All of Magnus Mills' darkly comic and hugely entertaining stories are here collected in one book for the first time.

    There's a funny smell coming from one of Jim's storage units. And Kate's losing it after spending all day with the police. There's no going back after what they've seen.Breathing Corpses was first performed at the Royal Court Jerwood Theatre Upstairs in February 2005.

    It won the 1995 Evening Standard Award for Best Comedy and, the Writers' Guild for Best West End Play."An exceptionally accomplished first play . . . though I know nothing about poker, I testify to the compulsive grip this play exerts and to the accumulation of meanings it ignites in your head."—Financial Times"Patrick Marber's enthralling close-up of the demons which drive compulsive gamblers is among the finest new plays in many a year."—Daily Mail

    The scene is Mrs. Orcutt's boarding house, where the hopes and ambitions of sixteen young women are revealed in scenes of entertaining comedy. Contrasted with this are the cases of the girl without talent and the elderly actress whose days are over. The central plot has to do with courageous Terry Randall, who fights against discouragement to a position in the theater where we are sure she will conquer. One of her fellow aspirants gives up in despair, one gets married, and one goes into pictures, but Terry, with the help of idealistic David Kingsley, sticks to her guns.

    It was only when Max Ophuls made his famous film in 1950 that the work became better known as La Ronde. Now David Hare has reset these circular scenes of love and betrayal in the present day, with a cast of two actors playing a succession of characters whose sexual lives enmesh like a daisy chain. The Blue Room is a meditation on men and women, sex and social class, actors and the theater. With deft insight about the gap between the sexes, The Blue Room takes the treacherous Freudian subject of projection and desire and reinvents it in a bittersweet landscape that is both eternal and completely up-to-date.

    Elder sister Gloria finds romance with the boy next door, until her wealthy, but snobbish and interfering Aunt Sybil steps in, offering her the opportunity of a lifetime. A trip to New York gives Gloria everything she desires - including a wealthy husband. Meanwhile, Betty chooses a career at sea, which offers challenges, personal danger and romance. But with the Wall Street Crash of 1929 tragedy strikes for one of the sisters and through these trials they come to value the bonds of family more than ever. Will they eventually achieve the happiness they desire?

    Also living in Zurich at this time was a British consula official called Henry Carr, a man acquainted with Joyce through the theater and later through a lawsuit concerning a pair of trousers. Taking Carr as his core, Stoppard spins this historical coincidence into a masterful and riotously funny play, a speculative portrait of what could have been the meeting of these profoundly influential men in a germinal Europe as seen through the lucid, lurid, faulty, and wholy riveting memory of an aging Henry Carr.

    Believe me. I don't know what's happened, but something has. He's changed. He . . . And I'm wondering if . . . To be absolutely honest with you . . . I'm even wondering if . . . Nicolas, just two years ago a smiling boy, is going through a difficult phase after his parents' divorce. He's listless, skipping classes, lying. He believes moving in with his father and his new family may help. And a different school, a fresh start. When he doesn't feel comfortable there, when he senses he isn't wanted, he decides that going back to his mother's may be the answer. But at some point, options are going to dry up. And then what?I'm telling you. I don't understand what's happening to me. Florian Zeller's The Son forms the final part in a trilogy with The Mother and The Father, all of which are translated by Christopher Hampton. The Son premieres at the Kiln Theatre, London, in February 2019.

    After three broken engagements I’m not going to waste my emotional energy on something that’s not going to give me anything.” – Shikha Bose.“I think my husband is having an affair with one of his colleagues. But I’m afraid to ask. Now it’s just in my head but if I ask and he doesn’t deny, it will become a reality.” – Preeti Singh.“My boyfriend doesn’t want to acknowledge me even as his friend in front of his family, let alone the fact that we’re lovers. It’s like I’m his dirty little secret.” – Siya Grewal.So the three friends come to a unanimous conclusion. Men suck. And like the characters in a sci-fi flick, perfect men are fictitious. The discussion takes off from there and ends with a post on social media. Attributes that this fictitious man should possess; some genuine, some funny and some downright naughty. Response to that post is unexpected in more ways than one. A Man to Die for creates a sensation with countless likes, retweets and forwards. And when the identities of the post-makers are revealed, the three friends are left to face the judging looks and snide comments. But when comments escalate to threatening calls and one of the three gets brutally murdered, the other two flounder in shock, grief, fear and fury. Someone has taken the post as a personal insult and was out for retribution by killing their friend and vowing to kill them too. Now, with the help of a DCP, who, according to Shikha was a dubious combination of a jerk and a hero, the killer must be caught. As the police race to unravel the identity, the killer strikes again...

    But he’s called away to deal with a crisis in Hong Kong and she’s left to settle into a new country on her own. One by one, her three grown-up children need help with major life problems and there’s only her to help them, because as usual, Paul puts his job first. Then she finds out that her husband's been unfaithful for years, and it’s the final blow to their marriage, especially as she’s met another man she finds attractive and kind. Her confidence grows as she wins acclaim as an embroidery artist and then she comes into an inheritance. Will her loyalty keep her with her husband, as it has before, or will Paul get more than he’d bargained for with the new, independent Rosalind?

    She is intelligent, but has trouble with words. How is she going to survive when her father is hanged for murder and her mother dies, leaving her alone? Ben Scott, an artist she has met only once, finds her at this crucial time and takes her back to his landlady, who gives her a home. The people living in the house become her family, and, step-by-step, the past is put behind her. In 1939 she marries a young doctor, John Sterling, and her happiness is complete. Then war comes to tear her family apart. John is killed during an air raid, and Ben is reported missing. Is she destined to lose the two men she adores? And how many painful steps will it take to regain her happiness?

    Robbie's a lovely lad, much less dangerous than Lu Cappa, who's always giving her the eye when he's out in his ice-cream van. Pam has to ask her best friend Jill to cover for her while she's out with Robbie. When Ivy finds out Pam's been lying, she makes sure the relationship with Robbie is over for good. Then Jill falls in love, and it's loneliness that makes Pam accept a date with Lu Cappa. Before she knows it, they're married. Even then, Pam knows Lu's still jealous of Robbie. And she can't help wondering what Lu's up to when he's out with his shifty brother. When Robbie comes back into their lives, it could be the last straw. One thing's for sure: until everyone starts to tell the truth, there will be as many sorrows as smiles in Pam's marriage...

    As victims of political action, powerless to initiate change, what can they do? How do they live and survive?Frank McGuinness explores the daily crisis endured by hostages whose strength comes from communication, both subtle and mundane, from humour, wit and faith.Someone Who'll Watch Over Me premiered at the Hampstead Theatre, London, in 1992 before transferring to the West End. On Broadway, it was awarded the New York Drama Critics' Circle Award for Best Foreign Play and nominated for the Tony Award for Best Play in 1993.

    The play begins in 1977, with a meeting between adulterous lovers, Emma and Jerry, two years after their affair has ended. During the nine scenes of the play, we move back in time, through the states of their affair, with the play ending in the house of Emma and Robert, her husband, who is Jerry's best friend.The classic dramatic scenario of the love triangle is manifest in a mediation on the themes of marital infidelity, duplicity, and self-deception. Pinter writes a world that simultaneously glorifies and debases love.

    And there is Oshoosi, fresh out of prison, who always takes the wrong track. When his ex-cell mate Elegba gives him a clapped-out car, true freedom seems just around the corner... The Brothers Size is the European debut of an amazing young writer who plants Nigerian myth in the fertile soil of Louisiana. The play premiered at Drum, Plymouth, in October 2007, before touring and transferring to the Young Vic, London.