Told by individual inhabitants, the stories recount tales of disappearing dead deer, enchanted gardens, invisible killer dogs, and rattlesnakes that fall from the sky; each contribution adds to a composite portrait that skitters between eerie, ghoulish, and poignant. Miller is a master storyteller, clearly delighting in his mischievous creations.” Thirty-Three Tales. Thirty-Three Tellers. One Lost Town.

    B. Marriott-WatsonA Tragic Honeymoon by G. R. SimsThe Battle of the Monsters by Morgan RobertsonThe Return by R. Murrey GilchristThe Corpse Light by Dick DonovanThe Ship That Saw a Ghost by Frank NorrisA Bottomless Grave by Ambrose BierceOne Summer Night by Ambrose BierceGhosts That Have Haunted Me by J. K. BangsHaunted by Spirits by George Mandeville FennA Ghost Slayer by J. Keightley SnowdonThe Tomb by Guy de MaupassantThe Man with the Nose by Rhoda BroughtonMy Nightmare by Dorothea GerardA Life-watch by Georgina C. ClarkThe Haunted Chair by Richard MarshCoolies by W. Carlton DaweThe Three Souls by Erckmann-ChatrianA Strange Goldfield by Guy BoothbyAn Alpine Divorce by Robert BarrThe Story of Baelbrow by E. and H. Heron

    Talk about the horse's mouth! This book is long overdue."- Peter Straub "Lovecraft opened the way for me, as he had done for others before me -- Robert Bloch, Fritz Leiber, and Ray Bradbury among them. The reader would do well to remember that it is his shadow, so long and gaunt, and his eyes, so dark and puritanical, which overlie almost all of the important horror fiction that has come since."- Stephen King "The oldest and strongest emotion of mankind is fear."- H.P. Lovecraft  In 1927, Howard Philips Lovecraft published a 30,000-word essay titled "Supernatural Horror in Literature." In it, the father of American horror writing  whose tales  presented one of the earliest scholarly studies of the supernatural in fiction, defined the horror story as one in which "a certain atmosphere of breathless and unexplainable dread of outer, unknown forces must be present." Those authors discussed in Lovecraft's seminal essay were used as the basis for the 1993 anthology H.P. Lovecraft's Book of Horror, edited by Dave Carson and Stephen Jones. With H.P. Lovecraft's Book of the Supernatural, Jones uses that same essay as inspiration for a new anthology of nineteen new selections, each preceded by an excerpt from Lovecraft. Included here are works from authors as varied as Edgar Allen Poe, Arthur Conan Doyle, Rudyard Kipling, and Robert Louis Stevenson. While these stories maycarry a classical pedigree, their contents remain just as chilling and disturbing as anything cooked up by modern-day horror writers. The book also includes a short essay from Lovecraft himself, "Notes on Writing Weird Fiction," in which he lays out tips and rules for mastering the form.

    But it is in her short stories that her extraordinary talents—as a fabulist, feminist, social critic, and weaver of tales—are most penetratingly evident. This volume presents Carter's considerable legacy of short fiction gathered from published books, and includes early and previously unpublished stories. From reflections on jazz and Japan, through vigorous refashionings of classic folklore and fairy tales, to stunning snapshots of modern life in all its tawdry glory, we are able to chart the evolution of Carter's marvelous, magical vision.

    Rolt in Sleep No More, his highly effective collection of stories which was first published in 1948.Tom Rolt was an engineering historian, whose many book credits include biographies of Thomas Telford and Isambard Kingdom Brunel, as well as the highly-acclaimed Red for Danger, a history of railway accidents and railway safety.Rolt's first book, Narrow Boat, a classic in its own right, tells of his love for Britain's canals, a love which led to his involvement with the Inland Waterways Association.His knowledge of Britain's industrial past and his love for the countryside around him are very evident in this collection, which includes two stories not included in the original edition and also Rolt's essay 'The Passing of the Ghost Story'. Rolt takes us on a haunted tour of the world he knew well—from Cornwall to Wales, and from the hill country of Shropshire to the west coast of Ireland—in tales which are guaranteed to make you Sleep No More.Jacket and interior illustrations by Paul Lowe.Contents:The MineThe Cat ReturnsBosworth Summit PoundNew CornerCwm GaronA Visitor at AshcombeThe Garside Fell DisasterWorld's EndHear Not My StepsAgony of FlameHawley Bank FoundryMusic Hath CharmsThe ShoutingThe House of VengeanceThe Passing of the Ghost Story

    Collected in this chilling volume are some of the famous Japanese mystery writer Edogawa Rampo's best stories—bizarre and blood-curdling expeditions into the fantastic, the perverse, and the strange, in a marvelous homage to Rampo's literary 'mentor', Edgar Allan Poe.

    Faceless creatures haunt an unwary traveler. A beautiful woman — the personification of winter at its cruelest — ruthlessly kills unsuspecting mortals. These and 17 other chilling supernatural tales — based on legends, myths, and beliefs of ancient Japan — represent the very best of Lafcadio Hearn's literary style. They are also a culmination of his lifelong interest in the endlessly fascinating customs and tales of the country where he spent the last fourteen years of his life, translating into English the atmospheric stories he so avidly collected.Teeming with undead samurais, man-eating goblins, and other terrifying demons, these 20 classic ghost stories inspired the Oscar®-nominated 1964 film of the same name.

