The first volume, The Complete Peanuts 1950-1952, covers the first two and a quarter years of the strip (October 1950 through December 1952), and will be of particular fascination to Peanuts aficionados worldwide: Although there have been literally hundreds of Peanuts books published, many of the strips from the series' first two or three years have never been collected before—in large part because they showed a young Schulz working out the kinks in his new strip and include some characterizations and designs that are quite different from the cast we're all familiar with (Among other things, three major cast members—Schroeder, Lucy, and Linus—initially show up as infants and only "grow" into their final "mature" selves as the months go by. Even Snoopy debuts as a puppy!). The second volume, The Complete Peanuts 1953-1954, begins with Peanuts' third full year and a cast of eight: Charlie Brown, Shermy, Patty, Violet, Schroeder, Lucy, the recently born Linus, and Snoopy. By the end of 1954, this will have expanded to nine. Linus still doesn't speak (except, on a few occasions, to himself, à la Snoopy), but Schulz begins laying the foundation for his emergence as the most complex and arguably most endearing character in the strip: garrulous and inquisitive, yet gentle and tolerant. And he evens acquires his "security blanket" in this volume! Meanwhile, Lucy, an infant just a year ago, has forcefully elbowed herself to the front of the cast, proudly wearing her banner as a troublemaker or, in Schulz's memorable phrase, "fuss-budget." The strong, specific relationships she sets up with each character further contributes to making her central to the strip. (She has earned her cover status on this volume.) This period's significant new character is Pig-Pen, who would remain one of the main cast members throughout the decade. And then there's Snoopy. To readers unfamiliar with the early days of the strip, Snoopy's appearances here will no doubt come as the biggest surprise. Although Snoopy has started talking/thinking to himself, he does no imitations (except for one brief shark impression), he doesn't sleep atop his doghouse (much less type or fly a Sopwith Camel), and has no fantasy life—in fact, he doesn't even walk upright! But as we know, he is merely biding his time, and his evolution continues its fascinating course within these pages. Peanuts is the most successful comic strip in the history of the medium as well as one of the most acclaimed strips ever published. (In 1999, a jury of comics scholars and critics voted it the 2nd greatest comic strip of the 20th century—second only to George Herriman's Krazy Kat, a verdict Schulz himself cheerfully endorsed.) Charles Schulz's characters—Charlie Brown, Snoopy, Lucy, Linus, Schroeder, and so many more—have become American icons. A United Media poll in 2002 found Peanuts to be one of the most recognizable cartoon properties in the world, recognized by 94 percent of the total U.S. consumer market and a close second only to Mickey Mouse (96 percent), and higher than other familiar cartoon properties like Spider-Man (75 percent) or the Simpsons (87 percent). In TV Guide's "Top 50 Greatest Cartoon Characters of All-Time" list, Charlie Brown and Snoopy ranked #8.

    These are worlds undreamt-of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown ("The Soul Is Not a Smithy"). Or could explore the deepest and most hilarious aspects of creativity by delineating the office politics surrounding a magazine profile of an artist who produces miniature sculptures in an anatomically inconceivable way ("The Suffering Channel"). Or capture the ache of love's breakdown in the painfully polite apologies of a man who believes his wife is hallucinating the sound of his snoring ("Oblivion"). Each of these stories is a complete world, as fully imagined as most entire novels, at once preposterously surreal and painfully immediate. Oblivion is an arresting and hilarious creation from a writer "whose best work challenges and reinvents the art of fiction" (Atlanta Journal-Constitution).Mister squishy --The soul is not a smithy --Incarnations of burned children --Another pioneer --Good old neon --Philosophy and the mirror of nature --Oblivion --The suffering channel

    You'll cry. You'll feel angry, ecstatic, scared, sad. enlightened. You will feel the disturbingly-awesome, terrible glory of. life. There is nothing more fascinating than a desperate, yearning, misanthropic. humanist. For when he's done with you in the purgatory of Pleasant Hell you'll feel braver, wiser more alive and cleaner than you've ever been. None of which, of course, he intended.

