The poetry of his formative years includes the haunting elegy to his young sister and the grieving lyric at the death of his father. The religious drama of his romance with Rome is captured here, as well as its resolution in his renewed love of ancient Greece. He explores forbidden sexual desires, pays homage to the great theatre stars and poets of his day, observes cityscapes with impressionist intensity. His final masterpiece, The Ballad of Reading Gaol, tells the painful story of his own prison experience and calls for universal compassion. This edition of Wilde's verse presents the full range of his achievement as a poet.

    This small collection of the best English poems offers the reader the chance to re-engage with poetry. Filled with favourites, and thoughtfully selected by Laura Barber (editor of Penguin's Poems for Life and the forthcoming Penguin's Poems for Love) this anthologoy is an essential addition to everyone's repertoire.

    A man and a woman sit at the same dinner table, an ocean of worry separating them. An iceberg sets out to dance. A sword swallower ponders his dating prospects. "The vessel is simple, a rowboat among yachts," the poet observes in "Ukulele." "No one hides a Tommy gun in its case. / No bluesman runs over his uke in a whiskey rage."Beasley's voice is pithy and playful, with a ferocious intelligence that invites comparison to both Sylvia Plath and Dorothy Parker. In one of six signature sestinas, she warns, "You must not use a house to build a home, / and never look for poetry in poems." The collection’s centerpiece is a haunting sequence that engages The Traveler's Vade Mecum, an 1853 compendium of phrases for use by mail, telegraph, or the enigmatic “Instantaneous Letter Writer."Assembled over ten years and thousands of miles, these poems illuminate how intimacy is lost and gained during our travels. Decisive, funny, and as compassionate as she is merciless, Beasley is a reckoning force on the page.

    But the works of numerous other great and prolific poets–Alkaios, Meleager, and Simonides, to name a few–are rarely translated into English , and are largely unknown to modern readers. In Pure Pagan, award-winning translator Burton Raffel brings these and many other wise and witty ancient Greek writers to an English-speaking audience for the first time, in full poetic flower. Their humorous and philosophical ruminations create a vivid portrait of everyday life in ancient Greece –and they are phenomenally lovely as well.In short, sharp bursts of song, these two-thousand-year-old poems speak about the timeless matters of everyday life:Wine (Wine is the medicine / To call for, the best medicine / To drink deep, deep)History (Not us: no. / It began with our fathers, / I’ve heard). Movers and shakers (If a man shakes loose stones / To make a wall with / Stones may fall on his head / Instead)Old age (Old age is a debt we like to be owed / Not one we like to collect)Frankness (Speak / As you please / And hear what can never / Please). There are also wonderful epigrams (Take what you have while you have it: you’ll lose it soon enough. / A single summer turns a kid into a shaggy goat) and epitaphs (Here I lie, beneath this stone, the famous woman who untied her belt for only one man).The entrancing beauty, humor, and piercing clarity of these poems will draw readers into the Greeks’ journeys to foreign lands, their bacchanalian parties and ferocious battles, as well as into the more intimate settings of their kitchens and bedrooms. The poetry of Pure Pagan reveals the ancient Greeks’ dreams, their sense of humor, sorrows, triumphs, and their most deeply held values, fleshing out our understanding of and appreciation for this fascinating civilization and its artistic legacy.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    In this new collection, human desire pulls with the force and rhythm of a sea tide, emerging from and receding into mysteries larger than any individual life. The book begins with the reverential title poem and concludes with four works that reflect the power of place to shape revelation; the way stone and sky and birdsong can point the way home. Whether tracing the sensual devotion of bodily presence or the painful heartbreak of impermanence, the poems keep faith with love's appearances and disappearances, and the promises we make and break on its behalf.

    Enhancing their work are four seasonally-themed groups of verse, many written by Basho’s students and associates. The translation is thoroughly readable and contemporary, and the images evocative. An enlightening introduction offers biographical information on the featured poets, background on the nature of haiku and its development within the Japanese poetic tradition, and a short account of the Buddhist practice to which most of the writers were connected.

    Here is Wordsworth wandering “lonely as a cloud”; Poe confiding “all I loved, I loved alone”; Yeats’s communion with “the deep heart’s core”; and Han Shan’s heart of a hermit, “clean as a white lotus.” From Sir Edward Dyer’s “My Mind to Me a Kingdom Is,” to the spiritual searching of the Transcendentalists, to the meditative verse of Jorie Graham, some of the most indelible poems from every time and culture have grown out of the aloneness inherent in the poet’s art. The poems collected here, whether reflecting on the soul or on nature, addressing an absent loved one, or honoring the self, form a book of respite and contemplation, and a beautiful tribute to the interior life.

