Simak (1904-1988). When the Science Fiction Writers of America began bestowing their Grand Master awards, Simak was the third writer so honored. Only Robert Heinlein and Jack Williamson preceded him, and he received his award before such luminaries as Fritz Leiber, Isaac Asimov, and Ray Bradbury. Simak earned this distinction by producing, over a long period of time, a significant body of popular, respected, often award-winning work, including his classics City and Way Station, and many shorter works, eight of which are contained in this collection. Readers unfamiliar with Simak are in for a treat. More than half of the stories here were among the best stories of their respective years. "The Big Front Yard" (1958) won a Hugo. "A Death in the House" (1959) was selected by Judith Merril for Year's Best SF: Fifth Annual Edition. "Over the River and Through the Woods" (1965) made the cut for World's Best Science Fiction: 1966 edited by Donald Wollheim.Contents: A Death in the House The Big Front Yard Goodnight Mr. James Dusty Zebra Neighbor Over the River & Through the Woods Construction Shack Grotto of the Dancing Deer [He] wrote for so long and always so well that his excellence came to be taken for granted, as we take sunlight for granted until we go blind. - Poul Anderson I read Cliff's stories with particular attention, and I couldn't help but notice the simplicity and directness of the writing - the utter clarity of it. I made up my mind to imitate it, and I labored over the years to make my writing simpler, clearer, more uncluttered, to present my scenes on a bare stage. - Isaac Asimov Without Simak, science fiction would have been without its most humane element, its most humane spokesman for the wisdom of the ordinary person and the value of life lived close to the land. - James Gunn Good fantasy - and that includes science fiction - takes off from the known for its flights into the new. Cliff Simak was a master of the art. His known was the rural Midwest that he loved. His new could reach to the ends of space and time, but never beyond reality. Even his cosmic aliens always had half human dimensions that made them believable. I loved him, as so many did, for his unfailing warmth and a wit that was keen but never cruel. I heard from him often during the painful time after his wife's death. His own death touched me deeply, and I'm happy to see him remembered with this collection of his best-loved stories. - Jack Williamson I always loved his stories, short or long. He made me love them -and the rural America of his childhood - as much as he did. - Lester del Rey Ten years ago it would have been inconceivable that a volume of the best stories of Clifford Simak (author of the classic City) would not have been published by Putnam or Del Rey, but today we have to be grateful to the one-man firm of Tachyon Publications for preserving Over the River and Through the Woods, which includes some of Simak's best stories, including two Hugo Award winners. After all, Simak is dead, which means his career is flatlined, even if Robert Heinlein said, "to read science fiction is to read Simak. The reader who does not like Simak stories does not like science fiction at all." Simak was a master of a special kind of nostalgic science fiction that reconciled the values of his youth (the rural Midwest of the 1920s) with the larger universe. Material that became ludicrous cliche in the hands of lesser writers - all those endless flying saucers landing in the hillbilly's back acre - was by Simak handled with elegance and dignity."A Death in the House" is typical: A farmer finds a dying alien. He does what he can, but that's very little. The farmer conceals the grave, wanting to give his "guest" that much dignity. But the alien is plantlike. It (or its young) sprouts out of the corpse. Human and alien struggle toward understanding. In "The Big Front Yard," a rural handyman finds his house transformed into a gateway to other worlds. The common people have the good sense; trouble starts when profiteers and the government get involved. The tone is light, friendly and clever. This is not to suggest that Simak was a writer with no hard edges. "Good Night Mr. James" is a horror story, about a duplicate human being created to destroy a particularly nasty alien illegally smuggled to Earth. But the gentler mode was more typical, and he could also write humor. "Dusty Zebra" is a long technological joke, maybe a bit slight to be included when a 50-year career must be distilled into 218 pages. Simak's last story, the last in the book, "The Grotto of the Dancing Deer," is about an immortal caveman, quite different from de Camp's "Gnarly Man." He is the original artist who painted that cave art the scientists keep finding; after all this time, he just has to tell someone. The story won both the Hugo and the Nebula for 1980, because both readers and fellow professionals wanted to say "thank you." - The Washington Post Book World Clifford D. Simak is another classic SF writer who staked out a distinctive territory based on his rural midwestern roots - only a couple hundred miles north of Bradbury's - but he never strayed very far from a few classic SF themes which he treated with considerably more rigor than Bradbury, if sometimes with as much sentimentality. Simak's City is at least as important to the history of SF as Bradbury's The Martian Chronicles - some would say more so, given its more challenging conceptual framework - and his other short stories are among the most enduring in the genre, as Over the River & Through the Woods, a new limited edition from Tachyon Publications, attests. Yet Simak, like Sturgeon, seems in danger of fading into the limbo of historical anthologies; while his work was once as widely available as that of any of the giants, today these stories seem almost like new discoveries - and are just as fresh. Part of the reason may be not that Simak's folksy language seems to belie the underlying sense of alienation and tragedy that characterizes much of his work; part may be due to the rediscovery of American regional idioms among younger SF writers from Terry Bisson to Nancy Kress . . . 'Over the River & Through the Woods' contains eight Simak stories from 1951 through 1980 - which means it includes none of the classic stories like "Desertion" or "Huddling Place", which later went to make up City, but does include his late Hugo and Nebula-winning masterpiece "The Grotto of the Dancing Deer" and the Hugo-winning "The Big Front Yard." One of the first things that comes to mind when rereading the latter story after several years - it concerns a characteristically laconic farmer with a dog named Towser (the only name Simak seems to have permitted for dogs) who finds on his property a gateway to distant worlds - is that few contemporary writers would have let such a simple and elegant premise be confined to a novella. Simak's focus is on the unimpressed rustic whose very lack of response to the wonder at his doorstep intensifies our own. When a rustic is impressed by an alien presence, such as in "A Death in the House," it is less likely to be from a sense of wonder than from a sense of companionship. Simak's roots may be firmly in SF, but he writes of alien encounters in a way Willa Cather might have written of them. Aliens are strange but unthreatening, and in some cases (as in "Neighbor") they can turn the entire neighborhood into a pastoral Shangri-la, isolated from the outside in a way that encapsulates what must be Simak's own drams of lost innocence. But Simak could write about more than wonderful things happening to remote farmers. "Good Night, Mr. James" is a very early treatment (1951) of what we would today call a cloning story, done with the kind of cynical humor that is needed for what is essentially a double- and triple-cross tale. It reveals Simak's healthy streak of humor, as does "Dusty Zebra," in which trivial objects are zapped into another dimension in return for high-tech wonders. "Construction Shack" ironically explores an almost Stapledonian notion of whole solar systems being engineered by ancient aliens (Pluto is the construction shack of the title), cast in terms of the matter-of-fact space jockeys so familiar from pulp SF. Simak may be at his best, however, when his theme is isolation and abandonment. The title story concerns children from the future sent back to the refuge of the 1890s. The best tale in the collection and one of the high points of Simak's late career, "The Grotto of the Dancing Deer," concerns an anthropologist who comes to realize that his assistant seems to know far too much about certain ancient cave paintings, and may in fact have been their creator. Simak's evocation, in a few pages, of the sheer loneliness of immortality and the daunting perspectives of time involved, again could be a lesson to a generation of younger writers, and reminds us brilliantly of what Simak was capable of. - Locus

