The Scholars is the first Chinese novel of its scope not to borrow any characters from history or legend and it is the first work of satiric realism to achieve an almost complete disassociation from the religious beliefs of the people. Departing from the impersonal tradition of Chinese fiction, Wu abandons such established narrative formulas as folk songs and poetic verse in favor of autobiographical experiences, descriptive realism, and characters modeled after his friends and relatives — elements that combine to give this critique of the Confucian civil service system an unprecedented immediacy and humor.

    Although she was acclaimed by John Buchan and by Rebecca West, who hailed her as a genius, and won the Prix Femina of La Vie Heureuse for Precious Bane (1924), she won little respect from the general public. It was only after her death that the Prime Minister of the United Kingdom, Stanley Baldwin, earned her posthumous success through his approbation, referring to her as a neglected genius at a Literary Fund dinner in 1928. Her writing is notable for its descriptions of nature, and of the human heart. She had a deep sympathy for all her characters and was able to see good and truth in all of them. Among her most famous works are: The Golden Arrow (1916), Gone to Earth (1917), and Seven for a Secret (1922).

    He opens a store, and as his fortunes grow, so does the animosity between Freddy and his mother-in-law. While Freddy prospers under British rule, life with the domineering Jerbanoo is another matter entirely. This exuberant novel, full of rollicking humor, paints a vivid picture of life in the Parsee community.

    Salrich.Make reading better with… Wicked Charms: A Lizzy and Diesel Novel by Janet Evanovich - Reviewed When Janet Evanovich first wrote about "Lizzy and Diesel" millions of fans around the world fell in love. You could say that she created an instant “Classic” series that has continued with the third book... "Wicked Charms". When you read this companion guide you will get a deeper understanding of the characters and plot found in Wicked Charms : A Lizzy and Diesel Novel, as well as the themes included in the novel. You also get a detailed chapter by chapter breakdown and analysis of the events as they unfold along with a glossary of the important characters and terms used in the original book. Just in case that’s not enough for you I’ve also included a list of possible study questions (book club discussions topics) and quotes from the book that I found interesting. Wrapping it all up is a discussion of the critical reviews for "Wicked Charms by Janet Evanovich" as well as my overall opinion of the book. Plus much more! This review/summary fills the gap, making you understand more while enhancing your reading experience of the original book. Whether you’re reading this for a book club, school report, or just want to find out what happens before diving into the full length book, you can use this book review and study guide to get most out of your experience reading Wicked Charms: A Lizzy and Diesel Novel by Janet Evanovich.

    Sent away to a tuberculosis sanatorium in Kent to learn the way of the patient, they find themselves in the company of army and air force officers, a car salesman, a young university graduate, a mysterious German woman, a member of the aristocracy and an American merchant seaman. They discover that a cure is tantalisingly just out of reach and only by inciting wholesale rebellion can freedom be snatched.

    From Vaudeville, through the big bands and up to the hottest rock acts, the Luxor had them all. It's closed now, a boarded-up relic, standing alone in a run down industrial part of town. But the old dance hall isn't empty. A hideous presence lives there, a monstrous evil that has the ability to invade people's fantasies and nightmares . . . and bring them to life. Three strangers will soon learn the extent of the dance hall's power. As their lives become more and more entangled in its inescapable web, they will come to see that what haunts the Luxor is far worse than any ghost.

    As the grief-stricken Swabey looks back on their affair, the exact nature of his responsibility for Clara’s death is movingly revealed.

    Haunted by her turbulent past, she takes refuge in a remote Hebridean island community where she cocoons herself in work, silence and solitude in a house by the sea. A new life and new love are offered by friends, her estranged daughter and most of all by Calum, a fragile younger man who has his own demons to exorcise. But does Rose, with her tenuous hold on sanity, have the courage to say “Yes” to life and put her past behind her?REVIEWS“The emotional power makes this reviewer reflect on how Charlotte and Emily Bronte might have written if they were living and writing now.”Northwords Now“Complex and important issues are played out in the windswept beauty of a Hebridean island setting, with a hero who is definitely in the Mr Darcy league!”www.ScottishReaders.net

