Eliot, published individually from 1936 to 1942, and in book form in 1943; it was considered by Eliot himself to be his finest work. Each of the quartets has five "movements" and each is titled by a place name -- BURNT NORTON (1936), EAST COKER (1940), THE DRY SALVAGES (1941), and LITTLE GIDDING (1942). Eliot's insights into the cyclical nature of life are revealed through themes and images woven throughout the four poems. Spiritual, philosophical, and personal themes emerge through symbolic allusions and literary and religious references from both Eastern and Western thought. The work addresses the connections of the personal and historical present and past, spiritual renewal, and the very nature of experience; it is considered the poet's clearest exposition of his Christian beliefs. (The Merriam-Webster Encyclopedia of Literature)

    He conceived of the four parts–The Stories of Jacob, Young Joseph, Joseph in Egypt, and Joseph the Provider–as a unified narrative, a “mythological novel” of Joseph’s fall into slavery and his rise to be lord over Egypt. Deploying lavish, persuasive detail, Mann conjures for us the world of patriarchs and pharaohs, the ancient civilizations of Egypt, Mesopotamia, and Palestine, and the universal force of human love in all its beauty, desperation, absurdity, and pain. The result is a brilliant amalgam of humor, emotion, psychological insight, and epic grandeur.Now the award-winning translator John E. Woods gives us a definitive new English version of Joseph and His Brothers that is worthy of Mann’s achievement, revealing the novel’s exuberant polyphony of ancient and modern voices, a rich music that is by turns elegant, coarse, and sublime.--front flap

    Drifting from town to town and from state to state, the violent, ruthless Bo seeks out his fortune—in the hotel business, in new farmland, and, eventually, in illegal rum-running through the treacherous back roads of the American Northwest. Stegner portrays more than thirty years in the life of the Mason family in this masterful, harrowing saga of people trying to survive during the lean years of the early twentieth century.

    "Her Jesus can bring tears to your eyes. You will be deeply moved--a powerful experience".--Sheldon Vanauken, A Severe Mercy.

    Since childhood, Knecht has been consumed with mastering the Glass Bead Game, which requires a synthesis of aesthetics and philosophy, which he achieves in adulthood, becoming a Magister Ludi (Master of the Game).

    When the Nazis invade the city in the summer of 1940, Kitty and Etta begin working with the French Resistance to help British soldiers, left behind in France after its surrender, escape to freedom.

    The novel, written in a stream-of-consciousness style reminiscent of the English-language Modernists, centers around the childhood and early adulthood of a character named Joana, who bears strong resemblance to her author: "Madame Bovary, c'est moi", Lispector said, quoting Flaubert, when asked about the similarities. The book, particularly its revolutionary language, brought its young, unknown creator to great prominence in Brazilian letters and earned her the prestigious Graça Aranha Prize.Joana, a young woman very much in the mode of existential contemporaries like Camus and Sartre, ponders the meaning of life, the freedom to be one's self, and the purpose of existence. Near to the Wild Heart does not have a conventional narrative plot. It instead recounts flashes from the life of Joana, between her present, as a young woman, and her early childhood. These focus, like most of Lispector's works, on interior, emotional states of mind.

    The first draft was written while Genet was incarcerated in a French prison; when the manuscript was discovered and destroyed by officials, Genet, still a prisoner, immediately set about writing it again. It isn't difficult to understand how and why Genet was able to reproduce the novel under such circumstances, because Our Lady Of The Flowers is nothing less than a mythic recreation of Genet's past and then - present history. Combining memories with facts, fantasies, speculations, irrational dreams, tender emotion, empathy, and philosophical insights, Genet probably made his isolation bearable by retreating into a world not only of his own making, but one which he had total control over.

    The time is World War II. The family is the Macauley's -- a mother, sister, and three brothers whose struggles and dreams reflect those of America's second-generation immigrants.. In particular, fourteen-year-old Homer, determined to become one of the fastest telegraph messengers in the West, finds himself caught between reality and illusion as delivering his messages of wartime death, love, and money brings him face-to-face with human emotion at its most naked and raw. Gentle, poignant and richly autobiographical, this delightful novel shows us the boy becoming the man in a world that even in the midst of war, appears sweeter, safer and more livable than out own.

    It contains his earliest poems - in nazm, ghazal and qita form - that set him on course to becoming the greatest and most-read Urdu poet of the 20th century.

    Forester – creator of Horatio Hornblower – takes us aboard HMS Artemis as she steams into battle against overwhelming odds. We get inside the heads of Artemis’s men, from the Captain on his bridge down to the lowest engine room rating, as they struggle over one long and terrifying afternoon to do their duty. C.S. Forester brilliantly recounts life aboard a British warship during some of the darkest days of the Second World War: capturing the urgency of the blazing guns, the thunderous rupturing of deck plates, the screams of pain and the shouts of triumph.

