In her deft hands, “relationships and mundane activities take on mythic qualities” (The Wall Street Journal).In this collection, Bender’s unique talents sparkle brilliantly in stories about people searching for connection through love, sex, and family—while navigating the often painful realities of their lives. A traumatic event unfolds when a girl with flowing hair of golden wheat appears in an apple orchard, where a group of people await her. A woman plays out a prostitution fantasy with her husband and finds she cannot go back to her old sex life. An ugly woman marries an ogre and struggles to decide if she should stay with him after he mistakenly eats their children. Two sisters travel deep into Malaysia, where one learns the art of mending tigers who have been ripped to shreds.In these deeply resonant stories—evocative, funny, beautiful, and sad—we see ourselves reflected as if in a funhouse mirror. Aimee Bender has once again proven herself to be among the most imaginative, exciting, and intelligent writers of our time.

    You learn too much. And you learn to move quietly through your own small domain. You also know when the men are gone. No more boots stomping above, no more football games turned up too high, and, best of all, no more front doors slamming before dawn as they trudge out for their early formation, sneakers on metal stairs, cars starting, shouts to the windows above to throw them down their gloves on cold desert mornings. Babies still cry, telephones ring, Saturday morning cartoons screech, but without the men, there is a sense of muted silence, a sense of muted life. There is an army of women waiting for their men to return in Fort Hood, Texas. Through a series of loosely interconnected stories, Siobhan Fallon takes readers onto the base, inside the homes, into the marriages and families-intimate places not seen in newspaper articles or politicians' speeches. When you leave Fort Hood, the sign above the gate warns, You've Survived the War, Now Survive the Homecoming. It is eerily prescient.

    In “Books and Roses” one special key opens a library, a garden, and clues to at least two lovers’ fates. In “Is Your Blood as Red as This?” an unlikely key opens the heart of a student at a puppeteering school. “‘Sorry’ Doesn’t Sweeten Her Tea” involves a “house of locks,” where doors can be closed only with a key—with surprising, unobservable developments. And in “If a Book Is Locked There’s Probably a Good Reason for That Don't You Think,” a key keeps a mystical diary locked (for good reason).  Oyeyemi’s tales span multiple times and landscapes as they tease boundaries between coexisting realities. Is a key a gate, a gift, or an invitation?

    And no one embodies this spirit more than Elena Richardson, whose guiding principle is playing by the rules.Enter Mia Warren - an enigmatic artist and single mother- who arrives in this idyllic bubble with her teenage daughter Pearl, and rents a house from the Richardsons. Soon Mia and Pearl become more than just tenants: all four Richardson children are drawn to the mother-daughter pair. But Mia carries with her a mysterious past, and a disregard for the rules that threatens to upend this carefully ordered community.When old family friends attempt to adopt a Chinese-American baby, a custody battle erupts that dramatically divides the town - and puts Mia and Elena on opposing sides. Suspicious of Mia and her motives, Elena is determined to uncover the secrets in Mia's past. But her obsession will come at an unexpected and devastating cost . . .

    Elegantly structured, these stories span the globe and beyond, from small-town America and sunny Caribbean islands to the Arctic Ocean and the very gates of Heaven itself. And though some of the stories are steeped in mythology, they remain grounded in universal experiences: loss of identity, leaving home, parenthood, joy, and longing.Crisscrossing the pages of Awayland are travelers and expats, shadows and ghosts. A girl watches as her homesick mother slowly dissolves into literal mist. The mayor of a small Midwestern town offers a strange prize, for stranger reasons, to the parents of any baby born on Lenin's birthday. A chef bound for Mars begins an even more treacherous journey much closer to home. And a lonely heart searches for love online--never mind that he's a Cyclops. With her signature tenderness, Ramona Ausubel applies a mapmaker's eye to landscapes both real and imagined, all the while providing a keen guide to the wild, uncharted terrain of the human heart.

    Glaciers follows Isabel through a day in her life in which work with damaged books in the basement of a library, unrequited love for the former soldier who fixes her computer, and dreams of the perfect vintage dress move over a backdrop of deteriorating urban architecture and the imminent loss of the glaciers she knew as a young girl in Alaska.Glaciers unfolds internally, the action shaped by Isabel’s sense of history, memory, and place, recalling the work of writers such as Jean Rhys, Marguerite Duras, and Virginia Woolf. For Isabel, the fleeting moments of one day can reveal an entire life. While she contemplates loss and the intricate fissures it creates in our lives, she accumulates the stories—the remnants—of those around her and she begins to tell her own story.

