She was told about the dark-eyed horsemen by her mother, Dina, who left her own bedroom window open at night in the hopes that one would take her away from her parents’ house in Santa Fe. Teresa, who cannot find a cure for her mysterious sleeping sickness, has one true ally: her brother, Silver. Wild and handsome, Silver exerts an irresistible force over everyone he meets—women especially. He pursues a life of crime and danger, and the older he grows, the more reckless he becomes. Teresa wants to break free but is drawn back to her brother again and again, pulled by the belief that he is the night rider of her dreams. Only when she realizes that she has the strength to save herself will she finally be able to open her eyes and walk away.

    It is God without men.- Honoré de Balzac, Une passion dans le désert, 1830 Jaz and Lisa Matharu are plunged into a surreal public hell after their son, Raj, vanishes during a family vacation in the California desert. However, the Mojave is a place of strange power, and before Raj reappears inexplicably unharmed - but not unchanged - the fate of this young family will intersect with that of many others, echoing the stories of all those who have traveled before them. Driven by the energy and cunning of Coyote, the mythic, shapeshifting trickster, Gods Without Men is full of big ideas, but centered on flesh-and-blood characters who converge at an odd, remote town in the shadow of a rock formation called the Pinnacles. Viscerally gripping and intellectually engaging, it is, above all, a heartfelt exploration of the search for pattern and meaning in a chaotic universe.

    Ranging over three generations—and clustered mainly in two clans, the Grouses and the Gaffneys—these remarkably various lives share only the common human dilemmas and the awesome physical and emotional presence of Mohawk itself.For this is a town like Winesburg, Ohio or Our Town, in our time, that encompasses a plethora of characters, events and mysteries. At once honestly tragic and sharply, genuinely funny, Mohawk captures life, then affirms it.

    Born mute to a drunken mother and a demented father, tortured Euchrid Eucrow finds more compassion in the family mule than in his fellow men. But he alone will grasp the cruel fate of Cosey Mo, the beautiful young prostitute in the pink caravan on Hooper’s Hill. And it is Euchrid, spiraling ever deeper into his mad angelic vision, who will ultimately redeem both the town and its people. “Surprising, remarkable.” — The Atlanta Journal

    It lends to milk cartons the associative richness of Marcel Proust's madeleines. It names the eight most significant advances in a human life -- beginning with shoe-tying. It asks whether the hot air blowers in bathrooms really are more sanitary than towels. And it casts a dazzling light on our relations with the objects and people we usually take for granted.

    In the wake of his death, she finds he has left a final trick; a false identity and a family allegedly lost in a tragic accident but now revealed as very much alive and well. Named as heirs in his will, they enter Sabine's life and set her on an adventure of unraveling his secrets, from sunny Los Angeles to the windswept plains of Nebraska, that will work its own sort of magic on her.

    Five years later the past has found her and to protect herself and her beloved child she'll have to perform one last act of dazzling daring more audacious than any she has previously attempted.With her internationally bestselling novels Chocolat, Blackberry Wine, Five Quarters of the Orange, and Coastliners, Joanne Harris has woven intoxicating spells that celebrate the sensuous while exposing the passion, secrets and folly beneath the surface of rustic village life. In Holy Fools, her most ambitious and accomplished novel to date, she transports us back to a time of intrigue and turmoil, of deception and masquerade. In the year 1605, a young widow, pregnant and alone, seeks sanctuary at the small Abbey of Sainte Marie-de-la-mer on the island of Noirs Moustiers off the Brittany coast. After the birth of her daughter, she takes up the veil, and a new name, Soeur Auguste. But the peace she has found in remote isolation is shattered five years later by the events that follow the death of her kind benefactress, the Reverend Mother. When a new abbess -- the daughter of a corrupt noble family elevated by the murder of King Henri IV -- arrives at Sainte Marie-de-la-mer, she does not arrive alone. With her is her personal confessor and spiritual guide, Père Colombin, a man Soeur Auguste knows all too well. For the newcomer is Guy LeMerle, a charlatan and seducer now masquerading as a priest, and the one man she fears more than any other. Soeur Auguste has a secret. Once she was l'Ailée, "The Winged One," star performer of a troupe led by LeMerle, before betrayal forced her to change her identity. But now the past has found her. Before long, thanks to LeMerle, suspicion and debauchery are breeding like a plague within the convent's walls -- fueled by dark rumors of witchcraft, part of the false priest's brilliantly orchestrated scheme of revenge. To protect herself and her beloved child, l'Ailée will have to perform one last act of dazzling daring more audacious than any she has previously attempted.

