Understand the anticipation and waiting the Old Testament world endured, the joy and new life signaled by the coming of Christ, and the way Advent points to the glory of God still to come. (5 sessions)Features: Beautiful, full-color designed pages to ready participants for the Christmas seasonPersonal study segments to complete between 5 weeks of group sessionsWeekly activities for adults, teens, and kidsTips to guide discussion within small groupsBenefits: Fuel your worship of Christ with a deeper understanding of Advent.Grasp God's character and His work on behalf of His people, in the past and present, as a catalyst to a more intimate relationship with Him.Learn how to practically extend joy, hope, peace, and love to others during the holiday season.

    After their attempts to penetrate the Ghetto had failed, they decided to spare themselves casualties by destroying it from outside with cannon and aerial bombings. A few days later the Ghetto was totally destroyed. . . . The 'streets' were nothing but rows of smoldering ruins. It was hard to cross them without stepping on charred bodies."—Kazik When the Nazis decided to liquidate the Warsaw Ghetto in 1943, five hundred young Jewish fighters within the Ghetto rose up to defy them. With no weapons, no influence, and no experience in warfare, they managed to resist the Germans for almost a month. In the end, when the battle was lost, the surviving Jews were led out of the ruins through the sewers by a nineteen-year-old fighter known as Kazik. As head courier of the Jewish Fighting Organization (ZOB), which had planned and executed the uprising, Kazik spent the rest of the war helping to care for the several thousand Jews who still remained in Warsaw. This book—an extraordinary story of courage and perseverance—is Kazik's wartime memoir. In stark, spare detail, Kazik reports on the efforts to prepare for the defense of the Warsaw Ghetto, the calamitous battle with the Germans, and the rescue of the few Jews who were still alive after the Ghetto was destroyed. He describes how he assumed a false Aryan identity in order to pass through the city as he collected money and found hiding places for the survivors. Constantly on guard, fearful of informers, his life always in danger, he nevertheless plotted resourcefully to aid his fellow Jews. He tells how he joined the Poles during their ill-fated uprising against the Nazis in Warsaw in 1944, had further brushes with death assisting the Polish underground, and returned to Warsaw to watch its liberation by the Russian army. Suspenseful, moving, and remarkably heroic, Kazik's memoir is only the second source to be published on the Warsaw Ghetto Uprising. It will help demolish the image of Jews as submissive victims in the Holocaust.

