Half a decade later, she’s still on the road, in search not so much of a home as of understanding, a way of being in the world that demands neither constant struggle nor complete surrender.           The Dead Ladies Project is an account of that journey—but it’s also much, much more. Fascinated by exile, Crispin travels an itinerary of key locations in its literary map, of places that have drawn writers who needed to break free from their origins and start afresh. As she reflects on William James struggling through despair in Berlin, Nora Barnacle dependant on and dependable for James Joyce in Trieste, Maud Gonne fomenting revolution and fostering myth in Dublin, or Igor Stravinsky starting over from nothing in Switzerland, Crispin interweaves biography, incisive literary analysis, and personal experience into a rich meditation on the complicated interactions of place, personality, and society that can make escape and reinvention such an attractive, even intoxicating proposition.           Personal and profane, funny and fervent, The Dead Ladies Project ranges from the nineteenth century to the present, from historical figures to brand-new hangovers, in search, ultimately, of an answer to a bedrock question: How does a person decide how to live their life?

    I loved this book.”—Simon WinchesterAt midnight, December 31, 1925, citizens of the newly proclaimed Turkish Republic celebrated the New Year. For the first time ever, they had agreed to use a nationally unified calendar and clock.Yet in Istanbul—an ancient crossroads and Turkey's largest city—people were looking toward an uncertain future. Never purely Turkish, Istanbul was home to generations of Greeks, Armenians, and Jews, as well as Muslims. It welcomed White Russian nobles ousted by the Russian Revolution, Bolshevik assassins on the trail of the exiled Leon Trotsky, German professors, British diplomats, and American entrepreneurs—a multicultural panoply of performers and poets, do-gooders and ne’er-do-wells. During the Second World War, thousands of Jews fleeing occupied Europe found passage through Istanbul, some with the help of the future Pope John XXIII. At the Pera Palace, Istanbul's most luxurious hotel, so many spies mingled in the lobby that the manager posted a sign asking them to relinquish their seats to paying guests.In beguiling prose and rich character portraits, Charles King brings to life a remarkable era when a storied city stumbled into the modern world and reshaped the meaning of cosmopolitanism.

    Upon retirement at the age of sixty-two, and grieving his deceased wife, renowned journalist Bernard Ollivier felt a sense of profound emptiness: What do I do now? While some see retirement as a chance to cash in their chips and settle into a comfy armchair, Ollivier still longed for more. Searching for inspiration, he strapped on his gear, donned his hat, and headed out the front door to hike the Way of St. James, a 1400-mile journey from Paris to Compostela, Spain. At the end of that road, with more questions than answers, he decided to spend the next few years hiking another of history’s great routes: the Silk Road.Out of Istanbul is Ollivier’s stunning account of the first part of that 7,200-mile journey. The longest and perhaps most mythical trade route of all time, the Silk Road is in fact a network of routes across Europe and Asia, some going back to prehistoric times. During the Middle Ages, the transcribed travelogue of one Silk Road explorer, Marco Polo, helped spread the fame of the Orient throughout Europe. Heading east out of Istanbul, Ollivier takes readers step by step across Anatolia and Kurdistan, bound for Tehran. Along the way, we meet a colorful array of real-life characters: Selim, the philosophical woodsman; old Behçet, elated to practice English after years of self-study; Krishna, manager of the Lora Pansiyon in Polonez, a village of Polish immigrants; the hospitable Kurdish women of Dogutepe, and many more. We accompany Ollivier as he explores bazaars, mosques, and caravansaries—true vestiges of the Silk Road itself—and through these encounters and experiences, gains insight into the complex political and social issues facing modern-day Turkey. Ollivier’s journey, far from bragging about some tremendous achievement, humbly takes the reader on a colossal adventure of human proportions, one in which walking itself, through a kind of alchemy, fosters friendships and fellowship.

    Crescent and Star is Stephen Kinzer's compelling report on the truth about this nation of contradictions - poised between Europe and Asia, caught between the glories of its Ottoman past and its hopes for a democratic future, between the dominance of its army and the needs of its civilian citizens, between its secular expectations and its Muslim traditions.Kinzer vividly describes Turkey's captivating delights as he smokes a water pipe, searches for the ruins of lost civilizations, watches a camel fight, and discovers its greatest poet. But he is also attuned to the political landscape, taking us from Istanbul's elegant cafes to wild mountain outposts on Turkey's eastern borders, while along the way he talks to dissidents and patriots, villagers and cabinet ministers. He reports on political trials and on his own arrest by Turkish soldiers when he was trying to uncover secrets about the army's campaigns against Kurdish guerillas. He explores the nation's hope to join the European Union, the human-rights abuses that have kept it out, and its difficult relations with Kurds, Armenians, and Greeks.Will this vibrant country, he asks, succeed in becoming a great democratic state? He makes it clear why Turkey is poised to become "the most audacious nation of the twenty-first century."

    Andrews.

