Through her protagonist, Zeynab, born to an American mother and a Palestinian father, Khalifeh illuminates the disorienting experience of living between two worlds, and the search for identity that mirrors the Palestinians' own quest for nationhood. Set against the emotionally charged background of the early 1990s--when the Gulf War and the Oslo Accords fundamentally shifted the political landscape--The Inheritance takes as its subject the fate of young Palestinian women who supported their families for decades working elsewhere in the Middle East. In vivid prose, Khalifeh traces the disruption caused by the Gulf War on the life of these women, as Zeynab returns to her homeland and tries to adapt to her new life on the West Bank after years spent in Kuwait. In her previous novels, Sahar Khalifeh has established herself as the premier female novelist of the Palestinian diaspora; with The Inheritance, she breaks new ground in giving voice to these Palestinian women and their return from economic exile. With its critical portrayal of the Palestinian Authority, its mistakes, and limitations, The Inheritance offers a surprising look at the realities of Palestinian life and society. As the story of an immigrant torn between two cultures and struggling to adapt to both, Zeynab's tale touches on universal themes that will resonate with readers everywhere.

    "I have always loved hearts," writes acclaimed actress Drew Barrymore in the foreword to this heartwarming gift book. "The way that continuous line accomplishes the most extraordinary thing -- it conveys love." In Finding it in Everything, Barrymore shares the photographs she has taken of heart-shaped objects and patterns she has come across over the past ten years. Some are obvious and others barely discernible. A discarded straw wrapper, a hole in a T-shirt, a scallion in a bowl of miso soup -- seemingly everywhere she turns her lens a heart reveals itself. A very personal collection of images, many of them accompanied by brief captions that reflect on beauty in the everyday, Finding it in Everything is a delightful book from the beloved actress and director, who now adds photographer to her list of credentials.

    Jason Elliot has spent the last four years traveling in Iran, and in this remarkable book he reveals the many sides of the culture, art, architecture, and people that Westerners cannot see or conveniently ignore. Part close reading of symbols and images, part history, and part intimate interviews with Iranians of many different kinds--from wealthy aristocrats at forbidden parties to tribal horsemen in the most remote mountain villages, who have never seen a Westerner--"Mirrors of the Unseen" is a beautiful and thought-provoking book by one of the world's most acclaimed adventurers and authors.

    It is a comprehensive, detailed and gripping account of an unforgettable six-day drama that shook Britain -- and the wider world -- to the core. Drawing on original and unseen source material from ex-SAS soldier Rusty Firmin, the police and the British Government, GO! GO! GO! takes us to the heart of the whole operation.The assault planning and training, strategy and tactics are described in detail, and the personal stories of the gunmen revealed -- who they were, where they came from, why they did it and Saddam Hussein's direct involvement. Compelling accounts of each day of the siege from the hostages' points of view show how they dealt with captivity individually and collectively. New material explains the negotiators' tactics and their cool exterior versus their internal turmoil as negotiations reached crisis point.

    She is taught only to obey, but she always finds ways to rebel—gossiping with her sister among the fragrant roses of her mother’s walled garden, venturing to the forbidden rooftop to roughhouse with her three brothers, writing poems to impress her strict, disapproving father, and sneaking out to flirt with a teenage paramour over café glacé. It’s during the summer of 1950 that Forugh’s passion for poetry really takes flight—and that tradition seeks to clip her wings. Forced into a suffocating marriage, Forugh runs away and falls into an affair that fuels her desire to write and to achieve freedom and independence. Forugh’s poems are considered both scandalous and brilliant; she is heralded by some as a national treasure, vilified by others as a demon influenced by the West. She perseveres, finding love with a notorious filmmaker and living by her own rules—at enormous cost. But the power of her writing grows only stronger amid the upheaval of the Iranian revolution. Inspired by Forugh Farrokhzad’s verse, letters, films, and interviews—and including original translations of her poems—Jasmin Darznik has written a haunting novel, using the lens of fiction to capture the tenacity, spirit, and conflicting desires of a brave woman who represents the birth of feminism in Iran—and who continues to inspire generations of women around the world.