    His work was received with widespread acclaim by the scholarly community and the reading public. In 1902 Mommsen was awarded the Nobel Prize for Literature and acclaimed as 'the greatest living master of the art of historical writing'. Mommsen rejected traditional Enlightenment accounts, which glorified ancient Rome; instead, guided by a new and rigorous criticism of sources, Mommsen began the demythologisation of Roman history. In a vivacious and engaging style, Mommsen drew bold parallels between the nineteenth century and classical Rome. Information about this Folio Society edition (taken from the Editorial Note):Theodor Mommsen’s Römische Geschichte was first published in three volumes between 1854 and 1856, and was subsequently revised several times. The text of the present volume is derived from William Purdie Dickson’s translation, first published in four volumes by Richard Bentley in London in 1868, of the fourth German edition.The text printed in the ensuing pages preserves slightly less than half of the 1868 edition’s three-quarters of a million words. In abridging a work of such magnitude, strict guiding principles tend to be honoured as much in their breach as in their observance. With that caveat in mind, therefore, the intention in this edition has been to provide, within a single volume, a continuous narrative of the history of Rome, from the origins of the city down to the Civil War that resulted in the sole rule of Julius Caesar (c.753—46BC). At the same time, it is hoped that the selection represents the essential character of Mommsen’s historical vision, and can be read with both pleasure and profit by a non-specialist audience.In pursuit of these goals, the relative amount of space devoted to each of the main periods of Roman history has been preserved, and Mommsen’s own book divisions and titles retained. Similarly, the original chapter titles and breaks—and indeed even the paragraphing—has been followed as closely as possible. Wirth some obvious exceptions, marginal precedence has been given to social and constitutional developments, and to political events and conflicts in Rome and Italy, over foreign policy and the detailed narration of overseas wars. Consequently, the significant amount of background information that Mommsen provided concerning the foreign nations with which Rome came into violent contact—Etruscans, Celts, Carthaginians and the peoples of the Hellenistic eastern Mediterranean among them—has been almost entirely excised. And the summaries on literature and the arts that were tacked on to the end of each book have also had to be omitted. Within these broad parameters, however, every effort has been made to ensure that the full spectrum of Mommsen's themes, methodology, and style is portrayed.So that the text retains its readability, all cuts have been made silently, without the distraction of frequent ellipses. Where it has proved impossible to provide a continuous narrative in Mommsen’s own words, then editorial linking passages, printed in smaller type than the rest of the text, have been supplied. These confine themselves to the bare essentials and take a deliberately conservative line in order to sit more comfortably with the main narrative. the new maps and extensive chronology are also intended to compensate for information otherwise excised. A handful of editorial footnotes and other brief interpolations have been added where essential for sense. All such additions to the original text, as well as any other localised rewordings necessitated by the cuts, are contained within square brackets. Most of Mommsen’s analogies to subsequent historical events, which are one of the many delights of his work, require no explanation for an educated readership.Any attempt to update Mommsen’s scholarship would be presumptuous, if not completely foolhardy, and so all points of fact and interpretation have been allowed to stand without comment. thus, for example, Mommsen’s belief that Caesar was probably born in 102BC—rather than 100 BC, as is now generally accepted—has not been amended. Nor has it been deemed necessary to bring into line with current accepted norms either the spelling of proper nouns or Disckon’s faithful equivalents of Mommsen’s deliberately idiosyncratic and anachronistic rendition of Latin terms. Of these, the most noticeable is undoubtedly the word ‘burgess’ instead of ‘citizen’. While proving that few things date faster than modernity, they also provide an important reminder that Mommsen wrote his history with the pressing political and national issues facing both pre-unification Germany and the rest of the mid-nineteenth0century Europe directly in mind.

    Gustav Klimt's art is thoroughly fin de siècle.It expresses the apocalyptic atmosphere of Vienna's upper-middle-class society — a society devoted to the cultivation of aesthetic awareness and the cult of pleasure. The ecstatic joy which Klimt (1862-1918) and his contemporaries found — or hoped to find — in beauty was constantly overshadowed by death, and death therefore plays an important role in Klimt's art. Klimt's fame, however, rests on his reputation as one of the greatest erotic painters and graphic artists of his times. Particularly his drawings, which have been widely admired for their artistic excellence, are dominated by the erotic portrayal of women. Klimt saw the world "in female form." Author Gottfried Fliedlalso discusses the Secession movement and Klimt's role within this important group of artists.

    It includes a wealth of material that has emerged from a sequence of six conferences held by influential figures in the field of urban development and its related disciplines, and examines the requisite tools for creating a thriving modern city. The book has been edited by Ricky Burdett and Deyan Sudjic in collaboration with one of the most important educational institutions in this field, the London School of Economics, which assures that the information and data provided is reliable, accurate and informed. Taking 6 key cities as its focal point: New York, Shanghai, London, Mexico City, Johannesburg and Berlin, The Endless City discusses in depth not only the infrastructure and architectural expansion necessary for continuous urban growth, but also the social and economic factors that are critical to urban development in the 21st century. Clearly organised into separate sections for each city, the book will have a strong visual impact and make detailed scholarly research straightforward and manageable. Images of each city will complement the discussions and enrich the discussion presented in the text.With contributions by experts in urban development, this book will appeal to architects, city planners, economists, students, politicians and anyone with an interest in the future of our cities.

