Find enlightenment with these one-hundred twenty-two traditional Buddhist Zen koans -- stories, dialogues, questions, or statements, used in Zen-practice to provoke the "great doubt," and test a student's progress in Zen practice.

    It covers the persons, themes, concepts, places, and creatures of Celtic mythology, in all its ancient and modern traditions, in 4000 entries ranging from brief definitions to extended essays on major tale cycles. An introductory essay explains who the Celts were, explores the history of the Celtic revival, and examines the meaning and role of mythology and tradition. An invaluable pronunciation guide for the major Celtic languages, a topic index of entries, thorough cross-references within Celtic mythology and to other mythologies, such as Classical and Norse, enables the reader to see the relationship between Celtic mythology, later Irish literature, and other literary and mythological traditions. The Dictionary of Celtic Mythology is the first place to turn for an authoritative guide to this colorful world of tragedy, revenge, honor, and heroism of Celtic myth.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    His Celtic Women provides a balanced and informed perspective on the position of women in Celtic society and asks how much of this ancient culture has filtered down through the ages. Ellis examines the concept of the "Mother Goddess" origin of the Celts as well as the pantheon of women in Celtic mythology - from Etain and Emer, and Macha and Medb, to Rhiannon and Gwenhwyvar (Guinevere). He also discusses a wide range of important historical personalities. Although Boudicca (Boadicea) is often cited as the most powerful historical Celtic female figure - the one who led southern Britain in insurrection against the Romans - Ellis shows that she was by no means unique. The results of Ellis's engaging study show that Celtic society undoubtedly maintained an order in which women were harmoniously balanced in relation to men. Beside the repressive male dominance of classic Mediterranean society, the position of women in Celtic myth, law, and early history seems to have constituted an ideal. Celtic women could govern; took prominent - sometimes the highest - roles in political, religious, and artistic life; could own property; could divorce; and were even expected to fight alongside men in battles. It was not until the Celts' encounter and conflict with the alien values of the Roman and Germanic cultures and the arrival of Western Christianity that the rights of women began to erode.

    Comprehensive and scholarly, this well-designed and class-tested text presents Greek and Roman myths in a lively and easy-to-read manner. It features fresh translations, numerous illustrations (ancient and modern) of classical myths and legends, and commentary that emphasizes the anthropological, historical, religious, sociological, and economic contexts in which the myths were told. It also provides a cultural context so that students can see how mythology has influenced the world and how it continues to influence society today.

    In response to requests from instructors and students for shorter and less expensive composition readers, 40 Model Essays — featuring material adapted from the successful The Compact Reader — offers about half the usual number of readings for about half the price of similar books.

    “Our main object will be to describe one of the most incomparably beautiful myths that has ever flowered from the mind of man, or from the unconscious processes which shape it and which are in some sense more than man.… This is, furthermore, to be a description and not a history of Christian Mythology.… After description, we shall attempt an interpretation of the myth along the general lines of the philosophia perennis, in order to bring out the truly catholic or universal character of the symbols, and to share the delight of discovering a fountain of wisdom in a realm where so many have long ceased to expect anything but a desert of platitudes.” —from the Prologue

    in this book there are animals who talk, princesses who are locked up at the top of towers, wicked stepmothers and many other themes ... An enjoyable book by a skilled author' Financial TimesThe civilization we know as Ancient Egypt stretched over three thousand years. What was life like for ancient Egyptians? What were their beliefs - and how different were they from ours? Myths and Legends of Ancient Egypt uses Egypt's vivid narratives to create a panorama of its history, from the earliest settlers to the time of Cleopatra.Gathered from pyramid texts, archaeological finds and contemporary documents, these stories cover everything from why the Nile flooded annually to Egyptian beliefs about childbirth and what happened after death. They show us what life was really like for rich and poor, man and woman, farmer and pharaoh.Myths and Legends of Ancient Egypt brings a long-dead culture back to life.

    The interviews include favorites gleaned from the pages of the Believer magazine along with previously unpublished conversations. The book is rife with astonishing insights and profound quips. To wit:George Saunders: ‘I see writing as part of an ongoing attempt to really, viscerally, believe that everything matters, suffering is real, and death is imminent.’Ian McEwan: ‘The dream, surely, that we all have, is to write this beautiful paragraph that actually is describing something but at the same time in another voice is writing commentary on its own creation, without having to be a story about a writer.’Jamaica Kincaid: ‘All of these declarations of what writing ought to be, which I had myself—though, thank god I had never committed them to paper—I think are nonsense.... You write what you write, and then either it holds up or it doesn't hold up. There are no rules or particular sensibilities. I don't believe in that all anymore.’Janet Malcolm: ‘The narrator of my nonfiction pieces is not the same person I am—she is a lot more articulate and thinks of much cleverer things to say than I usually do.’Paul Auster: ‘In my own case, I certainly don't walk into my room and sit down at my desk feeling like a boxer ready to go ten rounds with Joe Louis. I tiptoe in. I procrastinate. I delay. I come in sideways, kind of sliding through the door.... I don't burst into the saloon with my six-shooter ready. If I did, I'd probably shoot myself in the foot.’Tobias Wolff: ‘Each time out should be a swing for the fences. Don't do base-running drills. You can do those on your own time.’

