Constantly. He falls helplessly in love with pretty much every girl he meets—and rarely is the feeling reciprocated. Time after time, he hops in a car and tears across half of America with his heart on his sleeve. He’s continually coming up with outrageous schemes, which he always manages to pull off. Well, almost always. But even when things don’t work out, Rothbart finds meaning and humor in every moment. Whether it’s humiliating a scammer who takes money from aspiring writers or playing harmless (but side-splitting) goofs on his deaf mother, nothing and no one is off-limits.But as much as Rothbart is a tragically lovable, irresistibly brokenhearted hero, it’s his prose that’s the star of the book. In the tradition of David Sedaris and Sloane Crosley but going places very much his own, his essays show how things that are seemingly so wrong can be so, so right.

    This intimate memoir, written by one of Yogi Bhajan’s prized teachers and exalted students, is full of devotion, love, dedication, betrayal, loss and the healing unification of the self. It also reads as a love letter to a unique time in history—the ‘60s in Los Angeles and New Mexico, where love, music, art, spiritual exploration, often led to self-transformation. As a historical treatise and a spiritual mystery, this book offers unique insight into the origins of the Western Sikh movement and the proliferation of Yogi Bhajan’s kundalini yoga.

    When Jean Sasson, a young Southern woman, answers a call to work in the royal hospital in Saudi Arabia, what should have been a two-year stay turns into a life-changing adventure spanning over a decade. Jean is plunged into the hidden lives of the veiled women in Riyadh, where women are locked in luxurious homes and fundamentalist mutawas terrorize the streets. Jean meets women from all walks of life--a feisty bedouin, an educated mother, and a conservative wife of a high-ranking Saudi--all who open a window into Saudi culture and help to reshape Jean's worldviews. What follows is a heartfelt, inspiring memoir about Jean's new-found conviction to fight for women's rights in a country of limited personal freedom. PRAISE FOR JEAN SASSON'S BOOKS:“Fascinating...an intimate account of a family life that became steadily more dangerous and bizarre...in forced pursuit of Osama’s jihadist dreams.” --Washington Post"The startling truth behind veiled lives...frank and vivid" Sunday Express "Anyone with the slightest interest in human rights will find this book heart-wrenching." --Betty Mahmoody, bestselling author of NOT WITHOUT MY DAUGHTER"A fascinating narrative...devasting" Robert Harris, Sunday Times"Absolutely riveting and profoundly sad..." --People"A chilling story...a vivid account of an air-conditioned nightmare..." --Entertainment Weekly"Must-reading for anyone interested in human rights." --USA Today"Shocking...candid...sad, sobering, and compassionate..." --San Francisco ChronicleJean's first book THE RAPE OF KUWAIT, based on her eye witness reporting on the invasion of Kuwait by Iraqi troops, was an immediate bestseller. Shortly thereafter she became a full-time writer. Her next three books, PRINCESS, PRINCESS SULTANA'S DAUGHTERS, and PRINCESS SULTANA'S CIRCLE, became international sensations as they were the first books to bring to the western world the shocking stories about life for women in Saudi Arabia. Jean is also the author of MAYADA, DAUGHTER OF IRAQ, about the prison experiences of an Iraqi journalist praised by Saddam Hussein; LOVE IN A TORN LAND: The True Story of a Freedom Fighter's Escape from Iraqi Vengeance which tells the story of a beautiful Kurdish woman; GROWING UP BIN LADEN: Osama's Wife and Son Take Us into Their Secret World; and FOR THE LOVE OF A SON: One Afghan Woman's Quest for Her Stolen Child. Her work has been featured in People, Vanity Fair,The New York Times, The Washington Post, The New Yorker, The New York Post, The Sunday London Times, The Guardian, CNN, FOX, NBC, and many other news organizations.Still traveling the world, Jean has made her homebase in Atlanta, Georgia where she is a passionate animal rights and women's rights supporter. You can learn more by visiting her website at http://www.jeansasson.com