    A best-selling author in her native country and widely anthologized in the United States and around the world, Taraghi's work is now made fully accessible to an English-speaking audience in this standout and long-awaited volume of selected stories.Drawing on childhood experiences in Tehran during the reign of the Shah, her exile in Paris, and her subsequent visits to Tehran after the revolution, Taraghi develops characters and tales that linger in one's mind. In the title story, a woman traveling from Tehran to Paris is obliged to help an old woman--the Pomegranate Lady--find her way to her fugitive sons in Sweden. In "The Gentleman Thief," a new kind of polite, apologetic thief emerges from the wreckage of the revolution. In "Encounter," a woman's world is upended when her former maid becomes her jailer. And in "The Flowers of Shiraz," a group of teenagers finally manages to coax a shy schoolmate out of her shell--only to once again encounter tragedy.Reminiscent of the work of Nadine Gordimer and Eudora Welty, Taraghi's stories capture universal experiences of love, loss, alienation, and belonging--all with an irresistible sense of life's absurdities.

    This 112-page collection will showcase Cho's past and present illustrations and you will see why he's considered one of the top modern masters of the female form.

    Their horses were quivering in their every limb, ready to crush the [foreign] countries under their feet...Those who reached my boundary, their seed is not; their heart and soul are finished forever and ever." – An inscription made during the reign of Ramesses III When scholars look at the passage of history, certain epochs and transitions to new periods tend to stand out. The transition from the early modern to the Industrial Age in the late 18th century and the collapse of the Roman Empire are two of the more well known, but the transition from the Bronze to the Iron Age during the late 13th and early 12th centuries BCE arguably changed the structure and course of world history more fundamentally than any period before or since. During this period, numerous wealthy and enduring kingdoms of the eastern Mediterranean Sea region collapsed, and new ones rose in their places. At the center of this period of turmoil was a group of people known today as the Sea Peoples, the English translation of the name given to them by the Egyptians. Despite their prominent role in history, however, the Sea Peoples remain as mysterious as they were influential; while the Egyptians documented their presence and the wars against them, it has never been clear exactly where the Sea Peoples originated from, or what compelled them to invade various parts of the region with massive numbers. Whatever the reason, the Sea Peoples posed an existential threat to the people already living in the region, as noted by an Egyptian inscription: “The foreign countries (i.e. Sea Peoples) made a conspiracy in their islands. All at once the lands were removed and scattered in the fray. No land could stand before their arms: from Hatti, Qode, Carchemish, Arzawa and Alashiya on, being cut off (i.e. destroyed) at one time. A camp was set up in Amurru. They desolated its people, and its land was like that which has never come into being. They were coming forward toward Egypt, while the flame was prepared before them. Their confederation was the Peleset, Tjeker, Shekelesh, Denyen and Weshesh, lands united. They laid their hands upon the land as far as the circuit of the earth, their hearts confident and trusting: 'Our plans will succeed!'" As with any historical matter from the ancient world, the sources can be a problem. The ancient Egyptians recorded their interactions with the Sea Peoples in both written texts and in pictorial reliefs and thus provide the most complete contemporary description of them, but the nature of ancient Egyptian historiography was quite different than the modern concept, so the sources cannot be considered entirely reliable. Later Greek sources, both historiographical and mythological, can help fill in some more details, but those sources are suspect because they were written several centuries after the emergence of the Sea Peoples. Modern archaeology is beneficial in determining how people lived and possibly where they moved, but there are also problems when one relies too much on archaeological data because the dating of material culture is not an exact science. Finally, linguistic evidence is often employed to determine the geographic origins and eventual landing points of many of the Sea Peoples, but confusion often arises if a group’s demonym refers specifically to their place of origin or final home. Naturally, the mystery surrounding the Sea Peoples has led to all kinds of theories aiming to identify them.

    Inviting me to take the next step toward his open arms. And I will say yes. And yes. And yes.  Annahita Parsan was born into a Muslim family in Iran and grew up with the simple hope of one day finding a good husband, having children, and doing some good in the world. Married and a mother before she turned eighteen, Annahita found herself unexpectedly widowed and trapped for years in an abusive second marriage that she later fled—discovering instead a God who might love her.Stranger No More is the remarkable true story of Annahita’s path from oppression to the life-changing hope of Jesus. Fleeing Iran across the mountains into Turkey, she spent months in the terrifying Agri prison before a miraculous release and flight to Europe, where she and her two children knelt in a church and prayed, “God, from this day on we are Christians.”Filled with unthinkable circumstances, miraculous rescues, and the quietly constant voice of Jesus, Stranger No More leads readers deep into the heart of God and draws them toward the same call that Annahita heeds today: using her past to save others from theirs. As the leader of two congregations in Sweden, Annahita has baptized hundreds of former Muslims since her own conversion, has seen firsthand the powerful ways God is at work among those who have left Islam behind, and is reminded every day that saying yes to God is always worth the risk.

