So terrifying that they scatter dreams like leaves before a midnight wind. So macabre that they give even the typesetter the chills. So horrific that Evil itself turns away. Imagine. Now open and read.

    In film, television, novels, and short stories, he keeps coming back to life, fed by the vital imaginative energies of a world-wide audience that cannot seem to resist his abominable charms. Aristocratic and urbane, deeply erotic and profoundly evil, Dracula's bloodsucking savagery has cast a mesmerizing fascination not only over his victims but over his readers as well. And, as Leonard Wolf suggests, "Vampire fiction...exerts an amazing pull on readers for a reason that we may find disturbing. The blood exchange—the taking of blood by the vampire from his or her victim is, all by itself, felt to be a singularly symbolic event. Symbolic and attractive!" Now, in Blood Thirst; One Hundred Years of Vampire Fiction, Leonard Wolf brings together thirty tales in which vampires of all varieties make their ghastly presence felt;male and female, human and non-human, humorous and heroic;all of them kin to the dreadful bat. From Lafcadio Hearn, Mary E. Wilkins-Freeman, Edith Wharton, August Derleth, and Ray Bradbury to such contemporary masters as Anne Rice, Stephen King, Joyce Carol Oates, John Cheever, and Woody Allen, and in settings as diverse as rural New England and outer space, this collection offers readers a dazzling compendium of vampire stories. Wolf organizes the collection into six categories;The Classic Adventure Tale, The Psychic Vampire, The Science Fiction Vampire, The Non-Human Vampire, The Comic Vampire, and The Heroic Vampire;which allows readers to see the many guises Dracula's descendants have assumed and the many ways they can be interpreted. In his penetrating introduction, Wolf argues that such an arrangement enables us to see the evolution of the vampire from an unmitigated evil to a creature we are more likely to identify with. "In a century in which God and Satan have become increasingly irrelevant in the popular arts, there has been an accompanying secularization of the vampire idea. And, as the stories in Blood Thirst will show, sympathy for the vampire has grown as we have become increasingly interested in the workings of the mind." Indeed, the vampire's ability to change over time, to draw into itself such a richness of symbolic meanings, to conjure itself into so many diabolical shapes, may account for the enduring appeal of the literature written about it. Here, then, is a definitive collection for aficionados and novices alike, and whether readers find the vampires who inhabit these pages sympathetic or horrific, psychologically intriguing or spiritually repellent, morbidly seductive or comically absurd,Blood Thirst gives us all something to sink our teeth into.

    WHAT WERE THREE ARE NOW ONE, AND I AM FURY... Herman and Janet Erikson are going through a crisis of grief and suffering after losing their daughter in a hit and run. They've given up on each other, they've given up on themselves. They are living day by day. One afternoon, to make a horrible situation worse, their dog goes missing in the coyote-infested badlands behind their property. Herman, resolved in preventing another tragedy, goes to find the dog, completely unaware he's on a hike to the River Styx, which according to Greek myth was the border between the Living World and the world of the Dead. Long ago the gods died and the River dried up, but a bottle containing its waters still remains in the badlands. What Herman discovers about the dark power contained in those waters will change his life forever... "It happens from time to time...a book grabs you from the opening line and refuses to let you go. Benjamin Kane Ethridge's Bottled Abyss was one of those reads for me. Bottled Abyss is a stunningly sophisticated tale, both in its mythic scope and in its adroit handling of complex, emotional characters. Ethridge is a writer of rare emotional intelligence, developed far beyond his years, but with Bottled Abyss he has outdone even his own considerable promise. There are several writers out there, such as Laird Barron, John Langan and Lee Thomas, that have me chomping at the bit for their next release. Add to that shortlist Benjamin Kane Ethridge, for he has made me a fan for life!" -Joe McKinney, Bram Stoker Award-winning author of Flesh Eaters and Dead City

    Ghostly narratives of the Edwardian era, lurid classics from the pulp heyday, and modern-day masterpieces are included in these collections.

    A failed writer meets an ageing gin-queen who claims he was once visited by an angel; a little girl finds a delirious, dying explorer from the Congo at the bottom of her back garden; a night-club is terrorized by a strange libidinous hand; and a young Victorian lady sails to India to find her fiance Cecil horribly transformed...

    Winner of the Bram Stoker Award, the International Horror Guild Award, and a Publishers Weekly Best Book of the Year.