    As a medevac chopper swoops down, the wounded Guardsman hears "Not your time, bro. Not today," and his remarkable healing journey begins.Thousands of U.S. soldiers have suffered grievous wounds in Iraq, but only one of them is a Doonesbury character. The Long Road Home: One Step at a Time chronicles seven months of cutting-edge cartooning, during which B.D.-and readers of the strip-got an up-close schooling in a kind of personal transformation no one seeks.Deprived not only of leg but also his ubiquitous trademark helmet, B.D. survives first-response Baghdad triage, evacuation to Landstuhl's surgeon-rich environment, and visits by innumerable morale-boosting celebs, both red and blue in hue. He's awed in turn by morphine, take-no-guff nurses, his fellow amps, and his family, including the daughter who hand-delivers succor, one aspirin at a time.Transferred stateside to Walter Reed's Ward 57, B.D. is inspired by the wisdom of physiatrists, warmed by the dedicated ministrations of real-life fellow-amp heroes like Jim the Milkshake Man, and dazzled by high-tech prostheses that cost more than luxury cars. He's annoyed by his own bouts with self-pity, by the bedside awkwardness of friends more comfortable regarding his stump from e-mail distance, and by Zonk's unwavering commitment to supplementing his care with organic meds.As their journey continues, B.D. and Boopsie are cared for by Fisher House, a home-next-door-to-the-hospital for families whose lives revolve around therapy. B.D. finds himself painfully engaged in building his future, one sadistically difficult physical therapy session at a time. "To Lash, Helga, and the Marquis!" toast the band of differently limbed brethren, raising their glasses to their PT masters as they prepare for reentry into the ambulatory world.From rebuilding tissue to rebuilding social skills to rebuilding lives, B.D's inspiring, insightful, and darkly humorous story confirms that it can take a village, or at least a ward, to raise a soldier when he's gone down. "Thank you for getting blown up," offers one of B.D.'s visiting players. Replies the coach, "Just doing my job."

    The result is a travel guide of sorts, but to the kind of places voyagers will never find on their everyday maps. Instead, it’s chock full of the local legends, crazy characters, cursed roads, abandoned sites, and bizarre roadside attractions. So come along and visit such unique spots as Midgetville, explore long-empty insane asylums, and go through forgotten tunnels—but keep in mind that the maniacal Bunnyman just might be hiding out in one of them. Some of what’s out there is disturbing, some of it's hilarious, but all of it is unforgettably…weird.

    Yet in numerous countries around the world, democracy has failed or is tottering, and in the United States its principles are increasingly under siege from corporate and other forces.In What Would Jefferson Do? Thom Hartmann shows why democracy is not an aberration in human history but the oldest, most resilient, and most universal form of government, with roots in nature itself. He traces the history of democracy in the United States, identifies the most prevalent myths about it, and offers an inspiring yet realistic plan for transforming the political landscape and reviving Jefferson’s dream before it is too late.

    Just Enough Liebling gathers in one volume the vividest and most enjoyable of his pieces. Charles McGrath (in The New York Times Book Review) praised it as a judicious sampling-a useful window on Liebling's vast body of writing and a reminder, to those lucky enough to have read him the first time around, of why he was so beloved. Today Liebling is best known as a celebrant of the sweet science of boxing, and as a feeder who ravishes the reader with his descriptions of food and wine. But as David Remnick observes in his fond and insightful introduction, Liebling is boundlessly curious, a listener, a boulevardier, a man of appetites and sympathy-and a writer who, with his great friend and colleague Joseph Mitchell, deftly traversed the boundaries between reporting and storytelling, between news and art.

    More literal, more in-your-face, 70s ads sought to capture the attention of a public accustomed to blaring, to-the-point TV commercials (even VW ads, known for their witty, ironic statements and minimalist designs, lost some of their punch in the 1970s). All was not lost, though; as ads are a sign of the times, racial and ecological awareness crept into everything from cigarette to car advertisements, reminding Americans that everyday products were hip to the modern age. A fascinating study of mass culture dissemination in a post-hippie, television-obsessed nation, this weighty volume delivers an exhaustive and nostalgic overview of 70s advertising.

