With the publication of his first book of poems, The Weary Blues, in 1926, Langston Hughes electrified readers and launched a renaissance in black writing in America.  The poems Hughes wrote celebrated the experience of invisible men and women: of slaves who "rushed the boots of Washington"; of musicians on Lenox Avenue; of the poor and the lovesick; of losers in "the raffle of night."  They conveyed that experience in a voice that blended the spoken with the sung, that turned poetic lines into the phrases of jazz and blues, and that ripped through the curtain separating high from popular culture.  They spanned the range from the lyric to the polemic, ringing out "wonder and pain and terror-- and the marrow of the bone of life."The poems in this collection were chosen by Hughes himself shortly before his death in 1967 and represent work from his entire career, including "The Negro Speaks of Rivers," "The Weary Blues," "Still Here," "Song for a Dark Girl," "Montage of a Dream Deferred," and "Refugee in America."  It gives us a poet of extraordinary range, directness, and stylistic virtuosity.

    The Axion Esti [is] the work on which Elytis's reputation rests, and which almost certainly won him the Nobel Prize."New York Review of Books

    To be fair, Ellmann does have some distinct advantages. For starters, there's his deep mastery of the Irish milieu--demonstrated not only in this volume but in his books on Yeats and Wilde. He's also an admirable stylist himself--graceful, witty, and happily unintimidated by his brilliant subjects. But in addition, Ellmann seems to have an uncanny grasp on Joyce's personality: his reverence for the Irishman's literary accomplishment is always balanced by a kind of bemused affection for his faults. Whether Joyce is putting the finishing touches on Ulysses, falling down drunk in the streets of Trieste, or talking dirty to his future wife via the postal service, Ellmann's account always shows us a genius and a human being--a daunting enough task for a fiction writer, let alone the poor, fact-fettered biographer. Richard Ellmann has revised and expanded his definitive work on Joyce's life to include newly discovered primary material, including details of a failed love affair, a limerick about Samuel Beckett, a dream notebook, previously unknown letters, and much more.

    In both his essays and his fiction, Albert Camus (1913—1960) de-ployed his lyric eloquence in defense against despair, providing an affirmation of the brave assertion of humanity in the face of a universe devoid of order or meaning.The Plague–written in 1947 and still profoundly relevant–is a riveting tale of horror, survival, and resilience in the face of a devastating epidemic. The Fall (1956), which takes the form of an astonishing confession by a French lawyer in a seedy Amsterdam bar, is a haunting parable of modern conscience in the face of evil. The six stories of Exile and the Kingdom (1957) represent Camus at the height of his narrative powers, masterfully depicting his characters–from a renegade missionary to an adulterous wife –at decisive moments of revelation. Set beside their fictional counterparts, Camus’s famous essays “The Myth of Sisyphus” and “Reflections on the Guillotine” are all the more powerful and philosophically daring, confirming his towering place in twentieth-century thought.

    The Hamlet, the first book of the series chronicling the advent and rise of the grasping Snopes family in mythical Yoknapatawpha County, is a work that Cleanth Brooks called "one of the richest novels in the Faulkner canon." It recounts how the wily, cunning Flem Snopes dominates the rural community of Frenchman's Bend - and claims the voluptuous Eula Varner as his bride. The Town, the second novel, records Flem's ruthless struggle to take over the county seat of Jefferson, Mississippi. Finally, The Mansion tells of Mink Snopes, whose archaic sense of honor brings about the downfall of his cousin Flem. "For all his concerns with the South, Faulkner was actually seeking out the nature of man," noted Ralph Ellison. "Thus we must turn to him for that continuity of moral purpose which made for the greatness of our classics."

    From the Spanish Civil War in 1937 through the wars in Central America in the mid-eighties, her candid reports reflected her feelings for people no matter what their political ideologies, and the openness and vulnerability of her conscience. I wrote very fast, as I had to, she says, afraid that I would forget the exact sound, smell, words, gestures, which were special to this moment and this place. Whether in Java, Finland, the Middle East, or Vietnam, she used the same vigorous approach. Collected here together for the first time, The Face of War is what The New York Times called a brilliant anti-war book.