    The prequel to G-Spot, the #1 bestseller that established the Urban Erotic genre. Meet the Man and the Myth...the Kingpin and the Killer...The Lover and the Legend...The Gangsta who put the G in the G-Spot...The TRUE King of Harlem! "I didn't come to Harlem ridin' shotgun. I came packin' one!"--GRANITE MCKAY. WARNING! This here ain't no romance, it's an urban erotic tale These gutter plots I drop will have you biting off your nails! A menace has arrived, a terror Harlem’s never seen He started from the bottom and turned a dollar into a dream! Before the ballin and the stuntin and the sexin and the flexin, Brutal vision and ambition is how this gangsta manifested! So let’s stand up and salute the ruthless boss who paved the way Let’s go back B4 the G-Spot to: The Legend of GRANITE McKAY!

    Barrie’s play 'What Every Woman Knows', premiered in Atlantic City and the first Model T rolled off the assembly line in Detroit. It is a year when the world faced one of its worst disasters in history, when the New Year would heal the wounds of loss.Louisa Borden lives a privileged life in Chevy Chase, Maryland, a new and thriving community on the outskirts of Washington, DC for the well-to-do. Against the wishes of her domineering grandmother, she retreats from the prospects of a loveless marriage and instead searches for what she hopes is her calling in life.When her horse is spooked along Rock Creek, she is thrown from the saddle—an embarrassing situation for any affluent young lady. Soaking wet, bruised and humiliated, she is carried up the muddy bank to safety by Jackson O’Neil, a stranger to the city, who changes the course of everything, including the lives of all those around her.

    &'grave;Dat sort,'' she wailed -- &'grave;dey're just as much to us dat has 'em as if dey was lawful born. Just as much -- just as much! An' God he'd be just as pleased if you saved 'un, Doctor. Don't take it from me. Miss Florence will tell ye de very same. Don't leave 'im, Doctor!''

    As the cellar filled with corpses, the family coffers filled with cash.Pretty young Philo Drax didn't have a family anymore. Katie had finished off her grandfather and her mother, and promised to put Philo out of her misery very soon now.It was a hard, cruel world for an innocent girl alone, but Philo was glad to be alive, and eager to continue so. She had prospeccts of a romantic marriage to sustain her through her trials. While Katie, poor creature, had only her cunning... and her hammer.DON'T EVER TURN YOUR BACK ON KATIE!

    For Joy, Diego, Liv, Ethan and Dave, that dream falters under the pressure of second semester, senior year. Ambitions shift and change, new emotions rush to the surface, and a sense of urgency pulses among them: Their time together is running out. Diego hopes to get out of the friend zone. Liv wants to escape, losing herself in fantasies of the new guy. Ethan conspires to turn his muse into his girlfriend. Dave pines for the drama queen. And if Joy doesn’t open her eyes, she could lose the love that’s been in front of her all along.

    This collection captures the frank eroticism and impressive eloquence that set her apart from the chaste, silent woman prescribed by Renaissance gender ideology. As an "honored courtesan", Franco made her living by arranging to have sexual relations, for a high fee, with the elite of Venice and the many travelers—merchants, ambassadors, even kings—who passed through the city. Courtesans needed to be beautiful, sophisticated in their dress and manners, and elegant, cultivated conversationalists. Exempt from many of the social and educational restrictions placed on women of the Venetian patrician class, Franco used her position to recast "virtue" as "intellectual integrity," offering wit and refinement in return for patronage and a place in public life.Franco became a writer by allying herself with distinguished men at the center of her city's culture, particularly in the informal meetings of a literary salon at the home of Domenico Venier, the oldest member of a noble family and a former Venetian senator. Through Venier's protection and her own determination, Franco published work in which she defended her fellow courtesans, speaking out against their mistreatment by men and criticizing the subordination of women in general. Venier also provided literary counsel when she responded to insulting attacks written by the male Venetian poet Maffio Venier. Franco's insight into the power conflicts between men and women and her awareness of the threat she posed to her male contemporaries make her life and work pertinent today.

    Sally investigates Megan’s background when the woman reveals that she has just arrived from France and Tina is a woman she met on the Internet. Do genuine people truly arrange to innocently meet people they’ve only just met online? Or, in light of Tina’s disappearance, is there something far more sinister afoot?