Expect characters who leap off the page and a chilling border scenario that could be tomorrow’s headlines. As presidential elections near, Mexico City attorney Eduardo Cortez Castillo discovers evidence of collusion between a powerful government official and Mexico's most dangerous drug cartel. Coded messages . . . A secret website . . . Clever money laundering. The conclusion is terrifying. With deep state help, a ruthless druglord is poised to buy Mexico’s presidency. As he digs for evidence and violence spills across the US-Mexican border, Eduardo is marked for death by cartel assassins. Instead of abandoning the dangerous investigation, he follows the money trail deep into drug smuggling territory where violence buys loyalty and votes are for sale. The odds are against survival. Back in Mexico City, a woman whose name means Light of Mary faces a painful choice. Wait for Eduardo or join the immigration train? But the cartel is looking for her, too. * Get your copy today * This brilliant political thriller takes you on a riveting ride through Mexico's rigid class system and the country's spiraling drug violence, to the harsh realities of the US-Mexican border. Authentic and revealing, much of the action is drawn from the author’s own experiences. "Enthralling political drama" -- Literary Fiction Review “Captivating and thrilling” – InDTale Magazine Love international thrillers by Nelson DeMille, Andrew Gross, Ken Follett, Lee Child and David Morrell? Riveted by AMERICAN DIRT or Don Winslow’s cartel and border thrillers set in Mexico? You won't want to miss THE HIDDEN LIGHT OF MEXICO CITY. Author Carmen Amato is a former CIA intelligence officer who uses her own counterdrug and espionage experiences to craft intrigue-filled crime fiction that keeps you guessing until the very end. Amato is a recipient of both the National Intelligence Award and the Career Intelligence Medal. Her award-winning Detective Emilia Cruz police series pits Acapulco’s first female police detective against cartels and corruption.

    The Mexican Mafia controls every Hispanic neighborhood in Southern California and is rapidly expanding its influence across the country. Riding a wave of unchecked immigration and seemingly eluding law enforcement, the Mexican Mafia is poised to become the Cosa Nostra of 21st century America.

    Mentor advises academic women about issues they daren't discuss openly, such as: How does one really clamber onto the tenure track when the job market is so nasty, brutish, and small? Is there such a thing as the perfectly marketable dissertation topic? How does a meek young woman become a tiger of an authority figure in the classroom-and get stupendous teaching evaluations? How does one cope with sexual harassment, grandiosity, and bizarre behavior from entrenched colleagues?Ms. Mentor's readers will find answers to the secret queries they were afraid to ask anyone else. They'll discover what it really takes to get tenure; what to wear to academic occasions; when to snicker, when to hide, what to eat, and when to sue. They'll find out how to get firmly planted in the rich red earth of tenure. They'll learn why lunch is the most important meal of the day.

    He thirsted for money, power, and all the elegant and willing, hot-blooded women they could buy. He hadn't reckoned on Sharon and Esther. Sharon was shy but sensual, everything Pride had ever desired in a woman, and he knew he'd never stop loving her - not even when Esther came along. Esther was a passionate heiress with a body to match her fabulous fortune, an attractive stepping-stone to success whom he married for more than money and less than love, a sensuous predator who gave him everything he wanted - and made his life a living hell.

    Xtabentum: A Novel of Yucatan is a story of two young women set in the years following the Mexican Revolution in Merida, Yucatan, one of the wealthiest cities in the world at the time. Amanda Diaz is from the "divine caste," a small group of families of European descent who dominate the politics and economy of the region. Amanda's lifelong friend, Carmen, is from the opposite end of the social spectrum, a Mayan Indian who is the daughter of one of the Diaz family servants. Against the true historical background of rebellion, discrimination and assassination in the unstable country, the whipping of Carmen by a Diaz neighbor exposes the sheltered existence of the two women and drives them apart. The story follows Amanda through her horror at the social injustice of the two-class Mexico to the sacrifices she makes in the name of friendship. Parts of the story take place in modern times, where the discovery of an old birth certificate sets Amanda's granddaughter in search of a secret about her father's birth. Her search, told in the first person, is blended with a third-person account of the lives of Amanda and her contemporaries in the 1920s.

    

    While his mother runs with Hell's Angel's bikers, T-Bird falls beneath the men's fists and favors, finds solace and hope in the slightest of rewards, and seeks to survive. Soon, his ex-con father returns to town, and what follows is a raw, powerful, poetic story of one boy's passage into adulthood.