    Since the early 1980s, David Byrne has been riding a bike as his principal means of transportation in New York City. Two decades ago, he discovered folding bikes and started taking them on tour. Byrne's choice was made out of convenience rather than political motivation, but the more cities he saw from his bicycle, the more he became hooked on this mode of transport and the sense of liberation it provided. Convinced that urban biking opens one's eyes to the inner workings and rhythms of a city's geography and population, Byrne began keeping a journal of his observations and insights. An account of what he sees and whom he meets as he pedals through metropoles from Berlin to Buenos Aires, Istanbul to San Francisco, Manila to New York, Bicycle Diaries also records Byrne's thoughts on world music, urban planning, fashion, architecture, cultural dislocation, and much more, all conveyed with a highly personal mixture of humor, curiosity, and humility. Part travelogue, part journal, part photo album, Bicycle Diaries is an eye-opening celebration of seeing the world from the seat of a bike.

    Dreaming of becoming a police officer, Waters immigrated to the United States in search of better employment opportunities and joined the NYPD.Despite a successful career with one of the most formidable and revered police forces in the world, Waters’s reality as a cop in New York was a far cry from his fantasy of serving and protecting his community. Over the course of a career spanning more than twenty years—from rookie to lead investigator, during which time he saw New York transform from the crack epidemic of the ’90s to the low crime stats of today—Waters discovered that both sides of the law were entrenched in crooked culture.In NYPD Green Waters offers a gripping and fascinating account filled with details from real criminal cases involving murder, theft, gang violence, and more, and takes you into the thick of the danger and scandal of life as a New York cop—both on and off the beat. Balanced with wit and humor, Waters’s account paints a vivid picture of the colorful characters on the force and on the streets and provides an unflinching—often critical—look at the corruption and negligence in the justice system put in place to protect us, showing the hidden side of police work where many officers are motivated not purely by the desire to serve the community, but rather by the “green” earned in overtime, expenses, and allowances.A multifaceted and engaging narrative about the immigrant experience in America, Waters’s story is also one of personal growth, success, and disillusionment—a rollicking journey through the day-to-day in the New York Police Department.

    Paul's School recently came under state investigation after extensive reports of sexual abuse on campus, Lacy Crawford thought she'd put behind her the assault she'd suffered at St. Paul's decades before, when she was fifteen. Still, when detectives asked for victims to come forward, she sent a note.Her criminal case file reopened, she saw for the first time evidence that corroborated her memories. Here were depictions of the naïve, hard-working girl she'd been, a chorister and debater, the daughter of a priest; of the two senior athletes who assaulted her and were allowed to graduate with awards; and of the faculty, doctors, and priests who had known about Crawford's assault and gone to great lengths to bury it.Now a wife, mother, and writer living on the other side of the country, Crawford learned that police had uncovered astonishing proof of an institutional silencing years before, and that unnamed powers were still trying to block her case. The slander, innuendo, and lack of adult concern that Crawford had experienced as a student hadn't been imagined as the effects of trauma, after all: these were the actions of a school that prized its reputation above anything, even a child.This revelation launched Crawford on an extraordinary inquiry into the ways gender, privilege, and power shaped her experience as a girl at the gates of America's elite. Her investigation looks beyond the sprawling playing fields and soaring chapel towers of crucibles of power like St. Paul's, whose reckoning is still to come. And it runs deep into the channels of shame and guilt, witness and silencing, that dictate who can speak and who is heard in American society.An insightful, mature, beautifully written memoir, Notes on a Silencing is an arresting coming-of-age story that wrestles with an essential question for our time: what telling of a survivor's story will finally force a remedy?

    Fifty years later, Philomena decided to find him.Meanwhile, on the other side of the Atlantic, Philomena’s son was trying to find her. Renamed Michael Hess, he had become a leading lawyer in the first Bush administration, and he struggled to hide secrets that would jeopardize his career in the Republican Party and endanger his quest to find his mother.A gripping exposé told with novelistic intrigue, Philomena pulls back the curtain on the role of the Catholic Church in forced adoptions and on the love between a mother and son who endured a lifelong separation.