     Fresh from Duck Soup (1933), Julius, Leonard, Arthur and Herbert Marx - or as the world knows them, Groucho, Chico, Harpo and Zeppo - are transported by a freak electrical storm to Nacogdoches, Texas in the year 1826. Landing in the midst of the Fredonian Rebellion (the first attempt by settlers in Texas to secede from Mexico) and into the company of the only other Jewish person in town, they are in deep dreck. Falling in with Stephen F. Austin and inadvertently filling his head with knowledge of what is to come, our heroes risk tampering with the future of Texas, and perhaps the entire U.S.A., in their quest to return to their own time. Will they find their way back? Or will they be doomed to live out their lives without indoor plumbing?

    Trevor Stone has survived the invasion of alien armies and creatures, cut off their conduits to Earth, and built a small Empire that has turned the tide of the war, but victory has come at a high personal cost. When Nina Forest disappears, Trevor makes the reckless decision to personally lead a rescue team. What follows is a trip down the proverbial rabbit-hole, one that brings him face to face with the most terrifying monster in a changed world: himself. Parallels is a mature journey to a place where inhibitions are stripped, desires indulged, and where Trevor Stone may be eclipsed by the darkness within.

    But to get their one million tomorrows men have to make the transition from FUNKIE to COOL. FUNKIE is a slang for `functional male`. Immortality can only be achieved at the expense of male sexuality. So when Will Carewe is offered one million tomorrows without the side effects, he is being offered something very valuable. Something people would kill for.