    Here, Edgar Award-winning editor Otto Penzler has followed his keen sense of the supernatural to collect the most chilling and uncanny tales in the canon. These spectral stories span more than a hundred years, from modern-day horrors by Joyce Carol Oates, Chet Williamson and Andrew Klavan, to pulp yarns from August Derleth, Greye La Spina, and M. L. Humphreys, to the atmospheric Victorian tales of Rudyard Kipling, Edith Wharton, and H. P. Lovecraft, not to mention modern works by the likes of Donald E. Westlake and Isaac Asimov that are already classics. Some of these stories have haunted the canon for a century, while others are making their first ghoulish appearance  in book form.  Whether you prefer possessive poltergeists, awful apparitions, or friendly phantoms, these stories are guaranteed to thrill you, tingle the spine, or tickle the funny bone, and keep you turning the pages with fearful delight.Including such classics as “The Monkey’s Paw” and “The Open Window” and eerie vintage illustrations, and also featuring haunted mansions, midnight frights, lovers from beyond the grave, rapping, tapping, wailing shades, and ghosts, ghouls, and specters galore! AlsoFeaturing haunted mansions, midnight frights, lovers from beyond the grave, rapping, tapping, wailing shades, and ghosts, ghouls, and specters galore!

    Melding supernatural horror with hardboiled noir, espionage, and a scientific backbone, Barron’s stories have garnered critical acclaim and have been reprinted in numerous year’s best anthologies and nominated for multiple awards, including the Crawford, International Horror Guild, Shirley Jackson, Theodore Sturgeon, and World Fantasy awards.Barron returns with his third collection, The Beautiful Thing That Awaits Us All. Collecting interlinking tales of sublime cosmic horror, including “Blackwood’s Baby”, “The Carrion Gods in Their Heaven”, and “The Men from Porlock”, The Beautiful Thing That Awaits Us All delivers enough spine-chilling horror to satisfy even the most jaded reader.

    Immersed in the history, atmosphere and rumours of hauntings, they channelled their darker imaginings into a series of extraordinary new ghost stories.Sarah Perry's intense tale of possession at the Jacobean country house Audley End is a work of psychological terror, while Andrew Michael Hurley's story brings an unforgettably shocking slant to the history of Carlisle Castle. Within the walls of these historic buildings each author has found inspiration to deliver a new interpretation of the classic ghost story.Also includes two afterwords: Andrew Martin's Within These Walls: How the Abbeys and Houses of England Inspired the Ghost Story, and Katherine Davey's A Gazetteer of English Heritage Hauntings, properties which are said to be haunted, including the eight locations which inspired the stories in this book.

    For this superbly disquieting collection, he selected fourteen of his favorite tales by such authors as E.F. Benson, Rosemary Timperley, and Edith WhartonIncludes:"W.S." L.P. Hartley"Harry" Rosemary Timperley"The Corner Shop" Cynthia Asquith"In the Tube" E.F. Benson"Christmas Meeting" Rosemary Timperley"Elias and the Draug" Jonas Lie"Playmates" A.M. Burrage"Ringing the Changes" Robert Aickman"The Telephone" Mary Treadgold"The Ghost of a Hand" J. Sheridan Le Fanu"The Sweeper" A.M. Burrage"Afterward" Edith Wharton"On the Brighton Road" Richard Middleton"The Upper Berth" F. Marion Crawford

    Imagine mephitic gardens where the sarcophage, selenotrope, and necrophilium bloom. Then throw in star-crossed lovers, crazed zealots, stalwart heroes, bloodthirsty renegade armies, hideous monsters, and likeable misfits. You've got just a hint of the wondrous and original visions in the dark fantasy world of Brian McNaughton. Horror scholar S. T. Joshi, in the afterword to this collection of stories, notes the strong influence of Clark Ashton Smith, Lord Dunsany, H. P. Lovecraft, Robert E. Howard, and Greco-Roman decadent works such as Petronius's Satyricon. "McNaughton seems to have mastered one of the most difficult of literary arts: to draw upon the classics of the field without losing his own voice.... The world that McNaughton has created in this book is the world of the ghoul; and who knows but that The Throne of Bones will become the standard textbook for the care and feeding of ghouls just as Dracula has become that for vampires?"Contents:Ringard and Dendra (1996)The Throne of Bones (1997)The Vendren Worm (1990)Meryphillia (1990)Reunion in Cephalune (1997)The Art of Tiphytsorn Glocque (1997)A Scholar from Sythiphore (1995)Vendriel and Vendreela (1988)The Retrograde Necromancer (1993)The Return of Liron Wolfbaiter (1997)

    Fantastic psychic visions, specters looming in the shadows, encounters with deities, a man who switches bodies with a cat—be sure to keep the light on whilst reading these tales. The Last Séance gathers twenty stories, some featuring Christie’s beloved detectives Hercule Poirot and Miss Marple, in one haunting compendium that explores all things occult and paranormal, and is an essential omnibus for Christie fans.

    In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses--whether we know it or not.

     Reviews "A wonderful collection of tales that range from creepy to silly to haunting. ...Gammell's drawings add just the right touch..." -- John Scieszka, Entertinment Weekly"Guaranteed to make your teeth chatter and your spine tingle." -- School Library Journal"Read these if you dare." -- The New York Times