Winner of the 1999 Governor General's Award for Poetry and shortlisted for the 1999 Pat Lowther Award and the 1999 Dorothy Livesay Award for Poetry (BC Book Prize). SONGS FOR RELINQUISHING THE EARTH contains many poems of praise and grief for the imperiled earth drawing frequently on Jan Zwicky's experience as a musician and philosopher and on the landscapes of the prairies and rural Ontario.SONGS FOR RELINQUISHING THE EARTH was first published by the author in 1996 as a handmade book, each copy individually sewn for its reader in response to a request. It appeared between plain covers on recycled stock, with a small photo (of lavender fields) pasted into each copy. The only publicity was word of mouth.Part of Jan Zwicky's reason for having the author be the maker and distributor of the book was a desire to connect the acts of publication and publicity with the initial act of composition, to have a book whose public gestures were in keeping with the intimacy of the art. She also believed the potential audience was small enough that she could easily sew enough copies to fill requests as they came in. While succeeding in recalling poetry's public life to its roots, she was wrong about the size of that audience and her ability to keep up with demand as word spread, Hence, this facsimile edition. In publishing it, Brick Books has attempted to remain as faithful as possible to the spirit of those original gestures, while making it possible for more readers to have access to this remarkable book.

    “Leah Horlick’s For Your Own Good may be the best book of poetry to come out of Canada this year.” –Michael Dennis“Sometimes it feels as though there are Poems About Important Issues and Good Poems, and the two camps rarely meet. For Your Own Good is a startling combination of the two, skillful poems both defiant and self-aware, and close to my femme heart. We need this book.” –Zoe WhittallIn the canon of contemporary feminist and lesbian poetry, For Your Own Good breaks silence. A fictionalized autobiography, the poems in this collection illustrate the narrator’s survival of domestic and sexual violence in a lesbian relationship. There is magic in this work: the symbolism of the Tarot and the roots of Jewish heritage, but also the magic that is at the heart of transformation and survival.These poems are acutely painful, rooted in singular and firsthand experiences. But Horlick also draws from a legacy of feminist, Jewish and lesbian writers against violence: epigraphs from the works of Adrienne Rich and Minnie Bruce Pratt act as touchstones alongside references to contemporary writers, such as Daphne Gottlieb and Michelle Tea.In this reflection on grief, silence and community, we follow the narrator’s own journey as she explores what it is to survive, to change, to desire and to hope. At once unflinching and fragile, For Your Own Good is a collection with transformation at its heart.REVIEWS“‘Magic,’ which is the title of one of the poems in this collection, is a word I’d use to describe Leah Horlick’s work. Each piece takes us through a transmutation–from frightened girl to woman, from lover to abuser, from audience to performer, from alone to beloved. Horlick doesn’t back away from hard realities, deep longing or fierce desire, and drapes language around them like fitted silk–revealing and reflecting.”–Jewelle Gomez, author of Waiting for Giovanni‘These poems are beautiful. Solid and glittering as ice or crystal, they hold secrets and hard truths in their core. The wonder and lushness of Horlick’s voice imparts a loveliness to countless hidden tragedies, never sugaring them but bearing an elegant, whispering witness.”–Michelle Tea, author of How to Grow Up“Leah Horlick’s most recent collection of poetry is a beautiful rendering of grief, love and survival. This poignant poetic offering left me feeling the sensitive grace of her words long after I finished reading. The way she weaves stories into poetry is both haunting and powerful, elegant and unsettling. While reading, I had to keep reminding myself to breathe!”–Lishai Peel, author of Why Birds and Wolves Don’t Trade Stones

    But in her memoir, she offers a different perspective. In My Own Moccasins is an unflinching account of addiction, intergenerational trauma, and the wounds brought on by sexual violence. It is also the story of sisterhood, the power of ceremony, the love of family, and the possibility of redemption.With gripping moments of withdrawal, times of spiritual awareness, and historical insights going back to the signing of Treaty 8 by her great-great grandfather, Chief Bigfoot, her journey exposes the legacy of colonialism, while reclaiming her spirit.