     And ladies, if you are carrying some extra weight and don't look or feel much like a marathon runner right now, you may be feeling a little overwhelmed by the wealth of marathon training advice out there...none of which seems relevant for you. DO NOT PANIC!!!! You have plenty of time to get yourself organised and prepared for the biggest adventure of your life....and plus size marathon runner and life coach Julie Creffield will walk you through every stage of the process with her unique mix of humour, realism and practicality. Covering everything from chesticle chaffing, to mingeries...swamp arse, to blister popping. This book goes where no other book dares to go, with its warts and all account of training as a larger lady. Julie committed to running her first marathon back in 2005 weighing in at 20 stone and unable to run to the top of her road. She has gone on to run 4 marathons, a 40 mile ultra marathon and hundreds of other races as well as inspiring and coaching thousands of women around the world to survive and thrive in the world of long distance running. As the creator of the award winning blog The Fat Girls Guide to Running she has transformed the landscape of plus size running, and has worked closely as a coach with more than 100 women to help them train for their first ever marathon. She knows the kind of doubts that women have about their own abilities, and the complexity of marathon training while working and raising a family. Many of the marathon training books out there are great in an ideal world, but let's face it, how many of us live in that ideal world. This is a marathon book for those of us in the real world...and you won't find a more honest account of what preparing for and completing your first marathon feels like. The book will cover everything from - Deciding if the distance is even for you - Securing your race place - Reviewing your habits and deciding your approach - Creating a robust and doable plan - The types of running sessions you need to include - How to get rid of the negative voices in your head - Avoiding injury - Fuelling your marathon journey - Building your support team - What to expect on race day - How to deal with the aftermath...and what to do with your medal This book will give you the confidence, know how and common sense to see you through what is sure to be some of the toughest months of training you will ever do. It will also help you see that so many of the skills and behaviours you pick up during marathon training are applicable to other areas of your life too. If you want to get to the start line and the finish line in one piece...this is the book for you.

    The rotator cuff, a group of four, flat tendons that connect to the critical muscles that stabilize your shoulder, can cause a lot more problems than you might think. Consider a few of these statistics from the published literature: .It's simply just a matter of time until the majority of shoulders get a rotator cuff tear. According to Magnetic Resonance Imaging (MRI) scans, approximately 4% of people under forty years of age have a torn rotator cuff. After age sixty, however, 54% of people have one (Sher 1995). .Once the rotator cuff gets torn, it doesn't look good either. One study followed a group of patients with tears in their rotator cuffs and found that 80% of the them went on to either enlarge or turn into full thickness tears-in less than a two-year period (Yamanaka 1994). As you can tell, rotator cuff problems aren't just for elite athletes. Seriously consider investing just a few minutes a week doing the simple exercises in this book if you: .have been diagnosed with either a partial or full thickness rotator cuff tear (yes, many studies show that even full thickness tears can be helped with exercise!) .experience shoulder pain .do upper body weight lifting .have a job or play a sport where you do a lot of work with your arms above shoulder level .have been diagnosed with "impingement syndrome" .want a healthy and properly functioning rotator cuff So whether you already suffer from a rotator cuff problem, or simply want to prevent one, Treat Your Own Rotator Cuff will guide you step-by-step through an evidence-based program that can iron-plate your shoulders in just minutes a week. Jim Johnson, P.T., is a physical therapist who has spent over fifteen years treating both inpatients and outpatients with a wide range of pain and mobility problems. He has written many books based completely on published research and controlled trials including The Multifidus Back Pain Solution, Treat Your Own Knees, The No-Beach, No-Zone, No-Nonsense Weight Loss Plan: A Pocket Guide to What Works, and The Sixty-Second Motivator. His books have been translated into other languages and thousands of copies have been sold worldwide. Besides working full-time as a clinician in a large teaching hospital and writing books, Jim Johnson is a certified Clinical Instructor by the American Physical Therapy Association and enjoys teaching physical therapy students from all over the United States.