    The book opens with the girl at age 16 leaving her home in southeastern Poland and posing as a gentile from the Ukraine named Katya. The story follows Eva as she works as a maid in the home of a prominent Austrian family in Linz (the husband is an SS officer), and then as an office worker in a German munitions factory. When she is eventually discovered to be a Jew, she is sent to Auschwitz. After the evacuation of the camp she manages to escape, finding refuge with a Polish family. At the end of the novel she is trying to find her family and home, difficult because so many Jewish communities in Eastern Europe had been destroyed. In real life, Ida Loew made her way to Israel after the war where she settled in Tel Aviv.

    They fall into two categories-those which exemplify the path of surrender through love and devotion to the Divine, and those which are more doctrinal. The first group included the Five Hymns to Sri Arunachala, of which the first poem, The Marital Garland of Letters, "is among the most profound and moving poems in any language" and expressses the attitude of the soul aspiring for union with God. Sri Bhagavan has affirmed that seekers who study these works are certain to attain the Bliss of Liberation.

    The book quickly won a respected readership and later an audience for the movie with the same name starring Paul Newman and Jackie Gleason. The Hustler is about the victories and losses of one "Fast" Eddie Felson, a poolroom hustler who travels from town to town conning strangers into thinking they could beat him at the game when in fact, he is a skillful player who has never lost a game. Until he meets his match in Minnesota Fats, the true king of the poolroom, causing his life to change drastically. This is a classic tale of a man's struggle with his soul and his self-esteem.

    As pioneering settlers, they built a house of grass, ate off a damask cloth spread over packing cases, and discovered—the hard way—the world of the African. With an extraordinary gift for detail and a keen sense of humor, Huxley recalls her childhood on the small farm at a time when Europeans waged their fortunes on a land that was as harsh as it was beautiful. For a young girl, it was a time of adventure and freedom, and Huxley paints an unforgettable portrait of growing up among the Masai and Kikuyu people, discovering both the beauty and the terrors of the jungle, and enduring the rugged realities of the pioneer life.

    This family’s downfall, peppered by stories of decadence, adultery, incest, and madness, is related through a variety of narrative devices, including letters, diaries, memoirs, statements, confessions, and accounts penned by the various characters.Lúcio Cardoso (1912–1968) turned away from the social realism fashionable in 1930s Brazil and opened the doors of Brazilian literature to introspective works such as those of Clarice Lispector—his greatest follower and admirer.Margaret Jull Costa has translated dozens of works from both Spanish and Portuguese, including books by Javier Marías and José Saramago. Her translations have received numerous awards, including the International IMPAC Dublin Literary Award. In 2014 she was made an Officer of the Order of the British Empire.Robin Patterson was mentored by Margaret Jull Costa, and has translated Our Musseque by José Luandino Vieira.

    As official biographer, the author had access to private papers which helped unfold the moving story of Princess May of Teck's impoverished childhood, her significant reign and her old age as the much admired Queen Dowager; she saw her fiancee, husband and three sons die, and another abdicate before her own death in 1953.

    It is an enthralling story which has now been turned into both play and musical and is regarded as the finest of this popular author’s many novels.

    Remarkable for its courage, its color, and its natural control. --The New Yorker An unforgettable novel written with pride and anger, with rebellion and tears. --New York Herald Tribune Set in Brooklyn during the Great Depression and World War II, Brown Girl, Brownstones chronicles the efforts of Barbadian immigrants to surmount poverty and racism and to make their new country home. Selina Boyce is torn between the opposing aspirations of her parents: her hardworking, ambitious mother longs to buy a brownstone row house while her easygoing father prefers to dream of effortless success and his native island's lushness. Featuring a new foreword by Edwidge Danticat, this coming-of-age tale grapples with identity, sexuality, and changing values in a new country, as a young woman must reconcile tradition with potential and change.

