At first, the quaint, rural ways of their new neighbors seem to be everything they wanted. But there is an unspoken dread that the townsfolk have lived with for generations. A presence that demands sacrifice. It comes from the shadowy woods across the river, where the ruins of Savoyard still stand. Where a longstanding debt of blood has never been forgotten. A debt that has been waiting patiently for Frank Nichols's homecoming...

    But the Alexander House is different. Built by a 1700s land baron to contain the madness and depravity of his eldest son, the house is plagued by shadows of the past and the lingering taint of bloodshed. David is haunted, as well. For twenty-two years ago, he turned away the woman he loved, and she took her life in sorrow. And David suspects she’s followed him to the Alexander House.

    But she doesn’t even know it.Take this as a warning: if you are not able or willing to control yourself, it will not only be you who suffers the consequences but those around you, as well.New Oldbury, 1821 In the wake of a scandal, the Montrose family and their three daughters—Catherine, Lydia, and Emeline—flee Boston for their new country home, Willow Hall. The estate seems sleepy and idyllic. But a subtle menace creeps into the atmosphere, remnants of a dark history that call to Lydia, and to the youngest, Emeline.All three daughters will be irrevocably changed by what follows, but none more than Lydia, who must draw on a power she never knew she possessed if she wants to protect those she loves. For Willow Hall’s secrets will rise, in the end…

    You will be scared. But you won’t know why…I’m thinking of ending things. Once this thought arrives, it stays. It sticks. It lingers. It’s always there. Always. Jake once said, “Sometimes a thought is closer to truth, to reality, than an action. You can say anything, you can do anything, but you can’t fake a thought.” And here’s what I’m thinking: I don’t want to be here. In this smart and intense literary suspense novel, Iain Reid explores the depths of the human psyche, questioning consciousness, free will, the value of relationships, fear, and the limitations of solitude. Reminiscent of Jose Saramago’s early work, Michel Faber’s cult classic Under the Skin, and Lionel Shriver’s We Need to Talk about Kevin, “your dread and unease will mount with every passing page” (Entertainment Weekly) of this edgy, haunting debut. Tense, gripping, and atmospheric, I’m Thinking of Ending Things pulls you in from the very first page…and never lets you go.

    A new beginning, a new house, a new town: Featherbank.But Featherbank has a dark past. Twenty years ago, a serial killer abducted and murdered five residents. Until Frank Carter was finally caught, he was nicknamed "The Whisper Man," for he would lure his victims out by whispering at their windows at night.Just as Tom and Jake settle into their new home, a young boy vanishes. His disappearance bears an unnerving resemblance to Frank Carter's crimes, reigniting old rumors that he preyed with an accomplice. Now, detectives Amanda Beck and Pete Willis must find the boy before it is too late, even if that means Pete has to revisit his great foe in prison: The Whisper Man. And then Jake begins acting strangely. He hears a whispering at his window.

    But when Natasha appears on her doorstep, Della knows it will take more than simple potions to help her.But Della has her own secrets to hide.Because Della thinks she knows the beast who’s responsible for the disappearance — her own mother, who was turned into a terrible monster by magic gone wrong.Natasha is angry. Della has little to lose.They are each other’s only hope.

    . . where history has a tendency to repeat itself.Ever since Margot was born, it’s been just her and her mother. No answers to Margot’s questions about what came before. No history to hold on to. No relative to speak of. Just the two of them, stuck in their run-down apartment, struggling to get along.But that’s not enough for Margot. She wants family. She wants a past. And she just found the key she needs to get it: A photograph, pointing her to a town called Phalene. Pointing her home. Only, when Margot gets there, it’s not what she bargained for.Margot’s mother left for a reason. But was it to hide her past? Or was it to protect Margot from what’s still there?The only thing Margot knows for sure is there’s poison in their family tree, and their roots are dug so deeply into Phalene that now that she’s there, she might never escape.

