. . I love you too", Robert Browning wrote in January 1845, thus initiating the most celebrated literary correspondence of the 19th century. For the next 12 months, he and Elizabeth Barrett exchanged letters and confidences. In this elegant format, the delicate interplay between the poems and the lovers' letters become vividly apparent.Elizabeth Barrett Browning was a prolific writer and reviewer in the Victorian period, and in her lifetime, her reputation as a poet was at least as great as that of her husband, poet Robert Browning. Some of her poetry has been noted in recent years for strong feminist themes, but the poems for which Elizabeth Barrett Browning is undoubtedly best know are Sonnets from the Portuguese.Written for Robert Browning, who had affectionately nicknamed her his "little Portuguese," the sequence is a celebration of marriage, and of one of the most famous romances of the nineteenth century. Recognized for their Victorian tradition and discipline, these are some of the most passionate and memorable love poems in the English language. There are forty-four poems in the collection, including the very beautiful sonnet, "How do I love thee? Let me count the ways."

    It is perhaps because of this that the poem is still popular with and of interest to modern readers. Owing to its length and its arguable breadth of focus, the poem might not be thought an elegy or a dirge in the strictest formal sense.The poem is not arranged exactly in the order in which it was written. The prologue, for example, is thought to have been one of the last things written. Critics believe, however, that the poem as a whole is meant to be chronological in terms of the progression of Tennyson's grief. The passage of time is marked by the three descriptions of Christmas at different points in the poem, and the poem ends with a description of the marriage of Tennyson's sister."In Memoriam" is written in four-line ABBA stanzas of iambic tetrameter, and such stanzas are now called In Memoriam Stanzas. Though not metrically unusual, given the length of the work, the meter creates a tonal effect which often divides readers - is it the natural sound of mourning and grief, or merely monotonous? The poem is divided into 133 cantos (including the prologue and epilogue), and in contrast to its constant and regulated metrical form, encompasses many different subjects: profound spiritual experiences, nostalgic reminiscence, philosophical speculation, Romantic fantasizing and even occasional verse. The death of Hallam, and Tennyson's attempts to cope with this, remain the strand that ties all these together.Excerpt: Strong Son of God, immortal Love,Whom we, that have not seen thy face,By faith, and faith alone, embrace,Believing where we cannot prove ;Thine are these orbs of light and shade ;Thou madest Life in man and brute ;[...]

    Among the gloriously vivid cast of characters he encounters are his tyrannical stepfather, Mr Murdstone; his brilliant, but ultimately unworthy school-friend James Steerforth; his formidable aunt, Betsey Trotwood; the eternally humble, yet treacherous Uriah Heep; frivolous, enchanting Dora Spenlow; and the magnificently impecunious Wilkins Micawber, one of literature's great comic creations. In David Copperfield - the novel he described as his 'favourite child' - Dickens drew revealingly on his own experiences to create one of the most exuberant and enduringly popular works, filled with tragedy and comedy in equal measure. This edition uses the text of the first volume publication of 1850, and includes updated suggestions for further reading, original illustrations by 'Phiz', a revised chronology and expanded notes. In his new introduction, Jeremy Tambling discusses the novel's autobiographical elements, and its central themes of memory and identity.

    The book at hand is the second volume of the four volume series. Louis XIV is well past the age where he should rule, but the ailing Cardinal Mazarin refuses to relinquish the reins of power. Meanwhile, Charles II, a king without a country, travels Europe seeking aid from his fellow monarchs. Athos still resides at La Fère while his son, Raoul de Bragelonne, has entered into the service in the household of M. le Prince. As for Raoul, he has his eyes on an entirely different object than his father — his childhood companion, Louise de la Valliere, with whom he is hopelessly in love. Porthos, now a baron, is off on some mysterious mission along with Aramis, who is now the Bishop of Vannes.

    Written across different times and places, Memoirs from Beyond the Tomb tells of exotic adventures to the farthest points of the globe, of heroic battles and political struggles, and of the loneliness of a restless soul. And its startling candor—because it would be published only “from beyond the tomb”—makes it almost ridiculously enjoyable.For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    A novel.]Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Reid, Mayne; 1862. 3 vol.; 8 . 12635.i.10.

    The Oran water swept by the side of its small port, just before it joined its jocund dark-brown waters to the sea, and various coasting vessels carried its name and its traffic out (a little way) into the world. The parish in which Merkland stood, boasted at least its three Lairds’ houses - there was Strathoran, the lordliest of all, with its wide acres extending over three or four adjacent parishes. There was the Tower, with its compact and richly-cultivated lands, the well-ordered property of Mrs. Catherine Douglas; and, lastly, there was Merkland - the home of a race of vigorous Rosses, renowned in former generations for its hosts of sons and daughters, and connected by the spreading of those strong and healthful off-shoots, with half of the families of like degree in Scotland.The children of the last Ross of Merkland had not been vigorous - one by one, in childhood, and in youth, they had dropped into the family grave, and when the infant Anne was born, her worn-out mother died, leaving besides the newborn child, only one son. His mother’s brother long before had made this Norman, his heir. At the same time, in consideration of his independent inheritance, and his changed name, he had been excluded from the succession to his father’s lands. So Mr. Ross of Merkland, in terror lest his estate should have no worthier proprietor than the sickly little girl whose birth had cost her mother’s life, married hastily again. When Lewis and Anne were still only infants, Norman Rutherford left his father’s house to take possession of his own - and then some terrible blight had fallen upon him, spoken of in fearful whispers at the time, but almost wholly forgotten now.A stranger in the district at the time our history begins would only have learned, after much inquiry, that Norman, escaping from his native country with the stain of blood upon his hands, proved a second Jonah to the ship in which he had embarked, and so was lost, and that grief for his crime had brought his father’s grey hairs in sorrow to the grave. But the difference of name, and the entire silence maintained by his family concerning him, had puzzled country gossips, and restrained the voice of rumor, even at the time. Now his remembrance had almost entirely passed away, and in another week Lewis Ross, Esq., of Merkland, would be of age.But the whole dreadful tale in all the darkness of its misery had been poured into Anne’s ears that day. She had known nothing of it before. Now, her stepmother thought, it was full time she should know, because - a reason that made Anne shrink and tremble - Mrs. Ross felt convinced that the girl who was so soon to be a visitor at the Tower, could be no other than the daughter of the murdered man.