    From the “Sex Papers” Jen drew as a four-year-old when her mom was pregnant with her younger sister, to her sole teenage act of rebellion: going to church. “We’re very disappointed in you,” her nonreligious parents said. When she was sixteen Jennifer fell in love with Jon Bon Jovi and felt certain that if he just met her, he’d feel exactly the same way. They met all right. But that’s not what happened.At twenty-three Jen married her college sweetheart and divorced him at twenty-six after he’d had an affair. Affairs happen every day. What doesn’t happen every day? The wife and the girlfriend meeting at a bar, discovering they liked each other, and then confronting Jen’s husband that same night.The true stories contained here are smart, uproarious and utterly relatable. Told chronologically and chock full of truths, You’re Not Pretty Enough provides an example of how to be comfortable in your own skin and ultimately live a full life (even if you screw up, royally, along the way).PRAISE FOR YOU'RE NOT PRETTY ENOUGH:An unvarnished look at the highs and lows of growing up and growing into ourselves. Soul-baring, brave, and genuinely hilarious, Jennifer Tress is that best friend we all want to have in our corner. Cathy Alter, author of Up for Renewal: What Magazines Taught Me About Love, Sex, and Starting OverJennifer Tress is a funny bunny with loads of tales to spin for your reading pleasure. Buy her book and enjoy the ride. Sara Benincasa, author AgorafabulousSmart, hilarious, beautiful, and from Cleveland?! Bon Jovi really blew it when he let Jennifer Tress just walk out of his life like that. Lucky for you, dear reader, you can learn from Jon's mistakes and welcome Jennifer into your life with open arms courtesy of her excellent new book, which will have you laughing, crying, and ready to beat the crap out of Jon Bon Jovi if he ever breaks her heart again! In fact, if you get the chance, I say you take a couple swings at him anyway. For Jennifer. Dave Hill, performer, Clevelander, author Tasteful NudesTress' writing sings on the page, giving the reader the sense that you're sharing stories with your best friends at a sleepover. From teenage-feuled lust for Bon Jovi to the particularly cruel comments given to her from a former love, Tress will have you laughing and cringing in solidarity. Kambri Crews, author, Burn Down the GroundJennifer Tress is ebullient and hilarious and fearless. Read this book. Mandy Stadtmiller, deputy editor of xoJane

    An Alaskan alone—and lonely—in Japan, she begins to pay attention.My Year of Dirt and Water is a record of that journey. Allowed only occasional and formal visits to see her cloistered husband, Tracy teaches English, studies Japanese, and devotes herself to making pottery. Her teacher instructs her to turn cup after cup—creating one failure after another. Past and present, East and West intertwine as Tracy is twice compelled to return home to Alaska to confront her mother’s newly diagnosed cancer and the ghosts of a devastating childhood. Revolving through the days, My Year of Dirt and Water circles hard questions: What is love? What is art? What is practice? What do we do with the burden of suffering? The answers are formed and then unformed—a ceramic bowl born on the wheel and then returned again and again to dirt and water.

    Lewis' The Chronicles of Narnia. Enchanted by its fantastic world as a child, prominent critic Laura Miller returns to the series as an adult to uncover the source of these small books' mysterious power by looking at their creator, Clive Staples Lewis. What she discovers is not the familiar, idealized image of the author, but a more interesting and ambiguous truth: Lewis's tragic and troubled childhood, his unconventional love life, and his intense but ultimately doomed friendship with J.R.R. Tolkien.Finally reclaiming Narnia "for the rest of us," Miller casts the Chronicles as a profoundly literary creation, and the portal to a life-long adventure in books, art, and the imagination.