    During her lifetime, she was best known as the flamboyant wife of celebrated muralist Diego Rivera. Theirs was a tumultuous relationship: Rivera declared himself to be "unfit for fidelity." As if to assuage her pain, Kahlo recorded the vicissitudes of her marriage in paint. She also recorded the misery of her deteriorating health--the orthopedic corsets that she was forced to wear, the numerous spinal surgeries, the miscarriages and therapeutic abortions. The artist's sometimes harrowing imagery is mitigated by an intentional primitivism and small scale, as well as by her sardonic humor and extraordinary imagination. In celebration of the one-hundredth anniversary of Kahlo's birth, this major new monograph is published on the occasion of the 2007-08 traveling exhibition. It features the artist's most renowned work--the hauntingly seductive and often brutal self-portraits--as well as a selection of key portraits and still lifes; more than 100 color plates, from Kahlo's earliest works, made in 1926, to her last, in 1954; critical essays by Elizabeth Carpenter, Hayden Herrera and Victor Zamudio-Taylor; and a selection of photographs of Kahlo and Rivera by preeminent photographers of the period, including Manuel Alvarez Bravo, Lola Alvarez Bravo, Gisele Freund, Tina Modotti and Nickolas Muray. The catalogue also contains snapshots from the artist's own photo albums of Kahlo with family and friends such as Andre Breton and Leon Trotsky--some of which have never been published, and several of which Kahlo inscribed with dedications, effaced with self-deprecating marks or kissed with a lipstick trace--plus an extensive illustrated timeline, selected bibliography, exhibition history and index.

    Virtually unknown to archaeologists until the early twentieth century, their true importance is only now being realized and shedding new light on how the Indian peoples of the Americas came to be here.

    Prefacing these stories are contributions from 5 local commentators who share their personal reflections on the gay, lesbian, bisexual and transgender communities in Singapore. They are: Mrs Juliana Toh, Executive Director of Counselling and Care Centre; Reverend Yap Kim Hao, former Methodist Bishop of Singapore; transgender activist Ms Leona Lo; and former Nominated Members of Parliament Ms Braema Mathi and Mr Siew Kum Hong. The book also contains a glossary of the common terms used to describe the diversity within the gay, lesbian, bisexual and transgender communities, and a listing of relevant community and professional resources in Singapore. The editor’s proceeds from sales of the ebook will be donated to Oogachaga, a counselling and support service.

    Katie Hickman went to Mexico looking for magic. She found it in the circus - big top, clowns, elephant and all - where cheap, torn materials are transformed for a night into glittering illusion. Gradually adjusting to the harsh ways of the circus's nomadic lifestyle she soon became absorbed into this hypnotic new world. At first, as a foreigner, she was on the outskirts, but she soon became La Gringa Estrella, a performer in her own right and adopted sister to the Bell's family.

    She was fighting for the legal right to marry as a woman. The author tells of her childhood in Norfolk, the operations that liberated her sexually and her persecution by the tabloid press.

    It finds in the lives of Maggie, her family and her neighbours not only all the tragedy that appalling housing, massive unemployment and grinding poverty can produce, but alo a rich vein of comedy - the sense of the ridiculous, the need for a good laugh.

    Monroe Colson, a successful children’s book illustrator living in small-town Texas, baffles family and friends when he unceremoniously announces he’s moving to Mexico, ostensibly to paint.In Mexico, the true nature of his mysterious behavior not only comes to light, but takes an unexpected turn when he runs into a vibrant young American woman who has been abandoned, penniless, by her fiancé.This emotionally powerful and often humorous story with its controversial subject matter is a poignant testament to the resilience of the human heart.

    Unfurling and unrelenting in its delivery, Candrilli has painted “the mountain” in excruciating detail. They show readers a world of Borax cured bear hides and canned peaches, of urine-filled Gatorade bottles and the syringe and all the syringe may carry. They show a violent world and its many personas. What Runs Over, too, is a story of rural queerness, of a transgender boy almost lost to the forest. The miracle of What Runs Over is that Candrilli has lived to write it at all."When Roethke said 'energy is the soul of poetry,' he might have been anticipating a book like What Runs Over, which is so full of energy it practically vibrates in your hand. Here, Candrilli’s speaker sticks their tongue 'into the heads / of venus fly traps just to feel the bite,' then later, burns holy books in the backyard and rolls around in the ashes until they become 'a painted god.' This is the verve of an urgent new poetic voice announcing itself to the world. As Candrilli writes: 'This is what I look like / when I’m trying to save myself.'"-Kaveh Akbar