The spelling and punctuation have been modified for greater intelligibility to modern readers. Almost all of Blake's published writings are here, as well as most of his best shorter poems that remained in manuscript at his death, and much of his most energetic prose. Of Blake's major epics, Milton is printed in full, in its longest version; Jerusalem is represented by selection amounting to one third of the complete poem, and The Four Zoas by briefer excerpts. All the other poetic works are presented complete.

    An analysis of Victorian women writers, this pathbreaking book of feminist literary criticism is now reissued with a substantial new introduction by Sandra Gilbert and Susan Gubar that reveals the origins of their revolutionary realization in the 1970s that "the personal was the political, the sexual was the textual."Contents:The Queen's looking glass: female creativity, male images of women, and the metaphor of literary paternity --Infection in the sentence: the women writer and the anxiety of authorship --The parables of the cave --Shut up in prose: gender and genre in Austen's Juvenilia --Jane Austen's cover story (and its secret agents) --Milton's bogey: patriarchal poetry and women readers --Horror's twin: Mary Shelley's monstrous Eve --Looking oppositely: Emily Brontë's bible of hell --A secret, inward wound: The professor's pupil --A dialogue of self and soul: plain Jane's progress --The genesis of hunger, according to Shirley --The buried life of Lucy Snowe --Made keen by loss: George Eliot's veiled vision --George Eliot as the angel of destruction --The aesthetics of renunciation --A woman, white: Emily Dickinson's yarn of pearl.

    Under Nina Baym's direction, the editors have considered afresh each selection and all the apparatus to make the anthology an even better teaching tool.

    Behind the discreet facade of proud wealth and privilege, a London scandal is brewing...The most provocative charmer outside the demimonde gives way to forbidden passion at the Moonlight Masquerade...An embittered Earl tries to locate a missing heir and wreck the titled future of his son...An impetuous young innocent endangers her life to protect the handsome lover of a famous courtesan...And a hot blooded commoner, maddened by desire for a titled beauty, plot the downfall of a wealthy Viscount...Turbulent romance, glittering intrigue in fashionable Regency London

    It encompasses an entire panorama of nineteenth century New England: the Utopian dreamers; adherents of new religions like the Shakers and MIllenarians; the abolitionists; and the onrushing immigrants from war-torn, starving Europe - Irish, German and others.

    The two shots that rang out at Mayerling in the Vienna Woods echo still.Frederic Morton, author of the bestselling Rothschilds, deftly tells the haunting story of the Prince and his city, where, in the span of only ten months, "the Western dream started to go wrong." In Rudolf's Vienna moved other young men with striking intellectual and artistic talents—and all as frustrated as the Prince. Among them were: young Sigmund Freud, Gustav Mahler, Theodor Herzl, Gustav Klimt, and the playwright Arthur Schnitzler, whose La Ronde was the great erotic drama of the fin de siecle. Morton studies these and other gifted young men, interweaving their fates with that of the doomed Prince and the entire city through to the eve of Easter, just after Rudolf's body is lowered into its permanent sarcophagus and a son named Adolf Hitler is born to Frau Klara Hitler.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    When a woman is found murdered, young attorney Eben Pay, newly arrived to the territory, is pulled into a posse that follows a trail of blood and destruction. Among the dead he discovers a survivor, the beautiful, traumatized Jennie Thrasher, and the question of what she witnessed hangs like a storm cloud over the investigation. From the trial to the courtroom, Winding Stair is a classic historical novel that brings to vivid life a bygone era.

    The accompanying text provides an insight into Larsson's family life and his painting techniques."

    He shows that the Whigs were not just a temporary coalition of politicians but spokesmen for a heritage of political culture received from Anglo-American tradition and passed on, with adaptations, to the Whigs' Republican successors. He relates this culture to both the country's economic conditions and its ethnoreligious composition.

    She was a beautiful young innocent, driven into the sins of that womanhood by the dark desires that ruled men's hearts.You will never forget Lily -- as a child watching her mother die in want...as an orphan struggling to protect her reckless brother...as a teen-aged innocent discovering the power of desire...as a fear-filled young girl learning to sell her body in the most elegant brothel in the wickedest city on earth...as a captivating beauty whom men would pay any price to possess...as a mother desperately trying to keep the truth from her daughter...as a woman forced by love to return to the city of her shame and seek to conquer it..And you will never forget Lily's story -- as it moves from the Hell's Kitchen squalor and Fifth Avenue splendour of old New York..to the rolling decks of a great clipper ship...to the brawling streets, the fantastic pleasure palaces, the magnificent Nob Hill mansions of San Francisco, through storm and earthquake and fire in a breathless saga of love, intrigue and illicit passion....