    . . Will stand by itself as one of our funniest, most telling anatomies of human love and vulnerability.” —The New York Times Book Review, cover).These eight masterly stories reveal Lorrie Moore at her most mature and in a perfect configuration of craft, mind, and bewitched spirit, as she explores the passage of time and summons up its inevitable sorrows and hilarious pitfalls to reveal her own exquisite, singular wisdom.In “Debarking,” a newly divorced man tries to keep his wits about him as the United States prepares to invade Iraq, and against this ominous moment, we see—in all its irresistible wit and darkness—the perils of divorce and what can follow in its wake . . .In “Foes,” a political argument goes grotesquely awry as the events of 9/11 unexpectedly manifest themselves at a fund-raising dinner in Georgetown . . . In “The Juniper Tree,” a teacher visited by the ghost of her recently deceased friend is forced to sing “The Star-Spangled Banner” in a kind of nightmare reunion . . . And in “Wings,” we watch the inevitable unraveling of two once-hopeful musicians, neither of whom held fast to their dreams nor struck out along other paths, as Moore deftly depicts the intricacies of dead-ends-ville and the workings of regret . . .Here are people beset, burdened, buoyed; protected by raising teenage children; dating after divorce; facing the serious illness of a longtime friend; setting forth on a romantic assignation abroad, having it interrupted mid-trip, and coming to understand the larger ramifications and the impossibility of the connection . . . stories that show people coping with large dislocation in their lives, with risking a new path to answer the desire to be in relation—to someone . . .Gimlet-eyed social observation, the public and private absurdities of American life, dramatic irony, and enduring half-cracked love wend their way through each of these narratives in a heartrending mash-up of the tragic and the laugh-out-loud—the hallmark of life in Lorrie-Moore-land.--jacket

    A man sees his favorite elephant vanish into thin air; a newlywed couple suffers attacks of hunger that drive them to hold up a McDonald's in the middle of the night; and a young woman discovers that she has become irresistible to a little green monster who burrows up through her backyard.By turns haunting and hilarious, The Elephant Vanishes is further proof of Murakami's ability to cross the border between separate realities -- and to come back bearing treasure.

    She abandoned her loveless marriage to join an ashram, endured a brief stint as a beggar (mostly to spite her affluent parents), and spent years chasing after a dishevelled, homeless 'artist' - all with her young child in tow. Now she is forgetting things, mixing up her maid's wages and leaving the gas on all night, and her grown-up daughter is faced with the task of caring for a woman who never cared for her.This is a love story and a story about betrayal. But not between lovers - between mother and daughter. Sharp as a blade and laced with caustic wit, Burnt Sugar unpicks the slippery, choking cord of memory and myth that binds two women together, making and unmaking them endlessly.

    With a fluency of tone that will surprise even his devoted readers, he captures both bewildering horror and heartrending tenderness with an absorbing, compassionate authority.We warm to these newcomers—as to all Russo's characters—almost despite ourselves. A jaded Hollywood moviemaker uncovers a decades-old flame he never knew he'd harbored. A precocious fifth grader puzzles over life, love and baseball as he watches his parents' marriage dissolve. Another child is forced into a harrowing cross-country escape whose actual purpose he learns only after the fact. An elderly couple rediscovers the power, and the misery, of their relationship during a long-awaited retreat to a resort island. And in the title story, a septuagenarian nun invades the narrator's college writing workshop with an incredible saga.

    They succeed, finding not only that tribe but also a group of forest dwellers they dub "The Dreamers," who turn out to be fantastically long-lived but progressively more senile. Perina suspects the source of their longevity is a hard-to-find turtle; unable to resist the possibility of eternal life, he kills one and smuggles some meat back to the States. He scientifically proves his thesis, earning worldwide fame and the Nobel Prize, but he soon discovers that its miraculous property comes at a terrible price. As things quickly spiral out of his control, his own demons take hold, with devastating personal consequences.

    A Hollywood icon, Ringwald defined the teenage experience in the eighties in such classic films as Pretty in Pink, The Breakfast Club, and Sixteen Candles. Ringwald brings that same compelling candour she displayed in her film roles to the unforgettable characters she has created in this series of intertwined and linked stories about the particular challenges, joys and disappointments of adult relationships. Her characters grapple with infertility and infidelity, fame and familial discord, in a magnificent debut that will resonate broadly with readers - from fans of Melissa Banks to Meg Wolitzer to Lorrie Moore.

    Patrick Lewis arrives in Toronto in the 1920s and earns his living searching for a vanished millionaire and tunneling beneath Lake Ontario. In the course of his adventures, Patrick's life intersects with those of characters who reappear in Ondaatje's Booker Prize-winning The English Patient. 256 pp.

    There was no thought in his head, only an intense drive to run. There was no sense he was getting anywhere, no plan, no destination, no future. All he had was a sense of what was behind, what he was running from. Jacky was running.The Natives of the Colony are restless. The Settlers are eager to have a nation of peace, and to bring the savages into line. Families are torn apart, reeducation is enforced. This rich land will provide for all.This is not Australia as we know it. This is not the Australia of our history.

    Rosemary begins her story in the middle. She has her reasons. “Until Fern’s expulsion...,” Rosemary says, “she was my twin, my funhouse mirror, my whirlwind other half and I loved her.” As a child, Rosemary never stopped talking. Then, something happened, and Rosemary wrapped herself in silence.In We Are All Completely Beside Ourselves, Karen Joy Fowler weaves her most accomplished work to date—a tale of loving but fallible people whose well-intentioned actions lead to heartbreaking consequences.