It is a peaceful reign, held by compact and not by conquest. Again and again, when rebellion threatens the Terran Peace, the natives of the rebellious world have turned against their own people and sided with the men of Terra; not from fear, but from a sense of dedication. There has never been open war. The battle for these worlds is fought in the minds of a few men who stand between worlds; bound to one world by interest, loyalties and allegiance; bound to the other by love. Such a world is Wolf. Such a man was Race Cargill of the Terran Secret Service… At one time Race Cargill had been the best Terran Intelligence agent on the complex and mysterious planet of Wolf. He had repeatedly imperiled his life amongst the half-human and non-human creatures of the sullen world. And he had repeatedly accomplished the fantastic missions until his name was emblazoned with glory. But that had all seemingly ended. For six long years he'd sat behind a boring desk inside the fenced-in Terran Headquarters, cut off there ever since he and a rival had scarred and ripped each other in blood-feud. But when The Door Through Space swung suddenly open, the feud was on again—and with it a plot designed to check and destroy the Terran Empire.

    Named after the migrant workers of America's Dust Bowl, these novels convey Blish's "history of the future," a brilliant and bleak look at a world where cities roam the Galaxy looking for work and a sustainable way of life.In the first novel, They Shall Have Stars, man has thoroughly explored the Solar System, yet the dream of going even further seems to have died in all but one man. His battle to realize his dream results in two momentous discoveries anti-gravity and the secret of immortality. In A Life for the Stars, it is centuries later and anti-gravity generations have enabled whole cities to lift off the surface of the earth to become galactic wanderers. In Earthman, Come Home, the nomadic cities revert to barbarism and marauding rogue cities begin to pose a threat to all civilized worlds. In the final novel, The Triumph of Time, history repeats itself as the cities once again journey back in to space making a terrifying discovery which could destroy the entire Universe. A serious and haunting vision of our world and its limits, Cities in Flight marks the return to print of one of science fiction's most inimitable writers.A Selection of the Science Fiction Book Club

    He is more than a mere detective, he is rather an enigmatic mix of folklore and science, with a knowledge and wisdom, which seems mysterious and even, at times, unearthly.

    Gamine redhead Margo 16 wants him to teach her. Malcolm 30s guides her in Victorian England. Mistakes get worse, she runs away in Coliseum era Rome. Her trip through dying Gate to Africa 1542 may be their last; grandpa Kit and lover Malcolm head to rescue.

    But the virtually lawless cities contain no shortage of darkness and greed. A land where daily survival in the harsh realm takes priority over all else. But the world is about to change. The ancient prophecies, written during a time long forgotten, just might be true after all.Join in as unlikely companions from completely different worlds set out on the adventure of a lifetime. A search for answers. A search for the truth. This book is intended for mature audiences.

    Like THE MARTIAN CHRONICLES and THE FIREMAN, the story demonstrates Bradbury’s characteristic blending so early in his career of the sentimental and the transcendent, the homely and the mystical. Bradbury’s old women in space and their strange outcome are reminiscent of his more famous story KALEIDOSCOPE (published in THE ILLUSTRATED MAN) and its conclusion shows unusual if understated power. Bradbury’s THE FIREMAN (the short-form version of FAHRENHEIT 451 which was doubled in length for its book publication in 1953) appeared in the February 1951 issue of GALAXY and further solidified GALAXY’s reputation, as a magazine of unprecedented originality and ambition. Gold’s commitment to the highly ambitious THE FIREMAN was, then, courageous for its time and gave publicity to the editor’s insistence that GALAXY was an entirely new kind of science fiction magazine, one which was far more oriented toward style and controversial social extrapolation than the other markets ever had been. Although THE FIREMAN and THE MARTIAN CHRONICLES had been published earlier to significant attention, Bradbury in 1951 was by no means a writer of substantial reputation and his work was regarded by most science fiction editors and readers as marginal to the genre. About the Author: Ray Douglas Bradbury (b. 1920) entered science fiction as a teenage Los Angeles fan frantic to sell John W. Campbell and become a major science fiction writer; although he eventually sold Campbell two very short stories in the early ’40s, his career took a different direction, first through the second- and third-level science fiction magazines (PLANET, STARTLING STORIES) and then to the literary quarterlies and women’s magazines (HARPER’S BAZAAR, CHARM) where his distinctive stylistic elegance led him to the Best American Short Stories and O. Henry Prize anthologies. He was regarded with the somewhat similar lyrical short story writer Truman Capote as among the most promising of the emerging generation. With THE MARTIAN CHRONICLES he became famous both inside and outside science fiction; subsequent collections (THE ILLUSTRATED MAN, DANDELION WINE) advanced his reputation. He wrote the screenplay for John Huston’s film adaptation of MOBY DICK (1953), and in the decades to follow hundreds of short stories and novels (A MEDICINE FOR MELANCHOLY), which cemented his reputation. He was awarded a Medal in Literature by George W. Bush in 2004.About The Galaxy Project: Horace Gold led GALAXY magazine from its first issue dated October 1950 to science fiction’s most admired, widely circulated and influential magazine throughout its initial decade. Its legendary importance came from publication of full length novels, novellas and novelettes. GALAXY published nearly every giant in the science fiction field.The Galaxy Project is a selection of the best of GALAXY with new forewords by some of today’s best science fiction writers. The initial selections in alphabetical order include work by Ray Bradbury, Frederic Brown, Lester del Rey, Robert A. Heinlein, Damon Knight, C. M. Kornbluth, Walter M. Miller, Jr., Frederik Pohl, Robert Sheckley, Robert Silverberg, William Tenn (Phillip Klass) and Kurt Vonnegut with new Forewords by Paul di Filippo, David Drake, John Lutz, Barry Malzberg and Robert Silverberg. The Galaxy Project is committed to publishing new work in the spirit GALAXY magazine and its founding editor Horace Gold.

