Rich, colorful and bursting with excitement, this remarkable story turns James Alexander Thom's power and passion for American history to the epic story of Tecumseh's life and give us a heart-thumping novel of one man's magnificent destiny--to unite his people in the struggle to save their land and their way of life from the relentless press of the white settlers.

    In 1785 a runaway orphan joins a band of travelling players and, learning the tricks of their trade and of Madame Bonneville's child brothel, seeks the acceptance of the volatile, charming, mysterious showman, Jack.

    What right had this supercilious rake, Trevelyan de Villars, to incessantly force his attentions on her? Rebecca far preferred Trevelyan's charming friend, the noble Sir Peter Ward. Indeed, her dreams of handsome Sir Peter aimed straight for the altar!What Rebecca soon discovered duly horrified her. For her dear Sir Peter and the contemptible Trevelyan had formalized a bet--that Trevelyan could seduce the very proper widow within a month's time.Still, Trevelyan's attentions grew ever more passionate. And Rebecca found (to her horror!) that she thrilled to his touch. As her heart strove to resist this irresistible cad, she suddenly saw what he really was: A libertine no more--now at last and forever in love!

    The marriage was not to be a happy one. Liselotte (known in France as Elisabeth Charlotte, Duchesse d'Orlans, or "Madame") was full of intellectual energy and moral rigor. Homesick for her native Germany, she felt temperamentally ill-suited to life at the French court. The homosexual Monsieur, deeply immersed in the pleasures and intrigues of the court, shared few of his wife's interests. Yet, for the next fifty years, Liselotte remained in France, never far from the center of one of the most glorious courts of Europe. And throughout this period, she wrote letters - sometimes as many as forty week - to her friends and relatives in Germany. It is from this extraordinary body of correspondence that A Woman's Life in the Court of the Sun King has been fashioned.As introduced and translated by Elborg Forster, the letters have become the remarkable personal narrative of Liselotte's transformation from an innocent, yet outspoken, girl into a formidable observer of great events and human folly.

    Jonathan Swift (1667-1745) is best known as the author of Gulliver's Travels, which alone would have secured his place in the history of English literature. But in addition to this classic fictional satire, Swift wrote numerous works concerning politics, religion, and Ireland, some savage, others humorous, all suffused with his tremendous wit and inventiveness. This anthology includes satirical works such as A Tale of a Tub and The Battle of the Books, political pamphlets, pieces for the popular press, poems, and a generous selection from Swift's correspondence. Presented chronologically, the anthology offers a new and clearer awareness of the unity as well as the complexity of Swift's vision, and the powerful bonds between disparate pieces.

    With 120 illustrations, the book is a visual delight that draws on the V&A’s unrivaled apparel collection. From a dress worn at the court of George II in the 1700s to Vivienne Westwood’s contemporary Pirates Collection, to pieces by leading designers such as Fortuny, Poiret, Charles James, and John Galliano, this book is an outstanding resource that also features a wide range of accessories, including shoes, fans, and hats.

    paintings, diagrams and sketches illustrate the arrangement of furniture, prominent architectural details, favorite loose furnishings and prevailing moods of each design era. Page after page delight the eye and spark the imagination.”—Century Home.

    Allanbrook’s innovative work shows that Mozart used a vocabulary of symbolic gestures and musical rhythms to reveal the nature of his characters and their interrelations. The dance rhythms and meters that pervade his operas conveyed very specific meanings to the audiences of the day.

    Originally published by UNC Press in 1984, the book was the first investigation of colonial military life to give equal attention to official records and to the diaries and other writings of the common soldier. The provincials' own accounts of their experiences in the campaign amplify statistical profiles that define the men, both as civilians and as soldiers. These writings reveal in intimate detail their misadventures, the drudgery of soldiering, the imminence of death, and the providential world view that helped reconcile them to their condition and to the war.

    She finds that, although the American frontiersman imagined the wilderness as virgin land, an unspoiled Eve to be taken, the pioneer woman at his side dreamed more modestly of a garden to be cultivated. Both intellectual and cultural history, this volume continues Kolodny's study of frontier mythology begun in The Lay of the Land.

    In that long process, different strategies were adopted by varied Indian tribes and European colonies in order to cope with the presence of all the others. The strategy of Puritan New England was armed conquest.

    The series provides students, primarily though not exclusively those of English literature, with the opportunity of reading significant prose writers who, for a variety of reasons (not least their generally being unavailable in suitable editions), are rarely studied, but whose influence on their times was very considerable. Marilyn Butler's volume centres on the great Revolution debate in England in the 1790s, inspired by the French Revolution. The debate consists of a single series of works which depend for their meaning upon one another, and upon the historical situation which gave them birth. Major tracts by Burke (Reflections on the Revolution in France), Paine (The Rights of Man), and Godwin (Enquiry Concerning Political Justice) are given at length, while important shorter pieces by such writers as Hannah More, Thomas Spence, and William Cobbett appear virtually complete. The volume is especially interesting for its portrait of a community of oppositional writers. Many of them knew one another personally, and stimulated and sustained one another against the pro-government majority. Their collaborative literary enterprise, and its break up, offer a fascinating perspective on Romanticism and the growth of an extra-parliamentary opposition functioning through the press. The volume also reveals the impact of the great debate on writers such as Mary Wollstonecraft, Coleridge, and Wordsworth. As with other titles in the series, the volume is comprehensively annotated: obscure allusions to people, places, and events are glossed in footnotes and endnotes, while prefactory headnotes comment on the circumstances surrounding the composition of each extract. In a substantial introduction Dr Butler offers a broad examination of this pamphlet war and its main participants. There is a helpful critical guide to further reading for those wishing to pursue their study of the subject. The volume will be a vital sourcebook for students of English Romantic literature, history, and political history.

    Effectively challenges the received wisdom of Jefferson's politics—and more generally on the origins of American democracy—in refreshing and wholly original ways."—Sean Wilentz, author of Chants Democratic"Elegant and compelling. . . . On the leading edge of the field."—John M. Murrin, coauthor of Colonial America Author Bio: Richard K. Matthews is professor and chair of the department of government at Lehigh University. The Radical Politics of Thomas Jefferson is the first volume in his revisionist trilogy on the Founding that continues with If Men Were Angels and that will conclude with Alexander Hamilton and the Creation of the Heroic State.