In town she's the rich one--the great-great-granddaughter of the mill's founder. At school she's hot Maddie Ward's younger sister. And at home, she's the good one, her stoner older brother Joey's babysitter. Everything was turned on its head, though, when she and Joey were in the car accident that killed Candy MontClaire. The car accident that revealed just how bad Joey's drug habit was.Four months later, Emmy's junior year is starting, Joey is home from rehab, and the entire town of Mill Haven is still reeling from the accident. Everyone's telling Emmy who she is, but so much has changed, how can she be the same person? Or was she ever that person at all?Mill Haven wants everyone to live one story, but Emmy's beginning to see that people are more than they appear. Her brother, who might not be cured, the popular guy who lives next door, and most of all, many ghostie addicts who haunt the edges of the town. People spend so much time telling her who she is--it might be time to decide for herself.Inspired by the American classic Our Town, You'd Be Home Now is Kathleen Glasgow's glorious modern story of a town and the secret lives people live there. And the story of a girl, figuring out life in all its pain and beauty and struggle and joy.

    For Allison Dennis, all it takes is 180 seconds…After a life spent bouncing from one foster home to the next, Allison is determined to keep others at arm’s length. Adopted at sixteen, she knows better than to believe in the permanence of anything. But as she begins her third year in college, she finds it increasingly difficult to disappear into the white noise pouring from her earbuds.One unsuspecting afternoon, Allison is roped into a social experiment just off campus. Suddenly, she finds herself in front of a crowd, forced to interact with a complete stranger for 180 seconds. Neither she, nor Esben Baylor, the dreamy social media star seated opposite her, is prepared for the outcome.When time is called, the intensity of the experience overwhelms Allison and Esben in a way that unnerves and electrifies them both. With a push from her oldest friend, Allison embarks on a journey to find out if what she and Esben shared is the real thing—and if she can finally trust in herself, in others, and in love.

    ‘Question 1. What would you say to your ex, without judgement?’Seeking closure after a tough break-up, Will Darbyshire was driven to strike up an intimate conversation with his online audience. Posting a series of questions via his YouTube, Twitter and Instagram channels, Will asked his followers to share their innermost thoughts about their relationship experiences, in the form of hand-written letters, poems, photographs, and emails.After 6 months and over 15,000 heartfelt submissions later, from over 100 countries, This Modern Love collects these letters together to form a compendium of 21st century love, structured into the beginning, middle and end of a relationship.Tender, funny and cathartic, This Modern Love is a compelling portrait of individual desires, resentments and fears that reminds us that, whether we're in or out of love, we're not alone.

    But now their control is faltering as the atmosphere becomes more erratic. All hope lies with Clara, an Everwitch whose rare magic is tied to every season.In Autumn, Clara wants nothing to do with her power. It's wild and volatile, and the price of her magic―losing the ones she loves―is too high, despite the need to control the increasingly dangerous weather.In Winter, the world is on the precipice of disaster. Fires burn, storms rage, and Clara accepts that she's the only one who can make a difference.In Spring, she falls for Sang, the witch training her. As her magic grows, so do her feelings, until she's terrified Sang will be the next one she loses.In Summer, Clara must choose between her power and her happiness, her duty and the people she loves... before she loses Sang, her magic, and thrusts the world into chaos.Practical Magic meets Twister in this debut contemporary fantasy standalone about heartbreaking power, the terror of our collapsing atmosphere, and the ways we unknowingly change our fate.

    There was a fight. The next morning, Sam’s best friend, Hayden, was dead. All he left Sam was a playlist of songs—and a note, saying that he took his own life. But what Sam doesn’t know is: Why?To figure out what happened, Sam has to rely on the playlist and his own memory. But the more he listens, the more he realizes that his memory isn’t as reliable as he thought. Especially when someone claiming to be Hayden starts sending him cryptic messages, and a series of violent attacks begins on the bullies who made Hayden’s life hell.Sam knows he has to face up to what happened the night. But it’s only by taking out his earbuds and opening his eyes to the people around him—including an eccentric, unpredictable girl who’s got secrets, too—that Sam will finally be able to piece together his best friend’s story.And maybe have a chance to change his own.

    Desperate for relief from her panicky mind and alienated from her repressive family, she responds to a flyer for free therapy at a local Catholic church, and finds herself being greeted by Father Jeff, who assumes she’s there for a job interview. Too embarrassed to correct him, Gilda is abruptly hired to replace the recently deceased receptionist Grace.In between trying to memorize the lines to Catholic mass, hiding the fact that she has a new girlfriend, and erecting a dirty dish tower in her crumbling apartment, Gilda strikes up an email correspondence with Grace’s old friend. She can’t bear to ignore the kindly old woman, who has been trying to reach her friend through the church inbox, but she also can’t bring herself to break the bad news. Desperate, she begins impersonating Grace via email. But when the police discover suspicious circumstances surrounding Grace’s death, Gilda may have to finally reveal the truth of her mortifying existence.