    Charles Williams was one of the finest-not to mention one of the most unusual-theologians of the twentieth century. His mysticism is palpable-the unseen world interpenetrates ours at every point, and spiritual exchange occurs all the time, unseen and largely unlooked for. His novels are legend, and as a member of the Inklings, he contributed to the mythopoetic revival in contemporary culture.

    It was originally published in the July, 1943issue of Weird Tales . It was first collected in Bradbury'santhology Dark Carnival and later collected in TheOctober Country and The Stories of Ray Bradbury .

    Beginning in 1905 with ninety-year-old Celia Dunne, it delightfully portrays the bustling life of her heir and grand-nephew, Humphrey Dunne, and his family of five rambunctious children. It follows the family over forty years -- through their youthful antics, merry parties, heartbreaks and loves and marriages, as each in turn comes to maturity and an understanding of the enduring satisfaction Dunnian gives to their lives.

    These essays—like those collected in the other five books of criticism published over several decades—have established Blanchot as the most lucid and powerful French critic of the second half of the twentieth century. Sober reconstructions of the main tenets of both classical and modern, both literary and theoretical texts, they have attained the status of model readings for authors as diverse as da Vinci and Kierkegaard, Melville and Proust, Molière, Goethe, and Mallarmé.However, the book is not a miscellaneous collection of exquisite essays. The first section of the volume, "From Anguish to Language," indicates the relative unity of its trajectory and its special moment in the development of Blanchot's thought. "Anguish" was a prominent notion for the existentialist philosophies of the period of his first work, and in this book Blanchot reflects on the necessary transition from the paradoxes of anguish to a focus on the paradoxes of language. He does so without ever betraying the affective tensions that attach themselves to linguistic utterances, but he also insists that the pathos of anxiety is, in the last resort, comical. Whoever writes "I am lonely" can judge himself to be quite comical, as he evokes his solitude by addressing a reader and using means that make it impossible to be alone.This comedy of language is retraced in Blanchot's intensely luminous essays on poetry and narration, on silence and symbolism, the novel and morals, the stranger, the enigma, time, and the very possibility of literature in the works of Blake, Balzac, Rimbaud, and Gide, Bergson and Brice Parain, Rilke and Bataille, Sartre, Camus, Queneau, and so many others.

    There he falls in with a team of con-men and ends up, to his own surprise, impersonating himself. His journey through successive levels of illusion and reality teaches him much about the world, about his own nature and the paradoxes of the human condition. Szerb offered Oliver VII as a translation from a non-existent English writer, A H Redcliff — typical Szerb humor, or a reflection of the fact that as a ‘rootless cosmopolitan’ his own work was banned by the Nazi regime?

    But things turned out worse than expected, and in her forties, the gifted artist found herself shoveling coal and cleaning up other people's messes. The House of All Sorts is a collection of forty-one stories of those hard-working days and the parade of tenants -- young couples, widows, sad bachelors and rent evaders. Carr is at her most rueful, but filled with energy and an inextinguishable hope.Carr also ran a small kennel and bred bobtails to help out her meagre income. In an additional twenty-five stories, she lovingly describes the mutual bonds of affection and companionship between her and her dogs.Her writing is vital and direct, aware and poignant, and as well regarded today as when The House of All Sorts was first published in 1944 to critical and popular acclaim.

    During the years leading up to the outbreak of war, Buller defied her critics and social norms by leading delegations of British intelligentsia to Germany to learn about and confront the appeal of the Nazis.The book speaks of how Hitler and the Nazis stripped the German people of their freedoms and oppressed them, and how young people were swept along with the tide of hate. It tells the stories of the Germans whom Buller met, including their positivity about the forces uniting the country, and their terror that Hitler was the man at the helm.Darkness Over Germany is Amy Buller’s recollection of these unlikely encounters and her analysis of how National Socialism took hold. It tells a remarkable and largely forgotten story of British-German relations in the 1930s. The book speaks resonantly of the need to stay vigilant and maintain dialogue in times of change and discord.

    A laid-off advertising man places a starting bid at a country auction and finds out that he bought a run-down farm - a humorous and somewhat idyllic picture of a family adapting to country living (although for Gran, it is a return to the farm life she loved) as World War II steadily worsens in Europe.

    . . . Sheer informed common sense. . . . This volume should be compulsory reading for all, whatever their religious beliefs or disbeliefs, who want light on the nature and place of education in our democratic society."—The Yale Review  One of the most eminent Catholic philosophers of our time explores the American system of education. Jacques Maritain believes that education must be based on the Christian idea of the individual being “more a whole than a part, and more independent than servile.”  In his view education is concerned with “making a man”—a person with “deep-rooted independence with regard to common opinion.”  This book is devoted to discovering how that can come about.