    Then Jessica arrives. Only ten years old and under the highest security possible, this girl has to be dangerous, even if no one knows what she did to land in juvie. As strange things begin happening to Angela and her friends that can only be traced to the new girl's arrival, it becomes clear that Brunesfield is no longer safe. They must find a way to get out, but how can they save themselves when the world has forgotten them?

    A scholarship student who prefers the company of her dark imagination to that of most people, she is utterly repelled by the rest of her fiction writing cohort--a clique of unbearably twee rich girls who call each other "Bunny," and seem to move and speak as one. But everything changes when Samantha receives an invitation to the Bunnies' fabled "Smut Salon," and finds herself inexplicably drawn to their front door--ditching her only friend, Ava, in the process. As Samantha plunges deeper and deeper into the Bunnies' sinister yet saccharine world, beginning to take part in the ritualistic off-campus "Workshop" where they conjure their monstrous creations, the edges of reality begin to blur. Soon, her friendships with Ava and the Bunnies will be brought into deadly collision. The spellbinding new novel from one of our most fearless chroniclers of the female experience, Bunny is a down-the-rabbit-hole tale of loneliness and belonging, friendship and desire, and the fantastic and terrible power of the imagination.

    Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, the lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own.

    Working to rebuild her law practice after her son commits suicide, Angela Toussaint journeys to the family home where the suicide took place, hoping for answers, and discovers an invisible, evil force that is driving locals to acts of violence.

    But when she wakes up, scared and pulling dirt from her mouth, a year has passed and she can’t explain how.Nor can she explain the man lying at her grave, dead from her touch, or why her heartbeat comes and goes. She doesn’t remember who killed her or why. All she knows is that she’s somehow conscious—and not only that, she’s able to sense who around her is hiding a murderous past.Haunted by happy memories from her life, Breezy sets out to find answers in the gritty, threatening world to which she now belongs—where killers hide in plain sight, and a sinister cult is hunting for strange creatures like her. What she discovers is at once empowering, redemptive, and dangerous.

    She had to see the dark hole in the storage room down the hall. She had to make love to Nicholas beside it, and stare into its secretive, promising depths. Then Nakota began her experiments: First, she put an insect into the hole. Then a mouse...Now from down the hall, the black hole calls out to Nicholas every day and every night. And he will go to it. Because it has already seared his flesh, infected his soul, and started him on a journey of obsession - through its soothing, blank darkness into the blinding core of terror...

    Defying her father’s orders to remain at home, she travels to Tidepool, the last place Henry is known to have visited. Residents of the small, shabby oceanside town can’t quite meet Sorrow’s eyes when she asks about her brother.When corpses wash up on shore looking as if they’ve been torn apart by something not quite human, Sorrow is ready to return to Baltimore and let her father send in the professional detectives.However, after meeting Ada Oliver, a widow whose black silk dresses and elegant manners set her apart from other Tidepool residents, Sorrow discovers Tidepool’s dark, deadly secret.With this discovery, some denizens of Tidepool—human and otherwise—are hell-bent on making sure Sorrow never leaves their forsaken town.Lovecraftian dark fantasy gets a modern treatment in this terrifying debut novel.

    Raised in the Los Angeles hinterlands by a hippie mom, Alex dropped out of school early and into a world of shady drug dealer boyfriends, dead-end jobs, and much, much worse. By age twenty, in fact, she is the sole survivor of a horrific, unsolved multiple homicide. Some might say she’s thrown her life away. But at her hospital bed, Alex is offered a second chance: to attend one of the world’s most elite universities on a full ride. What’s the catch, and why her?Still searching for answers to this herself, Alex arrives in New Haven tasked by her mysterious benefactors with monitoring the activities of Yale’s secret societies. These eight windowless “tombs” are well-known to be haunts of the future rich and powerful, from high-ranking politicos to Wall Street and Hollywood’s biggest players. But their occult activities are revealed to be more sinister and more extraordinary than any paranoid imagination might conceive.