It will then be about them only. It will be all about the one they loved like thunder, about the one they struggled hard to keep, about the one who had left them in the middle of their 'forever', about their world shattering into pieces, about them gluing together every piece, and about them falling in love one more time.And if you still think it is about you and me, you haven't loved someone like thunder, yet.

    All that there was then, was earth… There are raconteurs and mischief-mongers in our ranks and I have no doubt they shall pervert the truth with their self-serving versions. The events of history – this history of our land – shall thus inevitably have many versions, doubtless. But, I was there with General Ramm, I fought by his side…”-Sanjaay, official chronicler of General RammAround 12000 B.C., Hindustan (or Hind) as we know it today, comprised five kingdoms of man, sandwiched between Parbat – the kingdom of the Gods in the north, and Lunka – the kingdom of the demons in the south. The ‘Legend of Ramm’ unravels the story of the military general called Ramm in the kingdom of Ayodh and how his actions came to define our world as we know it today.

    With a mixture of impassioned dialogue and subtle narrative, Jhabvala examines the psychological and cultural forces that wend their paths into inextricable knots of love and conflict.

    As time passed, railways were built and newspapers appeared, isolated villages like vilakkudi were exposed to social and cultural change. It is this transition that the author, Ranganathans great -great-great grandson, tries to trace through the story of his family.

    An inventive, thought-provoking and characteristically bold collection of short fiction and essays from Hanif Kureishi, centered around the vexed relationship between love and hate.In the story of a Pakistani woman who has begun a new life in Paris, an essay about the writing of Kureishi's acclaimed film Le Week-End, and an account of Kafka's relationship with his father, readers will find Kureishi also exploring the topics that he continues to make new, and make his own: growing up and growing old; betrayal and loyalty; imagination and repression; marriage and fatherhood.The collection ends with a bravura piece of very personal reportage about the conman who stole Kureishi's life savings - a man who provoked both admiration and disgust, obsession and revulsion, love and hate.

    Follow Max on his lifelong quest to produce the perfect novel. Touching, irreverent, hilarious and sad. Every writer should read this story. Every writer will relate to Max. please note: This is a SHORT STORY consisting of 2,500 words.

    As tiny and inconspicuous as it may seem, That-Which-Had-Been exhibits an unexpected and varied gift for survival, as it journeys implacably toward its ultimate destination. Along the way, it meets a rich array of ordinary human beings, some of whom assist it along its way, others who impede its progress, none of whom have any idea of its existence.From whence comes the strange, but universal, experience of deja vu? Why do some people exhibit a wisdom far beyond their age and experience - persons reincarnationists refer to as 'old souls'? Joseph Wurtenbaugh in this short story offers a fascinating and tantalizingly plausible explanation for these phenomena, presented in a natural setting that brims with adventure and exhilarating possibility. Not to be missed by anyone who enjoys science fiction or thinking outside the box.

    Two roughneck hockey players are kicked off the team and forced to join the drama club. A young bartender at a party of coastal aristocrats has to deal with the surreal request to put a rich old coot out of his misery. Can a father defend his family if the diver helping to free the tangled propeller of their boat turns out to be a real threat?With humor, a piercing eye, and a sense that danger often lies just around the corner, Robinson gives us a variety of vivid characters, wealthy and poor, delinquent and romantic, while illuminating the mythic, universal implications of so-called ordinary life. These stories are at once classic and modern; taken together, they bring the good news that an important, compassionate new voice in American fiction has arrived.

    It establishes Hansda Sowvendra Shekhar as one of our most important contemporary writers.

    It’s about where they go from here, the changes they see in themselves and in other people in their lives and the choices they make. The choices make affects their relationships and shapes their personality.

    as long as the accident is truly accidental. Hugo Award Nominee

    In his Introduction, Memon traces the evolution of the Urdu short story from its origins in the work of writers like Munshi Premchand the first professional short story writer in Urdu through the emergence of the Progressives in the late 1930s, whose writings were unabashedly political and underpinned their Marxist ideologies, to the post-Independence Modernist era, and today s generation of avant-garde, experimental writers of Urdu fiction. Every story in the anthology illustrates one or the other facet of the form in the Urdu literary tradition. But even more than for their formal technique and inventiveness, these stories have been included because of their power and impact on the reader. Death and poverty face off in Premchand's masterpiece The Shroud. In Khalida Asghar's The Wagon, a mysterious redness begins to cloak the sunset in a village by the Ravi. Behind closed doors and cracks in the windows lies desire but also a sense of queer foreboding in Naiyer Masud's Obscure Domains of Fear and Desire. The tragedy and horror of Partition are brought to life by Saadat Hasan Manto's lunatic (in Toba Tek Singh ) and the eponymous heroine of Rajinder Singh Bedi's Laajwanti. Despairing, violent, passionate, humorous, ironic and profound the fiction in The Greatest Urdu Stories Ever Told will imprint itself indelibly on your mind. M. U. Memon is a translator without parallel and this book, which brings together the best of short fiction in the literary Urdu tradition, is sure to be classic. This collection spans the entire spectrum of the Urdu literary tradition from Premchand, who is considered the first Urdu short-story writer, to contemporary writers like S. M. Ashraf and Tassaduq Sohail. In The Greatest Urdu Stories Ever Told, you will find much-loved gems like Premchand's Kafan , Rajinder Singh Bedi's Laajwanti , Saadat Hasan Manto's Toba Tek Singh as well as new classics like Sajid Rashid's Fable of a Severed Head and Anwer Khan's The Pose . This book is part of a continuing series that gave us the highly popular The Greatest Bengali Stories Ever Told.

