Now, after a half-century separation, the filming of a TV documentary forces them to relive the past. Woven into their 50 years of separation are a shoe-horn and the threads of loyalty and love which form their 'uncommon bond'.

    The book covers standard cultural anthropology topics with special attention given to issues of concern to Christians, such as cultural relativism, evolution, and missions.This concise yet solid introduction represents the authors' years of experience in the classroom and offers a fresh, contemporary approach. Each chapter includes objectives, text boxes, terms, and discussion questions. In addition, plentiful maps, photos, and sidebars are sprinkled throughout the text.Resources for professors using this text are available through Baker Academic's Textbook eSources. These resources include active learning exercises, discussion questions, crossword puzzles, PowerPoint outlines, case study videos, an annotated list of suggested ethnographic films, relevant internet resources, and a test bank.

    The author, a specialist in early Christianity, reveals the light that leading theologians of the early church shed on contemporary discussions of what it means to be human. Each chapter explores a different facet of the divine image and likeness and maps out a path that can lead toward wholeness and holiness. This fresh approach to theological anthropology brings Greek patristic theology to students in a readable fashion.

    What's your name? Where were you born? What is your date of birth? Simple questions that we are asked throughout our lifeand shows what makes us who we really are.

    Doyle has a flare for writing about family dysfunction with a twist. With a unique blend of realism and fantasy, The Girl Who Ate Kalamazoo is the moving story of the hauntingly beautiful Audrey Mapes, who began her illustrious "career" by downing crayons by the carton only to graduate to eating an entire city one bite at a time. With vivid, acerbic wit, Doyle details the life of the world's most gifted "eatist" through the eyes of Audrey's sister, McKenna. Through her eyes, we see the real tragedy of the Mapes story is not the destruction of a city, but rather, the quiet disintegration of a family who just didn't quite know how to love.

    She hires a team to reverse-engineer the overnight construction. But she knows more than she’s letting on.A curious 9-year-old decides there’s treasure inside, and goes exploring. His terrified dad chases close behind.Inside, the facade of an empty office building is quickly shattered. Ghostly figures stalk the explorers. The walls themselves are hungry. And something is waiting on the top floor.

    It is a story of risk and adventure, of self-reliance and service, of loyalty and friendship. It is a story driven by an abiding faith in our country.Raised in a large Irish-Catholic family in Philadelphia at a time when kids hid under their desks in atomic war drills, Chris's life etched a pattern: take a leap, live an adventure, then learn what it means. As a young Peace Corps graduate, Chris moved to DC and began knocking on doors on Capitol Hill. With dreams of becoming what Ted Sorensen had been for Jack Kennedy, Chris landed as a staffer to Utah Senator Frank Moss, where his eyes were opened to the game of big-league politics.In the 1970s, Matthews mounted a campaign for Congress as a Democratic maverick running against Philadelphia's old political machine. He didn't win the most votes, but his grit put him on the path to a top job in the White House. As a speechwriter for President Carter, Matthews witnessed the triumphs and tragedies of that administration; from the diplomatic brilliance of the Israeli-Egyptian peace treaty to the disaster of the Iran hostage crisis. After Carter's defeat, Chris became chief of staff to legendary Speaker of the House Tip O'Neill, a perch that gave him an on-the-job PhD in American politics during the Reagan years.Chris then leapt to the other side of the political matrix as a columnist and reporter. For the San Francisco Examiner, he covered the fall of the Berlin Wall, the first all-races election in South Africa, the Good Friday Agreement in Northern Ireland, and every American presidency from Reagan to George W. Bush. Chris would go on to pioneer cable news with a fast-paced, no-nonsense television program. His show, Hardball with Chris Matthews, would become a political institution for twenty years.As Chris charts his political odyssey, he paints an energetic picture of a nation searching for its soul. He reflects with grace and wisdom, showcasing the grand arc of the American story through one life dedicated to its politics.A sweeping memoir of American politics and history from Chris Matthews, New York Times bestselling author and former host of MSNBC's Hardball with Chris Matthews.

    Longtime skateboard artist Sean Cliver put together this staggering survey of over 1,000 skateboard graphics from the last 30 years, creating an indispensable insiders' history as he did so.Alongside his own history, Sean has assembled a wealth of recollections and stories from prominent artists and skateboarders such as: Andy Howell, Barry McGee, Ed Templeton, Steve Caballero, and Tony Hawk.The end result is a fascinating historical account of art in the skateboard subculture, as told by those directly involved with shaping its legendary creative face.