    Bridge, an inspired novel set in the years around World War II that testified to the sapping ennui of an unexamined suburban life. India Bridge, the title character, has three children and a meticulous workaholic husband. She defends her dainty, untouched guest towels from son Douglas, who has the gall to dry his hands on one, and earnestly attempts to control her daughters with pronouncements such as "Now see here, young lady ... in the morning one doesn't wear earrings that dangle." Though her life is increasingly filled with leisure and plenty, she can't shuffle off vague feelings of dissatisfaction, confusion, and futility. Evan S. Connell, who also wrote the twinned novel Mr. Bridge, builds a world with tiny brushstrokes and short, telling vignettes.

    Many of them have appeared only in foreign magazines while others were printed in small limited editions which have gone out of print. Miller's genius for comedy is at its best in "Money and How It Gets That Way" -- a tongue-in-cheek parody of "economics" provoked by a postcard from Ezra Pound which asked if he "ever thought about money." His deep concern for the role of the artist in society appears in "An Open Letter to All and Sundry," and in "The Angel is My Watermark" he writes of his own passionate love affair with painting. "The Immorality of Morality" is an eloquent discussion of censorship. Some of the stories, such as "First Love," are autobiographical, and there are portraits of friends, such as "Patchen: Man of Anger and Light," and essays on other writers such as Walt Whitman, Thoreau, Sherwood Anderson and Ionesco.Taken together, these highly readable pieces reflect the incredible vitality and variety of interests of the writer who extended the frontiers of modern literature with Tropic of Cancer and other great books.

    An essay in poetic and philosophic criticism that bears mainly on the Russian masters, Tolstoy or Dostoevsky deals also with larger themes: the epic tradition extending from Homer to Tolstoy; the continuity of a "tragic world view" from Oedipus Rex to King Lear and The Brothers Karamazov; the contrasts between the epic and dramatic modes, between irreconcilably opposed views of God and of history."A must for the teacher, student, and intellectually serious reader."—Kirkus Reviews"This is a book that provides new and stimulating insight into the literary masterpieces and thought of the great Russian novelists. Moreover, in this work Steiner shows a great depth and breadth of literary knowledge and criticism that is not limited alone to the Russian writers under discussion but to writers of all genres and all literary periods."—Journal of Religion"His is a work of personal criticism, often ingenious, always deeply felt."—The New York Times"Brilliant, provocative, full of insights, this classic study still stands alone and unchallenged in modern criticism as a lucid and erudite study of the contrasting genius of Tolstoy and Dostoevsky. Steiner's book is a must for the student, scholar, or general reader who wishes to approach the Russian giants in their full literary and philosophical ambience."—Robert L. Jackson

    “Bravura pieces... executed with brilliance and brio”(Chicago Tribune). Translated by Archibald Colquhoun. A Helen and Kurt Wolff BookOriginally published as two distinct volumes: 'Il visconte dimezzato' (1952) and 'Il cavaliere inesistente' (1959). Also published in a single volume with 'The baron in the trees' (Il barone rampante, 1957) as 'Our Ancestors' (I nostri antenati, 1960).

    Chelsea was particularly heavily bombed and the author was often in the heart of the action, witnessing or involved in fascinating and horrific events through 1940 and 1941. Her memoir evokes an unforgettable cast, Londoners and refugees alike, caught up together in extraordinary and dangerous times – not forgetting the ‘Green Cat’, a Chinese statuette, standing on the author’s window sill as the home’s talismanic protector.Frances Faviell’s memoir is powerful in its blend of humour, tenderness and horror, including the most haunting ending of any wartime memoir. A Chelsea Concerto is reprinted now for the first time since 1959, with a new introduction by Virginia Nicholson.

    A rhinoceros suddely apears in a small town, tramping through its peaceful streets. Soon there are two, then three, until the "movement" is universal: a transformation of average citizens into beasts, as they learn to "move with the times." Finally, only one man remains. "I'm the last man left, and I'm staying that way until the end. I'm not capitulating!" Rhinoceros is a commentary on the absurdity of the human condition made tolerable only by self-delusion. It shows us the struggle of the individual to maintain integrity and identity alone in a world where all others have succumbed to the "beauty" of brute force, natural energy and mindlessness.

    Marcus Mezentius Manilianus, a learned and wealthy Roman, is travelling in the Orient and arrives in Jerusalem on the day of the crucifixion of Jesus. This marks the departure point on a quest with many questions: Who was this king that died on the cross? What is the secret of his kingdom?

