So when he meets Marguerite, a bright young American with whom he can talk freely about both, he is able to love again and takes her back to Ireland as his wife. But Marguerite soon discovers that married life is not what she expected, and that she has married into a troubled family bitterly divided by love and hatred. Cashelmara becomes the curse of three generations as they play out their fates in a spellbinding drama, which moves inexorably towards murder and retribution.

    Visiting European royalty as well as American women returning from the International Exhibition in Paris in 1867 stimulated fashion awareness — and it was in this climate that the magazine Harper's Bazar flowered. Dedicated to being "A repository of Fashion, Pleasure, and Instruction," it brought to American women inside glimpses of the very latest European and American fashions, all in carefully detailed engravings. It was much the finest source for high fashion for this period.This book consists of the finest illustrations from Harper's Bazar between the years 1867 and 1898, the period of its peak importance. These illustrations not only show you what apparel appealed to our Victorian ancestors, but give you an idea of the evolutionary nature of fashion as well. You will see bustles come and go, natural forms become the vogue only to be superseded by the constricting hourglass figure. Each look is illustrated with a number of different garments. There are gowns for the morning hours, dinner dresses, sporting costumes, traveling clothes and apparel for special occasions: weddings, communions, funerals, etc. Since no costume was complete without accessories, a full line of hats, fans, parasols, muffs, gloves, handkerchiefs, jewelry, shoes and hair styles is shown as well. A selection of children's attire is also included. An introduction by Stella Blum covers the history of Harper's Bazar and examines the various phases fashion went through between 1867 and 1898.

    To those who are in sickness the author does not underestimate the strength of those hindrances to comfort.Far from offering superficial advice, P. B. Power's position in A Book of Comfort for Those in Sickness is that no comfort is obtainable unless there be, first, true knowledge of ourselves and, second, right knowledge of God.His main aim is to state what this knowledge needs to be, and to show how with faith in God's character and presence, suffering need not be a dark experience.

    

    We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

    

    When the early death of Alexander prevented the completeion of the series, the individual volumes were quickly prized in their own right and went through many editions on both sides of the Atlantic. The qualities which have given Hodge's commentaries such a wide and enduring market are readily to be seen. In the first place they are singularly clear. The technicalities of critical opinion, which soon cause a volume to become dated, are not to be found in his pages. His aim was to produce commentaries which learned and unlearned alike could consult with profit. Believing that he was dealing with the words of the Holy Spirit he endeavoured to set out both what those words contain and the effects which their truth should have upon the conscience and life.

    

    Situated athwart the European Atlantic trade-routes, its geographical potential for commercial and strategical opportunities has been exceptional. Much of its history and impact on the world has turned on the degree to which those opportunities were taken. It has turned, too, on the character and ideals of the English peoples.

    It also includes the manuscript of Paracelsus in the Forster Collection in the Victoria and Albert Museum printed here for the first time.

    Recent interest has concentrated , perhaps excessively, on the third of these dramatic episodes akthough it is natural that the epic years of the struggle with Napoleon should continue to excite the historical imagination.' He has been dubbed 'The Enigmatic Tsar'. There are many contrasting opinions of him. Thomas Jefferson declared 'A more virtuous man, I believe, does no exist, nor one who is more enthusiastically devoted to better the condition of mankind. Castlereagh thought well of him, too, but both Metternich and Napoleon considered him inconsistent and untrustworthy. And Pushkin famously described him as 'a Sphinx who carried his riddle with him to the tomb.' an assessment even more piquant if it is true, as some maintain, his tomb in empty. With his customary blend of meticulous scholarship and agreeable writing, Alan Palmer provides the most balanced and engaging portrait imaginable.'A pleasure to read and unlikely to be replaced for many years' Philip Ziegler, The Times 'Excellent . . . a major biographical achievement, a notable contribution to our understanding of this still enigmatic monarch' Robert Blake, Spectator