    When he unexpectedly meets Amir Madani, one of Iran's premier nuclear scientist, he can't resist the opportunity to pursue him as a CIA asset.Although Chaman, a beautiful Iranian socialite, warns Titus to stay away from Madani, he ignores her advice and befriends the nuclear scientist. The consequences prove disastrous for Titus, and, as the secret police close in on him, he's forced to find shelter with a group of Iranian Christians, who risk their own lives to save his.One Step Back, a Titus Ray Thriller novella, is the prequel to One Night in Tehran, Book I in the Titus Ray Thriller Series.

    Her crime, she asserts, was in wanting to slide back her headscarf to feel the sun on a few inches of her hair. That modest desire led her to a political activism fueled by the fearless idealism of the young. Her parents begged her to be prudent, but even they could not have imagined the horrors she faced in prison. She underwent psychological and physical torture, hanging on to sanity by scratching messages to fellow prisoners on the latrine door. She fought despair by recalling her idyllic childhood in a sprawling and affectionate family that prized tolerance and freedom of thought. After a show trial, Ghahramani was driven deep into the desert outside Tehran, uncertain if she was to be executed or freed. There she was abandoned to begin the long walk back to reclaim herself. In prose of astonishing dignity and force, Ghahramani recounts the ways in which power seduces and deforms. A richly textured memoir that celebrates a triumph of the individual over the state, "My Life as a Traitor "is an affecting addition to the literature of struggle and dissent. Zarah Ghahramani was born in Tehran in 1981. After her release from prison, she moved to Australia. "My Life as a Traitor "is her first book. Robert Hillman is a journalist and novelist who has traveled widely in the Middle East. A "San Francisco Chronicle" Best Book of the YearAt the age of twenty, an Iranian student named Zarah Ghahramani was taken from the streets of Tehran to the notoriously brutal Evin Prison, where criminals and political dissidents were held side by side. A desire for freedom as modest as sliding back her headscarf to feel the sun on her hair had compelled her to join a group of university students covertly organizing peaceful campus protests. Ghahramani was fueled by youthful idealism, and though her parents encouraged her to be prudent, she underestimated the severity of the penalties imposed by the fundamentalist regime running her country. She underwent psychological and physical torture, hanging on to sanity by scratching messages to fellow prisoners on the latrine door. She fought despair by recalling her idyllic childhood in a sprawling and affectionate family that prized tolerance and freedom of thought. After a show trial, Ghahramani was driven deep into the desert outside Tehran, uncertain if she was to be executed or freed. There she was abandoned to begin the long walk back to rebuild herself in a world in which she had no trust in her country's goverment and where she would continue to challenge fundamentalist injustice as she sought to reclaim her own liberty. "A testimony of surviving senseless persecution, imprisonment, torture, and the loss of years of one's youth with one's spirits intact. With deep insights into the meaning of suffering and the futility of hate and thoughts of revenge, the young author, just out of her teens, withstands all psychological and physical abuse and comes out, despite the loss of her faith in authority figures and her country, wise and mature. Her defiance served her well. Read with this in mind, the book is truly an inspiration."--Erika Loeffler Friedl, author of "Women of Deh Koh: Lives in an Iranian Village ""A celebration of human courage under duress and a savage indictment of the oppressive regime of Iran. It shocks, angers, saddens, and inspires."--Khaled Hosseini, author of "The" "Kite Runner" and "A Thousand Splendid Suns """My Life as a Traitor" is an important and revealing book about a culture and a country that figures hugely in modern geopolitics. It is the inner journey of one young woman, of her fear, pride, courage, and ultimate survival in Tehran's brutal Evin Prison. But it is also a coming-of-age story that haunts and provokes; beautifully written and disturbingly unforgettable. It will stand beside Solzhenitysn and Primo Levi as a book that shows exactly how human beings survive in the face of true evil."--Janine di Giovanni, author of "Madness Visible: A Memoir of War ""A must read for anyone interested in understanding the complex nation that is Iran."--Firoozeh Dumas, author of "Funny in Farsi: A Memoir of Growing up Iranian in America """My Life as a Traitor" is both shocking and inspiring: a graphic portrayal of the horrors that are unleashed when the idealism of youth challenges the dogmatism of zealots. Zarah Ghahramani has written a very human story of bravery and fear in the face of violence; her story is one of longing for beauty and freedom. Zarah's memoir of her time in Iran's infamous Evin prison is unforgettable in its portrayal of brutality, but it sings with a young woman's love of life and liberty."--Louise Brown, author of "The Dancing Girls of Lahore: Selling Love and Saving Dreams in Pakistan's Ancient Pleasure District""The second-year Iranian college student in 2001 knew that making that speech meant trouble, but she had no real expectation of being kidnapped in the heart of Tehran and hustled off to the notorious Evin Prison. Eventually, the 20-year-old Ghahramani is sentenced to 30 days and a few days--and several beatings--later is dumped in a vacant countryside to make her way home. Scenes from a happy family life (crippled by the Iran-Iraq war) and a spirited adolescence (cut short by a repressive regime) alternate with the prison experiences in this multilayered account. Ghahramani, daughter of a Muslim father and Zoroastrian mother, both Kurdish, dips with brevity and grace into personal family history and public political history. Graphic and powerful as her treatment of torturous imprisonment is, Ghahramani retains an irrepressible lightness, perhaps born of knowing that [a] sense of justice can always benefit from a complementary sense of the ridiculous. Her painfully acquired knowledge of how easy it is to reduce a human being to the level of animal does not keep her from wondering if I'll ever be pretty again. Nothing, however, dilutes the bare bones prison experience. Her straightforward style, elegant in its simplicity, has resonance and appeal beyond a mere record."--"Publishers Weekly"

