In her consulting rooms, Dr. Helsing treats the undead for a host of ills - vocal strain in banshees, arthritis in barrow-wights, and entropy in mummies. Although barely making ends meet, this is just the quiet, supernatural-adjacent life Greta's been groomed for since childhood. Until a sect of murderous monks emerges, killing human and undead Londoners alike. As terror takes hold of the city, Greta must use her unusual skills to stop the cult if she hopes to save her practice, and her life.

    In sweeping prose, this epic delves into the fevered mind of a man living two lives--a public healer and a private monster whose tormented psyche draws him into a world of violent emotion, bloodlust, and self-loathing. Author media. HC: Hyperion.

    And when Maurice turns Reginald to save his life, it's just Reginald's own further bad luck that he wakes up to discover he's become the slowest, weakest, most out-of-shape vampire ever born, doomed to "heal" to his corpulent self for all of eternity.As Reginald struggles with the downsides of being a fat vampire -- too slow to catch people to feed on, mocked by those he tries to glamour, assaulted by his intended prey and left for undead -- he discovers in himself rare powers that few vampires have… and just in time too, because the Vampire Council might just want his head for being an inferior representative of their race. Fat Vampire is the story of an unlikely hero who, after having an imperfect eternity shoved into his grease-stained hands, must learn to turn the afterlife's lemons into tasty lemon danishes.

    But Triana sets out to resist Stefan, and the struggle thrusts them both into a terrifying supernatural realm.Violin flows abundant with the history, the drama, and the romantic intensity that have become synonymous with Anne Rice at her incomparable best.Anne Rice is the author of eighteen books. She lives in New Orleans.

    Peppered with familiar characters from Victorian history and fiction, the novel follows vampire Geneviève Dieudonné and Charles Beauregard of the Diogenes Club as they strive to solve the mystery of the Ripper murders. Anno Dracula is a rich and panoramic tale, combining horror, politics, mystery and romance to create a unique and compelling alternate history. Acclaimed novelist Kim Newman explores the darkest depths of a reinvented Victorian London. This brand-new edition of the bestselling novel contains unique bonus material, including a new afterword from Kim Newman, annotations, articles and alternate endings to the original novel.

    Surrounded by wealth yet ostracized by her peers, Babette had little interest in love until she met Korbinian, a scandalous German baron with the audacity to regard her as his equal. But when the intrigues of her grandfather's enemies conspire to tear them apart, Varanus will embark upon a journey of vengeance, love, and redemption that will take her beyond the limitations of mortality and reveal to her the dark forces that command humanity from the shadows. Faced with madness, murder, hidden cults, and erudite vampires, does she have the strength to withstand the storm that rises against her?

    The invitation to spend some time with his dad - the Baron Malcolm Spoor - comes as a surprise. But what awaits Torrance at his father's windswept estate is far worse than he could ever imagine. Welcome to the world of The Living One, one of the most frightening, clever, and suspenseful novels of the year. In this tour-de-force debut, Lewis Gannett spins a spellbinding story that summons up magic, body thievery, killer dogs, ESP wars, and lusty, genre-defying sex - straight, gay, and forms yet unnamed. The Spoors are the ultimate dysfunctional family. Wealthy, shamelessly extravagant, and impossibly attractive, they are also cursed. The curse has been handed down from father to son for seven hundred years, ever since the Crusades, when a bizarre and mystifying event created a recurring pattern of madness and death. As Baron Malcolm Spoor prepares for his demise, he must pass on the family riches - and its traditions - to his estranged son. But Malcolm and Torrance both have secrets they would rather keep to themselves, secrets that are nearly revealed when a shadowy government scientist picks up psychic readings from the Spoor estate and a bohemian teacher becomes personally involved with Torrance. These two begin an investigation into the extraordinary life of Baron Malcolm Spoor, and their findings are truly horrifying. Updating elements of the epistolary novel popularized in Dracula, Lewis Gannett tells his gothic story through the inventive use of videotape transcripts, diary entries, and historical records. Vivid, scary, mythic, and engrossing, The Living One explores the terrifying dimensions of family guilt, aging, and the murderous tensions between fathers and sons. Lewis Gannett has written a startling and thrilling novel that marks the debut of an original new voice in fiction.

    . . but immortality comes at a price. . . . On the midnight shift at a hospital in rural St. Andrew, Maine, Dr. Luke Findley is expecting a quiet evening--until a mysterious woman, Lanore McIlvrae, arrives in his ER, escorted by police. Lanore is a murder suspect, and Luke is inexplicably drawn to her. As Lanny tells him her story, an impassioned account of love and betrayal that transcends time and mortality, she changes his life forever. At the turn of the nineteenth century, Lanny was consumed as a child by her love for the son of St. Andrew’s founder, and she will do anything to be with him forever, but the price she pays is steep--an immortal bond that chains her to a terrible fate.

    Equal parts brilliant and charming, neurotic and manipulative, Harry has devoted his life to exposing the truth behind England’s many ‘false hauntings’, and never has he left a case unsolved, nor a fraud unexposed.So when Harry and Sarah are invited to Borley Rectory – a house so haunted that objects frequently fly through the air unbidden, and locals avoid the grounds for fear of facing the spectral nun that walks there – they’re sure that this case will be just like any other. But when night falls and still no artifice can be found, the ghost hunters are forced to confront an uncomfortable possibility: the ghost of Borley Rectory may be real. And, if so, they’re about to make its most intimate acquaintance.