    In the same style as the best-selling Dreaming in Indian, #NotYourPrincess presents an eclectic collection of poems, essays, interviews, and art that combine to express the experience of being a Native woman. Stories of abuse, humiliation, and stereotyping are countered by the voices of passionate women making themselves heard and demanding change. Sometimes angry, often reflective, but always strong, the women in this book will give teen readers insight into the lives of women who, for so long, have been virtually invisible.

    For the reservation-born, urban-dwelling hipster, the exercise feels stereotypical, reductive, and boring. He hates nature. He prefers city lights to the night sky. He’d slap a tree across the face. He’d rather write a mountain of hashtag punchlines about death and give head in a pizza-parlor bathroom; he’d rather write odes to Aretha Franklin and Hole. While he’s adamant—bratty, even—about his distaste for the word “natural,” over the course of the book we see him confronting the assimilationist, historical, colonial-white ideas that collude NDN people with nature. The closer his people were identified with the “natural world,” he figures, the easier it was to mow them down like the underbrush. But Teebs gradually learns how to interpret constellations through his own lens, along with human nature, sexuality, language, music, and Twitter. Even while he reckons with manifest destiny and genocide and centuries of disenfranchisement, he learns how to have faith in his own voice.

    She’s not expecting to meet anyone, and is caught off guard by the attraction she feels for Rachel, the co-owner of a local restaurant. That initial spark is dampened, however, when Lisa learns that Rachel has a young son.Rachel Murray has worked to build a good life, but raising Declan hasn’t been without its challenges. Each day when Rachel picks him up from school, she says a silent prayer that he will be waiting for her in his classroom, and not in the principal’s office because of his disruptive behavior.Despite her grief, Lisa finds herself drawn to both Rachel and Declan. She believes she can keep her emotions at bay—keep from drowning in grief and keep from falling in love—but she finds both to be a tidal wave washing over her and sweeping her off her feet.For Lisa, tears may be the silent language of her grief, but the love she feels for Rachel and Declan has the power to become the resounding song of hope—if she allows herself to hear it.

    But her spirit lives today.Jezebel was the most wicked woman in the Bible, a powerful seductress who killed the prophets, led Israel into idolatry and immorality, and emasculated men. She was seductive and determined to snuff out the voices coming against her, because these voices were calling out for repentance.In twenty-first-century America, Jezebel is not a person. But it’s as if the spirit of Jezebel is alive again today. The influence of the same demonic force is being felt in the massive increase of pornography and sexual temptation, the militant spirit of abortion, the rise of radical feminism, and most importantly, in the attempt to silence prophetic voices. Just as Jezebel clashed with strong men almost three thousand years ago, the demonic spirit of Jezebel is powerful in America, and it is going after the church.This eye-opening book not only unveils the satanic plot to destroy America, beginning with an all-out assault on the church, but it will equip every believer with tools to defeat the enemy in their own personal lives as well as in the nation. This book will show you how the spirit of Jezebel is active in America today and teach you how to protect the church.OTHER BOOKS BY MICHAEL L. BROWN, PHD:Playing With Holy Fire (2018) ISBN-13: 978-1629994987The Power of Music (2019)ISBN-13: 978-1629995953Breaking the Stronghold of Food (2017) ISBN-13: 978-1629990996

    In this honest, emotionally captivating short story collection, renowned author and National Book Award finalist Julie Anne Peters offers a stunning portrayal of young women as they navigate the hurdles of relationships and sexual identity.From the young lesbian taking her first steps toward coming out to the two strangers who lock eyes across a crowded train, from the transgender teen longing for a sense of self to the girl whose abusive father has turned her to stone, Peters is the master of creating characters whose own vulnerability resonates with readers and stays with them long after the last page is turned.Grl2grl shows the rawness of teenage emotion as young girls become women and begin to discover the intricacies of love, dating and sexuality.

    Writing in dialogue with emancipatory political movements, the intergenerational writers assembled here imagine an altogether overturned world in poems that pursue the particular and multiple trans relationships to desire, embodiment, housing, sex, ecology, history, pop culture, and the working day.