    In describing life in Iran today, Christiane Bird, an American who spent part of her childhood there, breaks the silence that has surrounded Iran's culture -- unlike its politics -- for nearly twenty years. Traveling alone and largely by bus, Bird journeys from the modern, bustling capital of Tehran to the medieval holy city of Qom, from the sacred pilgrimage site of Mashhad -- visited by more than twelve million Shi'ites annually -- to the isolated valley of Alamut, once home to the legendary cult of the Assassins. She visits mosques, public baths, Khomeini's former home, and a Caspian Sea resort, and attends prayer meetings and a horse racing meet. Along the way, she talks to muleteers and ayatollahs, Kurds and Turkomans, Westernized and traditional Iranians -- many of whom invite her home for a cup of tea. The result is an astounding, insightful journey into the Islamic Republic of Iran -- in all its beauty, ferocity, and contradiction.

    Abbas Amanat covers the dynasties, revolutions, civil wars, foreign occupation, and new Islamic regime of this complex period in history. Amanat combines chronological and thematic approaches, exploring events with lasting implications for modern Iran and the world. Drawing on the latest historical scholarship and emphasizing the twentieth century in its coverage, the book addresses debates about Iran’s culture and politics. Political history is the driving focus of this narrative based on decades of research and study, which is layered with discussions of literature, music, and the arts; ideology and religion; economy and society; and cultural identity and heritage.

    It is a place where Mullahs visit prostitutes, gangs sell guns supplied by corrupt Revolutionary Guards, cosmetic surgeons restore girls' virginity and homemade porn is bought and sold in the bazaars. It is also the home of our eight protagonists, drawn from across the spectrum of Iranian society: the gun runner, the aging socialite, the porn star, the assassin and enemy of the state who ends up working for the Republic, the volunteer religious policeman who undergoes a sex change, and the dutiful housewife who files for divorce. These are ordinary people forced to live extraordinary lives. plotted around the city's pulsing central thoroughfare, Vail Asr Street, City of Lies is an energetic, intimate and unforgettable portrait of modern Tehran and of what it is to live, love and survive under one world's most brutally repressive regimes.

    Within moments, the roar of a machine gun filled the air. Two rounds of fire and four single shots later, four of the men were dead. One of the survivors of that shooting, along with the widow of one of the victims and a handful of reporters, attorneys, and fellow exiles, began a crusade that would not only pit them against Tehran but against some of the greatest powers in Germany. When an undeterred federal prosecutor, and an endlessly patient chief judge, took over the case, a historic verdict followed which shook both Europe and Iran, and achieved something few could have predicted—justice. Roya Hakakian’s The Assassins of the Turquoise Palace is an incredible book of history and reportage, and an unforgettable narrative of heroism and justice.