    An amazing, sui generis book, River of Fire spans two and a half millennia. Set during four Indian epochs (the classical, the medieval, the colonial, and the modern post-national), the novel is a meditation on history and human nature, tracing four souls through time. Each section is linked by characters who bear, in every period, the same names: Gautam, Champa, Kamal, and Cyril. Gautam (appearing first as a student of mysticism at the Forest University of Shravasti in the 4th century B.C.E.) and Champa (throughout embodying the enigmatic experience of Indian women) begin and end the novel; Muslim Kamal appears mid-way through, as the Muslims did, and loses himself in the Indian landscape; and Cyril, the Englishman, appears later still. In different eras, different relations from among the four -- romance and war, possession and dispossession. Yet together the characters reflect the oneness of human nature: amidst the nationalist and religious upheavals of Indian history, Hyder argues for a culture that is inclusive.Interweaving parables, legends, dreams, diaries, and letters, Hyder's prose is lyrical and witty. There is really no book like River of Fire. Qurratulain Hyder was awarded the Bharatiya Gnanpith, India's highest literary award, in 1989, and here is her masterpiece, her broadest canvas and her finest art.

    This is the love story of a Scottish naturalist and a Indian girl in the Canadian wilderness; their destinies are linked with that of the strange barnacle goose from the Hebrides.

    Here, in this compelling account of his early life, the author sketches his moral and intellectual history from childhood to the early fifties, providing the reader with a glimpse into a way of life that was radically different from anything an American or even a Western European could know.Using the events of his life as a starting point, Native Realm sets out to explore the consciousness of a writer and a man, examining the possibility of finding glimmers of meaning in the midst of chaos while remaining true to oneself.In this beautifully written and elegantly translated work, Milosz is at his very best.

    In every field of human endeavor, the windstorms of change are fast altering the ways we live. Contemporary man is no longer anchored in certainties and thus has lost sight of who he is, where he comes from and where he is going. If there is a single book that can shed light amid the postmodern darkness, this is it.

    Born in a shantytown, Tommaso Puzzilli was once young and hopeful, but he soon succumbs to life on the streets, where he must resort to crime and prostitution simply to stay alive. Written by an author who ultimately suffered the same chilling fate as one of his characters, this fictional account offers a startling portrait of the very real tragedies of urban poverty.

    No one could have predicted that this small masterpiece would be the result. First published in 1959 and out of print for more than three decades, their fourth book about Eloise is DELICIOUS.

    Hundreds of thousands more have enjoyed the National Company as it played Los Angeles, Dallas, San Francisco, Denver, Omaha, Des Moines, Cincinnati, Kansas City and Chicago.Meredith Wilson wrote the music the lyrics and the libretto of 'The Music Man' -all delightful. Now he has written a book about writing the show - equally delightful. He claims he had Trouble (with a capital T)and he documents his case with behind-the-scenes anecdotes and theatrical characters unknown in his native Iowa.

    . .

    Among them, The Story of Hermione, in which the eponymous character grows rich from the all too convenient deaths of several relatives, has been called one of the most chilling short stories ever written. Sister Bessie describes vividly the agonies of a blackmail victim and the desperate crimes he commits in the hope of freeing himself from his tormentor. Miss Burnside's Dilemma describes the predicament of a person who uncovers a piece of unscrupulous, but entirely legal chicanery by someone she had previously admired. A Life for a Life explores the possibility of atonement for one's earthly sins after death.

    And so Chodorov set out to do something implausible: to rework the Nock book in his own style.Rothbard wrote of this book: "Frank's final flowering was his last ideological testament, the brilliantly written The Rise and Fall of Society, published in 1959, at the age of 72."One reason it was overlooked is that it appeared after the takeover of the American right by statists and warmongers. The Old Right, of which Chodorov was a last survivor, had died out, so there was no one to promote this work. It is amazing that it was published at all. But thank goodness it was!The book is short (194 pages) but pithy and enormously powerful. Indeed, for a book so overlooked, the reader will be surprised to find that it might be Chodorov's best work overall. Certainly it is suitable for classroom use, or as a primer on economics and society. Insight abounds herein.

