It’s what I do. This time I'm tidying up the loose ends after a casino heist gone bad. The loose ends being a million cash. But I only have 48 hours, and there’s a guy out there who wants my head in a bag.He'll have to find me first. They don’t call me the Ghostman for nothing...

    Of course he has; he's a mystery-script writer. But when Alicia takes a long, unannounced vacation, Sydney seizes the opportunity to perfect his artistic method.With her characteristic precision and unrivaled sensitivity to the inner tremblings of human character, Patricia Highsmith shockingly portrays Sydney's descent into the treacherous world of his own fictions. Once again Highsmith proves herself to be a master at depicting the unsettling forces that boil beneath the surface of everyday life.

    Anna keeps passing Michael books until one day he disappears, suddenly released after a private detective manipulated a witness in Michael's trial. Outside, Michael encounters a Washington, D.C., that has changed a lot during his time locked up. Once shady storefronts are now trendy beer gardens and flower shops. But what hasn't changed is the hard choice between the temptation of crime and doing what's right. Trying to balance his new job, his love of reading, and the debt he owes to the man who got him released, Michael struggles to figure out his place in this new world before he loses control.<Smart and fast-paced, The Man Who Came Uptown brings Washington, D.C. to life in a high-stakes story of tough choices.

    The victim makes headlines as the Black Dahlia—and so begins the greatest manhunt in California history. Caught up in the investigation are Bucky Bleichert and Lee Blanchard: Warrants Squad cops, friends, and rivals in love with the same woman. But both are obsessed with the Dahlia—driven by dark needs to know everything about her past, to capture her killer, to possess the woman even in death. Their quest will take them on a hellish journey through the underbelly of postwar Hollywood, to the core of the dead girl's twisted life, past the extremes of their own psyches—into a region of total madness.

    A stunning and vital piece of work.” —Irvine Welsh, author of Trainspotting and FilthIn a brilliantly stylish breakthrough thriller for fans of Bret Easton Ellis’s American Psycho and Will Christopher Baer’s Kiss Me, Judas, here is the compelling tale of a man who has lost it all—and is now navigating a crooked, harrowing path to redemption.   Once a suburban husband and father, now the man has lost all sense of time. He retains only a few keepsakes of his former life: a handmade dining room table, an armoire and dresser from the bedroom, and a tape of the last message his wife ever left on their answering machine. These are memories of a man who no longer exists. Booze and an affair with a beautiful woman provide little relief, with the only meaning left in his life coming from his assignments. An envelope slipped under the door of his apartment with the name and address of an unpunished evildoer. The unspoken directive to kill. And every time he does, he marks the occasion with a memento: a tattoo. He has a lot of tattoos.   But into this unchanging existence seep unsettling questions. How much of what he feels and sees can he trust? How much is a lie designed to control him? He will risk his own life—and the lives of everyone around him—to find out. EARLY PRAISE FOR DISINTEGRATION:“Sweet hot hell, Richard Thomas writes like a man possessed, a man on fire, a guy with a gun to his head. And you’ll read Disintegration like there’s a gun to yours, too. A twisted masterpiece.”—Chuck Wendig, author of Blackbirds and Double Dead“This novel is so hard-hitting it should come with its own ice-pack. Richard Thomas is the wild child of Raymond Chandler and Chuck Palahniuk, a neo-noirist who brings to life a gritty, shadow-soaked, bullet-pocked Chicago as the stage for this compulsively readable crime drama.” —Benjamin Percy, author of The Dead Lands and Red Moon“Thomas builds his universe and its population with terse prose and dynamic, often horrifyingly visceral imagery that unspools with grand weirdness and intensity. Then he rips that universe apart, brick by bloody brick. Disintegration is provocative. It’s also damned fine noir.”—Laird Barron, author of The Beautiful Thing That Awaits Us All and The Croning “A sodden, stumbling anti-hero in a noir so dark it makes much of the rest of the genre seem like Disney movies by comparison. Gritty, obsessive, and compulsively readable.”—Brian Evenson, author of Immobility and Windeye“Disintegration is gritty neo-noir; a psycho-sexual descent into an unhinged psyche and an underworld Chicago that could very well stand in for one of the rings of Dante's Hell. Richard Thomas' depraved-doomed-philosopher hitman is your guide. I suggest you do as he says and follow him, if you know what's good for you.”—Paul Tremblay, author of A Head Full of Ghosts and The Little Sleep“In sharp, icy prose that cuts like a glacial wind, Richard Thomas’ dark Chicago tale keeps us absolutely riveted to the very end.” —Donald Ray Pollock, author of The Devil All the Time and Knockemstiff

    The group plan to have one last adventure before they have to finally succumb to adulthood. What they think will be a week of sun, parties and romance soon becomes more sinister when they take a trip to the mountainous province of Mügla for the day. Eve soon realises that things are not what they seem. She sees that something isn’t right but her friends are oblivious. Can she convince them all before it’s too late? Suitable for adults only.

    and The Power of the Dog now gives us a fierce and funny new novel—and a blistering new take on the Mafia story.Frank Machianno is a late-middle-aged ex–surf bum who runs a bait shack on the San Diego waterfront when he’s not juggling any of his other three part-time jobs or trying to get a quick set in on his longboard. He’s a stand-up businessman, a devoted father to his daughter, and a beloved fixture in the community.Frank’s also a hit man. Specifically: a retired hit man. Back in the day, when he was one of the most feared members of the West Coast Mafia, he was known as Frankie Machine. Years ago Frank consigned his Mob ties to the past, which is where he wants them to stay. But a favor being called in now by the local boss is one Frank can’t refuse, and soon he’s sucked back into the treacherous currents of his former life. Someone from the past wants him dead. He has to figure out who, and why, and he has to do it fast.The problem is that the list of candidates is about the size of his local phone book and Frank’s rapidly running out of time.And then things go really bad.