    Ogden Nash first gathered together an anthology of thirty years of his published works in 1959. In 1973 his daughters gathered more than four hundred of his poems and called it I Wouldn't Have Missed It, a quote from one of his verses. Now more poems have come to light, so his daughters have once again produced The Best of Ogden Nash, the definitive Nash anthology. The poems display the talent of the man whose verse entranced America from the time of the Great Depression until his death in 1971. The Best of Ogden Nash should delight old fans and introduce new readers to a unique talent.

    Nothing better justifies this claim than the splendid poems in this volume, which range from the writings of ancient China to those of modern-day America and represent, at its most piercing, a universal experience of the human soul.Includes poems by John Donne, Christina Rossetti, W. H. Auden, Edna St. Vincent Millay, Robert Graves, e. e. cummings, Dorothy Parker, William Shakespeare, Sappho, Bhartrhari, Anna Akhmatova, and W. B. Yeats, among many others.

    She must put her precious little children, Liesl and Erich on the last Kindertransport out of Berlin, or allow them to become prey for the Nazis. She is a Jewish woman alone, her husband Peter was picked up for defending someone in the street, never to reappear. Whatever hope she has of making it on her own, with children she has none.A childless widow, Elizabeth Klein never met her cousin Peter Bannon, that side of the family were never talked about, some ancient, long forgotten grudge, but when she receives a letter from his wife, begging her to take care of her children, she doesn’t hesitate.The Star and the Shamrock trilogy tells the story of Liesl and Erich as they embark on a new and strange life. From the terrifyingly regimented streets of the Third Reich, to the bombed out streets of Liverpool, and finally settling in the lush green valleys of Northern Ireland. It is a story of the love, light and hope which can be found, even in the darkest of situations, and of the ultimate goodness of humanity.

    This book is an integration of 21 stories by Munshi Premchand, some of them are Ansuon ki holi, Namak ka Daroga, Shatranj ke Khiladi and many more.

    And now he has gathered from around the world the poems he loves – poems that have inspired and challenged him over the years, a number of which he has set to music. This wide-ranging and deeply moving anthology combines the ancient and the modern, the hallowed and the profane, the famous and the little known, to speak to two of literature’s great themes that have proven so powerful in his music: love and death – plus everything in between.Here are poems by Yehuda Amichai, W.H. Auden, Tusiata Avia, Hera Lindsay Bird, William Blake, Bertolt Brecht, Constantine Cavafy, Alison Croggon, Mahmoud Darwish, Emily Dickinson, John Donne, Ali Cobby Eckermann, James Fenton, Thomas Hardy, Kevin Hart, Gwen Harwood, Seamus Heaney, Philip Hodgins, Homer, Gerard Manley Hopkins, Langston Hughes, John Keats, Ono No Komachi, Maxine Kumin, Philip Larkin, Li-Young Lee, Norman MacCaig, Paula Meehan, Czeslaw Milosz, Les Murray, Pablo Neruda, Sharon Olds, Ovid, Sylvia Plath, Dorothy Porter, Rumi, Anne Sexton, William Shakespeare, Izumi Shikibu, Warsan Shire, Kenneth Slessor, Wislawa Szymborska, Máire Mhac an tSaoi, Ko Un, Walt Whitman, Judith Wright, W.B. Yeats and many more.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Beloved translator Peter Beilenson’s goal was twofold: to craft a book of haiku accessible to anyone, and to render his best guess at what the poets would have written in English. His translations preserve the sublime spirit of each verse, conjuring vivid visual and emotional impressions in spare words.Haiku icon Basho is represented amply here, as are imagery-virtuoso Buson and wry, warm, painfully human Issa. The verses of Shiki, Joso, Kyorai, Kikaku, Chora, Gyodai, Kakei, Izen, and others also appear, all illuminated by lovely woodblock prints. Ranging from exquisite (In the sea surf edge/Mingling with the bright small shells…/Bush-clover petals –Basho) to bittersweet (Dead my fine hopes/And dry my dreaming, but still…/Iris, blue each spring –Shushiki) to silly (Dim the grey cow comes/Mooing, mooing, and mooing/Out of the morning mist –Issa), this collection will stir your senses and your heart.