    While there, Phoebe is drawn to a stranger, the enigmatic Nathaniel Samuels who heralds dramatic changes in the lives of all three women. When offered the position of companion to Nathaniel's reclusive wife, Phoebe leaves her life in London's East End for Dinwood Court in Herefordshire — a house that may well be haunted and which holds the darkest of truths. In a gloriously gothic debut, Essie Fox weaves a spellbinding tale of guilt and deception, regret and lost love.

    By the summer of 1974 Coden's glamour has faded, but it doesn't bother Mimi Bosarge, who is just happy to have a job as a live-in tutor with the wealthiest family in town, the Hendersons. When the Hendersons generously open their arms to Annie, a troubled teenager with no recollection of her past, Mimi's greatest concern is creating a curriculum for the family's new ward. But it soon becomes obvious that something is wrong. Annie seems suspiciously savvy for her young age, and Mimi can't quell the unnerving sense that there is something malicious about the waiflike beauty.

    Called Makt Myrkranna (literally, “Powers of Darkness”), this Icelandic edition included an original preface written by Stoker himself. Makt Myrkranna was published in Iceland in 1901 but remained undiscovered outside of the country until 1986, when Dracula scholarship was astonished by the discovery of Stoker’s preface to the book. However, no one looked beyond the preface and deeper into Ásmundsson’s story.In 2014, literary researcher Hans de Roos dove into the full text of Makt Myrkranna, only to discover that Ásmundsson hadn’t merely translated Dracula but had penned an entirely new version of the story, with all new characters and a totally re-worked plot. The resulting narrative is one that is shorter, punchier, more erotic, and perhaps even more suspenseful than Stoker’s Dracula. Incredibly, Makt Myrkranna has never been translated or even read outside of Iceland until now.Powers of Darkness presents the first ever translation into English of Stoker and Ásmundsson’s Makt Myrkranna. With marginal annotations by de Roos providing readers with fascinating historical, cultural, and literary context; a foreword by Dacre Stoker, Bram Stoker’s great-grandnephew and bestselling author; and an afterword by Dracula scholar John Edgar Browning, Powers of Darkness will amaze and entertain legions of fans of Gothic literature, horror, and vampire fiction.

    But now a new evil walks among the living. . . . When nineteen-year-old John Shaw returns from the trenches of World War I, he is haunted by nightmares—not only of the battlefield, but of the strange, cruel and impossible feats of his regiment's commander, Quincey Harker. Harker's ferocity knows no limits, and his strength is superhuman. At first John blames his bloody nightmares on trench fever. But when Harker appears in England and begins wooing John's sister, John must confront the truth—and stop Harker from continuing Dracula's bloodline.

    This chapel, a stained glass folly set on the moors of Shropshire, was built by de Bonne sixteen years earlier to house the remains of his beloved wife and muse, Ada. Since then, the chapel has been locked and abandoned, a pilgrimage site for the rabid fans of de Bonne’s last book, The Lost History of Dreams.However, Ada’s grief-stricken niece refuses to open the glass chapel for Robert unless he agrees to her bargain: before he can lay Hugh to rest, Robert must record Isabelle’s story of Ada and Hugh’s ill-fated marriage over the course of five nights.As the mystery of Ada and Hugh’s relationship unfolds, so does the secret behind Robert’s own marriage—including that of his fragile wife, Sida, who has not been the same since the tragic accident three years ago, and the origins of his own morbid profession that has him seeing things he shouldn’t—things from beyond the grave.Kris Waldherr effortlessly spins a sweeping and atmospheric gothic mystery about love and loss that blurs the line between the past and the present, truth and fiction, and ultimately, life and death.

    Her crime—the gruesome murders of dozens of female servants, mostly young girls tortured to death for displeasing their ruthless mistress. Her opponents painted her as a bloodthirsty škrata—a witch—a portrayal that would expand to grotesque proportions through the centuries.In this riveting dramatization of Erzsébet Báthory’s life, the countess tells her story in her own words, writing to her only son—a final reckoning from his mother in an attempt to reveal the truth behind her downfall. Countess Báthory describes her upbringing in one of the most powerful noble houses in Hungary, recounting in loving detail her devotion to her parents and siblings as well as the heartbreak of losing her father at a young age. She soon discovers the price of being a woman in sixteenth-century Hungary as her mother arranges her marriage to Ferenc Nádasdy, a union made with the cold calculation of a financial transaction. Young Erzsébet knows she has no choice but to accept this marriage even as she laments its loveless nature and ultimately turns to the illicit affections of another man. Seemingly resigned to a marriage of convenience and a life of surreptitious pleasure, the countess surprises even herself as she ignites a marital spark with Ferenc through the most unromantic of acts: the violent punishment of an insolent female servant. The event shows Ferenc that his wife is no trophy but a strong, determined woman more than capable of managing their vast estates during Ferenc’s extensive military campaigns against the Turks. Her naked assertion of power accomplishes what her famed beauty could not: capturing the love of her husband. The countess embraces this new role of loving wife and mother, doing everything she can to expand her husband’s power and secure her family’s future. But a darker side surfaces as Countess Báthory’s demand for virtue, obedience, and, above all, respect from her servants takes a sinister turn. What emerges is not only a disturbing, unflinching portrait of the deeds that gave Báthory the moniker “Blood Countess,” but an intimate look at the woman who became a monster.