    Forced to combat enemies without and within, they strive to overcome the odds under the watchful eye of an unwelcome guest: Drake, agent of the bank funding their expedition, who is far more than he seems and may represent the greatest threat of all.“Intrigue and action in this high octane collision between Firefly, the Bourne films and Indiana Jones. A two-fisted SF adventure, space opera as it should be written!” – Gavin Smith, author of Veteran“It is his characters who live through the story and make the reader need to know just how it’s all going to pan out, human characters who may seem familiar but then there’s that one thing, that shifted alteration that changes the world and changes the reader too.” – Interzone

    Neal Stephenson’s science fiction thriller, depicts the end of the Earth through the destruction of the Moon by an unknown Agent and the attempts to preserve humanity through a multi-millennial gap between times when the surface of the planet will be inhabitable. The preservation efforts soon bog down in political entanglements, both from the doomed world and from within the populations who are meant to carry humanity through thousands of years in space to a planned return to Earth. When, at last, humanity makes to return to the surface of Earth, they find that other populations, not entirely friendly, await them, having endured their own privations across the millennia. Seveneves, by Neal Stephenson, is a substantial piece of apocalyptic and post-apocalyptic science fiction. Well-written and compelling, it offers a convincing account of one of the many scenarios in which Earth might end – only to be reborn millennia later from seeds sown by the seven Eves of the novel’s title and others uncontrolled by them. It is an excellent piece of science fiction. This companion also includes the following: • Book Review • Story Setting Analysis • Story elements you may have missed as we decipher the novel • Details of Characters & Key Character Analysis • Summary of the text, with some analytical comments interspersed • Thought Provoking /or Discussion Questions for both Readers & Book Clubs • Discussion & Analysis of Themes, Symbols… • And Much More! This Analysis of Seveneves fills the gap, making you understand more while enhancing your reading experience.

    War is imminent between Earth’s top powers, China and Japan, for reasons that no one entirely understands.Neil Mercer, a freshly commissioned officer in the United States Space Force, is assigned to shepherd a senior spy on a covert mission that risks drawing America into the conflict. In a story featuring high adventure, interstellar intrigue and some of the most scientifically realistic space combat depicted in fiction, Neil and his comrades must face difficult questions about duty, citizenship and national interest as they struggle to discover why the war threatens to engulf every nation on Earth.

    and they're losing. When High Dynasty heir Wil Sietinen comes face-to-face with the Bakzen, a mysterious race skilled in advanced telekinesis, he's forced to confront his destiny. A secret war is being waged within a hidden dimensional rift, and his unique gifts can help win the fight.As the dire nature of the conflict and the truth about his own abilities unfolds, Wil realizes he's at the center of a galactic conspiracy. And enemies are not who they seem.With the future of the entire Taran Empire hanging in the balance, Wil holds the key to victory—but saving his people may come at the ultimate price.The Cadicle series is a sweeping epic that will grab you from the first page, offering a rich blend of adventure, intrigue, and the intersection of technology with mental powers. Join multiple generations of one noble family in their battles against unimagined foes to change the course of an empire. This series is an entry point into the award-winning Cadicle Universe.The Fractured Empire boxset contains the complete Cadicle series:-- Volume 1: Architects of Destiny-- Volume 2: Veil of Reality-- Volume 3: Bonds of Resolve-- Volume 4: Web of Truth-- Volume 5: Crossroads of Fate-- Volume 6: Path of Justice-- Volume 7: Scions of Change

     The novel introduces Mick Wolfe, a veteran, who get caught in a dangerous game in Chicago’s hyper connected and violent underground.

    L. Moore contributed the first of her famous Northwest Smith stories to the old Weird Tales magazine. (Remarkable in that she was not only young, but a woman who was featured in a magazine dominated by male authors.)That shadowy tale was called "Shambleau" and it took the Gorgon/Medusa legend out of earthly trappings and placed it on other worlds.The Northwest Smith stories continued over a period of years with a great degree of success. Scarlet Dream offers ten of these fantastic, interplanetary tales, personally selected for this volume by the author.Contents:1 • Shambleau • [Northwest Smith] • (1933) • novelette by C. L. Moore35 • Black Thirst • [Northwest Smith] • (1934) • novelette by C. L. Moore77 • The Tree of Life • [Northwest Smith] • (1936) • novelette by C. L. Moore109 • Scarlet Dream • [Northwest Smith] • (1934) • novelette by C. L. Moore137 • Dust of the Gods • [Northwest Smith] • (1934) • novelette by C. L. Moore167 • Lost Paradise • [Northwest Smith] • (1936) • novelette by C. L. Moore195 • Julhi • [Northwest Smith] • (1935) • novelette by C. L. Moore231 • The Cold Gray God • [Northwest Smith] • (1935) • novelette by C. L. Moore261 • Yvala • [Northwest Smith] • (1936) • novelette by C. L. Moore295 • Song in a Minor Key • [Northwest Smith] • (1940) • shortstory by C. L. Moore