    Nothing was unusual that day. Until in the evening when the boy does not return. and a friend tells her mom that the boy never went to play that day. A frantic search begins with the neighbours and the boy’s friends pulling in all their resources. Does the boy return? Where did he go? Where was he taken? What happens at the end? Some Reviews: One of the most amazing short stories I have read in recent times – Rahul Bhatt A joy ride of read. A great beginning and an eventful ending, just loved the short story – Priyanka Sharma What a lovely story this is, it reminded me of my childhood – Sourav Mohanty

    Told from the perspective of a young wife who’s become increasingly frustrated with her mild-mannered husband, “The Trespassers” begins as a quiet domestic drama and quickly escalates into a nightmare. When Evan refuses to confront men who are illegally hunting on the couple’s remote homestead, Chris takes matters into her own hands, with terrifying results. Written in 1958, when Leonard was working at a Detroit advertising agency and writing short stories on the side, “The Trespassers” shows the emerging talent of a man whose spare style and dark wit would redefine a literary genre. Filled with as much sexual menace as Sam Peckinpah’s classic thriller “Straw Dogs,” this timelessly relevant story delivers a sly surprise that could only come from the mind of Elmore Leonard. ABOUT THE AUTHOR Elmore Leonard wrote forty-five novels across his six-decade career, including the bestsellers “Road Dogs,” “Up in Honey’s Room,” “The Hot Kid,” “Mr. Paradise,” “Tishomingo Blues,” and the critically acclaimed collection of short stories “When the Women Come Out to Dance.” Many of his books have been made into movies, including “Get Shorty,” “Out of Sight,” and “Jackie Brown.” “Justified,” the hit series from FX, is based on Leonard’s character Raylan Givens, who appears in “Riding the Rap,” “Pronto,” the short story “Fire in the Hole,” and the novel “Raylan.” Leonard received the National Book Foundation’s Medal for Distinguished Contribution to American Letters, the Lifetime Achievement Award from PEN USA, and the Grand Master Award of the Mystery Writers of America. He was known to many as the “Dickens of Detroit” and had lived in the Detroit area since 1934. PRAISE FOR ELMORE LEONARD “Elmore Leonard can write circles around almost anybody active in the crime novel today.” —The New York Times Book Review “There is no greater writer of crime fiction than Elmore Leonard, and no one who has more resplendent energy.” —The Guardian (UK) “Elmore ‘Dutch’ Leonard is more than just one of the all-time greats of crime fiction. He’s … an authentic American icon.” —The Seattle Times “People look on writers that they like as an irreplaceable resource. I do. Elmore Leonard, every day I wake up and—not to be morbid or anything, although morbid is my life to a degree—don’t see his obituary in the paper, I think to myself, ‘Great! He’s probably working somewhere. He’s gonna produce another book, and I’ll have another book to read.’ Because when he’s gone, there’s nobody else.” — Stephen King “The King Daddy of crime novelists.” —The Seattle Times “As crime fiction goes, Leonard has few living equals. His characters leap from the page with a few short keystrokes, like a form of bloodstained haiku.” —The Cleveland Plain Dealer “[Leonard’s] finely honed sentences can sound as flinty/poetic as Hemingway or as hard-boiled as Raymond Chandler. His ear for the way people talk—or should—is peerless.” —The Detroit News “A master of narrative … A poet of the vernacular … Leonard paints an intimate, precise, funny, frightening, and irresistible mural of the

    From the lovesick tiger who narrates the unforgettable opener, “The Infamous Bengal Ming” (he mauls his zookeeper out of affection), to the ex-CompUSA employee who masquerades as a doctor; from a railroad manager in a turn-of-the-century Indian village, to an elephant writing her autobiography; from a woman whose Thanksgiving preparations put her husband to eternal rest, to the newlywed executioner of the title, these characters inhabit a marvelous region between desire and death, playfulness and violence. At once glittering and savage, daring and elegant, here are wholly unforgettable tales where reality loops in Borgesian twists and shines with cinematic exuberance, by an author who promises to dazzle the universe of American fiction.