    The FSA had been established as a relief organization in order to help rural Americans out of poverty and into economic self-sufficiency and prosperity. The charge of the photographers was to document the people and places the FSA had set out to help. In 1942, the FSA's photography unit was transferred to the Office of War Information (OWI), whose primary purpose was to document America's mobilization during the early years of World War II, concentrating on such topics as aircraft factories and women in the workforce. Today, this collection of photographs consists of about 108,000 images, among them some of the most famous black-and-white documentary images from the first half of the twentieth century. Yet few people know that, along with the vast number of black-and-white photographs taken, color images were also made, by photographers such as Marion Post Walcott, Russell Lee, John Vachon, Arthur Rothstein, and Andreas Feininger. This book presents, for the first time, the best of these color photographs - introduced by National Book Awar

    Shares case information, articles, and recently discovered crime photos from the LAPD archives for dramatic cases that took place between the 1930s and 1960s, in a compilation that includes information related to such crimes as the Black Dahlia slaying, the Onion Field murder, and the deaths of The

    But she wanted more- namely guardianship of her two-year-old niece, Rebecca, daughter of Beth's estranged sister, Kim. When Kim married Anson "Buzz" Clinton, 28, a former male exotic dancer deemed an unsuitable guardian by the Carpenter family, Beth Ann became obsessed with the idea that only his death could ensure that she and her parents would get custody of the child. On March 10,1994, along a lonely stretch of road, Clinton was shot five times. His body was discovered by passing motorists. Behind Clinton's death lay a bizarre murder-for-hire conspiracy that found privileged professionals and local misfits joined in a cold-blooded plot against an innocent man. This homicidal group included attorney Haiman Clein,52. A husband, father and successful businessman, Clein was Beth Ann Carpenter's boss- and also her sexually obsessed, cocaine-snorting, murderously obedient lover. The paid killers were two buddies, organizer Joe Fremut and triggerman Mark Despres, who brought his 15-year-old son Christopher along for the hit. The aftermath of this brutal crime would set investigators and prosecutors on a long and twisted path strewn with lies, treachery, and deceit that would cross the Atlantic Ocean before finally bringing justice home.

    Wars in this story are understood both as necessary to defend those values and as exceptions to the rule of peaceful progress. In The Dominion of War, historians Fred Anderson and Andrew Cayton boldly reinterpret the development of the United States, arguing instead that war has played a leading role in shaping North America from the sixteenth century to the present.Anderson and Cayton bring their sweeping narrative to life by structuring it around the lives of eight men--Samuel de Champlain, William Penn, George Washington, Andrew Jackson, Antonio Lopez de Santa Anna, Ulysses S. Grant, Douglas MacArthur, and Colin Powell. This approach enables them to describe great events in concrete terms and to illuminate critical connections between often-forgotten imperial conflicts, such as the Seven Years' War and the Mexican-American War, and better-known events such as the War of Independence and the Civil War. The result is a provocative, highly readable account of the ways in which republic and empire have coexisted in American history as two faces of the same coin. The Dominion of War recasts familiar triumphs as tragedies, proposes an unconventional set of turning points, and depicts imperialism and republicanism as inseparable influences in a pattern of development in which war and freedom have long been intertwined. It offers a new perspective on America's attempts to define its role in the world at the dawn of the twenty-first century.

    From the state's eastern border along the Missouri River, where Lewis and Clark embarked on the Corps of Discovery expedition, to the towering geologic landmarks of the west, chronicled in pioneers' journals, there are treasures to explore on each page of "C is for Cornhusker: A Nebraska Alphabet."Rajean Luebs Shepherd was raised in Michigan and has a degree in elementary education from Central Michigan University. After graduating, she traveled the world for ten years with the international performing group Up With People. A substitute teacher, Rajean enjoys sharing her favorite children's books with her students. She lives with her family in North Platte, Nebraska.With over twenty years in commercial illustration, Sandy Appleoff's work has appeared in a range of venues from corporate advertising, to magazines to children's books to large-scale installation murals. She has taught at the Kansas City Art Institute and the Colorado Mountain College in Aspen. Currently she is teaching and working on an MFA in stage and costume design at the University of Kansas. Sandy lives on a farm in Falls City, Nebraska.