    But the gallery you are about to visit specializes in the most irresistibly riveting art of all--the art of horror, as practiced to perfection by the greatest modern masters of that ghoulish trade. With twenty gripping, hair-raising selections, Gallery of Horror is one of the very best anthologies ever assembled. But beware--these are writers for whom no leap into the unknown evil is too bold or frightening. Are you ready for it?Contents Aim for the Heart • (1983) • shortstory by Craig Shaw GardnerCanavan's Back Yard • [Canavan] • (1958) • shortstory by Joseph Payne BrennanDeath to the Easter Bunny! • (1983) • shortstory by Alan RyanDerelicts • (1983) • shortstory by Steve Rasnic TemDown Among the Dead Men • (1982) • novelette by Gardner Dozois and Jack DannGravid Babies: A Novel of Horrific Menace in Considerable Synopsis • (1983) • shortstory by Michael BishopIn Darkness, Angels • (1983) • novelette by Eric Van LustbaderIntroduction (Gallery of Horror) • (1983) • essay by Charles L. Grant (aka Introduction (The Dodd, Mead Gallery of Horror))Nona • (1978) • novelette by Stephen KingNunc Dimittis • (1983) • novelette by Tanith LeeOut of Sorts • (1983) • shortstory by Bernard TaylorPetey • (1979) • novella by T. E. D. KleinSomething Nasty • (1983) • shortstory by William F. NolanTalent • (1953) • shortstory by Theodore SturgeonThe Arrows • (1983) • shortstory by Chelsea Quinn YarbroThe Chair • (1983) • novelette by Dennis EtchisonThe Conqueror Worm • (1983) • shortstory by Stephen R. DonaldsonThe Crazy Chinaman • (1983) • shortstory by John CoyneThe Rubber Room • (1980) • shortstory by Robert BlochThe Sunshine Club • (1983) • shortstory by Ramsey CampbellThe Typewriter • (1983) • novelette by David Morrell

    God help the living.It's too late to run. The zombies are everywhere. They stalk through urban jungles and across the carefully manicured lawns of suburbia. They shudder to unlife on the bloodiest battlefields of the Civil War and in the deepest tunnels of interstellar mining colonies. They lurk on your street, in you company boardroom, in your own bedroom. And they hunger.

    These stories are about the future, worlds beyond our own, the realms of our imaginations and dreams but, more importantly, they are the stories of ourselves. Featuring best-selling writers and emerging talents, here are some of the most exciting genre writers working today. Multi-award winning editor Jonathan Strahan once again brings you the best stories from the past year. Within you will find twenty-eight amazing tales from authors across the globe, displaying why science fiction and fantasy are genres increasingly relevant to our turbulent world.CONTENT “Tough Times All Over”, Joe Abercrombie “The Scrivener”, Eleanor Arnason “Moriabe’s Children”, Paolo Bacigalupi “Covenant”, Elizabeth Bear “Slipping”, Lauren Beukes “Ten Rules for Being an Intergalactic Smuggler (The Successful Kind)”, Holly Black “Shadow Flock”, Greg Egan “The Truth About Owls”, Amal El-Mohtar “Cimmeria: From the Journal of Imaginary Anthropology”, Theodora Goss “Cold Wind”, Nicola Griffith “Someday”, James Patrick Kelly “Interstate Love Song (Murder Ballad No.8)”, Caitlin R Kiernan “Mothers, Lock Up Your Daughters Because They are Terrifying”, Alice Sola Kim “Amicae Aeternum”, Ellen Klages “Calligo Lane”, Ellen Klages “The Lady and the Fox”, Kelly Link “The Long Haul From the ANNALS OF TRANSPORTATION”, The Pacific Monthly, May 2009”, Ken Liu “The Vaporization Enthalpy of a Peculiar Pakistani Family”, Usman T Mailk “Four Days of Christmas”, Tim Maughan “The Fifth Dragon”, Ian McDonald “Shay Corsham Worsted”, Garth Nix “I Met a Man Who Wasn’t There”, K. J. Parker “Kheldyu”, Karl Schroeder “Tawny Petticoats”, Michael Swanwick “Grand Jeté (The Great Leap)”, Rachel Swirsky “The Insects of Love”, Genevieve Valentine “Collateral”, Peter Watts “The Devil in America”, Kai Ashante Wilson

