Illustrated with visual artifacts of the period. With the long-awaited publication of this book, we have for the first time in any modern literary form one of the most vital and important of ancient myths: that of Inanna, the world's first goddess of recorded history and the beloved deity of the ancient Sumerians.The stories and hymns of Inanna (known to the Semites as Ishtar) are inscribed on clay tablets which date back to 2,000 B.C. Over the past forty years, these cuneiform tablets have gradually been restored and deciphered by a small group of international scholars. In this groundbreaking book, Samuel Noah Kramer, the preeminent living expert on Sumer, and Diane Wolkstein, a gifted storyteller and folklorist, have retranslated, ordered, and combined the fragmented pieces of the Cycle of Inanna into a unified whole that presents for the first time an authentic portrait of the goddess from her adolescence to her completed womanhood and godship. We see Inanna in all her aspects: as girl, lover, wife, seeker, decision maker, ruler; we witness the Queen of Heaven and Earth as the voluptuous center and source of all fertile power and the unequaled goddess of love.Illustrated throughout with cylinder seals and other artifacts of the period, the beautifully rendered images guide the reader through Inanna's realm on a journey parallel to the one evoked by the text. And the carefully wrought commentaries providing an historical overview, textual interpretations, and aannotations on the art at once explicate and amplify the power, wonder, and mystery embedded in these ancient tales.Inanna--the world's first love story, two thousand years older than the Bible--is tender, erotic, frightening, and compassionate. It is a compelling myth that is timely in its rediscovery."A great masterpiece of universal literature."--Mircea Eliade

    They called him Great King, Favorite of the Storm God, the Valiant. He conquered more than forty nations and brought fear and war to the very doorstep of Eighteenth Dynasty Egypt, but he could not conquer the one woman he truly loved.

    The darker comedy of The Clouds satirizes Athenian philosophers - Socrates in particular - and reflects the uncertainties of a generation in which all traditional religious and ethical beliefs were being challenged. The Birds takes place in a flawed utopia, with man's eternal flaws observed from up above. In Lysistrata a band of women use sex's manipulative power in order to try and end a war. In The Frogs, the god Dionysus visits the underworld, consulting the late Aeschylus and Euripides regarding whether or not classical Athens will ever have another great dramatist - and provoking an argument between both.Three of the leading Greek translators of the twentieth century - William Arrowsmith, Richmond Lattimore, and Douglas Parker - have created versions of the comedies that are at once contemporary, historically accurate, and funny. Also included are introductions to each play that describe the historical and literary background of the work.

    The pollution theme appears in tragedies, historical texts, and political oratory. Purity is a constant concern in ritual texts, and Greeks underwent many small purifications in their everyday lives. Certain archaic religiousmovements even made purification the path to felicity in the afterlife. First published in 1983, Miasma is the first work in English to treat this theme in detail.

    

    Jon Mikalson turns instead to the religious beliefs citizens of Athens spoke of and acted upon in everyday life. He uses evidence only from reliable, mostly contemporary sources such as the orators Lysias and Demosthenes, the historian Xenophon, and state decrees, sacred laws, religious dedications, and epitaphs."This is in no sense a general history of Athenian religion," Mikalson writes, "even within the narrow historical boundaries set. It is rather an investigation of what might be termed the consensus of popular religious belief, a consensus consisting of those beliefs which an Athenian citizen thought he could express publicly and for which he expected fo find general acceptance among his peers."What emerges in Mikalson's study is a remarkable homogeneity of religious beliefs at the popular level. The topics discussed at length in Athenian Popular Religion include the areas of divine intervention in human life, the gods and human justice, gods and oaths, divination, death and the afterlife, the nature of the gods, social aspects of popular religion, and piety and impiety.Mikalson challenges the common opinion that popular religious belief in Athens deteriorated significantly from the mid-fifth to the mid-fourth century B.C. "The error in understanding the development of Athenian religion has arisen, it seems to me, because scholars have failed to distinguish properly between the differing natures of the sources for our knowledge of religious beliefs in the earlier and later periods," Mikalson writes. The difference between those sources "is more than simply one of years. It is a difference between poetry and prose, with all the factors which that difference implies."

    This Elibron Classics book is a facsimile reprint of a 1900 edition by the Clarendon Press, Oxford.

    From the arrogant barbarian Arbogast, who treated the youthful emperor Valentinian as his puppet, to Odovacar, who dismissed the last western emperor and was pronounced king of Italy in 476, the generalissimos' seizure of power led to dissolution and chaos from which would emerge the political patterns of medieval and modern Europe.

    He argues that before Homer the Greeks distinguished between two types of soul, both identified with the individual: the free soul, which possessed no psychological attributes and was active only outside the body, as in dreams, swoons, and the afterlife; and the body soul, which endowed a person with life and consciousness. Gradually this concept of two kinds of souls was replaced by the idea of a single soul. In exploring Greek ideas of human souls as well as those of plants and animals, Bremmer illuminates an important stage in the genesis of the Greek mind.

    The Alexandria Project is the true story of how researchers from five universities and organizations went to Egypt to put the claims of a psychic ability known as Remote Viewing to the ultimate test: was it possible under rigorously controlled conditions for some part of the human mind to locate and describe ancient sites known to exist, but now lost to history? A second test was also carried out: how good was Remote Viewing when compared with electronic remote sensing technologies traditionally used by archaeologists? This book, and the research papers, and film that accompany it provide the surprising answers.

    

    

    The first topic considered is gladiatorial combat; not merely popular entertainment, it was also an important element in Roman politics. The book then investigates the composition of the political elite in the late Republic and Principate (249 BC - AD 235), showing that ideals of hereditary succession disguised high rates of social mobility. The final chapter ranges over aristocratic death rituals and tombs, funerals and ghost stories, to the search for immortality and the power of the Roman dead in distributing property by written wills.

    Peoples and Places of the Past: The National Geographic Illustrated Cultural Atlas of the Ancient World -- This has NO DUST JACKET!!!