    For as long as dogs have lived alongside man, they have saved their lives in wartime with their bravery, loyalty and companionship. From the WWII dog that was adopted by the Royal Navy as a mascot, torpedoed, shot at and registered as a prisoner of war, to the more recent heroics of explosives dog, Bonnie, in Afghanistan and Iraq where she saved hundreds of military and civilian lives, this is a collection of the most incredible and heartwarming accounts from around the world.Capturing the fear, uncertainly, determination and undying devotion of these amazing dogs and the young soldiers, sailors and airmen they befriended, these are truly inspirational tales of loyalty and companionship beyond all boundaries.

    That's the name the world knows her by. One word. One name. At seventeen, she was a girl who had her spotlight when she was whisked away to co-star in what would be an award-winning movie. From that moment on, she had never strayed away. Now, at 24, Octavia is a star and has found herself in multiple productions. As she finds herself in Milan, Italy for a new and upcoming movie she is cast in, she crosses paths with Caleb Henderson, the famous writer known to the world as Romero Henderson. However, as the production of the movie begins, Octavia immediately decides her opinion of Caleb. She doesn't like him. She borderline hates him.She hates how annoying he is. She hates the stupid, random topics he always brings up. She hates how he almost always cuts her off whenever she's speaking.She hates how attracted she is to him.I exhaled, trying to rub the tiredness off my face with my hands. I looked down at his shadow on the ground to him. His face looked as if it was glowing from the sun, his eyes narrowing from the brightness. I let my gaze trail from the exposed tattoos on his arms to the stupid smile that was still on his face. "Why are you like this?" For a moment he didn't answer me. He simply glanced at me, knowing that I meant more in the five words. The smile on his face went from pure amusement to bitterness. It was something I had never seen before and I didn't think I wanted to see him smile like that ever again. He pivoted his head towards the sun once again and in a serious tone asked, "Would you have me any other way?"

    Taking as a starting point a drawing he made in Medellin in 2006—as well as its caption, “I swear I saw this”—Taussig considers the fieldwork notebook as a type of modernist literature and the place where writers and other creators first work out the imaginative logic of discovery. Notebooks mix the raw material of observation with reverie, juxtaposed, in Taussig’s case, with drawings, watercolors, and newspaper cuttings, which blend the inner and outer worlds in a fashion reminiscent of Brion Gysin and William Burroughs’s surreal cut-up technique. Focusing on the small details and observations that are lost when writers convert their notes into finished pieces, Taussig calls for new ways of seeing and using the notebook as form. Memory emerges as a central motif in I Swear I Saw This as he explores his penchant to inscribe new recollections in the margins or directly over the original entries days or weeks after an event. This palimpsest of afterthoughts leads to ruminations on Freud’s analysis of dreams, Proust’s thoughts on the involuntary workings of memory, and Benjamin’s theories of history—fieldwork, Taussig writes, provokes childhood memories with startling ease. I Swear I Saw This exhibits Taussig’s characteristic verve and intellectual audacity, here combined with a revelatory sense of intimacy. He writes, “drawing is thus a depicting, a hauling, an unraveling, and being impelled toward something or somebody.” Readers will exult in joining Taussig once again as he follows the threads of a tangled skein of inspired associations.

    True Christianity involves a sight of the majesty of God and calls for a godly life.

    But when a solar storm reconnects Earth to the Fae Nexus, the world is engulfed in magical energy, altering the laws of nature… violently. Fuel, ammunition, and electronics explode, leaving the world in a dark apocalypse.As the flames die down, demons emerge through the Fae Nexus, swarming Gage’s hometown and enslaving the survivors.To fight back, Gage and his reunited friends harness Fae powers, becoming the Wizard, Ranger, and Fighter they’ve always played in their favorite roleplaying game.With the help of a pair of moonshiners turned Alchemists and the ghost of a long-dead gunslinger, Gage and his friends have to level up fast to free their families and defend their home against the demonic horde.He may have walked away once, but this time the only thing Gage is leaving behind are his regrets and a pile of dead demons.

    From Scottish culture to the ancient history of the country to modern pastimes, this book has all that and more. Learn why the thistle is the floral emblem of Scotland, how Scotch whisky is made, why the Scots celebrate Hogmanay, how to play the bagpipes, and much more. This delightful book is the perfect gift for anyone planning a visit to Scotland, with an interest in Scottish history, or a drop of Scottish blood.

    Routledge is an imprint of Taylor & Francis, an informa company.