    He has dissected the various aspects of the gun violence epidemic in the United States into its component parts and considered them separately. He has produced a scientifically based analysis of the data and indeed the microdata of the over 30,000 deaths and 75,000 injuries which occur each year. Consideration and adoption of the policy lessons he recommends would strengthen the Constitutional protections that all of our citizens have to life, liberty, and the pursuit of happiness."-Richard F. Corlin, Past President, American Medical Association"This lucid and penetrating study is essential reading for anyone who wishes to understand the tragedy of gun violence in America and-even more important-what we can do to stop it. David Hemenway cuts through the cant and rhetoric in a way that no fair-minded person can dismiss, and no sane society can afford to ignore."-Richard North Patterson, novelist"The rate of gun-related homicide, suicide, and accidental injury has reached epidemic proportions in American society. Diagnosing and treating the gun violence epidemic demands the development of public health solutions in conjunction with legislative and law enforcement strategies."-Kweisi Mfume, President and CEO of NAACP"In scholarly, sober analytic assessments, including rigorous critiques of NRA-popularized pseudoscience, David Hemenway constructs a convincing case that firearm availability is a critical and proximal cause of unparalleled carnage. By formulating such violence as a public health issue, he proposes workable policies analogous to ones that reduced injuries from tobacco, alcohol, and automobiles."-Jerome P. Kassirer, Editor-in-Chief Emeritus, New England Journal of Medicine, and Distinguished Professor, Tufts University School of Medicine"As a former District Attorney and Attorney General, I know the urgency of providing safe homes, schools and neighborhoods for all. This remarkable tour-de-force is a powerful study of one promising solution: a data-rich, eminently readable demonstration of why we should treat gun violence as an American epidemic."-Scott Harshbarger, Former Attorney General of Massachusetts, President and CEO of Common Cause On an average day in the United States, guns are used to kill almost eighty people, and to wound nearly three hundred more. If any other consumer product had this sort of disastrous effect, the public outcry would be deafening; yet when it comes to guns such facts are accepted as a natural consequence of supposedly high American rates of violence.Private Guns, Public Health explodes that myth and many more, revealing the advantages of treating gun violence as a consumer safety and public health problem. David Hemenway fair-mindedly and authoritatively demonstrates how a public-health approach-which emphasizes prevention over punishment, and which has been so successful in reducing the rates of injury and death from infectious disease, car accidents, and tobacco consumption-can be applied to gun violence.Hemenway uncovers the complex connections between guns and self-defense, gun violence and schools, gun prevalence and homicide, and more. Finally, he outlines a policy course that would significantly reduce gun-related injury and death.With its bold new public-health approach to guns, Private Guns, Public Health marks a shift in our understanding of guns that will-finally-point us toward a solution.

    Most central Texans of the time failed to call for the punishment of the mob's leaders. In The Making of a Lynching Culture, William D. Carrigan seeks to explain not how a fiendish mob could lynch one man but how a culture of violence that nourished this practice could form and endure for so long among ordinary people. Beginning as far back as the 1836 independence of Texas, The Making of a Lynching Culture re-examines traditional explanations of lynching, including the role of the frontier, economic tensions, and political conflicts. It also addresses acts of violence ignored or marginalized in many studies of lynching, notably citizen violence against Native Americans and vigilante executions of Anglo Americans. Using a voluminous body of court records, newspaper accounts, oral histories, and other sources, Carrigan shows how conventional notions of justice and historical memory were reshaped to glorify violence and foster a culture that legitimized lynching.

    From the ancient, warm sea that covered most of the state, through Native American history and the history of the town named after a great chief, "The Legend of the Petoskey Stone" is a welcome addition to the fables so richly told and illustrated by this much-loved and honored children's book team.Author Kathy-jo Wargin has earned national acclaim through award-winning children's classics such as Michigan's official state book, "The Legend of Sleeping Bear," Children's Choice Award winner "The Legend of the Loon, The Edmund Fitzgerald: Song of the Bell," and many others. Kathy-jo enjoys writing about nature and its effect on all our lives, and is a frequent guest speaker throughout the country. She is also a faculty member of the Bear River Writers Workshop, sponsored by the University of Michigan. She lives in Petoskey, Michigan.Since the publication of "The Legend of Sleeping Bear," artist Gijsbert van Frankenhuyzen has been an established presence in the world of children's book illustration. His many other titles with Sleeping Bear Press include "The Edmund Fitzgerald: Song of the Bell, Adopted by an Owl, Jam & Jelly by Holly & Nellie," and "The Legend of Leelanau." Gijsbert and his family live in Bath, Michigan.

