Imagine, then, the excitement that Howard Carson, an amateur archeologist at best, experienced when in crossing the perimeter of an abandoned excavation site he felt the ground give way beneath him and found himself at the bottom of a shaft, which, judging from the DO NOT DISTURB sign hanging from an archaic doorknob, was clearly the entrance to a still-sealed burial chamber. Carson's incredible discoveries, including the remains of two bodies, one of then on a ceremonial bed facing an altar that appeared to be a means of communicating with the Gods and the other lying in a porcelain sarcophagus in the Inner Chamber, permitted him to piece together the whole fabric of that extraordinary civilization.

    He begins with the scientific facts: How was Pompeii destroyed? How did Mount Vesuvius become an active volcano? What happened during the eruption? How long did Pompeii lay buried and how was it finally rediscovered? What was Pompeii's history before the disaster?Then, Peter Connolly does what he does better than anyone--he rebuilds the past in words and pictures, allowing us to imagine what it was like to live in old Pompeii. Like an archaeological detective, he sifts through the ruins and artifacts to reconstruct one area of the town in minute detail. With maps and cross-sections, photographs, drawings, and engrossing, fact-filled text, Connolly takes us into the very homes of its citizens--into the kitchens, atriums, bedrooms and out into the gardens. We learn what the furniture looked like, how the homes were lighted and heated, what kind of jewelry was popular, and what the gladiators wore. We view the varied styles of architecture and decoration, attend a grand dinner party, visit local shops, go to the theater, to a public bath, and to the gladiators' arena. We gain an understanding of this ancient civilization, and begin to see how much was lost when the city fell prey to the tons of lava and ashes that fell on it during the devastating disaster.

    

    Written by a leading archaeologist, the book considers every aspect of Avebury's history and construction and discusses the probable purpose of these massive structures, in the process creating a vivid and moving picture of their creators -- a primitive people whose lives were brief, savage, and fearful.

    This title chronicles the development of scientific archaeology in Mesopotamia, and the growing Iraqi involvement in archaeology.

    The author chooses as his starting-point the invasion of Italy by France in 1494, which sowed the dragon's teeth of all the successive European wars; the French invasion was to accelerate the trend towards new armaments and new methods of warfare. The author describes the development of the handgun and the pike, the use and style of staff-weapons, mace and axe and war-hammer, dagger and dirk and bayonet. He shows how armour attained its full Renaissance splendour and then suffered its sorry and inevitable decline, culminating in the Industrial Revolution, with its far-reaching effects on military armaments. Above all, he follows the long history of the sword, queen of weapons, to the late eighteenth century, when it finally ceased to form a part of a gentleman's every-day wear. Lavishly illustrated.EWART OAKESHOTT was one of the world's leading authorities on the arms and armour of medieval Europe. His other works on the subject include Records of the Medieval Sword and The Sword in the Age of Chivalry.

    . . a tremendous achievement of Pevsnerian dimensions." With the second edition, the author took the reader back to ancient Asia Minor, Egypt, Greece, and Rome, and also extended it to include postmodernism and urbanism, the New Right ideology of the 1980s, and the rising environmental concerns of the 1990s. The third edition includes a new sixteen-page section that brings the story up to the twenty-first century and adds many new drawings. The author views the history of architecture not as a chronology of styles but as an expression of social and economic conditions; he tells us not only what was built and when, but also how and under what cultural incentives. The author’ s hundreds of clear and informative drawings and diagrams add to the lively, informal nature of the book.

    ( 224 Pages ) many photos drawings and plates.

    The aim of this series is to make available to a wider audience the results of these developments. The coverage will be world-wide and will extend from the earliest period to medieval and industrial archaeology.

    Striking photographs capture the land and the legacies of the ancients, and more than a dozen specially commissioned paintings re-create their lives. Mysteries Of The Ancient World enriches the present by evoking the grandeur, the glory, and the puzzles of the past.

    

    Work produced in the ambience of the palaces of Crete (including the palace of Minos at Knossos) and of Mycenae on the mainland is fully described and illustrated. For purposes of clarity the arts are considered by function and material rather than by geographical region or chronological period; but the main political upheavals affecting them are kept in mind. Little wall-painting has survived, and the so-called minor arts are examined for the light they thow on it, as well as to assess artistic development in the Aegean as a whole.