    It begins with a beautiful woman dead, murdered—Vassilia Caroline Baird, known to all simply as V. That’s where this extraordinary novel begins. But the story it tells begins years earlier, on a struggling farm in the shadow of the Great Depression and among the brawling "cat skinners" of Southern California, driving graders and bulldozers to tame the American West. And the story that unfolds, in the masterful hands of acclaimed author Oakley Hall, is a lyrical outpouring of hunger and grief, of jealousy and corruption, of raw sexual yearning and the tragedy of the destroyed lives it leaves in its wake. Unpublished for more than half a century, SO MANY DOORS is Hall’s masterpiece, an excoriating vision of human nature at its most brutal, and one of the most powerful books you will ever read.

    His beat is a rough New Jersey neighborhood where the drug murders blur together, until the day Victor Dunham — a twenty-year-old with a steady job and a clean record — confesses to a shooting outside a fast-food joint. It doesn't take long for Rocco's attention to turn to Victor's brother, a street-corner crack dealer named Strike who seems a more likely suspect for the crime. At once an intense mystery, and a revealing study of two men on opposite sides of an unwinnable war, Clockers is a stunningly well-rendered chronicle of modern life on the streets.

    To Camp Rapture’s general consternation, Sunset’s mother-in-law arranges for her to take over from Pete as town constable. As if that weren’t hard enough to swallow in depression era east Texas, Sunset actually takes the job seriously, and her investigation into a brutal double murder pulls her into a maelstrom of greed, corruption, and unspeakable malice. It is a case that will require a well of inner strength she never knew she had. Spirited and electrifying, Sunset and Sawdust is a mystery and a tale like nothing you’ve read before.

    Sughrue, a Montana investigator who kills time by working at a topless bar. Hired to track down a derelict author, he ends up on the trail of a girl missing in Haight-Ashbury for a decade. The tense hunt becomes obsessive as Sughrue takes a haunting journey through the underbelly of America's sleaziest nightmares.

    So when they are approached at a roadside diner by a shady hitchhiker offering $500 for a ride to Omaha, they wonder if their luck might be changing. At first it seems like so much easy money--but within a few hours the man is dead. Now, forced off the road by a blizzard and trapped in a run-down motel on the side of a deserted highway, Nate and Sara begin to uncover the man's secrets: who he was, how he died, and most importantly, why he was carrying two million dollars in his suitcase. Before they know it, Nate and Sara are fighting for their lives. In the end, each has to decide just how far they are willing to go to survive. The Cold Kiss is an everyman psychological thriller that pits a young couple against moral corruption, greed, betrayal, and love. For two characters who may have used up all their chances, it's the classic final trip down the dark tunnel that might lead to heaven but drags them through hell.

    His latest gig comes replete with an illegally squatting B-movie actress who rants about hit men who specialize in making deaths look like accidents. Unfortunately, it's the real deal. Hardie finds himself squared off against a small army of the most lethal men in the world: The Accident People.It's nothing personal-the girl just happens to be the next name on their list. For Hardie, though, it's intensely personal. He's not about to let more innocent people die. Not on his watch.

    Amidst a firestorm of violence, betrayal and horror, their three worlds will eventually collide in an old mining shack buried deep in the mountains. CORROSION, the shattering debut novel by Jon Bassoff, is equal parts Jim Thompson, Flannery O'Connor and William Faulkner, and an unforgettable journey into the underbelly of crime and passion. Drawn from the darkest corners of the human experience, it is sure to haunt readers for years to come.

    On the same day that Roy Cady is diagnosed with a terminal illness, he senses that his boss, a dangerous loan-sharking bar-owner, wants him dead. Known “without affection” to members of the boss’s crew as “Big Country” on account of his long hair, beard, and cowboy boots, Roy is alert to the possibility that a routine assignment could be a deathtrap. Which it is. Yet what the would-be killers do to Roy Cady is not the same as what he does to them, which is to say that after a smoking spasm of violence, they are mostly dead and he is mostly alive.Before Roy makes his getaway, he realizes there are two women in the apartment, one of them still breathing, and he sees something in her frightened, defiant eyes that causes a fateful decision. He takes her with him as he goes on the run from New Orleans to Galveston, Texas—an action as ill-advised as it is inescapable. The girl’s name is Rocky, and she is too young, too tough, too sexy—and far too much trouble. Roy, Rocky, and her sister hide in the battered seascape of Galveston’s country-western bars and fleabag hotels, a world of treacherous drifters, pickup trucks, and ashed-out hopes. Any chance that they will find safety there is soon lost. Rocky is a girl with quite a story to tell, one that will pursue and damage Roy for a very long time to come in this powerful and atmospheric thriller, impossible to put down. Constructed with maximum tension and haunting aftereffect, written in darkly beautiful prose, Galveston announces the arrival of a major new literary talent.