    Pronounced ‘cheena’: designation for female, from the Quechua. Iron: The English word for Fierro, reference to the gaucho Martín Fierro, from José Hernández’s epic poem.) This is a riotous romp taking the reader from the turbulent frontier culture of the pampas deep into indigenous territories. It charts the adventures of Mrs China Iron, Martín Fierro’s abandoned wife, in her travels across the pampas in a covered wagon with her new-found friend, soon to become lover, a Scottish woman named Liz. While Liz provides China with a sentimental education and schools her in the nefarious ways of the British Empire, their eyes are opened to the wonders of Argentina’s richly diverse flora and fauna, cultures and languages, as well as to its national struggles. After a clash with Colonel Hernández (the author who ‘stole’ Martín Fierro’s poems) and a drunken orgy with gauchos, they eventually find refuge and a peaceful future in a utopian indigenous community, the river- dwelling Iñchiñ people. Seen from an ox-drawn wagon, the narrative moves through the Argentinian landscape, charting the flora and fauna of the Pampas, Gaucho culture, Argentinian nation-building and British colonial projects. In a unique reformulation of history and literary tradition, Gabriela Cabezón Cámara, with humour and sophistication, re-writes Martín Fierro from a feminist, LGBT, postcolonial point of view. She creates a hilarious novel that is nevertheless incisive in its criticism of the way societies come into being, and the way they venerate mythical heroes.

    At the heart of this bold and seductive novel is an alleged crime committed many years before the story opens. Mala is the reclusive old woman suspected of murder who is delivered to the Paradise Alms House after a judge finds her unfit to stand trial. When she arrives at her new home, frail and mute, she is placed in the tender care of Tyler, a vivacious male nurse, who becomes her unlikely confidante and the storyteller of Mala's extraordinary life.In luminous, sensual prose, internationally acclaimed writer Shani Mootoo combines diverse storytelling traditions to explore identity, gender, and violence in a celebration of our capacity to love.

    The move fulfilled a Tory campaign promise to deliver greater government transparency and accountability. He was later denounced by the same people who appointed him to scrutinize their spending. When he challenged the government on several issues--most notably about the true costs of the F-35 fighter planes--and publicly claimed the government was misleading Canadians, Page was vilified. He was called "unbelievable, unreliable and incredible" by then-Finance Minister Jim Flaherty. Page's term was not extended and he retired from the civil service.     Page's assessment of the F-35 procurement was proven right, a major embarrassment to the Harper government. But Page's overriding concern is that Parliament does not get the information and analysis it needs to hold the executive (the prime minister and cabinet) to account. Parliament, he argues, is broken, with power centralized in the PMO. The civil service appears cowed, and members of parliament almost never see enough financial analysis to support the policy decisions they make. That was true at various times on the tough-on-crime legislation, new military procurement as well as changes to the Canada Health Transfer and Old Age Security.      In this shocking insider's account, Page argues that democracy is being undermined by an increasingly autocratic government that does not respect facts that run counter to its political agenda. Elected officials need accurate, independently verified data to support the implementation of policies and programs. In Unaccountable, Page tells all Canadians why we should be concerned.

    She was fighting for the legal right to marry as a woman. The author tells of her childhood in Norfolk, the operations that liberated her sexually and her persecution by the tabloid press.

    Unfortunately, this genie is slightly hard of hearing, and misconstrues Megumi's original desire as wanting to become the, "womanliest woman on earth," and in a flash, Megumi's Y chromosome is swapped for an X. Six years later...Megumi is the hottest girl in school, but has stayed true to his/her tough talkin', punk stompin' ways. If that's not enough, Genzou, the baddest dude in town has been smitten by Megumi's womanly wiles.

    A Bulgarian immigrant, Dimitrov writes as both observer of and fervent participant in this "American Youth," as his speakers navigate both the physical and emotional landscapes of desire, intimacy, and longing--whether for a friend, a lover, or a self, "Saint or stranger, I still recklessly seek you."