    With the whole school turned against her, and Angie not speaking to her, Lizzie takes her own life. But someone isn’t letting her go quietly. As graffiti and photocopies of Lizzie’s diary plaster the school, Angie begins a relentless investigation into who, exactly, made Lizzie feel she didn’t deserve to keep living. And while she claims she simply wants to punish Lizzie’s tormentors, Angie's own anguish over abandoning her best friend will drive her deep into the dark, twisted side of Verity High—and she might not be able to pull herself back out.Debut author Chelsea Pitcher daringly depicts the harsh reality of modern high schools, where one bad decision can ruin a reputation, and one cruel word can ruin a life. Angie’s quest for the truth behind Lizzie’s suicide is addictive and thrilling, and her razor-sharp wit and fierce sleuthing skills makes her impossible not to root for—even when it becomes clear that both avenging Lizzie and avoiding self-destruction might not be possible.

    I am not who I say I am, and Marla isn't who she thinks she is.I am a girl trying to forget. She is a woman trying to remember. Allison has run away from home, and with nowhere to live, finds herself hiding out in the shed of what she thinks is an abandoned house. But the house isn't empty. An elderly woman named Marla, with dementia, lives there – and she mistakes Allison for an old friend from her past called Toffee.Allison is used to hiding who she really is, and trying to be what other people want her to be. And so, Toffee is who she becomes. After all, it means she has a place to stay. There are worse places she could be.But as their bond grows, and Allison discovers how much Marla needs a real friend, she begins to ask herself - where is home? What is a family? And most importantly, who am I, really?

    Growing up, Mallory Dodge learned that the best way to survive was to say nothing. And even though it's been four years since her nightmare ended, she's beginning to worry that the fear that holds her back will last a lifetime. Now, after years of homeschooling, Mallory must face a new milestone—spending her senior year at a public high school. But she never imagined she'd run into Rider Stark, the friend and protector she hasn't seen since childhood, on her very first day. It doesn't take long for Mallory to realize that the connection she shared with Rider never really faded. Yet soon it becomes apparent that she's not the only one grappling with lingering scars from the past. And as she watches Rider's life spiral out of control, Mallory must make a choice between staying silent and speaking out—for the people she loves, the life she wants and the truths that need to be heard.

    Nijkamp portrays the events thoughtfully, recounting fifty-four intense minutes of bravery, love, and loss." —BookRiot

    in fact most of these words i wish i didn’t write. just to the small fact of, i wish i didn’t care… but sadly i do. but if i said the words i wish i did, then they wouldn’t be my little secret, they would be words on paper in a book. they would be words taken out of context, because the world loves to take things out of context. the words i wish i said are between me and my party of a brain. because if you knew the words, then you would have such an advantage over me, and my quiet showers where i ramble on to myself about my words wouldn’t be my secret anymore. you may be able to take most of me but you’ll never be able to take all of me.

    Four teenagers with the fate of the world in their hands. Four nations destined for conflict. End is cliffhanger. In Brigant, Princess Catherine prepares for a loveless political marriage arranged by her brutal and ambitious father. In Calidor, downtrodden servant March seeks revenge on the prince who betrayed his people. In Pitoria, feckless Edyon steals cheap baubles for cheaper thrills as he drifts from town to town. And in the barren northern territories, thirteen-year-old Tash is running for her life as she plays bait for the gruff demon hunter Gravell. As alliances shift and shatter, and old certainties are overturned, our four heroes find their past lives transformed and their futures inextricably linked by the unpredictable tides of magic and war. Who will rise and who will fall? And who will claim the ultimate prize?

    Among them: a successful, first generation Chinese immigrant musician suffering sexual dysfunction; a young woman whose father abandoned her at age nine with her younger siblings in an isolated cottage in the depth of winter; and a glamorous workaholic whose narcissistic, negligent mother greeted her each morning of her childhood with Good morning, Monster.Each patient presents a mystery, one that will only be unpacked over years. They seek Gildiner's help to overcome an immediate challenge in their lives, but discover that the source of their suffering has been long buried.As in such recent classics as The Glass Castle and Educated, each patient embodies self-reflection, stoicism, perseverance, and forgiveness as they work unflinchingly to face the truth. Gildiner's account of her journeys with them is moving, insightful, and sometimes very funny. Good Morning Monster offers an almost novelistic, behind-the-scenes look into the therapist's office, illustrating how the process can heal even the most unimaginable wounds.

    This book is written for those who are searching for a little healing. Love is everywhere, but you must let go of the pain before you can feel its magic.

    As a gift for his translator's sister, a Beatles fanatic who will be his host, Saul's girlfriend will shoot a photograph of him standing in the crosswalk on Abbey Road, an homage to the famous album cover. As he waits for her to arrive, he is grazed by an oncoming car, which changes the trajectory of his life.The Man Who Saw Everything is about the difficulty of seeing ourselves and others clearly. It greets the specters that come back to haunt old and new love, previous and current incarnations of Europe, conscious and unconscious transgressions, and real and imagined betrayals, while investigating the cyclic nature of history and its reinvention by people in power. Here, Levy traverses the vast reaches of the human imagination while artfully blurring sexual and political binaries-feminine and masculine,