*** Volume 1 plays a key role in the plot of the US movie Sex and the City. *** This Volume 2 includes love poems written by Matthew Arnold, Alfred Austin, Samuel Alfred Beadle, William Blake, Christopher Brennan, Lord Byron, Robert Burns, John Clare, Samuel Taylor Coleridge, Henry Constable, William Cowper, Michael Drayton, George Eliot, Thomas Ford, Stephen Foster, Robert Frost, Thomas Frost, Norman Rowland Gale, Johann Wolfgang von Goethe, Alfred P. Graves, Robert Herrick, Leigh Hunt, Benjamin Jonson, John Keats, Richard Lovelace, Pablo Neruda, Edgar Allen Poe, and William Shakespeare.

    For the first time contemporary accounts of the fighting between Muslim and Christian have been translated into English, and the Western reader can learn 'the other side' of the Holy War.Seventeen authors are represented in the extracts in this work, which have been drawn from various types of historical writings. The excerpts are taken firstly from the general histories of the Muslim world, then from chronicles of cities, regions and their dynasties, and finally from biographies or records of the deeds of certain persons. The Arab histories of the Crusades compare favorably with their Christian counterparts in their rich accumulation of material and chronological information. Another of their merits is their faithful characterization, which they practiced in the brief but illuminating sketches of enemy leaders: Baldwin II's shrewdness, Richard Coeur de Lion's prowess in war, the indomitable energy of Conrad of Motferrat, Frederick II's diplomacy. The chronicles are generous, naturally, with their praises of the great champions of the Muslim resistance, especially of Saladin, who towers above all the other leaders in heroic stature. Although, this book gives a sweeping and stimulating view of the Crusades seen through Arab eyes.

    It has inspired readers and listeners for millennia. The story tells of the Trojan War, fought between the Trojans, led by King Priam, and the Greeks, led by King Agamemnon. At its center is Achilles, the greatest warrior-champion of the Greeks, and his refusal to fight after being humiliated by his leader Agamemnon. But when the Trojan Hector kills Achilles' close friend Patroclus, he storms back into battle to take revenge—even though he knows this will ensure his own untimely death. This retelling has been shortened and illustrated for younger readers.

    So great was his stature as an Urdu poet that he never had to mould his poetry to suit the demands of film songwriting; instead, producers and composers adapted their requirements to his poetry. His songs in films like Pyaasa, Naya Daur and Phir Subah Hogi have attained the status of classics. This exhaustive biography traces the poet’s rich life, from his troubled childhood and his equally troubled love relationships, to his rise as one of the pre-eminent personalities of the Progressive Writers Movement and his journey as lyricist through the golden era of Hindi film music, the 1950s and 1960s.

    In this epic family saga, set against the expansive and exhilarating backdrop of medieval Britain, we meet our hero Robin, the dispossessed son of the Earl of Waringham as he fights to reclaim his once prominent position in society. Expertly narrated by Miriam Margolyes OBE and featuring a full cast.

    Pretending to be married can’t be that hard. Leaving Lennhurst Asylum 1: Elias Browne The town of Greenlock shuns the daughter of the mortician. How deplorable, that Lauren has to take over the duties that are her father’s. Day after day the work creates loneliness in her tender heart that spurs despondence. Then a voice speaks from the morgue basement. A rough and tumble outlaw who's supposed to be dead is still alive! For some unfathomable reason, Lauren agrees to help him stay dead. Elias had escaped from Lennhurst Asylum, where he was born and raised. Since he had no family or future, he was taken from his prison sentence, enlisted in the recent Civil War and trained to wield explosives to further the cause. From running and surviving all his life, all Elias could ever promise anyone was loyalty. Love was out of the question. When Lauren mentions her longing to see her mother and sister in Colorado, for loyalty’s sake, he offers to take her on the arduous wagon train journey. Of course, it wouldn't be proper not to be married while traveling together. Therefore, Lauren and Elias, so vastly opposite, agree to pretend to be married during the months of difficult travel. Loyalty versus love. Can these two find truth and acceptance in their hearts? Can love cover a multitude of sin? Love Covers is a gratifying love story of lives changed, and of healing and restoration while on a dusty trail west.

    Haiku are practiced by poets, lovers, and schoolchildren, by “political haiku” twitterers, by anyone who has the desire to pin preception and experience into a few quick phrases. This essay offers readers unparalleled insight into the living heart of haiku—how haiku work and what they hold, and how to read through and into their images to find a full expression of human life and perceptions, sometimes profound, sometimes playful.

    The introduction to this work by Eugene Mason gives an excellent account of Wace and the background behind this historical work. Wace begins his history of the Britons as follows. “Constantine came to Totnes, and many a stout knight with him—there was not one but was worthy of the kingship. The host set forth towards London, and sent messages in every part, bidding the Britons to their aid, for as yet they were too fearful to come from their secret places. When the Britons heard these tidings they drew, thick as rain, from the woodlands and the mountain, and came before the host in troops and companies. To make short a long matter, these marched so far and wrought such deeds that in the end they altogether discomfited those evil men who had done such sore mischief to the land. After these things they held a great council at Cirencester, commanding thereto all the lords and barons of the realm. In that place they chose Constantine as their king.”