    From 1918 to 1921, through great cities and tiny villages, across untouched forests and vast frozen wasteland, the Bolshevik "Reds" fought the anti-Communist Whites and their Allies (fourteen foreign countries contributed weapons, money, and troops—including 20,000 American soldiers). This landmark history re-creates the epic conflict that transformed Russia from the Empire of the Tsars into the Empire of the Commissars, while never losing sight of the horrifying human cost.

    

    

    This first English translation of Koselleck's tour de force demonstrates a chronological breadth, a philosophical depth, and an originality which are hardly equalled in any scholarly domain. It is a history of the Enlightenment in miniature, fundamental to our understanding of that period and its consequences. Like Tocqueville, Koselleck views Enlightenment intellectuals as an uprooted, unrealistic group of onlookers who sowed the seeds of the modern political tensions that first flowered in the French Revolution. He argues that it was the split that developed between state and society during the Enlightenment that fostered the emergence of this intellectual elite divorced from the realities of politics. Koselleck describes how this disjunction between political authority proper and its subjects led to private spheres that later became centers of moral authority and, eventually, models for political society that took little or no notice of the constraints under which politicians must inevitably work. In this way progressive bourgeois philosophy, which seemed to offer the promise of a unified and peaceful world, in fact produced just the opposite. The book provides a wealth of examples drawn from all of Europe to illustrate the still relevant message that we evade the constraints and the necessities of the political realm at our own risk.Critique and Crisis is included in the series Studies in Contemporary German Social Thought, edited by Thomas McCarthy.

    Printed offset in an edition of one-thousand copies and presented as a single leaf (87.9 x 19 cm) of white wove paper folded into sixths (19 x 14.7 cm), printed recto and verso with the final two panels serving as title cover and colophon respectively.

    When he asked why, he was told: “This Poland doesn’t exist.” Long out of print, The Graveyard is Hłasko’s portrait of a system built on such denial and willful blindness. Factory worker Franciszek Kowalski is on his way home one evening after drinking with an old friend from the People’s Army when he unthinkingly yells some insults at a policeman. His outburst is taken as criticism of the government, and he is arrested and then expelled from the Party. Kowalski attempts to rehabilitate himself by gathering testimonies from the men he had fought alongside, but each meeting with his former comrades takes him further into the underworld that he realizes has been there all along.Written midway through Hłasko’s meteoric career, The Graveyard set its author and the Polish Communist government implacably against each other, and it’s easy to see why: Hłasko pulls no punches in portraying a regime that is maintained by constant surveillance, intimidation, and profound psychological manipulation.A classic novel of political disillusionment from one of Poland’s seminal writers, an original “Angry Young Man” who lived fast, died young, and wrote brilliantly.

    Illustrated with more than four hundred on-the-scene photographs, this volume tells the dramatic story of the four days of upheaval and destruction that swept the city of San Francisco when a violent earth tremor rocked the land, succeeded rapidly by a devastating fire that destroyed nearly thirty thousand buildings.

    Haunted by the deaths of his parents and wielding his tin drum Oskar recounts the events of his extraordinary life; from the long nightmare of the Nazi era to his anarchic adventures in post-war Germany.

    'Thelwell Country' contains foxhunters and farmers, picnickers and gypsies, and notoriously pony-struck children, all representative of man in uneasy communion with nature.

    There's Popo the carpenter, who neglects his livelihood to build "the thing without a name." There's Man-man, who goes from running for public office to staging his own crucifixion, and the dreaded Big Foot, the bully with glass tear ducts. There's the lovely Mrs. Hereira, in thrall to her monstrous husband. In this tender, funny early novel, V. S. Naipaul renders their lives (and the legends their neighbors construct around them) with Dickensian verve and Chekhovian compassion.Set during World War II and narrated by an unnamed-but precociously observant-neighborhood boy, Miguel Street is a work of mercurial mood shifts, by turns sweetly melancholy and anarchically funny. It overflows with life on every page.

    Waugh at his devastatingly best in two great novels: "A Handful of Dust" and "Decline and Fall," coupled together in a "Laurel Edition" from Dell Publishing.

