In a satanic bargain, Melmoth exchanges his soul for immortality. The story of his tortured wanderings through the centuries is pieced together through those who have been implored by Melmoth to take over his pact with the devil. Influenced by the Gothic romances of the late 18th century, Maturin's diabolic tale raised the genre to a new and macabre pitch. Its many admirers include Poe, Balzac, Oscar Wilde and Baudelaire.

    But Dr Pinecroft has plans for a revolutionary experiment: convinced that sea air will prove to be the cure his wife and children needed, he arranges to house a group of prisoners suffering from the same disease in the cliffs beneath his new Cornish home. While he devotes himself to his controversial medical trials, Louise finds herself increasingly discomfited by the strange tales her new maid tells of the fairies that hunt the land, searching for those they can steal away to their realm.Forty years later, Hester Why arrives at Morvoren House to take up a position as nurse to the now partially paralysed and almost entirely mute Miss Pinecroft. Hester has fled to Cornwall to try and escape her past, but surrounded by superstitious staff enacting bizarre rituals, she soon discovers that her new home may be just as dangerous as her last.

    Chasing the creature across magical realms and even through time, Death takes on a heart-pounding adventure that reveals some of the greatest mysteries of the games!

    They own vast lands and profitable businesses, they employ their neighbors, and they influence the government. A prolific and eccentric group, they include several millionaires, a mass murderer, a spiritual seeker who climbs into the mountains looking for God, a wealthy noctambulist who dies of a chicken scratch.Bellefleur traces the lives of several generations of this unusual family. At its center is Gideon Bellefleur and his imperious, somewhat psychic, very beautiful wife, Leah, their three children (one with frightening psychic abilities), and the servants and relatives, living and dead, who inhabit the mansion and its environs. Their story offers a profound look at the world's changeableness, time and eternity, space and soul, pride and physicality versus love. Bellefleur is an allegory of caritas versus cupiditas, love and selflessness versus pride and selfishness. It is a novel of change, baffling complexity, mystery.Written with a voluptuousness and startling immediacy that transcends Joyce Carol Oates's early works, Bellefleur is widely regarded as a masterwork—a feat of literary genius.

    Now they’ll turn deadly . . . Reclusive novelist Eugenia writes a bestselling novel under the pen name Amy Mathews. Her outgoing older sister serves as the face of the fictitious writer. It’s a lucrative partnership that landed Amy Mathews literary fame and fortune . . . until now.Virginia wants more books, but Amy Mathews is pretty much dead to Eugenia. She dreams of overcoming her social phobias and writing under her own name. She wants to get out of the house. But Eugenia soon discovers that it’s not that easy to put down the pen. In fact, it could very well turn deadly . . . For fans of complex characters and subtle plots turns in the best tradition of psychological thrillers, comes this stirring and twisty tale that will leave you wondering – just exactly what defines a villain?This smart and twisty thriller that is equal parts terrifying and profound will keep you on the edge of your seat until the very last page.

    Her ghost still inhabits the place and takes over the wife's body, goes to Hollywood, and tries to re-enter films. The couple meets a film buff, living in Vilma Banky's old home, and he has prints of all the lost films including the complete Greed.

    So begins a journey that will take them down a circuitous path fraught with the unknown—and danger. Why do the Rockwells, expecting their first child, seem at once welcomed and repelled? What does it mean when Margaret starts to dream of the family that built the house in 1910? For her the house comes alive with its own sounds, sights, thoughts, and intentions. How could the death of a child ninety years before impact their lives? And why?

    Checking into a quaint boardinghouse for the summer, she hopes to put her life into perspective. In her fellow lodgers, she finds a friendly company of strangers: the frail Alice, cared for by a married couple with a heartbreaking story of their own; LuAnn, the eccentric and lovable owner of the inn; and Dominic, an unsettlingly handsome man inked from head to toe in mesmerizing tattoos.But in this inviting refuge, where a century of souls has passed, a mystery begins to swirl. Alice knows things about Brynn, about all of them, that she shouldn’t. Bad dreams and night whispers lure Brynn to a shuttered room at the end of the hall, a room still heavy with a recent death. And now she’s become irresistibly drawn to Dominic—even in the shadow of rumors that wherever he goes, suspicious death follows.In this chilling season of love, transformation, and fear, something is calling for Brynn. To settle her past, she may have no choice but to answer.