    R. Martin). Praised as “a perfect example of how exciting the subgenre can and should be,” George Alec Effinger’s Budayeen Cycle is a towering and timeless science fiction achievement that continues to amaze, shock, and captivate readers (SF Signal).  When Gravity Fails: Set in a high-tech near future featuring an ascendant Muslim world and divided Western superpowers, this cult classic takes readers into a world with mind- or mood-altering drugs for any purpose, brains enhanced by electronic hardware, and surgically altered bodies. Street hustler Marîd Audran has always prided himself on his independence, free from commitments, connections, and even cybernetic modifications. But when a string of brutal murders lands him on the radar of Friedlander Bey, the most powerful and dangerous man in the decadent Arab ghetto, the Budayeen, Audran is forced to change his loner ways, or risk losing his life . . .  A Fire in the Sun: Once a small-time smuggler, Marîd Audran has, to his chagrin, moved up in the ranks of the criminal underworld to become a lieutenant in Friedlander Bey’s shadowy empire. Tasked with being Bey’s eyes and ears inside local law enforcement, Audran finds himself tracking yet another serial killer through the streets of the Budayeen. And the closer he gets to his target, the more embroiled he becomes in the deadly political machinations hidden behind the city’s façade.  The Exile Kiss: Marîd Audran is finally learning to appreciate the wealth and benefits that come from being on Friedlander Bey’s payroll when a powerful enemy does the unthinkable, and gets both Audran and Bey exiled from the Budayeen. Abandoned in the lifeless and lethal Arabian Desert, Audran and Bey have only one option: survive long enough to exact revenge on the man responsible.

    The series moves to its new publishing home, Solaris, with this eighth annual volume of the celebrated and popular series.Table of Content"Some Desperado" by Joe Abercrombie"Zero for Conduct" by Greg Egan "Effigy Nights" by Yoon Ha Lee "Rosary and Goldenstar" by Geoff Ryman"The Sleeper and the Spindle" by Neil Gaiman"Cave and Julia" by M. John Harrison"The Herons of Mer de l’Ouest" by M Bennardo"Water" by Ramez Naam"The Truth of Fact, the Truth of Feeling" by Ted Chiang "The Ink Readers of Doi Saket" by Thomas Olde Heuvelt "Cherry Blossoms on the River of Souls" by Richard Parks "Rag and Bone" by Priya Sharma "The Book Seller" by Lavie Tidhar "The Sun and I" by K J Parker"The Promise of Space" by James Patrick Kelly "The Master Conjurer" by Charlie Jane Anders "The Pilgrim and the Angel" by E. Lily Yu "Entangled" by Ian R Macleod "Fade to Gold" by Benjanun Sriduangkaew "Selkies Stories are for Losers" by Sofia Samatar"In Metal, In Bone" by An Owomoyela "Kormack the Lucky" by Eleanor Arnason "Sing" by Karin Tidbeck"Social Services" by Madeline Ashby "The Road of Needles" by Caitlín R Kiernan "Mystic Falls" by Robert Reed "The Queen of Night’s Aria" by Ian McDonald"The Irish Astronaut" by Val Nolan

    In the process, she learns something new about how to fight the alien invaders, but she must also remember that revenge is not the way of the Jedi - even which it seems the only way to fight the enemy.

    With established names and new talent this diverse and ground-breaking collection will take the reader to the outer-reaches of space and the inner realms of humanity with stories of fantastical worlds and worlds that may still come to pass.Featuring Paolo Bacigalupi • Elizabeth Bear • Greg Bear • Jeffrey Ford • Neil Gaiman • Nalo Hopkinson • Nisi Shawl • Simon Ings • Gwyneth Jones • Caitlin R. Kiernan • Anne Leckie • Kelly Link • Usman T. Malik • Ian McDonald • Vonda McIntrye • Sam J. Miller • Tamsyn Muir • Robert Reed • Alastair Reynolds • Kim Stanley Robinson • Kelly Robson • Geoff Ryman • Nike Sulway • Catherynne Valente • Genevieve Valentine • Kai Ashante Wilson • Alyssa Wong

    Le Guin is one of the greatest science fiction writers and many times the winner of the Hugo and Nebula Awards. Her career as a novelist was launched by the three novels contained in Worlds Of Exile And Illusion. These novels, Rocannon's World, Planet Of Exile, and City Of Illusions, are set in the same universe as Le Guin's ground-breaking classic, The Left Hand Of Darkness.Tor is pleased to return these previously unavailable works to print in this attractive new edition.