    What does this metamorphosis entail and in what ways are we affected by it? How do we live through it and what may we become on our journey toward each other, particularly when the space and places from which we depart are - at least on the surface - so vastly different?Ranging freely and often wittily across many terrains, this brave book by one of South Africa's foremost writers and poets provides a unique and compelling discourse on living creatively in Africa today.

    The troubadours sing of its mystical loveliness and tell tales of love and honour woven around the constant battles between Christendom and Islam. For Honfroy, a young squire in the service of the Knights Templar, the reality is less poetic and far grimmer. The Kingdom of Jerusalem tenaciously holds onto the ribbon of land between the River Jordan and the Mediterranean Sea. Saladin, the Sultan of Egypt and Syria, has united his warring factions. He is now determined to wipe the stain of the first crusade from the honour of Islam and regain the Holy City of Jerusalem. When Saladin’s army invades, Honfroy is catapulted into a world of treachery and deceit, where his life is in danger from both Moslem and Christian alike. From the blood-stained sands of the Holy Land to the intrigue of the court in Jerusalem, Honfroy grapples with his meteoric rise in fortune. His friendship with the new king, Baudoin, comes increasingly under threat from the political wiles of his mentor, Odo the Templar Grand Master, and the king’s mother, Agnes of Courtenay. Honfroy is enchanted by the beautiful but older Agnes. Not even the power of the Grand Master, however, can protect him when their secret liaison comes to the attention of the king. Banished from the court, Honfroy’s courage and skills are honed on the kingdom’s frontiers until the day when Odo summons his apprentice once more. Set against the turbulent background of the crusades, the Templar’s Apprentice is a gripping and enthralling tale of courage, friendship, love and treachery, reaching its blistering climax at the battle of Marj Ayyun.

    It is also an important source of information on the Byzantine war with the Normans, and the First Crusade, in which Alexius participated. While the Byzantines were allied to the Crusaders, they were none the less critical of their behaviour and Anna's book offers a startlingly different perspective from that of Western historians. Her character sketches are shrewd and forthright - from the Norman invader Robert Guiscard ('nourished by mainfold Evil') and his son Bohemond ('like a streaking thunderbolt') to Pope Gregory VII ('unworthy of a high priest'). The Alexiad is a vivid and dramatic narrative, which reveals as much about the character of its intelligent and dynamic author as it does about the fascinating period through which she lived.E.R.A. Sewter's translation captures all the strength and immediacy of the original and is complemented by an introduction that examines Anna's life and times. This edition also includes maps, appendices, genealogical tables, a bibliography and indexes of events and names.

    It is difficult for us now, even with all our engineering and architectural skills, to imagine the extraordinary ways these medieval houses of worship were constructed. Midway through the twelfth century, the building of cathedrals became a crusade to erect awe-inspiring churches across Europe. In their zeal, bishops, monks, masons, and workmen created the architectural style known as Gothic, arguably Christianity’s greatest contribution to the world’s art and architecture. The style evolved slowly and almost accidentally as medieval artisans combined ingenuity, inspiration, and brute strength to create a fitting monument to their God. Here are the dramatic stories of the building of Saint-Denis, Notre Dame, Chartres, Reims, and other Gothic cathedrals.

    The pair's innovative and authentic adaptation of Dante's epic, coupled with Birk's striking play on Gustave Dor's classic illustrations, make this a "Divine Comedy" for the 21st century. Acclaimed by both the literary and art worlds; rife with contemporary turns of phrase and slang (just as the original poem was written in the vernacular of its day) and pointed visions of the afterlife as contemporary cities; and rich with bold allusion, cultural critique, and witthis is the must-have collection of modern classics.

    These journeys were part of his religious training as a Buddhist monk as well as literary inspiration for his memorable and often painfully moving poems. The works he wrote during this time comprise a record of his quest for spiritual enlightenment.Although Santoka was master of conventional-style haiku, which he wrote in his youth, the vast majority of his works, and those for which he is most admired, are in free-verse form. He also left a number of diaries in which he frequently recorded the circumstances that had led to the composition of a particular poem or group of poems. In "For All My Walking, " master translator Burton Watson makes Santoka's life story and literary journeys available to English-speaking readers and students of haiku and Zen Buddhism. He allows us to meet Santoka directly, not by withholding his own opinions but by leaving room for us to form our own. Watson's translations bring across not only the poetry but also the emotional force at the core of the poems.This volume includes 245 of Santoka's poems and of excerpts from his prose diary, along with a chronology of his life and a compelling introduction that provides historical and biographical context to Taneda Santoka's work.

    Told from the point of view of two women who lived nine centuries apart: Leofgyth, an eleventh-century embroiderer who works in the court of Edward the Confessor, and Madeleine, a twenty-first century professor of Medieval History. Between them, the dramatic story of the end of Saxon England unfolds and an ancient mystery is solved.