    Laced with true stories drawn from American quilting history, the narrative follows the transformation of the shanty mining village into a thriving community, moving through the Depression and up to the present day. Throughout the decades, the art of quilting provides a window into the lives of these women, their successes, and their sorrows. With more than 70 photographs and four vintage quilt patterns, this unique saga is a treasure for historians and quilters alike.

    Adams biographer John Patrick Diggins gathers an impressive variety of his works in this compact, original volume, including parts of his diary and autobiography, and selections from his rich correspondence with this wife, Abigail, Thomas Jefferson, and others. The Portable John Adams also features his most important political works: “A Dissertation on Canon and Feudal Law,” “Thoughts on Government,” “A Defense of Constitutions,” “Novanglus,” and “Discources in Davila.” There is no finer introduction to the protean genius of this seminal American philosopher.

    Covers over 200 birds located in the 9 counties of the valley but also covers the birds of Southwest Washington. Includes the basics of bird watching, attracting birds to your yard, selecting binoculars, and a regional checklist. Written by local birding experts ? perfect for beginning and intermediate birders.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    May Chinn’s life, Angel of Harlem is a deeply affecting story of love and transcendence. Weaving seamlessly scenes from the battlefields of the Civil War, during which her father escaped from slavery, to the Harlem living rooms and kitchen tables where May is sometimes forced to operate on her patients, this fascinating novel lays bare the heart of a woman who changed the face of medicine.A gifted, beautiful young woman in the 1920s, May Edward Chinn dreams only of music. For years she accompanies the famed singer Paul Robeson. However, a racist professor ends her hopes of becoming a concert pianist. But from one dashed dream blooms another: May would become a doctor instead–-the first black female physician in all of New York.Giddy with the wonder of the Harlem Renaissance and fueled by firebrand friends like Langston Hughes and Zora Neale Hurston, May doggedly pursues her ambitions while striving to overcome the pains of her past: the death of a fiancé, a lost child, and a distant father ravished by the legacy of slavery. With every grief she encounters, a resilient piece of herself locks into place. At times risking her life–attending to men stabbed in their homes and women left to die in filthy alleys–May struggles to carve out a place for herself within a medical world that still teaches that a “Negro” brain is not anatomically wired for higher thinking. Yet against the odds, she achieves her goal, starts her own practice, and becomes one of the first cancer specialists in the city.Alive with the pulse of black unrest in 1920s New York, this beautifully textured novel moves with fearlessness and grace through a history that is by turns ugly and sublime. With Angel of Harlem, critically acclaimed author Kuwana Haulsey gives poetic voice to the story of a remarkable woman who had the courage to dream and live beyond her era’s limitations.From the Hardcover edition.

    We encounter Brady again as he photographs Walt Whitman and then Ulysses Grant. Meanwhile, Henry James begins a lasting friendship with William Dean Howells, and also meets Sarah Orne Jewett, who in turn is a mentor to Willa Cather...Cohen brilliantly reanimates these unforgettable pairings and those of Edward Steichen and Alfred Stieglitz; Carl Van Vechten and Gertrude Stein; Hart Crane and Charlie Chaplin; Langston Hughes and Zora Neale Hurston; Elizabeth Bishop and Marianne Moore; Richard Avedon and James Baldwin; and John Cage and Marcel Duchamp; Norman Mailer and Robert Lowell. Ultimately, Cohen reveals and long chain of friendship, rebellion and influence stretching from the moment before the Civil War through a century that had a profound effect on our own time. A Chance Meeting is an intimate and original act of biography and cultural history that makes its own contribution to the tradition about which Cohen writes.

