the difference of name, and the entire silence maintained by his family concerning him, had puzzled country gossips, and restrained the voice of rumor, even at the time. Now his remembrance had almost entirely passed away, and in another week Lewis Ross, Esq., of Merkland, would be of age.But the whole dreadful tale in all the darkness of its misery had been poured into Anne’s ears that day. She had known nothing of it before. Now, her stepmother thought, it was full time she should know, because - a reason that made Anne shrink and tremble - Mrs. Ross felt convinced that the girl who was so soon to be a visitor at the Tower, could be no other than the daughter of the murdered man.