This story of three closely related Oxfordshire communities - a hamlet, the nearby village and a small market town - is based on the author's experiences during childhood and youth. It chronicles May Day celebrations and forgotten children's games, the daily lives of farmworkers and craftsmen, friends and relations - all painted with a gaiety and freshness of observation that make this trilogy an evocative and sensitive memorial to Victorian rural England.With a new introduction by Richard Mabey

    What happens when the matchmaker doesn’t want to help him? Well, that’s when the fun begins…Nicholas Stirling, Marquess of Trubridge, loves his life just as it is: dissolute, scandalous, and deuced good fun. His father, the Duke of Landsdowne is not amused, and when he cuts off Nicholas’ trust fund, the fun-loving marquess is forced to find an alternate source of income—in other words, he has to marry an heiress.Every new-money American heiress knows Lady Belinda Featherstone is the key to social acceptance. Once a new-money nobody herself, Belinda discovered first-hand how heartbreaking the game of love and matrimony could be after a reprobate British earl married her for her money. Now a respectable widow, Belinda has become England’s most successful matchmaker, guiding young American heiresses through the hazards of the London season and helping them to find husbands worthy of them. To her mind, the Marquess of Trubridge is nothing but a fortune-hunting scoundrel and she has no intention of allowing him to charm his way into any American girl’s heart, including her own.

    She covers him up and fetches help. Trouble is, she can't banish his muscular form from her dreams as easily. She finds herself compelled to put every detail down on canvas. What she doesn't know is that she's painting the infamous Duke of Weston, and that her life will never be the same.A second son, Anthony Philby thought he could flee his brutal family legacy and become his own man. Forced back to London by his brother's death, he inherits a fortune... with strings attached. One scandal will sink his bid for independence. It's in his best interest to burn Lucy Coover's shocking painting and pretend he never met the bewitching young artist. Instead, he finds himself offering a devil's bargain. He'll save her aunt's dressmaking shop from ruin, if she'll seek out his missing sister, Effie.As they work together, an unexpected passion ignites between them. But the hunt for Effie leads to unexpected danger, and soon they find themselves risking everything... for a love that might destroy them both.

    But when her sister dies tragically in a dreadful accident, she has to go west and pick up her nephew, the only survivor. And even though her plan for inexplicable reasons is to avoid being in close contact with him, she will find herself moved by the sheriff asking her to reconsider and let the boy stay with him instead. Soon enough Lyla will become confused by her conflicting emotions, but will she find the courage to face secrets from the past and eventually follow her heart? James, the local sheriff of Wheatberry, has forgotten what happiness means since his wife died in an unexpected manner. But when he suddenly witnesses a horrifying accident, he is quick to run to an orphaned little boy’s aid. All the more, what he would never expect is that he would end up loving and becoming attached to him. When the boy’s aunt - a beautiful troubled woman - arrives in town, he will do his best to convince her to let him raise the child. Will he succeed in changing her mind and finally creating the loving family he never had the chance to make?Just when Lyla and James come closer and start trusting and loving each other more and more, ghosts from their past will arrive to haunt them... Will this dreadful situation tear the couple apart? How much are the heroes willing to sacrifice so as not to give up on each other?

    The suspension of disbelief happens easily, as the reader is led through twisted family trees and plot lines. The quincunx of the title is a heraldic figure of five parts that appears at crucial points within the text (the number five recurs throughout the novel, which itself is divided into five parts, one for each of the family galaxies whose orbits the narrator is pulled into). Quintuple the length of the ordinary novel, this extraordinary tour de force also has five times the ordinary allotment of adventure, action and aplomb.

    However, Beth's hopes of a quiet life are dashed when Richard, dissatisfied with his meagre inheritance and desperate for promotion, decides to force her into a marriage for his military gain. And he will stop at nothing to get his way.Beth is coerced into a reconciliation with her noble cousins in order to marry well and escape her brutal brother. She is then thrown into the glittering social whirl of Georgian high society and struggles to conform. The effeminate but witty socialite Sir Anthony Peters offers to ease her passage into society and she is soon besieged by suitors eager to get their hands on her considerable dowry. Beth, however, wants love and passion for herself, and to break free from the artificial life she is growing to hate. She finds herself plunged into a world where nothing is as it seems and everyone hides behind a mask. Can she trust the people professing to care for her?The first in the series about the fascinating lives of beautiful Beth Cunningham, her family and friends during the tempestuous days leading up to the Jacobite Rebellion of 1745, which attempted to overthrow the Hanoverian King George II and restore the Stuarts to the British throne. Join the rebellion of one woman and her fight for survival in... The Jacobite Chronicles.

    She is determined to become a doctor despite the misgivings of her family and society, but Sarah quickly finds plenty of barriers at school itself: professors who refuse to teach their new pupils, male students determined to force out their female counterparts, and—perhaps worst of all—her female peers who will do anything to avoid being associated with a fallen woman.Desperate for a proper education, Sarah turns to one of the city’s ramshackle charitable hospitals for additional training. The St Giles’ Infirmary for Women ministers to the downtrodden and drunk, the thieves and whores with nowhere else to go. In this environment, alongside a group of smart and tough teachers, Sarah gets quite an education. But when Lucy, one of Sarah’s patients, turns up in the university dissecting room as a battered corpse, Sarah finds herself drawn into a murky underworld of bribery, brothels, and body snatchers.Painfully aware of just how little separates her own life from that of her former patient’s, Sarah is determined to find out what happened to Lucy and bring those responsible for her death to justice. But as she searches for answers in Edinburgh’s dank alleyways, bawdy houses and fight clubs, Sarah comes closer and closer to uncovering one of Edinburgh’s most lucrative trades, and, in doing so, puts her own life at risk…An irresistible read with a fantastic heroine, beautifully drawn setting, fascinating insights into what it was like to study medicine as a woman at that time, The Wages of Sin is a stunning debut that heralds a striking new voice in historical fiction.