    It is an enquiry into the roots of present day middle class culture, as it developed between about 1880 and 1910 in Sweden. As their starting point the authors have taken the middle class virtues that are recognizable in the stereotype of the typical Swede: the nature-loving and conflict-avoiding person, obsessed with self-discipline, punctuality, orderliness and the importance of living a rational life. From this stereotype, the industrial and professional middle classes are easily recognizable as the ones who have defined the dominant ideas about the good and proper life. In summary, this book describes 'the process through which middle-class culture building moved from the position of counter-culture to dominant culture and then to national culture, and finally became invisible as ideas about human nature' (Löfgren 198 :81). This process however, is not typical for Sweden alone (which may have been the reason why the authors do not refer to Sweden in their title), but since the book deals with Sweden only, the title is somewhat misleading. The question as to what is typically Swedish, their national character or identity, is not seriously raised, because any comparison with developments in other countries is absent. This means that it is impossible to get an impression or estimation, however rough, of the ways or degrees in which the typical Swede differs, for instance in conflict-avoidance, from other national identities or stereotypes

    Ned attracts the attention of the young Lord Ironminster - determined to win a racing wager against his wealthy cousins, the Savilles, and desperate for Ned's help.Ned is quickly drawn into a strange partnership with Ironminster; as his new friend's right hand man, Ned has an important role to play in helping him outwit the Savilles and preventing his title and estate from passing to them.

    When Sir Rupert Hart-Davis's magnificent edition of The Letters of Oscar Wilde was first published in 1962, Cyril Connolly called it "a must for everyone who is seriously interested in the history of English literature - or European morals." From this edition, long out of print, Hart-Davis has culled a representative sample of the letters from each period of Wilde's life, "giving preference," as he says in his Introduction, "to those of literary interest, to the most amusing, and to those that throw light on his life and work." The long letter to Lord Alfred Douglas, known as De Profundis is printed in its entirety.

    Learning the language and winning acceptance as a member not only of the tribe but of the tribal council and the Bow Priesthood, he was the original participant observer and the only man in history to hold the double title of "1st War Chief of Zuñi, U. S. Ass't Ethnologist." A pioneer in southwestern ethnology, he combined the discipline of science with a remarkable imaginative capacity for identifying with Indian modes of thought and perception—and corresponding gifts of expression.

    Trelease's "White Terror," originally published in 1971, was the first scholarly history of the Ku Klux Klan in the South during the Reconstruction period, and based as it is on massive research in primary sources, it remains the most comprehensive treatment of the subject. In addition to the Klan, Trelease discusses other night-riding groups, including the Ghouls, the White Brotherhood, and the Knights of the White Camellia. He treats the entire South state by state, details the close link between the Klan and the Democratic party, and recounts Republican efforts to resist the Klan.

    Its 3,000-year history encompasses every conceivable form of garment and decorative linen, from peasant blouses to papal vestments and the bridal gowns of queens; it appears in many guises as the favored embroidery of needleworkers from Denmark to South Africa, from England to the Philippines.Unfortunately, white work has frequently been neglected in the United States because of its underserved reputation as a difficult form of embroidery — the type of work that, as author Carter Houck states, is never seen "beyond the glass cases of a museum." In reality white work can be performed at all levels of expertise; even more important, Ms. Houck shows that superb results can be achieved without laborious practice and prodigious technique. From these pages white work emerges as a vibrant and continually evolving form of contemporary embroidery that is both beautiful in itself and valuable for its myriad uses.Ms. Houck assumes no previous knowledge of white work and provides complete information on materials, pattern-transferring techniques, and instructions and diagrams for over 20 stitches: the simple chain stitch and running stitch; satin stitches and French knots; and more difficult "virtuoso" techniques like the Star and Shadow.Following the instructions are 40 pages of magnificent patterns, including florals, repeats, abstract designs, spot and corner decorations in a wide variety of sizes and moods, and two complete sets of alphabets for use as monograms. For each design Ms. Houck has suggested a stitch or stitches that produce optimal effects. As a result, the book acts as a self-contained guide to white work that can transform blouses, cuffs, collars, scarves, place settings, curtains, or any embroidery medium into treasures of heirloom quality.

    Fashion and needlework in the works of Jane Austen.

    The story of this dramatic time unfolds through the towering personality of Louis Kossuth--a principal actor in the dramatic events. He and his fellow noblemen sized the opportunity offered by the continent's upheavals to restore Hungary's sovereignty under the Habsburg Crown. They introduced many administrative, social, and economic reforms...only to run into the opposition of many of the country's most powerful forces. In 1949, Kossuth fled--never to return home again.

    By 1860, through agreeing with the North over constitutional fundamentals and sharing with other Americans similar hopes and fears, many Southerners had concluded that only in a separate Southern nation could their rights and security be preserved. This book is a study of how and why the ideology of Southern nationalism arose and spread. It attempts to explain within the framework of an evolving national character how Northern and Southern versions of American nationalism, both of which professed allegiance to the Constitution, led to civil war.

    It was a hard, dangerous life, to be black and communist and pro-union, and Hudson talked about that life to Nell painter, who brilliantly recreates it in this collaborative oral autobiography.

    Suddenly she was no longer contented wife of a brilliant architect. Instead she had been spirited away to the nineteenth-century American frontier - and into the arms of a handsome, virile man whom she could not tell the truth about herself, and who made her forget who she really was and what she should not do.