    Chick. In over 40 years, Chick has produced over half a billion small religious pamphlets filled with comic book art and dire warnings against all in society the author deems unholy known as Chick tracts, along with comic books and newspapers, all designed to scare hell out of his readers. The photos display common and rare images from Chick's 170 titles, including both eye-catching cover art and startling interior pages; a fair and balanced text explores the substance of Chick's zealous and/or inflamatory work, in which no group is spared a judgmental examination. A history of Jack T. Chick and his fire and brimstone tracts reveals other graphic artists who have worked with Chick and lists resources available to collectors of their work. Chick literature is reviewed and valued. This book is a must for comic book fans, everyone interested in graphic arts, and anyone who has been exposed to even a single Chick tract.

    It covers the law and lawyering tools taught in the first year of law school, explaining the underlying concepts and techniques of the common law used in U.S. legalpractice. The ideas central to the development and practice of American law, as well as constitutional law, contracts, property, criminal law, and courtroom procedure, are all presented in their historical and intellectual contexts, accessible to the novice but with insight that will inform theexpert. Actual cases illuminate each major subject, engaging readers in the legal process and the arguments between real people that make American law an ever-evolving system.

    Written by the son and daughter of Henry Hill (the Mafia informant who became the focus of the book Wiseguy and the movie Goodfellas), this is an account of a childhood spent inside the Witness Protection Programme.

    As the son of a landless peasant family this represented a great opportunity and he decides to immigrate to AmericaKarl meets Heinrich Schlicter while crossing the Atlantic and with little money between them after landing in Baltimore, the two team up. They take menial jobs to pay for food and shelter and to accumulate funds needed to work their way west where land can be homesteaded.Karl and Heinrich first move to Chicago to work in the meat packing industry where Karl strives to accumulate enough money to fund his homestead plans. They find the meat packing work and living conditions oppressive and the compensation inadequate. They move onto the north woods of Wisconsin and work as lumberjacks for two winters. After Karl finally accumulates the funds needed to fulfill his plans, Heinrich convinces Karl to join him in the 1876 Black Hill’s gold rush.The Black Hills adventure includes deadly encounters with Indians, a lively existence in a lawless Deadwood and Karl falling in love with a mixed blood Indian woman. After two years in the Black Hills and seven years of pursuing his dream, Karl, with the woman he loves, and Heinrich set out on a four hundred mile horseback ride to homestead fertile virgin prairie near the eastern edge of the Dakota Territory.

    Defined by the largest estuary in the United States (The Chesapeake Bay), Maryland's historic sites/sights include capital city Annapolis and the U.S. Naval Academy, Muddy Creek Falls, and the running of the Preakness Stakes in Baltimore. Noteworthy residents include Harriet Tubman and Francis Scott Key.Shirley C. Menendez grew up in Staunton, Virginia, and graduated from Mary Baldwin College. She earned a master's degree in library science from Drexel University. Before joining the administrative staff of Georgetown University, she was a librarian in the Prince George's County Memorial Library System in Maryland and the Westchester Library System in New York. Shirley lives in Gaithersburg, Maryland, with her husband, who is also a writer. Laura Stutzman graduated from the Art Institute of Pittsburgh, and in 1984 formed a studio called Eloqui with her husband, illustrator Mark Stutzman. She has created imagery for books and magazines, corporations, non-profit organizations, and privately commissioned portraits. Laura teaches a weeklong camp each year for children grades 8 through 12 who are serious about art. She makes her home in Mountain Lake Park, Maryland.

    Off screen, this husband and wife duo raised a family and lived the "Code of the West." In this biography, named for their first feature film as a pair, the Rogers family shares the inside story of these beloved Western icons.

    The Michigan Mound Builders left behind 10,000 to 30,000 artifacts as a testament to their presence in North America. Mound burials have yielded evidence of a culture with Eastern Hemisphere influence in their spiritual and everyday life. Controversy has engulfed this find of artifacts mainly because they were here before Columbus of 1492 which is unacceptable to our academics today. Nevertheless, the Michigan artifacts continue to surface even today in the state of Michigan. This is fascinating look into North America's diverse history.