    As they gather year after year, their stories, their wisdom, their lives, form the pattern from which all of us draw warmth and comfort for ourselves.A MAJOR MOTION PICTURE COMING OUT FALL 1995-- with Maya Angelou, Winona Ryder, and Rip Torn

    He is a virtual repository of the predominant ideas and historical disasters of the age. But now he has found a story he thinks may be-come his next novel: The large brass cross that hung behind the altar of St. Timothy's, a run-down Episcopal church in lower Manhattan, has disappeared...and even more mysteriously reappeared on the roof of the Synagogue for Evolutionary Judaism, on the Upper West Side. The church's maverick rector and the young woman rabbi who leads the synagogue are trying to learn who committed this strange double act of desecration and why. Befriending them, the novelist finds that their struggles with their respective traditions are relevant to the case. Into his workbook go his taped interviews, insights, preliminary drafts...and as he joins the clerics in pursuit of the mystery, it broadens to implicate a large cast of vividly drawn characters - including scientists, war veterans, prelates, Holocaust survivors, cabinet members, theologians, New York Times reporters, filmmakers, and crooners - in what proves to be a quest for an authentic spirituality at the end of this tortured century.Daringly poised at the junction of the sacred and the profane, and filled with the sights and sounds of New York, this dazzlingly inventive masterwork emerges as the American novel readers have been thirsting for a defining document of our times, a narrative of the twentieth century written for the twenty-first.

    Her evangelical father has packed up the family to drive west to California, hoping to save as many souls as possible before the Second Coming. With her long-suffering mother and rebellious (and secretly pregnant) sister, Jess hands out tracts to nonbelievers at every rest stop, Waffle House, and gas station along the way. As Jess’s belief frays, her teenage myopia evolves into awareness about her fracturing family. Selected as a Barnes & Noble Discover pick and an Indie Next pick, Mary Miller’s radiant debut novel reinvigorates the literary road-trip story with wry vulnerability and savage charm.

    It is the story of Nedra and Viri, whose favored life is centered around dinners, ingenious games with their children, enviable friends, and near-perfect days passed skating on a frozen river or sunning on the beach. But even as he lingers over the surface of their marriage, Salter lets us see the fine cracks that are spreading through it, flaws that will eventually mar the lovely picture beyond repair. Seductive, witty, and elegantly nuanced, Light Years is a classic novel of an entire generation that discovered the limits of its own happiness—and then felt compelled to destroy it.

    When the haughty Dona Constanza decides to divert a river to fill her swimming pool, the consequences are at once tragic, heroic, and outrageously funny.

    The Virgin in the Garden is a wonderfully erudite entertainment in which enlightenment and sexuality, Elizabethan drama and contemporary comedy, intersect richly and unpredictably.

    . . TAUTLY WRITTEN . . . Wilentz knows the world she writes about very well, and her descriptions have a solid specificity that lends authority to her fiction.”–The New York Times Book Review“At a closed Israeli checkpoint, Marina, a Palestinian mother, clutches her ailing boy, desperate for access to Jerusalem and its doctors. When a young Israeli soldier waits too long before deciding to disobey orders, a martyr is born. Thus begins a graceful, painful, illuminating novel of the Middle East. . . . [Wilentz’s] prose tugs at the reader. . . . The characters are magnetic. . . . [This] is a very human tale of regrets, revenge, and the elusive nature of absolution.”–Entertainment Weekly“SO PRECISE, SO STARTLING, SO UNFORGETTABLE. . . . These characters are all pawns of history and politics, but Wilentz makes them live.”–Los Angeles Times“MAGNIFICENT . . . Wilentz writes with a prose style reminiscent of The New Yorker’s highest ambitions: crystalline, pure, faultlessly communicative. . . . Like the best documentaries, Martyrs’ Crossing allows us unprecedented access to a little-understood and often misrepresented part of the world.”–Chicago Tribune“A BRILLIANTLY RESEARCHED MEDIDATION ON THE CRISIS IN THE MIDDLE EAST . . . Martyr’s Crossing matches Damascus Gate in the quality of research and the mass of intriguing characters–and yet it remains a lean thriller.”–The New York Observer

    In this wonderfully written and masterfully plotted novel, Jane Smiley, the prizewinning author of A Thousand Acres, offers a wickedly funny, darkly poignant comedy.