    Spanning 1794-2009, District Comics stops along the way for a duel, a drink in the Senate's speakeasy, a look into the punk scene, and much more.Featuring stories by:Scott O. Brown, award-winning man of comics and Harvey Award nomineeChad Lambert, five-time Howard E. Day Memorial Prize finalist and writer for Kung Fu Panda and MegamindJim Ottaviani, creator of The New York Times bestseller Feynman

    When Lilly "Aimee" Wust, a gentile mother of four and wife of a Nazi officer, met Felice "Jaguar" Schragenheim, a Jew living underground in Berlin, neither could have guessed that their brief initial encounter would develop into a blazing, devoted love. As the Nazi stranglehold closed in on them, Lilly and Felice found themselves fighting insurmountable odds to stay together. Extraordinarily passionate and heartrending, this is a rare and personal look at the love and strength of two women whose commitment to each other defied the brutality of their time.

    It covered 2,000 kilometres and was raced in appalling conditions across the battlefields of the Western Front, otherwise known as the Zone Rouge. The race was so tough that only 21 riders finished, and it was never staged again.With one of the most demanding routes ever to feature in a bicycle race, and plagued by appalling weather conditions, the Circuit des Champs de Bataille was beyond gruelling, but today its extraordinary story is largely forgotten. Many of the riders came to the event straight from the army and had to ride 18-hour stages through sleet and snow across the battlefields on which they had fought, and lost friends and family, only a few months before. But in addition to the hellish conditions there were moments of high comedy, even farce.The rediscovered story of the Circuit des Champs de Bataille is an epic tale of human endurance, suffering and triumph over extreme adversity.

    Moving through landscapes of fairy tales, family history, strange words and letters, dreams, and every-day reality, Tawada's work blurs divisions between fact and fiction, prose and poetry. Often set in physical spaces as disparate as Japan, Siberia, Russia, and Germany, these tales describe a fragmented world where even a city or the human body can become a sort of text. Suddenly, the reader becomes as much a foreigner as the author and the figures that fill this book: the ghost of a burned woman, a woman traveling on the Trans-Siberian railroad, a mechanical doll, a tongue, a monk who leaps into his own reflection. Tawada playfully makes the experience of estrangement -- of a being in-between -- both sensual and bewildering, and as a result practically invents a new way of seeing things while telling a fine story.

    Their father went away to sea never to return, and then their mother falls victim to the typhus sweeping through Liverpool. Regarded as orphans by the authorities, May and Gus are sent to the Brownlow Hill Workhouse. Like all workhouses, Brownlow is the last resort for the poor and the destitute. May and Gus will have to rely on each other more than ever if they are to survive the hardships to come...

    That he was a homosexual and a teenage leader in the resistance and yet survived is amazing. But that he endured the ongoing horror with an open heart, with love and without vitriol, and has written about it so beautifully is truly miraculous. This is Gad Beck’s story.

    The band had just released Terrapin Station and had not toured for twenty months. In 1977, the Grateful Dead reached a musical peak, and their East Coast spring tour featured an exceptional string of performances, including the one at Cornell.Many Deadheads claim that the quality of the live recording of the show made by Betty Cantor-Jackson (a member of the crew) elevated its importance. Once those recordings ― referred to as "Betty Boards" ― began to circulate among Deadheads, the reputation of the Cornell '77 show grew exponentially. That aura grew with time and, in the community of Deadheads and audiophiles, the show at Barton Hall acquired legendary status.Rooted in dozens of interviews ― including a conversation with Betty Cantor-Jackson about her recording ― and accompanied by a dazzling selection of never-before-seen concert photographs, Cornell ’77 is about far more than just a single Grateful Dead concert. It is a social and cultural history of one of America’s most enduring and iconic musical acts, their devoted fans, and a group of Cornell students whose passion for music drove them to bring the Dead to Barton Hall. Peter Conners has intimate knowledge of the fan culture surrounding the Dead, and his expertise brings the show to life. He leads readers through a song-by-song analysis of the performance, from “New Minglewood Blues” to “One More Saturday Night,” and conveys why, forty years later, Cornell ’77 is still considered a touchstone in the history of the band.

    Not just keeping his bff from buying every skein of yarn in sight, but in clearing her oldest friend’s name of murder.