    Born in a small town in Nova Scotia to a mother who begins yelling at him the moment he is born and a father who keeps his own counsel, Buck imbibes fear and insecurity like other kids guzzle milk. Hobbled by his fears and demons, Buck almost disappears into the “evil in the woods” that lurks just beyond the town's border . . . until he is saved by three gifts: baseball, romantic love and music. His epic journey­­—full of diversions, coincidences, and larger-than-life characters—out of the darkness of his suicide-plagued childhood and into the bright wide world begins with a killer pitching arm (Buck almost makes it to the pros) and continues with his transformation into hip hop artist Buck 65. Along the way, Buck develops into a hopeless romantic and an obsessively creative, shape-shifting man who both fears life and dives into it with abandon. Wicked and Weird is a lively, sometimes shocking portrait of a life lived on the edge, by turns funny and heartbreaking.

    Now, in this uproarious collection, she sneaks her sharp wit through airport security and delivers her most absurd and hilarious stories ever.On safari in Africa, it's anyone's guess as to what's more dangerous: the wildlife or Chelsea. But whether she's fumbling the seduction of a guide by not knowing where tigers live (Asia, duh) or wearing a bathrobe into the bush because her clothes stopped fitting seven margaritas ago, she's always game for the next misadventure.The situation gets down and dirty as she defiles a kayak in the Bahamas, and outright sweaty as she escapes from a German hospital on crutches. When things get truly scary, like finding herself stuck next to a passenger with bad breath, she knows she can rely on her family to make matters even worse. Thank goodness she has the devoted Chunk by her side-except for the time she loses him in Telluride.Complete with answers to the most frequently asked traveler's questions, hot travel trips, and travel etiquette, none of which should be believed, UGANDA BE KIDDING ME has Chelsea taking on the world, one laugh-out-loud incident at a time.

    This exuberant memoir shifts between her present experience as a middle-aged mom in the grip of mysterious new hungers and herself as a teenager–when she last experienced life with such heightened sensitivity and longing. From her hilarious chapter titles (“How to Have Sex with Your Husband of Seventeen Years”) to her subjects–from the boyfriend she dumped at fourteen the moment she learned how to give herself an orgasm, to the girls who ruled her elite private school (“when I left Oberlin I thought I had done with them forever, but it turned out …they also edited all the newspapers and magazines, and wrote all the books”), to raising a teenage daughter herself–Dederer writes with an electrifying blend of wry wit and raw honesty. She exposes herself utterly, and in doing so captures something universal about the experience of being a woman, a daughter, a wife.

    In desperate need of a home but without the means to buy one, she did something incredible.Equipped only with YouTube instructional videos, a small bank loan, a mile-wide stubborn streak, Cara built her own house from the foundation up with a work crew made up of her four children.It would be the hardest thing she had ever done. With no experience nailing together anything bigger than a bookshelf, she and her kids poured concrete, framed the walls and laid bricks for their two story, five bedroom house. She had convinced herself that if they could build a house, they could rebuild their broken family.This must-read memoir traces one family’s rise from battered victims to stronger, better versions of themselves, all through one extraordinary do-it-yourself project.

    When Sarah Perry was twelve, she saw a partial eclipse of the sun, an event she took as a sign of good fortune for her and her mother, Crystal. But that brief moment of darkness ultimately foreshadowed a much larger one: two days later, Crystal was murdered in their home in rural Maine, just a few feet from Sarah’s bedroom.   The killer escaped unseen; it would take the police twelve years to find him, time in which Sarah grew into adulthood, struggling with abandonment, police interrogations, and the effort of rebuilding her life when so much had been lost. Through it all she would dream of the eventual trial, a conviction—all her questions finally answered. But after the trial, Sarah’s questions only grew. She wanted to understand her mother’s life, not just her final hours, and so she began a personal investigation, one that drew her back to Maine, taking her deep into the abiding darkness of a small American town.   Told in searing prose, After the Eclipse is a luminous memoir of uncomfortable truth and terrible beauty, an exquisite memorial for a mother stolen from her daughter, and a blazingly successful attempt to cast light on her life once more.