    At a Halloween party, she meets someone who believes her, a boy with green eyes and ghosts of his own named Thomas. Someone wants to do worse to Thea than kill her, and in order to find out who they are and what they want the two of them will have to deal with a clan of unusually helpful vampires, unexpected Shoggoths, and all the weird that Rhode Island can throw at them. And that's a lot of weird.

    Former seamstress Clara Blackwood seems to have found happiness at last. Now a blissfully married baroness, she is mistress of a grand estate. But soon a mysterious summons shatters her contented life. Clara grew up believing that her mother’s family had disowned them. But now the grandmother she never knew is on her deathbed and anxious to disclose vital family secrets before it’s too late—for Clara’s unborn child may be cursed with a horrible fate. When Clara and her husband, Atticus, arrive at dismal Thurnley Hall, they find intrigue brewing. Her boorish uncle, Horace Burleigh, is greedy for her wealth and desperate to protect the family’s mysteries. Superstitious fear of Atticus torments the hulking Romanian servant, Grigore, and even the soft-spoken young ward, Victor Lynch, may have secret motives for getting close to Clara and her husband. When her grandmother dies under suspicious circumstances, Clara feels compelled to investigate. And when Atticus vanishes mysteriously, she must draw on all her strength and determination to find him before his time runs out… before her life can be cursed once more. Fans of the Gothic romances of Victoria Holt, Mary Stewart, and Barbara Michaels won't want to miss this thrilling, romantic sequel to With This Curse, in which Clara faces new challenges and dangers. Just Book Talk gives Cursed Once More five stars and calls it “another exciting adventure . . . [with] a rich cast of spooky and strange characters.” And be sure not to miss Nocturne for a Widow , in which Clara's former employer, vivacious actress Sybil Ingram, is plunged into adventure in a haunted house in the Hudson River Valley.

    Instead of the skills proper young ladies studied, Saint Melissa was adept at the bringing on of migraines, the refinement of lust, and the involutions of penmanship and calligrams. And as Gorey wrote, "letters she wrote are still to be delivered, traps she set are still to be sprung, pronouncements she devised are still to be promulgated, objects she hid are still to be found."

    Opening with a chapter on how Emily BrontA's masterpiece was received in the nineteenth century, the "Guide" links together a selection of extracts that demonstrate the major critical developments of the twentieth century -- from humanism through formalism to deconstruction. Within this general framework, subsequent chapters focus on psychoanalytic readings, source studies, readings using discourse theory, work on dissemination, and political readings from Marxist, postcolonialist, and feminist points of view.

    Finding it hard to make friends, things change when Maisie tells her new classmates about something strange she saw the night before - a girl's face in the window of a gothic tower. The girls tell Maisie about the ghost of a Victorian pupil rumoured to wander the corridors. One particular student called Kat seems captivated by what Maisie has seen, and - both feeling like outsiders - they quickly become close. One night, though, Maisie comes across a tin box full of photos and notes. It's plainly decades old, and, squinting at the photos - belonged to a smiling girl who looks exactly like Kat...

    Married. Hardworking. Easygoing. Fond of the occasional drink, maybe, and the occasional woman. But nothing serious. Nothing really bad.Now, though, something has gotten into Herman. Something is eating away at him. Something dark. Something ravenous.And no one is safe. No one.

    The novel follows Victoria's progress from spoilt daughter of indulgent aristocrats, through a period of abuse and captivity, to a career of deepening criminality conducted under Satan's watchful eye. Charlotte Dacre's narrative deftly displays her heroine's movement from the vitalized position of Ann Radcliffe's heroines to a fully conscious commitment to vice that goes beyond that of 'Monk' Lewis's deluded Ambrosio. The novel's most daring aspect is its anatomy of Victoria's intense sexual attraction to her Moorish servant Zofloya that transgresses taboos both of class and race. A minor scandal on its first publication, and a significant influence on Byron and Shelley, Zofloya has been unduly neglected. Contradicting idealized stereotypes of women's writing, the novel's portrait of indulged desire, gratuitous cruelty, and monumental self-absorption retains considerable power to disturb.