    Originally published in the UK as The Silver Pencil.

    She is a passionate and headstrong young woman, German on her father's side, Italian through her mother. She is also an ardent communist and an outspoken atheist. With Europe embroiled in World War II and her father missing in Russia, Angelina journeys alone to seek out her mother's family in Italy. Instead, she finds Giulia, a kindred spirit. In the summer of 1943, with Fascist Italy reeling under repeated defeats, Angelina and Giulia decide to fight for the socialist world revolution. Setting out alone through the wartime chaos, the two join an Italian partisan group led by the dashing Antonio. The partisans are soon in action against the Nazis and Angelina's courage and devotion to the cause earns her Antonio's admiration -- and his love. But when Angelina is injured during a battle, she finds herself locked in a spiritual struggle every bit as daunting as her physical battle against the Nazis. Originally written in German in 1959, Leave If You Can explores the challenge of God's mystical call versus the overpowering allure of the world, set against the backdrop of wartime Italy and the bombing of the abbey at Monte Cassino.

    But, after he crash-lands on a far distant planet and becomes a prisoner of ruthless aliens, he knows he can't just give up. Armed with only a piece of wood, a coil of copperlike wire, his quick wits, and an imaginary ally called Eustace, Leeming embarks on a brilliant campaign to gain his freedom--and undermine the alien war effort, too. This original, full-length version of one of Russell's most popular stories, "Plus X," is amusing, adventurous, fast moving, and razor sharp. Poking fun at bone-headed and inflexible bureaucrats and institutions, it ranks among his very best work.Also known as "The Space Willies" when published as part of an Ace Double: https://www.goodreads.com/book/show/1...

    A descriptive reader illustrated with country scenery, and a tale of visual things we may often miss..

    

    

    

    It is a scholarly, detailed analysis of the literary art, the philosophical ideas, and the psychologies of Albert Camus, Jean-Paul Sartre, and Simone de Beauvoir. It is also a competent effort to explain the positive implications for the theory of freedom and possibility which lie half buried under this literature of nothingness, alienation, and absurdity.... Miss Barnes makes thoroughly enjoyable reading of a subject-matter which might have seemed forbidding."--Herbert W. Schneider, Journal of Philosophy."Recommended unqualifiedly as the most thorough and reliable exposition of the works of Sartre, Camus, and de Beauvoir to have appeared in this country."--Willard Colston, Chicago Sun-Times."Those who want a real understanding of existentialism instead of the usual superficial generalizations are certain to gain it from this book."--Walter Kaufmann, The American Scholar."The book captures much of the forlorn dark grandeur of the existentialist vision of the human condition."--Yale Review."The philosophy of Sartre is presented accurately and with rare elegance and simplicity.... The section on psychoanalysis compares Sartre to Freud, then to Horney and Fromm, then to the phenomenologists. The treatment is fair-minded and careful."--Robert Champigny, L'Esprit Crateur.

    فرهنگنامه کتاب 12 دوازده، از کتاب و صحافی، تا گولف استریم

    Sent to boarding school after his parents split up, Gerald changes during the course of the school year from an innocent boy desperate to conform to something of a rebel, sceptical of the pretensions of those about him.

    Four thousand feet underground, Level 7 has been built to withstand the most devastating attack and to be self-sufficient for five hundred years. Selected according to a psychological profile that assures their willingness to destroy all life on Earth, those who are sent down may never return.Originally published in 1959, and with over 400,000 copies sold, this powerful dystopian novel remains a horrific vision of where the nuclear arms race may lead, and is an affirmation of human life and love. Level 7 merits comparison to Huxley’s A Brave New World and Orwell’s 1984 and should be considered a must-read by all science fiction fans.

    How she coped with the situation, became the custodian of an historic building, overcame the wariness of the villagers, participated in the Welsh national life, and found friendship and romance in the colorful, picturesque community, make for another fine teenage story.

    After a big storm, Pat discovers a hidden inner chamber inside a local cave, where he finds the tomb of a Viking warrior, but when he returns the next day the Viking and his treasure have mysteriously disappeared.