    U.S. Representative Sherrod Brown--a leading progressive voice in Congress and a twelve-year veteran of Washington's trade wars--takes apart free-trade dogma, myth by myth. His book is an accessible, personal, globe-trotting chronicle, taking the reader from the coffee fields of Nicaragua to the sweatshops of China; from the toxic wastelands on the Mexican border to the halls of Congress. Described as an "essential primer" by "The Progressive" and a "voice of truth" by "Public Citizen News," this paperback edition includes a fascinating update that describes the 2005 congressional battle over the Central American Free Trade Agreement--a battle led by Tom DeLay on one side and Sherrod Brown on the other.

    Documented here are diverse early accounts, including native American UFO encounters, the 1896 California Airship Mystery, and the 1942 Battle of Los Angeles. Hundreds of verified sightings include luminaries, such as Sammy Davis Jr., Cliff Robertson, Jill Ireland, and Ronald Regan. Sightings and landings at California Air Force bases include Edwards, George, Norton, and Hamilton, as well as some over Los Angeles International Airport. Cases are described of healing and surgical implants along with UFO landings, on dry land and off the coast. Color photographs of UFOs in flight and illustrations by award-winning artist Kesara will leave every reader searching the skies, seeking the truth!

    It dictates the policies of governments, and shapes the actions of key institutions such as the WTO, IMF, World Bank and European Central Bank. Its political and economic implications can hardly be overstated. Yet there are obvious problems with the neoliberal project. This book is a perfect introduction to neoliberalism that is ideal for anyone seeking a critical perspective. It explains the nature, history, strengths, weaknesses and implications of neoliberalism from the point of view of radical political economics. Short, self-contained chapters are written by leading experts in each field. The books is organised in three parts: the first section outlining neoliberal theory, the second exploring how neoliberalism has affected various policy areas, and a third looking at how neoliberal policies have played out in particular regions of the world. Using a broad range of left economic perspectives, from post-Keynesian to Marxist, this is a great resource for students of politics and economics, and anyone looking for a grounded critical approach to this broad subject.

    Crumb, Jon Langford of the Mekons, Sharyn McCrumb, Luc Sante, Joyce Carol Oates, Dave Marsh, and more than a dozen other novelists, essayists, performers, and critics; to explore the ineffable power of the American ballad. From "Barbara Allen" through "The Wreck of the Old 97" to contemporary ballads by Bob Dylan and Bruce Springsteen, The Rose the Briar is, as Geoffrey O'Brien hailed in the Los Angeles Times Book Review, "a book full of internal echoes and provocative coincidences," featuring "historical investigation, shamanistic trance-journey, memoir, novella and cartoon," where "names and costumes change, soldiers become cowboys, demon lovers become backwoods murderer; the voices are unmistakably distinct but they share a common ground."

    all on a few sparkly G-strings. Nudie the Rodeo Tailor tells the unbelievable story of Nudie and Bobbie Cohn and the legendary fashion legacy they created.Nudie Cohn's first store (Nudie's for the Ladies, New York City) featured those famous and lavishly ornamented G-strings and stage costumes, and allowed him to build a reputation as a master tailor with a taste for the flashy. After a few years, Nudie turned his attention to making western clothing, and became the first person to incorporate rhinestones into cowboy dress. It was the $10,000 gold suit that Nudie made for Elvis Presley that rocketed Nudie to stardom and cemented his status in fashion history; Nudie would go on to design clothing for Dale Evans and Roy Rogers, Elton John, Gene Autry, John Wayne, John Lennon, Steve McQueen, Johnny Cash, Eric Clapton, and the rock groups America and the Flying Burrito Brothers. Nudie blurred the boundaries of fashion and cast a far-reaching influence over the clothing worn in country music, rock music, movies, and television.

    His retro slide tour takes readers to places they never dreamed existed, and our guide tags along with amateur photographers who snapped the best of Southern California.

    Lucid and engaging, this volume serves as a provocative primer for students, and a pristine restatement for specialists in law, religion, history, sociology, politics, and American studies. Through a fresh reading of familiar sources and cases, and through the discovery and introduction of new cases and materials, the author reclaims the essential value, vigor, and vitality of America's most essential and cherished religious rights and liberties.