    Desperate for work, she answers an unusual ad. The Durandeau Agency provides its clients with a unique service—the beauty foil. Hire a plain friend and become instantly more attractive. Monsieur Durandeau has made a fortune from wealthy socialites, and when the Countess Dubern needs a companion for her headstrong daughter, Isabelle, Maude is deemed the perfect foil.But Isabelle has no idea her new "friend" is the hired help, and Maude's very existence among the aristocracy hinges on her keeping the truth a secret. Yet the more she learns about Isabelle, the more her loyalty is tested. And the longer her deception continues, the more she has to lose.

    This volume restores all of the material removed by the novel's first editor.Upon receipt of the typescript, Wilde's editor panicked at what he saw. Contained within its pages was material he feared readers would find "offensive"--especially instances of graphic homosexual content. He proceeded to go through the typescript with his pencil, cleaning it up until he made it "acceptable to the most fastidious taste." Wilde did not see these changes until his novel appeared in print. Wilde's editor's concern was well placed. Even in its redacted form, the novel caused public outcry. The British press condemned it as "vulgar," "unclean," "poisonous," "discreditable," and "a sham." When Wilde later enlarged the novel for publication in book form, he responded to his critics by further toning down its "immoral" elements.Wilde famously said that "The Picture of Dorian Gray" "contains much of me" Basil Hallward is "what I think I am," Lord Henry "what the world thinks me," and "Dorian what I would like to be--in other ages, perhaps." Wilde's comment suggests a backward glance to a Greek or Dorian Age, but also a forward-looking view to a more permissive time than his own repressive Victorian era. By implication, Wilde would have preferred we read today the uncensored version of his novel.

    She’s exactly what he’s been searching for—a beautiful woman who interests and entices him. He falls hard and fast—and soon proposes marriage. And then she disappears without a trace…For in reality, the “baroness” is Venetia Easterbrook—a proper young widow who had her own vengeful reasons for instigating an affair with the duke. But the plan has backfired. Venetia has fallen in love with the man she despised—and there’s no telling what might happen when she is finally unmasked…

    His greatest surprise, however, comes when he wins a run-down English estate-with the spirited sister of the previous owner still in residence!

    Hooded and disguised, she led a series of daring raids against the forces of the Crown--vowing to love no man until the English invaders were driven from her native soil. Hot-blooded Captain Garrett Marshall was entrusted with the capture of the mysterious brigand called "Black Jack." But the sensuous, azure-eyed beauty hidden beneath the bandit's manly garb tested Garrett's loyalty to his King. Inflamed by a desire he could not ignore, the handsome officer would wed his bewitching enemy to save her from the gallows. But first he'd have to quell her hatred...and conquer her heart.

    She’s a psychic firebrand. Rebellious, spurned by society and determined to change his mind.What’s a defiant woman to do when the man she’s meant for doesn’t believe in love?After three years of waiting for Julian Alexander to realize they are destined to be together, Lady Piper Scott takes matters into her own hands. Because her gift as a healer has never done anything but distance her from the most principled man in England. A meaningless diversion as a medium, all done to gain a certain wandering viscount’s attention, backfires. As most endeavors have for a woman known in the ton as Scandalous Scott.What’s a reluctant viscount to do when the woman he can’t have becomes the woman he can’t live without?Julian Alexander, Lord Beauchamp, battled his way from the lowliest slum to assume his title. He carries not only a turbulent past, but a mystical psychic gift that separates him from society. Honorable to his core, he is committed to protecting a community of outcasts with abilities like his own. He has no time, no place, for love. Or repeatedly rescuing the most outrageous, beguiling woman he’s ever known. Even if she needs his protection most—and he desires her above all others.Seduction, intrigue and desire lead to an explosive passion…Julian vowed to shield Piper from the deadly foes seeking to possess her powerful gift. Although he needs her help in controlling his own, the mix could be deadly. Soon what was once a simple agreement to work together becomes enchantingly complex as they surrender to a timeless love…

    The short stories included in this selection are representative not only of Tagore's range, but they also enable us to revise the conventional view of Tagore as a short story writer. Writing them at a time when the form was not yet popular, Tagore eschewed the romantic strain prevalent in his day. His stories are fables of modern man, where fairy tale meets hard ground, where myths are reworked, and the religion of man triumphs over the religion of rituals and convention, where the love of a woman infuses the universe with humanity. He writes with concern about such issues as the Hindu revivalism in the late nineteenth century and the bondage of women. The rhythms of daily life, his rural encounters and childhood reminiscences, unfold in his tales, as does a sense of history, the reality of the political situation and its impact on individual lives. Tagore wishes to see the world of humanity not only reflected in his own life but also actualized in Bengali literature. His profound sensibility led him beyond the merely regional, his humanity stretching across east and west, fulfilling the purpose of his Jibandebata, his life's deity, Edited by Sukanta Chaudhuri, a well-known scholar and translator, this is an authoritative and readable translation of Tagore's short stories. An essential Tagore for the collector, it is one that will find its place on every discerning reader's shelf.

    When she is suddenly whisked away to a wealthy widow's home in the prestigious Mayfair district, Sarah can't fathom what has happened. Why would this elderly woman, a stranger, want her company? But Dorothea Blake has reasons she isn't revealing.As Sarah blossoms into a young woman, the secret Mrs. Blake harbors threatens to make them both outcasts among London's elite. When a visitor unknowingly stumbles upon the truth, he puts Sarah at risk of losing everything she holds dear, including the attentions of a new curate. Will the mystery of her birth remain buried forever?