    Nearly a decade after Captain Kirk vanished, his protege, Captain Hiraku Sulu of the USS Excelsior, leads a dangerous mission into uncharted political waters. Unprecedented peace talks with the violently xenophobic Tholian Assembly trigger a deadly confrontation aboard the Excelsior. Now Sulu and his crew - including Chekov, Rand, Chapel, Tuvok, and Akaar - are thrust into an unexpected conflict between the Tholians and a mysterious new enemy, the Neyel... whose origins, if revealed, could lead to war with Earth itself. As the Tholians weave a web of vengeance, the Excelsior is flung beyond the galaxy and the crew discovers the hidden truth about the alien Neyel, forcing Sulu to question where his responsibilities lie - with the fragile peace he must preserve, or with the victims of his own world's tragic past.

    Our team has experience producing thousands of ebooks since 2011 for discerning authors and readers alike. We know what readers expect from their ebook purchases. We avoid distracting formatting inconsistencies and annoying glitches too often found in ebooks.We adhere to the highest standards in producing our ebooks—regardless of the sale price. (Low or value pricing should never be an excuse for second-rate work!)We want readers of our ebooks to get lost in the story just as easily as readers of print books. Our promise is a pleasant reading experience.10% of all Digital Papyrus profits are donated to charity every month.

    A time storm has devastated the Earth, and only a small fraction of humankind remains. From the rubble, three survivors form an unlikely alliance: a young man, a young woman, and a leopard.

    He didn't understand how he could communicate with the animals or why they were contacting him. But from the moment he began work at Kyger's pet emporium on Korwar he was enmeshed in a perilous intrigue... an intrigue that would leave more than one man dead, an entire government in jeopardy, and Horan himself both master and captive of the most extraordinary band of warriors his world had ever known.

    . . . Humorous, gently eerie drawings on almost every page add to the fun." — SCHOOL LIBRARY JOURNAL

    But some of the Umbrathane have escaped into the distant past, where they can position themselves to wreak havoc across time and undo their defeat. The most fanatical of them is the superhuman Cowl, more monstrous than any of the creatures outside his prehistoric redoubt. Cowl sends his terrifying hyperdimensional pet, the torbeast, hunting through all the timelines for human specimens. It sheds its scales -- each one an organic time machine -- where its master orders. Anyone who picks one up is dragged back to the dawn of time, where Cowl awaits. Then the beast can feed, growing ever larger . . . In our own near-future, Tack is one of U-gov's programmable killers. When a scale latches onto him, his doom seems inevitable, but the Heliothane have other ideas: they can use Tack against Cowl. Tack is no stranger to violence, but the Heliothane, hardened in their struggle for humanity's very existence, have much to teach him. He will need it all for his encounter with Cowl.Once one of Tack's targets, Polly escaped with her life when a torbeast scale snatched her. Now, like Tack, she must learn fast as she is dragged back to Day Zero. To cheat death again, she will have to help him save the human race. With Cowl, Neal Asher, acclaimed author of Gridlinked and The Skinner, has created his most powerful novel yet.

    Her escape leaves her with no option but to rely on Seth, a former lover, for help.Unfortunately, she realizes that they are now on opposite sides of an escalating war between the Commonwealth Union of Planets and an increasingly dangerous rebel organization.In trying to find who is threatening her life, they discover a plot to destroy a distant planet - a world inhabited by creatures that are the key to Nova's survival - and a conspiracy that threatens the stability of the Union Commonwealth.Can Nova go beyond her strict military training to cooperate with people whom she is sworn to destroy?

    In this nightmare society, air pollution is so bad that gas masks are commonplace. Infant mortality is up, and everyone seems to suffer from some form of ailment.

    The planet has slowly been getting hotter and water is becoming a rare resource. Out of the ruins of a civilization that has collapsed in on itself, have arisen a new breed of people - those with the power to control magnetism.Seb, a young orphan boy from a quiet rural town, is being hunted by strange part-machine, part-human people. His only hope is Melanie, an angry, dying teenage girl who is dragged into the adventure and sets out to deliver him to the Steam Academy, even if it’s just to stop him talking. Seb must confront an unknown past and fight against everything he believed in. And occasionally wash his hair.Aimed at a teen audience.*** From the Author ***When writing this, I wanted to produce something that would compete against the "console" generation, where plot is delivered by cut scenes. The question was how do you write for an Assassin's Creed fan? Something that a teenage boy could enjoy.My list became: Short, sharp, constantly evolving, ridiculous amounts of action where no one important ever seems to get hurt, and make fun of current pop culture, social media, adults and technology.And, of course, an easy way to explain quantum mechanics, and turn science into magic - or the other way around.This is an exploration of that challenge.