    Now, in the “unknown, unanticipated galaxy” of very old age, he is writing searching essays that startle, move, and delight. In the transgressive and horrifyingly funny “No Smoking,” he looks back over his lifetime, and several of his ancestors’ lifetimes, of smoking unfiltered cigarettes, packs of them every day. Hall paints his past: “Decades followed each other — thirty was terrifying, forty I never noticed because I was drunk, fifty was best with a total change of life, sixty extended the bliss of fifty . . .” And, poignantly, often joyfully, he limns his present: “When I turned eighty and rubbed testosterone on my chest, my beard roared like a lion and gained four inches.” Most memorably, Hall writes about his enduring love affair with his ancestral Eagle Pond Farm and with the writing life that sustains him, every day: “Yesterday my first nap was at 9:30 a.m., but when I awoke I wrote again.”

    His friends and colleagues during this time included W. H. Auden, Stephen Spender, and E. M. Forster, as well as colorful figures he met in Germany and later fictionalized in his two Berlin novels-who appeared again, fictionalized to an even greater degree, in I Am a Camera and Cabaret. What most impressed the first readers of this memoir, however, was the candor with which he describes his life in gay Berlin of the 1930s and his struggles to save his companion, a German man named Heinz, from the Nazis. An engrossing and dramatic story and a fascinating glimpse into a little-known world, Christopher and His Kind remains one of Isherwood's greatest achievements. A major figure in twentieth-century fiction and the gay rights movement, Christopher Isherwood (1904-1986) is the author of Down There on a Visit, Lions and Shadows, A Meeting by the River, The Memorial, Prater Violet, A Single Man, and The World in the Evening, all available from the University of Minnesota Press.

    The result is lively, funny and moving, especially for anyone who cares about art and the business of writing well.”—Evan Thomas, Newsweek In Writing Places, William Zinsser—the author of On Writing Well, the bestseller that has inspired two generations of writers, journalists, and students—recalls the many colorful and instructive places where he has worked and taught. Gay Talese, author of A Writer’s Life, calls Writing Places, “Wonderful,” while the Pittsburgh Post-Gazette praises this unique memoir for possessing “all the qualities that Zinsser believes matter most in good writing—clarity, brevity, simplicity and humanity.”

    He is famous for two masterpieces, Miss Lonelyhearts (1933) and The Day of the Locust (1939). Seventy years later, The Day of the Locust remains the most penetrating novel ever written about Hollywood. EILEEN MCKENNEY—accidental muse, literary heroine—was the inspiration for her sister Ruth’s humorous stories, My Sister Eileen, which led to stage, film, and television adaptations, including Leonard Bernstein’s 1953 musical Wonderful Town.  She grew up in Cleveland and moved to Manhattan at 21 in search of romance and adventure. She and her sister lived in a basement apartment in the Village with a street-level window into which men frequently peered.  Husband and wife were intimate with F. Scott Fitzgerald, Dorothy Parker, Katharine White, S.J. Perelman, Bennett Cerf, and many of the literary, theatrical, and movie notables of their era.  With Lonelyhearts, biographer Marion Meade, whose Bobbed Hair and Bathtub Gin earned accolades from the Washington Post Book World ("Wonderful") to the San Francisco Chronicle ("Like looking at a photo album while listening to a witty insider reminisce about the images"), restores West and McKenney to their rightful places in the rich cultural tapestry of interwar America.

    Much more than a war memoir, Dust to Dust brilliantly explores the passage through a lifetime—a moving meditation on life and death, the adventures of childhood and revelations of adulthood. Seemingly ordinary things take on a breathtaking radiance when examined by this decorated Marine officer—veteran of two combat tours in Iraq—actor on the hit HBO series The Wire, and son of acclaimed novelist Frederick Busch. Above all, Benjamin Busch is a truly extraordinary new literary talent as evidenced by his exemplary debut, Dust to Dust—an original, emotionally powerful, and surprisingly refreshing take on an American soldier’s story.

    By nature clever and spirited, she struggles to submit to the iron rule of the Matron and Sisters, and is alternately infuriated and charmed by her patients. That's not to mention the mountains of menial work that are a trainee's lot. But there are friends among the staff and patients, night-time escapades to dances with dashing army men, and her secret writing project to keep her going.

    The Great War is raging through Europe, and in the ancient, mountainous lands southwest of the Caspian Sea the Turks have begun systematically to exterminate their Christian subjects. Unable to deny his birthright or his people, one man, Gabriel Bagradian—born an Armenian, educated in Paris, married to a Frenchwoman, and an officer doing his duty as a Turkish subject in the Ottoman army—will strive to resist death at the hands of his blood enemy by leading 5,000 Armenian villagers to the top of Musa Dagh, "the mountain of Moses." There, for forty days, in the face of almost certain death, they will suffer the siege of a Turkish army hell-bent on genocide. A passionate warning against the dangers of racism and scapegoating, and prefiguring the ethnic horrors of World War II, this important novel from the early 1930s remains the only significant treatment, in fiction or nonfiction, of the first genocide in the twentieth century's long series of inhumanities. It also continues to be today what the New York Times deemed it in 1933—"a true and thrilling novel ... a story which must rouse the emotions of all human beings." "Musa Dagh gives us a lasting sense of participation in a stirring episode of history.... Magnificent."—The New York Times Book Review "A novel full of the breath, the flesh and blood and bone and spirit of life."—Saturday Review

    "Bailey White's sketches evoke a sort of real-life Lake Wobegon."--The New York Times.