    His earliest stories, the ones that made his name a quarter of a century ago, were set in the jungles of South America and filled with creatures dark and fantastical. Stories like “Salvador,” “The Jaguar Hunter,” and the excoriatingly brilliant “R&R” deconstructed war and peace in South America, in both the past and the future, like no other writer of the fantastic.A writer of great talent and equally great scope, Shepard has also written of the seamier side of the United States at home in classic stories like “Life of Buddha” and “Dead Money,” and in “Only Partly Here” has written one of the finest post-9/11 stories yet. Perhaps strangest of all, Shepard created one of the greatest sequences of “dragon” stories we’ve seen in the tales featuring the enormous dragon Griaule.The Best of Lucius Shepard is the first ever career retrospective collection from one of the finest writers of the fantastic to emerge in the United States over the past quarter century. It contains nearly 300,000 words of his best short fiction and is destined to be recognized as a true classic of the field.

    We will be publishing it in 3 volumes, the first in 2003 and one each year following.RICHARD MATHESON: COLLECTED STORIES is the gathering together of 86 Richard Matheson short stories, beginning with Born of Man and Woman from 1950 and ending with Duel from 1971. The stories were arranged by Matheson himself roughly in chronological order of original publication. There are also several tributes to Richard Matheson throughout the volumes from admirers such as Stephen King, Ray Bradbury, Robert Bloch, William F. Nolan, and others. Finally, Matheson wrote a deeply revealing Introduction for the collection. As Matheson himself states in this Introduction, "A twenty-year period of creativity reduced to the psychological background of my output of fantasy and science-fiction stories. If this were a thesis, that would be my premise".For the Volume One, editor Stanley Wiater has included:> A "bibliophile" at the end of each story containing Matheson's very own commentary on the behind-the-scenes details of each story. Each story is also listed with it's original publication date and place of publication.> A brand new introduction written expressly for this version of the bookEach subsequent volume of RICHARD MATHESON: COLLECTED STORIES that we publish will include the Matheson bibliophiles with each story.

    In these stories, Brian Evenson unsettles us with the everyday and the extraordinary—the terror of living with the knowledge of all we cannot know.

    Prime Evil: New Stories by the Masters of Modern Horror

    He also liked to write about psychotic and psychopathic killers. This solid anthology, put out by the Horror Writers Association (HWA) and completed after Bloch's death, honors his legacy with 22 tales about murderers and crazies of various stripes. A good many of the stories, most memorably Esther Friesner's "Lonelyhearts," have Blochian twists at the end. The weakest of the bunch have no other flaw than predictability, and the strongest, such as Ed Gorman's powerful "Out There in the Darkness" are classics of traditional storytelling. You'll find excellent stories here by Denise M. Bruchman, Del Stone Jr., Edo van Belkom, Gary A. Braunbeck, and others. Stephen King contributes a little gem of a tale in which the narrator finds himself in an autopsy room: "It fits. It fits everything with a horrid prophylactic snugness. The dark. The rubbery smell.... Dear God, I'm in a body bag." Note: the two previous HWA anthologies are Under the Fang, edited by Robert R. McCammon, and Peter Straub's Ghosts, edited by Peter Straub. --Fiona WebsterContents:Autopsy Room Four by Stephen KingHaunted by Charles GrantOut There in the Darkness by Ed GormanPlease Help Me by Richard Christian MathesonThe Lesser of Two Evils by Denise M. BruchmanPoint of Intersection by Dominick CancillaDoctor, Lawyer, Kansas City Chief by Brent MonahanGrandpa's Head by Lawrence Watt-EvansLonelyhearts by Esther M. FriesnerLighting the Corpses by Del Stone Jr.Echoes by Cindie GeddesLifeline by Yvonne NavarroBlameless by David Niall WilsonDeep Down There by Clark PerryKnacker Man by Richard ParksSo You Wanna Be a Hitman by Gary JonasThe Rug by Edo van BelkomInterview with a Psycho by Billie Sue MosimanIcewall by William D. GaglianiA Southern Night by Jane YolenThe Forgiven by Stephen M. RaineySafe by Gary A. Braunbeck

    A gripping, chilling collection of 47 stories and six poems, dating back to Shelley and Stevenson, but also including modern masters.