It is the prettiest umbrella in the whole village and she carries it everywhere she goes. The Blue Umbrella is a short and humorous novella set in the hills of Garhwal. Written in simple yet witty language, it captures life in a village - where ordinary characters become heroic, and others find opportunities to redeem themselves.

    Ruskin Bond not only brings to life a town in northern India capturing the scenery, the people, the atmosphere - but also shows that children are the same the world over.

    Toramana, the leader of the Hunas and after him his son, Mihirakula, were determined to conquer the prosperous kingdom of Magadha. But they had a formidable rival in its ruler, Narasimha Gupta Baladitya and when the Hunas turned their eyes on Malwa it was King Yashodharma who fought them off.

    Thus began a unique journey as forty villagers set off in a special third-class railway carriage to travel from the soggy plains of Bengal and the tropicana of the deep south to the alpine majesty of the Himalayas. Heather Wood was fortunate enough to share part of their trip and, with notebook open and pen in hand, she unobtrusively watched and recorded the villagers' experiences on this unprecedented Indian odyssey.

    

    Neuman offers an account of North Indian Hindustani music culture and the changing social context of which it is part, as expressed in the thoughts and actions of its professional musicians. Drawing primarily from fieldwork performed in Delhi in 1969-71—from interviewing musicians, learning and performing on the Indian fiddle, and speaking with music connoisseurs—Neuman examines the cultural and social matrix in which Hindustani music is nurtured, listened and attended to, cultivated, and consumed in contemporary India. Through his interpretation of the impact that modern media, educational institutions, and public performances exert on the music and musicians, Neuman highlights the drama of a great musical tradition engaging a changing world, and presents the adaptive strategies its practitioners employ to practice their art. His work has gained the distinction of introducing a new approach to research on Indian music, and appears in this edition with a new preface by the author.

    Split into 6 volumes (459+407+376+347+479+599), sold as a single set of paperbacks, all with the same ISBN as mentioned in the book description.