    This collection of episodes is fully dramatized for audio and features a full cast, music, sound effects, and narration by some of today's biggest celebrities. The Obsolete Man (starring Jason Alexander) A librarian in a future society where books and religion are banned is declared obsolete and sentenced to die in a manner of his own choosing. Back There (starring Jim Caviezel) A man tries to prevent the assassination of Abraham Lincoln when he finds himself thrust back in time. But can he actually change history? A Short Drink from a Certain Fountain (starring Adam West) An aging man desperate to keep his much younger wife from leaving him tries a highly experimental youth serum. To his wife's delight, his youth is restored--but does it work too well? Nervous Man in a Four-Dollar Room (starring Adam Baldwin) A small-time hood in a four-dollar-a-day room is ordered to kill a man. In a mirror he sees the reflection of the man he could have been--and still could become if he makes the right decision. The Monsters Are Due on Maple Street (starring Frank John Hughes) A mysterious power failure causes paranoid suburban residents to suspect one another of being disguised creatures from outer space. Escape Clause (starring Mike Starr) A man makes a pact with the devil for immortality, then finds he doesn't get a kick out of living anymore.

    Its industrious citizens founded Otterbein College, shaped an active business and social community, and attracted the nation's attention by taking a strong stand on the sale of alcohol. Wooed by the promise of land in a "dry" community, the Anti-Saloon League located their printing headquarters in the village in 1909. The photographs in this book capture Westerville as it grew and changed from the 19th century to 1961, when it officially became a city.

    "G is for Garden State" explores the places, people, and landmarks that make New Jersey a fascinating place to live in and to visit again and again.Written in the popular two-tier format for our Discover America State by State alphabet series, young readers will explore state facts through colorful illustrations, rhyming verses, and expository text. Used in schools throughout the country, this series effectively expands classroom curriculum.Author/preservationist Eileen Cameron is interested in protecting our natural and historical resources. She serves on the board of the Washington Association of New Jersey at Morristown National Historical Park. Eileen has hiked the Appalachian Trail at High Point, rafted on the Delaware River, and now lives in Morristown, New Jersey.Doris Ettlinger has illustrated numerous children's books including "Springtime in the Big Woods" and "Mr. Edwards Meets Santa Claus," both adapted from the Little House books by Laura Ingalls Wilder. She graduated from the Rhode Island School of Design. Doris lives and works in a 150-year old gristmill in western New Jersey with her family and a Welsh Corgi.

    McSweeney's began as a small collection of work rejected by other magazines, but it soon began to publish pieces primarily written for the journal, and to attract some of the finest writers in the country. Contributors to Best of McSweeney's, Volume One include Jonathan Lethem, Glen David Gold, A. M. Homes, David Foster Wallace, Dave Eggers, Amanda Davis, George Saunders, Paul Collins, and William Vollmann, as well as many talented newcomers. Stories included here have been selected for The O. Henry Prize Stories and The Best American Short Stories, and one was performed in a regional musical theater.

    Alternating among essays, dialogues, and dramatized scenes, Incidents of Egotourism in the Temporary World rolls with the Egotourist's restlessness as he tells of long-distance love, Black Sabbath cover bands, flirtatious administrative assistants, minotauric secretaries, and camaraderie in copy centers, all of it heading toward a hard-earned trip south of the border. Ultimately, the Egotourist discovers that what he sought in far-flung destinations is just as easily found in the unexpected exoticism of home.

    The past twelve months have provided no shortage of topics for heated political conversation. From Saddam's capture to Arnold's victory in the California recall election; from the controversy over Iraq's weapons of mass destruction to the contest for the Democratic presidential nomination, 2004 provided an excess of political fodder for commentary from all sides. Selections from the country's finest political writers, including Al Franken, Ron Suskind, Jonathan Chait, Jeffrey Toobin, George Will, Paul Krugman, George Packer, Charles Krauthammer, William Safire, Molly Ivins, Franklin Foer, Spencer Ackerman, Robert Kagan, Bill Kristol, and many others can be found in this volume. Gathering the best writings from the nation's leading publications, including the New York Times , Washington Post , The New Yorker , The Nation , Atlantic Monthly , New Republic , Weekly Standard , Foreign Affairs , Vanity Fair and Salon.com , as well as from think tanks such as the American Enterprise Institute and the Brookings Institution, Flippin culls the best writing on the year's most talked-about topics.