    Now, in Egyptian Mythology, Geraldine Pinch offers a comprehensive introduction thatuntangles the mystery of Egyptian Myth.Spanning Ancient Egyptian culture--from 3200 BC to AD 400--Pinch opens a door to this hidden world and casts light on its often misunderstood belief system. She discusses the nature of myths and the history of Egypt, from the predynastic to the postpharaonic period. She explains how Egyptian culturedeveloped around the flooding of the Nile, or the inundation, a phenomenon on which the whole welfare of the country depended, and how aspects of the inundation were personified as deities. She explains that the usually cloudless skies made for a preoccupation with the stars and planets. Indeed, much early Egyptian mythology may have developed to explain the movement of these celestial bodies. She provides a timeline covering the seven stages in the mythical history of Egypt and outlining the major events of each stage, such as the reign of the sun God. A substantial A to Z section coversthe principal themes and concepts of Egyptian mythology as well as the most important deities, demons, and other characters. For anyone who wants to know about Anubis, the terrifying canine god who presided over the mummification of bodies and guarded burials, or Hathor, the golden goddess whohelped women to give birth and the dead to be reborn, or an explanation of the nun, the primeval ocean from which all life came, Egyptian Mythology is the place to look.

    Many of today's harmful practices, like school dress codes, exploitation of the environment, and rape culture, have their roots in the ancient world.But in Antigone Rising, classicist Helen Morales reminds us that the myths have subversive power because they are told -- and read -- in different ways. Through these stories, whether it's Antigone's courageous stand against tyranny or the indestructible Caeneus, who inspires trans and gender queer people today, Morales uncovers hidden truths about solidarity, empowerment, and catharsis.Antigone Rising offers a fresh understanding of the stories we take for granted, showing how we can reclaim them to challenge the status quo, spark resistance, and rail against unjust regimes.

    His ‘natural supernaturalism’, personal mythology and vision can leave readers dazzled by the intensity and passion of his verse. In this outstanding work, Chesterton goes right to the heart of the matter and addresses the question of whether Blake’s genius was tainted by madness or whether his peculiar outlook on the world was the key to his success. With a detailed exposition of Blake’s life, and by weaving lucid explanations of his philosophy and religion into a discourse on his poetry, Chesterton has produced a remarkable and sensitive biography.

    Some mammoths were smaller than children. Owls are the dumbest birds in the world. Very few people with Tourette's syndrome swear. You can't get a six-pack from doing sit-ups. King Arthur's sword wasn't called Excalibur. Milk doesn't make your bones strong. There's no bones in your fingers. The Bible states that humans can't become angels. Humans have more than two nostrils. It's impossible to slide down a bannister. At a wedding, the bride doesn't walk down the aisle. Ties were invented for war, not fashion. Most Disney classics made almost no money. Slavery has only been illegal in the UK since 2010. George Washington wasn't the first American President. Velcro doesn’t exist. Nobody knows why we sleep.

    These tales described how the gods created the earth and its life, how the stars were created, and why the days are longer in summer. Other stories recounted the pranks of Kamapuaa the Pig-Man, the origin of the tapa tree, the death of the monster reptile mo-o, and the home of the volcano goddess, Pele.From this rich body of mythology, author Vivian Thompson has drawn twelve myths. She retells them with the true flavor and simplicity of the storytellers of long ago. Thompson's words are accompanied by the illustrations of Hawaii artist Marilyn Kahalewai, who has captured the delight and drama of the ancient tales.The time of deep darkness --A battle nobody won --Spears of lightning --A strange sled race --The lost sun, moon, and stars --The shark in the Milky Way --A Kupua plays tricks --The gift of the hairy one --Maui traps sun --The Monster mo-o --Calabash of the winds --The woman in moon

    That means you must be willing to take risks and sometimes look the fool. You must be willing to transform experience, not simply record it. If you were a good liar, daydreamer, or troublemaker as a child, you'll probably make a good fiction writer. Daydreams, lies, and trouble. That's the stuff of fiction. In Turning Life into Fiction, Robin Hemley offers a highly entertaining and in-depth manual—with writing exercises on how to convert real life into good storytelling. He covers a wide range of subjects, including how to record and generate ideas from daily life and how to write effectively using true anecdotes, real places, and real people. A self-proclaimed liar and thief, Hemley also addresses the legal and ethical concerns of "borrowing" experience from the lives of strangers and loved ones.Lively, informative, and inspirational, Turning Life into Fiction is an invaluable text for any fiction writer. First published in 1994, this new edition is updated and expanded to include nearly a dozen short stories that Hemley refers to throughoutthe book.